class="wikitable sortable" |
Year | Title | Author | Theatre | Role || Notes |
---|
1953 | Will Any Gentleman? | Vernon Sylvaine | Assembly Hall Theatre, Tunbridge Wells | Dr. Smith | Loraine Theatre Company[{{cite news |title=Assembly Hall Rollicking Farce - 'Will any gentleman?' |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000483/19530807/086/0005 |access-date=12 April 2025 |work=Kent & Sussex Courier |date=7 August 1953 |page=5}}] |
1953 | Relative Values | Noël Coward | Assembly Hall Theatre, Tunbridge Wells | | Loraine Theatre Company[{{cite news |title=Life in Kent - Coward style |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000483/19530814/076/0005 |access-date=12 April 2025 |work=Kent & Sussex Courier |date=14 August 1953 |page=5}}] |
1953 | The White Sheep of the Family | Lawrence du Garde Peach and Ian Hay | Assembly Hall Theatre, Tunbridge Wells | Vicar | Loraine Theatre Company[{{cite news |title=Crime's such fun in this comedy |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000483/19530828/099/0005 |access-date=12 April 2025 |work=Kent & Sussex Courier |date=28 August 1953 |page=5 |quote=But probably the hit of the show is Donald Pelmear as a dithering vicar. If police college superintendents object to comic coppers, this is the kind of stage parson that would make a Bishop squirm. It made Tuesday's full house rock with laughter.}}] |
1953 | The Deep Blue Sea | Terence Rattigan | New Pavilion, Redcar | Mr. Miller, ex-doctor | North Riding Theatre Company[{{cite news |title=Repertory. Redcar |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19531022/085/0012 |access-date=12 April 2025 |work=The Stage |date=22 October 1953 |page=12 |quote=An excellent characterisation of Dr. Miller was given by Donald Pelmear}}] |
1956 | The Duke in Darkness | Patrick Hamilton | Southport | The Duke of Latteraine | Southport Repertory Company[{{cite news |title=Hamilton play at Southport |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19560802/108/0011 |access-date=12 April 2025 |work=The Stage |date=2 August 1956 |page=11}}][{{cite news |title=Southport Success in 'Heavy Drama' |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19560719/133/0011 |access-date=12 April 2025 |work=The Stage |date=19 July 1956 |page=11 |quote=The performances of Donald Bodley and Donald Pelmear were a triumph. ... Mr. Pelmear never fails to give his best, and his restrained, dignified Duke was no exception. He is an actor with a future.}}] |
1956 | We at the Crossroads | Keith Winter | Southport | Author | Southport Repertory Company[{{cite news |title=Maelstrom of Emotions |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19560607/120/0011 |access-date=12 April 2025 |work=The Stage |date=7 June 1956 |page=11 |quote=Donald Pelmear and Stanley Lloyd had complete control of their scenes and gave memorable performances that showed considerable depth of feeling, as the idealistic, self-pitying author and the confused husband, respectively.}}] |
1957 | Burdalane | Winifred Bannister | Scala, Southport | Hew Kennedy | Southport Repertory Company[{{cite news |title=Pathos of an Old Scots Spinster |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19570509/111/0010 |access-date=12 April 2025 |work=The Stage |date=9 May 1957 |page=10 |quote=An actor of unquestionable talent, Donald Pelmear, gives a sensitive portrayal as Hew Kennedy, the poacher.}}][{{cite news |last1=R.L.W. |title=Melodrama spiced with Farce. Premiere of "Burdalane" |url=https://www.newspapers.com/article/the-guardian-melodrama-spiced-with-farce/170172132/ |access-date=12 April 2025 |work=The Guardian |date=May 7, 1957 |page=5}}] |
1957 | Separate Tables | Terence Rattigan | Scala, Southport | Major Pollock | Southport Repertory Company[{{cite news |title=Southport Far Ahead of Average', Says 'Burdalane' Author |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19570516/083/0007 |access-date=12 April 2025 |work=The Stage |date=16 May 1957 |page=7 |quote=Donald Pelmear [was] impressive in Separate Tables," ... for his complete interpretation of the questionable Major Pollock. In "My Three Angels" Stanley Lloyd, Peter Schofield and Donald Pelmear were artful, appealing, attentive and altogether lovable.}}] |
1957 | My Three Angels | Bella and Samuel Spewack | Scala, Southport | | Southport Repertory Company |
1958 | The Adventures of Aladdin and his Wonderful Lamp | Donald Bodley | Scala, Southport | Aladdin | Southport Repertory Company[{{cite news |title=Southport. 'Aladdin' |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19580102/159/0027 |access-date=12 April 2025 |work=The Stage |date=2 January 1958 |page=27 |quote=In pantomime, we like a hero who is strong, handsome and endearing. and Donald Pelmear is all these things and more, as Aladdin.}}] |
1958 | Family on Trial | John Wiles | Scala, Southport | Schoolmaster | Southport Repertory Company[{{cite news |title=Southport's Mayor Sees Outstanding Production |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19580508/088/0007 |access-date=12 April 2025 |work=The Stage |date=8 May 1958 |page=7 |quote=Once again Donald Pelmear lived up to his reputation for acting that is nothing less than real, as the schoolmaster who has to face the suspicions of parents and children alike.}}] |
1958 | Ring for Catty | Patrick Cargill and Jack Beale | Scala, Southport | Len White | Southport Repertory Company[{{cite news |title=Southport Breaks Away from Lancashire Comedy |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19580717/163/0014 |access-date=12 April 2025 |work=The Stage |date=17 July 1958 |page=14 |quote=[This] was one of the company's best productions. ... another performance of deep sincerity came from Donald Pelmear, as Len White.}}] |
1958 | Cuckoo in Clover | Kate Lindsay | Scala, Southport | Richard Cavendish | Southport Repertory Company[{{cite news |title=Comedy with an Irish flavour |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001179/19581009/124/0014 |access-date=12 April 2025 |work=The Stage |date=9 October 1958 |page=14 |quote=The plot concerns an appealing young wife ... of a golf-crazy sportsman ... Donald Pelmear brings out plenty of comedy with his semi-dry approach to the part of the husband.}}] |
1960 | The Father | August Strindberg | Castle Theatre, Farnham | Dr. Ostermark | Castle Theatre Repertory Company[{{cite news |title='The Father' at Farnham |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19600303/239/0020 |access-date=12 April 2025 |work=The Stage |date=3 March 1960 |page=20 |quote=Immediately the curtain rose it had the audience within its grip and held it until the last word was spoken. ... Every artist fitted the character like the proverbial glove. ... The Dr. Ostermark of Donald Pelmear was realistic.}}] |
1961 | The Birthday Party | Harold Pinter | Castle Theatre, Farnham | McCann | Castle Theatre Repertory Company[{{cite news |last1=S.N. |title=Altogether too much ketchup |url=https://www.newspapers.com/article/aldershot-news-altogether-too-much-ketch/170216620/ |access-date=13 April 2025 |work=Aldershot News |date=May 19, 1961 |location=Aldershot, Hampshire |page=11}}] |
1961 | A Man for All Seasons | Robert Bolt | Castle Theatre, Farnham | Sir Thomas More | Castle Theatre Repertory Company[{{cite news |title=These People are Real |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19610601/177/0016 |access-date=13 April 2025 |work=The Stage |date=1 June 1961 |page=16 |quote=The role of Thomas More is a gift to any actor and Donald Pelmear revels in it. Every mood of this great man is faithfully depicted - his gentleness, lowliness, gravity, wit, affability, piety and heroism.}}][{{cite news |title=Castle Players accepted challenge and won |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001746/19610602/010/0010 |access-date=14 April 2025 |work=The Aldershot News |date=2 June 1961 |page=10 |quote=Donald Pelmear, as More, rises to great heights with a very sensitive portrayal. He grasps the essential qualities of the character right from the first, is word perfect, and builds up an authentic picture, which in the end makes a great impact when More, now a tortured soul, faces his accusers for the last time.}}] |
1961 | A Man for All Seasons | Robert Bolt | Kings Theatre, Southsea | Sir Thomas More | Salisbury Arts Theatre[{{cite news |last1=Green |first1=Charles |title=A Man for All Seasons a great play |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001973/19611124/019/0002 |access-date=14 April 2025 |work=Hampshire Telegraph |date=24 November 1961 |page=2 |quote=Donald Pelmear plays Sir Thomas More, gentle, witty, kindly, a lover of good wine, a good husband and tender father to his beloved daughter, a man of the law and of God, a faithful son of the old Church, a layman of deeper piety than the worldly clerics. Mr. Pelmear's performance is most moving. We first see him in his family circle, wise, often smiling and jesting, indulgently admiring the dresses of his wife and daughter. We see him confronting Wolsey, polite, urbane, but never shedding his principles, we see him as a loyal subject of his King, knowing how to flatter gently, but still unyielding where principle is concerned. He will not accept divorce, and that is it. Most moving of all, we see him in jail, physically broken and prematurely aged, but still spiritually integrated, taking leave of his loved ones, pathetically praising bis wife's custard that she has brought him, in the midst of heartbreak. We see him confronting his accusers, unruffled mostly, though human enough to have the sudden outburst, and holding fast to his deep religious convictions. A warming, human performance of a beautifully realized character.}}][{{cite news |title=This Play Deserves Much Better Support |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000736/19611121/130/0011 |access-date=15 April 2025 |work=Portsmouth Evening News |date=21 November 1961 |page=11 |quote=Donald Pelmear gives a masterly performance as Sir Thomas More, emphasizing his great capacity for tolerance, and his deep personal conviction which lasts from the days before he was made Lord Chancellor, until his execution.}}] |
1962 | Salad Days | Julian Slade, Dorothy Reynolds | Marlowe Theatre, Canterbury | Ambrose and Police Inspector | Marlowe Theatre Company[{{cite news |title=Marlowe Players Should Pull in Public |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19620426/180/0016 |access-date=15 April 2025 |work=The Stage |date=26 April 1962 |page=16 |quote=Donald Pelmear likewise demonstrated his versatility, his greatest success being as Ambrose, the frustrated dress-designer. As the Poiice Inspector, he was associated with Peter Street (P.C. Boot) in the hilarious dance scene.}}] |
1962 | The Unexpected Guest | Agatha Christie | Marlowe Theatre, Canterbury | Michael Starkwedder | Marlowe Theatre Company[{{cite news |title=Is the "Personal Touch" Filling the Marlowe? |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0003312/19620512/100/0015 |access-date=15 April 2025 |work=Whitstable Times and Herne Bay Herald |date=12 May 1962 |page=15 |quote=Donald Pelmear had one of the meatier parts in the important role of Starkwedder, the "unexpected guest." and he exploited it to the full. Much of the humour in the play was in his lines and he didn't miss a trick.}}] |
1962 | Separate Rooms | Alan Dinehart and Joseph Carole | Marlowe Theatre, Canterbury | Jim Stackhouse | Marlowe Theatre Company[{{cite news |title=The Marlowe - "Crisp and Nutty" Comedy |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0003312/19620602/233/0019 |access-date=15 April 2025 |work=Whitstable Times and Herne Bay Herald |date=2 June 1962 |page=19 |quote=Donald Pelmear was irrepressible as ever in his lively performance as Jim Stackhouse, the columnist with the quick comebacks.}}] |
1963 | Ross | Terence Rattigan | Guildford Theatre, Guildford | Lawrence of Arabia | Guildford Theatre Company[{{cite news |last1=Plain |first1=Penny |title=Entertainment Review |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000727/19630130/003/0003 |access-date=15 April 2025 |work=Surrey Advertiser |date=30 January 1963 |page=3 |quote=The burden of the play rests on the central character. Donald Pelmear is an actor of subtlety and power, who draws a consistent portrait and resists every temptation to overdraw it. Perhaps he might on Monday have stressed a little more, in fact, the contrast between the self-confldent conqueror of Akaba and the wrecked personality at Jerusalem. To have robbed the character of basic sincerity - to have suggested that he was revelling in self-humiliation - would, however, have been fatal, and Mr Pelmear’s restraint was highly effective.}}] |
1964 | Twelfth Night | Shakespeare | Nuffield Theatre, Southampton | Malvolio | Salisbury Arts Theatre Company[{{cite news |title=The First Production |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19640305/140/0017 |access-date=15 April 2025 |work=The Stage |date=5 March 1964 |page=17 |quote=Donald Pelmear is an excellent Malvolio who finally leaves his audience torn between pity and aversion,}}] |
1965 | You Never Can Tell | George Bernard Shaw | Phoenix Theatre, Leicester | Walter, the waiter | Phoenix Theatre Company[{{cite news |title=One of the Best from the Phoenix |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000760/19650303/014/0014 |access-date=15 April 2025 |work=Leicester Daily Mercury |date=3 March 1965 |page=14 |quote=Timing Vital. Mr Pelmear's elderly waiter was the most difficult of all. It is he who carries the message "You Never Can Tell." He serves at table, is friendly and tactful, without being familiar, and is only outraged when there is an attempt to remove him from his menial station}}] |
1965 | See How They Run (play) | Philip King | Phoenix Theatre, Leicester | Vicar, Rev. Lionel Toop | Phoenix Theatre Company[{{cite news |last1=D.D. |title=Holiday Fare At Phoenix |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000760/19650414/011/0011 |access-date=15 April 2025 |work=Leicester Daily Mercury |date=14 April 1965 |page=11 |quote=The vicar whose identity becomes confused in the course of the play was played with well-studied patience and dignity by Donald Pelmear who went to pieces admirably as things got on the move}}] |
1965 | The Fantasticks | Harvey Schmidt, Tom Jones | Phoenix Theatre, Leicester | Father | Phoenix Theatre Company[{{cite news |last1=D.D. |title=The show with everything ... yet leaves a void |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000760/19650623/020/0020 |access-date=16 April 2025 |work=Leicester Daily Mercury |date=23 June 1965 |page=20 |quote=Most Rewarding. The two fathers, in the light clown category, were a joy to see. Richard Curnock and Donald Pelmear make their wall seem a really bright idea, and don’t lose the humour when the idea goes sour.}}] |
1967 | Next Time I'll Sing To You | James Saunders | Swan Theatre, Worcester | The Hermit | Worcester Repertory Company[{{cite news |last1=V.M.H. |title='Next Time I'll Sing to You' ... at the Swan Theatre, Worcester |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0002135/19670802/335/0014 |access-date=15 April 2025 |work=Birmingham Daily Post |date=2 August 1967 |page=14 |quote=Donald Pelmear is a wonderfully misunderstood and frustrated "actor hermit".}}] |
1968 | Juno and the Paycock | Seán O'Casey | Little Theatre, Bristol | Joxer Daly | Bristol Old Vic Theatre Company |
1968 | Loot | Joe Orton | Little Theatre, Bristol | Inspector Truscott | Bristol Old Vic Theatre Company[{{cite news |last1=Eyres |first1=Christine |title=Fun - but don't take offence |url=https://www.newspapers.com/article/evening-post-fun-but-dont-take-offenc/170218355/ |access-date=13 April 2025 |work=Evening Post |date=March 6, 1968 |location=Bristol, Avon, England |page=27}}][{{cite news |last1=Coe |first1=John |title=LISTEN - if you want to want to enjoy this lesson in language |url=https://www.newspapers.com/article/evening-post-listen-if-you-want-to-wan/170218758/ |access-date=13 April 2025 |work=Evening Post |date=Mar 2, 1968 |location=Bristol, Avon, England |page=7}}] |
1968 | A Day in the Death of Joe Egg | Peter Nichols | Little Theatre, Bristol | Freddie | Bristol Old Vic Theatre Company[{{cite news |last1=Coe |first1=John |title=Your chance to question local dramatist |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0004769/19680427/007/0007 |access-date=16 April 2025 |work=Bristol Evening Post |date=27 April 1968 |page=7}}] |
1969 | An Enemy of the People | Henrik Ibsen | Yvonne Arnaud Theatre, Guildford | Aslaksen | Oxford Playhouse Company[{{cite news |last1=J.W.P. |title=Timeless Ibsen |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000727/19690214/006/0006 |access-date=16 April 2025 |work=Surrey Advertiser |date=14 February 1969 |page=6 |quote=There is excellent work too, by Leonard Sachs as the mayor, by Tony Anholt ... as the editor, by Donald Pelmear, as the personification of all ratepayers, and by Georgine Anderson and Celia Bannerman as the wife and daughter. It is an outstanding production of a play all too rarely staged.}}][{{cite news |last1=B.J.D. |title=Ibsen Years Ahead of his Time |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001925/19690214/087/0006 |access-date=16 April 2025 |work=West Sussex County Times |date=14 February 1969 |page=6 |quote=It is the lesser roles of this virile production which make this Guildford presentation a theatrical event, particularly those of ... Donald Pelmear as the local printer and leader of the residents’ association, who is humble and asks for restraint in all things.}}] |
1970 | Toad of Toad Hall | A. A. Milne, Kenneth Grahame | Oxford Playhouse | Mole | Oxford Playhouse Company[{{cite news |title='Toad of Toad Hall' |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19700108/222/0026 |access-date=16 April 2025 |work=The Stage |date=8 January 1970 |page=26 |quote=As Toad, Bill Wallis is in effectively rumbustious form ... The Badger of David Nettheim is ... a brilliant comic characterization. Donald Pelmear's Mole, kindly, ultra-sensitive and infinitely likeable ... [is] also very well-drawn and never merely clowned.}}] |
1970 | Cat on a Hot Tin Roof | Tennessee Williams | Phoenix Theatre, Leicester | Doctor Baugh | Phoenix Theatre Company[{{cite news |title='Cat on a Hot Tin Roof' |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0003135/19700213/148/0023 |access-date=16 April 2025 |work=Leicester Chronicle |date=13 February 1970 |page=23}}] |
1970 | In Celebration | David Storey | Phoenix Theatre, Leicester | Mr Shaw | Phoenix Theatre Company[{{cite news |title=T' Phoenix muckies its feathers with a fine result |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0003135/19700306/115/0022 |access-date=16 April 2025 |work=Leicester Chronicle |date=6 March 1970 |page=22}}][{{cite news |title=Donald Pelmear |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0000760/19700224/012/0012 |access-date=16 April 2025 |work=Leicester Daily Mercury |date=24 February 1970 |page=12}}] |
1970 | Narrow Road to the Deep North | Edward Bond | York Theatre Royal | Basho | York Theatre Royal Company[{{cite news |title=On this week at ... York |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19700618/135/0016 |access-date=16 April 2025 |work=The Stage |date=18 June 1970 |page=16}}] |
1972 | The Tempest | Shakespeare | Hull New Theatre | | New Shakespeare Company[{{cite news |last1=P.C. |title=Re-creating the magic of the Bard's last play |url=https://www.newspapers.com/article/hull-daily-mail-re-creating-the-magic-of/170431601/ |access-date=16 April 2025 |work=Hull Daily Mail |date=May 9, 1972 |location=Hull, Humberside, England |page=8}}] |
1972 | Twelfth Night | Shakespeare | York Theatre Royal | | New Shakespeare Company[{{cite news |last1=Kluz |first1=Andy |title=Let's have more |url=https://www.newspapers.com/article/the-northern-echo-north-yorkshire-ed/170431843/ |access-date=16 April 2025 |work=The Northern Echo |date=October 4, 1972 |location=Darlington, Durham, England |page=9}}] |
1980 | The Caretaker | Harold Pinter | The Capitol Theatre, Horsham | Davies the tramp | New Shakespeare Company[{{cite news |last1=Day |first1=Christine |title=Deeply Disturbing Play |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001925/19801010/065/0005 |access-date=16 April 2025 |work=West Sussex County Times |date=10 October 1980 |page=5}}] |
1981 | Much Ado About Nothing | Shakespeare | Theatre Royal, Lincoln | Leonato, governor of Messina | New Shakespeare Company[{{cite news |title=Living Shakespeare |url=https://www.newspapers.com/article/lincolnshire-echo-living-shakespeare/170431270/ |access-date=16 April 2025 |work=Lincolnshire Echo |date=March 31, 1981 |location=Lincoln, Lincolnshire, England |page=7}}] |
1984-1985 | West Side Story | Leonard Bernstein, Stephen Sondheim | Her Majesty's Theatre, London | Doc | [{{cite web |title=West Side Story - 1984 London Revival |url=https://www.sondheimguide.com/wss.html#1984UK |website=The Stephen Sondheim Reference Guide |access-date=21 April 2025}}] |
1986 | Tristram Shandy | Laurence Sterne, adapted by Peter Buckman | Oxford Playhouse | Uncle Toby | Oxford Playhouse Company[{{cite news |last1=PT |title=A far from bitter Shandy |url=https://www.newspapers.com/article/the-independent-a-far-from-bitter-shandy/170427033/ |access-date=16 April 2025 |work=The Independent |date=November 7, 1986 |location=London, England |language=11}}] |
1989 | Habeas Corpus | Alan Bennett | Thorndike Theatre, Leatherhead | Dr Arthur Wicksteed | [{{cite news |last1=RTE |title=Lie back and think of Alan Bennett |url=https://www.newspapers.com/article/esher-news-and-mail-lie-back-and-think-o/170220140/ |access-date=13 April 2025 |work=Esher News and Mail |date=24 May 1989 |location=Esher, Surrey, England |page=5}}] |
1990 | Pack of Lies | Hugh Whitemore | Belgrade Theatre, Coventry | MI5 Officer | [{{cite news |title=Spy drama actor is told to mind his language. Expert help for star to play. |url=https://www.newspapers.com/article/coventry-evening-telegraph-spy-drama-act/170219566/ |access-date=13 April 2025 |work=Coventry Evening Telegraph |date=February 16, 1990 |location=Coventry, West Midlands, England |page=23}}][{{cite news |last1=FitzGerald |first1=Ann |title=Regional Reviews. Coventry: Pack of Lies |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19900329/086/0016 |access-date=15 April 2025 |work=The Stage |date=29 March 1990 |page=16 |quote=Donald Pelmear as Mr Stewart has the patrician style of the Whitehall mandarin. He is overwhelming in this small, tidy home, and diminishes the Jackson's [sic] by his confident presence, making an unspoken point about the English class system.}}] |
1990 - 1991 | The Rehearsal | Jean Anouilh | Almeida Theatre, London, then Garrick Theatre, London | Monsieur Damiens | Theatre Division[{{cite news |last1=Loriggio |first1=Pauline |title=Play Reviews: The Garrick. The Rehearsal |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19901129/086/0018 |access-date=15 April 2025 |work=The Stage |date=29 November 1990 |page=18}}][{{cite news |title=Production News |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0001180/19910502/061/0011 |access-date=15 April 2025 |work=The Stage |date=2 May 1991 |page=11}}] |
1998 | Kafka's Dick | Alan Bennett | Nottingham Playhouse | Father | [{{cite news |last1=Robinson |first1=Denis |title=REViEW ‘Kafka’s Dick,’ Nottingham Playhouse |url=https://www.britishnewspaperarchive.co.uk/viewer/bl/0005314/19980227/203/0021 |access-date=15 April 2025 |work=Hucknall Dispatch |date=27 February 1998 |page=21 |quote=Geriatric dad (Donald Pelmear) [ ] is given the play’s funniest one-liners.}}] |