Dion Beebe

{{Short description|Australian–South African cinematographer}}

{{Use dmy dates|date=May 2020}}

{{Use Australian English|date=July 2011}}

{{Infobox person

|name = Dion Beebe

|image =

|image_size =

|alt =

|caption =

|birth_name =

|birth_date = {{birth-date and age|18 May 1968}}

|birth_place = Brisbane, Queensland, Australia

|death_date =

|death_place =

|death_cause =

|nationality = Australian

|education =

|alma_mater =

|occupation = Cinematographer

|years_active = 1992–present

|employer =

|known_for =

|title =

|predecessor =

|successor =

|boards =

|spouse =

|partner =

|children =

|parents =

|footnotes =

|relations =

}}

Dion Beebe A.C.S. A.S.C. ({{IPAc-en|ˈ|d|iː|ɒ|n|_|ˈ|b|iː|b|i}} {{respell|DEE|on|_|BEE|bee}};{{cite web|url=https://podcasts.apple.com/us/podcast/dion-beebe-meet-the-filmmaker/id538017693|title=Dion Beebe: Meet the Filmmaker by Events at the Apple Store on Apple Podcasts|website=Apple Podcasts|date=20 June 2012 }} born 18 May 1968) is an Australian–South African cinematographer.

== Early life and education ==

Originally from Brisbane, Queensland, Australia, his family moved to Cape Town, South Africa, in 1972. Dion studied cinematography at the Australian Film, Television and Radio School from 1987 to 1989.{{Citation needed|date=June 2023}}

== Career ==

Beebe was nominated for an Academy Award and a BAFTA for his work on Rob Marshall's Chicago, and won the 2006 Academy Award for his work on the director's later Memoirs of a Geisha. He is known for his use of stylized, highly saturated colour palettes and for his experimental use of high-speed digital video on Michael Mann's Collateral (for which he won a BAFTA for Best Cinematography) and Miami Vice. He is also a member of the Australian Cinematographers Society (ACS) and the American Society of Cinematographers (ASC). Dion was inducted into the ACS' Hall of Fame at the National Awards on 16 May 2020.

Filmography

class="wikitable"
Year

! Title

! Director

! Notes

1992

|Crush

|Alison Maclean

|

1995

|Vacant Possession

|Margot Nash

|

rowspan=2|1996

|What I Have Written

|John Hughes

|

Floating Life

|Clara Law

|

rowspan=3|1998

|Memory & Desire

|Niki Caro

|

My Own Country

|Mira Nair

|

Praise

|John Curran

|

1999

|Holy Smoke!

|Jane Campion

|

rowspan=2|2000

|Forever Lulu

|John Kaye

|

The Goddess of 1967

|Clara Law

|

2001

|Charlotte Gray

|Gillian Armstrong

|

rowspan=2|2002

|Chicago

|Rob Marshall

|1st collaboration with Marshall

Equilibrium

|Kurt Wimmer

|

2003

|In the Cut

|Jane Campion

|

2004

|Collateral

|Michael Mann

|Co-cinematographer with Paul Cameron

2005

|Memoirs of a Geisha

|Rob Marshall

|

2006

|Miami Vice

|Michael Mann

|

2007

|Rendition

|Gavin Hood

|

rowspan=2|2009

|Land of the Lost

|Brad Silberling

|

Nine

|Rob Marshall

|

2011

|Green Lantern

|Martin Campbell

|

2013

|Gangster Squad

|Ruben Fleischer

|

rowspan=2|2014

|Edge of Tomorrow

|Doug Liman

|

Into the Woods

|Rob Marshall

|

2016

|13 Hours: The Secret Soldiers of Benghazi

|Michael Bay

|

2017

|The Snowman

|Tomas Alfredson

|

2018

|Mary Poppins Returns

|Rob Marshall

|

rowspan=2|2019

| I Am Woman

| Unjoo Moon

|

Gemini Man

|Ang Lee

|

2023

|The Little Mermaid

|Rob Marshall

|

2025

|{{Pending film|Michael}}

|Antoine Fuqua

|Post-production

Awards and nominations

References

{{Reflist}}