Login
Login

Dore Schary

{{short description|American dramatist and film producer (1905-1980)}}

{{Use mdy dates|date=December 2013}}

{{Infobox person

| name = Dore Schary

| image = Dore Schary 1956.jpg

| caption = Schary in 1956

| birth_name = Isadore Schary

| birth_date = {{birth date|1905|8|31}}

| birth_place = Newark, New Jersey, US

| death_date = {{death date and age|1980|7|7|1905|8|31}}

| death_place = New York City, U.S.

| occupation = Screenwriter, playwright, film director, studio executive

| spouse = {{marriage|Miriam Svet|March 5, 1932}}

| children = 3, including Jill Schary Robinson

| relatives = Jeremy Zimmer (grandson){{Cite web|url=https://www.vanityfair.com/hollywood/2017/09/hollywood-family-legacies|title = The 25 Most Important Families in Hollywood History|website = Vanity Fair|date = September 20, 2017}}

}}

Isadore "Dore" Schary (August 31, 1905 – July 7, 1980) was an American playwright, director, and producer for the stage and a prolific screenwriter and producer of motion pictures. He directed one feature film, Act One, the film biography of his friend, playwright and theatre director Moss Hart. He became head of production at Metro-Goldwyn-Mayer and replaced Louis B. Mayer as president of the studio in 1951.{{cite web|title=Dore Schary|url=https://movies.nytimes.com/person/110121/Dore-Schary|archive-url=https://web.archive.org/web/20071111170502/http://movies.nytimes.com/person/110121/Dore-Schary|url-status=dead|department=Movies & TV Dept.|work=The New York Times|date=2007|archive-date=2007-11-11}}{{cite book|last=Schary|first=Dore|title=Heyday: An autobiography|year=1979|publisher=Little, Brown|location=Boston|isbn=0-316-77270-4|url-access=registration|url=https://archive.org/details/heydayautobiogra00scha}}

Early life

Schary was born to a Jewish family in Newark, New Jersey.{{cite book|url=https://books.google.com/books?id=xQpOAgAAQBAJ&q=dore+schary|first=Anne|last=Edwards|title=The Reagans: Portrait of a Marriage|date=January 28, 2014|publisher=St. Martin's Press |isbn=9781466863262}}{{cite book|url=http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1003&context=purduepress_previews|first=Vincent|last=Brook|title=From Shtetl to Stardom: Jews and Hollywood: Chapter 1: Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood|page=17 |publisher=Purdue University Press|date=December 15, 2016|isbn=9781557537638}} Schary's father ran a catering business called the Schary Manor. Dore attended Central High School for a year but dropped out to sell haberdashery and buy china. When he finally returned to school, he completed his three remaining years of classwork in one year, graduating in 1923.Phillips, McCandlish. [https://www.nytimes.com/1970/02/25/archives/schary-named-citys-first-cultural-chief.html "Schary Named City's First Cultural Chief"], The New York Times, February 25, 1970. Accessed March 27, 2018. "He was born in Newark and attended Newark Central High School, dropping out at 14 to work but later making up the missed credits."

Schary worked as a journalist, did publicity for a lecture tour by Rear Adm. Richard E. Byrd, and was an assistant drama coach at the Young Men's Hebrew Association in Newark. The head coach was Moss Hart.Staff. [https://www.nytimes.com/1980/07/08/archives/dore-schary-playwright-and-movie-producer-74-dies-humanrights.html "Dore Schary, Playwright and Movie Producer, 74, Dies; Human-Rights Leader Powerful in Hollywood Rejoined Hart in Catskills Some M-G-M Movies"], The New York Times, July 8, 1980. Accessed March 27, 2018.

Career

=Theatre=

Schary worked in theatre as an actor and writer. In 1927 he got a bit part on Broadway in a play with Paul Muni. Then he worked with Hart at a summer resort in the Catskill Mountains, where they wrote, produced, and directed skits and plays.

Schary appeared on Broadway in The Last Mile with Spencer Tracy. He wrote a play which was read by film producer Walter Wanger, who wired his New York office: "Hire Dore Schary. She writes with a lot of vigor – for a woman." Wanger subsequently hired Schary as a $ 100-a-week film writer. Schary moved to Hollywood, but his option with Wanger was dropped after three months. In his autobiography Heyday (1979), Schary also credits theatrical agent Frieda Fishbein in getting him to Hollywood, by introducing him to Harry Cohn, "the Maharajah of Columbia".{{cite book |date=1979 |last=Schary |first=Dore |title=Heyday: An Autobiography |publisher=Little and Brown |location=Boston. |page=55 |isbn=0316772704}}

=Early films=

Schary's early writing credits include He Couldn't Take It (1933) for Monogram, and Fury of the Jungle (1933) and Fog (1933) at Columbia.

Schary worked on Let's Talk It Over (1934) for Universal, The Most Precious Thing in Life (1934) at Columbia, and Young and Beautiful (1934) at Universal. Other work for Universal included Storm Over the Andes (1935), Chinatown Squad (1935), and (uncredited) The Raven (1935).

At Warners, Schary wrote Murder in the Clouds (1934) and Red Hot Tires (1935). He did some uncredited work on Paramount's Mississippi (1935), and wrote for Republic's Racing Luck (1935).

Schary went to Fox for Silk Hat Kid (1935), Your Uncle Dudley (1935) and Song and Dance Man (1936). He was briefly under contract at MGM for a few months in 1936.{{Cite news|title=BY WAY OF REPORT|author=A.H. WEILER|date=Aug 15, 1948|work=New York Times|id={{ProQuest|108332422}}}}

At Paramount Schary did Timothy's Quest (1936), Mind Your Own Business (1936), Her Master's Voice (1936), Outcast (1937), and The Girl from Scotland Yard (1937). He did Ladies in Distress (1937) at Republic.

Schary's play Too Many Heroes ran on Broadway for 16 performances in the fall of 1937.

=Work at MGM=

At MGM Schary worked on two Spencer Tracy films, Big City (1937) and Boys Town (1938). Schary earned Oscar nominations on the latter for Best Screenplay and Best Story, winning for Best Story.

Schary went on to write Broadway Melody of 1940 (1940), Young Tom Edison (1940) with Mickey Rooney and Edison, the Man (1940) with Tracy. He also worked on Married Bachelor (1941). For Republic, Schary wrote Behind the News (1940).

MGM promoted Schary to producer of their "B" pictures unit. Schary began with Joe Smith, American (1942), based on Schary's own story, which became a solid hit. Kid Glove Killer (1942), the directorial debut for Fred Zinnemann, was also profitable.

Journey for Margaret (1942) was a big success, making a star of Margaret O'Brien. Bataan (1943) made a profit of over one million dollars. Lassie Come Home (1943) with Roddy McDowall and Elizabeth Taylor had a profit of over two million.{{Citation | title = The Eddie Mannix Ledger | publisher = Margaret Herrick Library, Center for Motion Picture Study | place = Los Angeles}}

=Vanguard Films=

Schary accepted an offer to go to work for David O. Selznick's Vanguard Films as head of the production. He produced I'll Be Seeing You (1944), The Spiral Staircase (1946), Till the End of Time (1946), The Farmer's Daughter (1947) with Loretta Young, and The Bachelor and the Bobby-Soxer (1947) with Cary Grant, Myrna Loy and Shirley Temple. All films were considered critical and commercial successes.

=Head of production at RKO=

Schary's Vanguard films were released through RKO, which offered him the job as head of the production. Although he still had eleven months left on his Vanguard contract they let him go and Schary signed a five-year deal with RKO in January 1947.{{Cite news|title=DORE SCHARY HEAD OF RKO PRODUCTION|date=Jan 2, 1947|work=New York Times|id={{ProQuest|107872453}}}}{{Cite news|title=GOING ON RECORD|author=DORE SCHARY, Executive Vice President in Charge of Production, RKO, Radio Pictures.|date=Apr 6, 1947|work=New York Times|id={{ProQuest|107984669}}}}

Schary personally produced Mr Blandings Builds His Dream House (1948), a big hit, and championed Crossfire (1947), a major success for the studio. Other hits its included Every Girl Should Be Married (1948), Station West (1949), The Set-Up (1949) and The Window (1949). He greenlit the directorial debuts of Nicholas Ray (They Live by Night (1948)) and Joseph Losey (The Boy with Green Hair (1948)), both of which lost money. Expensive money losers included Adventure in Baltimore (1949) with Shirley Temple.

RKO was taken over by Howard Hughes, who clashed with Schary, particularly over Schary's desire to make Battleground, a film about the Battle of the Bulge. Schary resigned in July 1948.{{cite news|date=Jul 1, 1948|title=DORE SCHARY RESIGNS RKO PRODUCTION POST|work=New York Times|id={{ProQuest|108140882}}}} He soon accepted a job offer from Louis B. Mayer at MGM.

=Head of production at MGM=

MGM struggled to adapt to the post-war filmmaking environment and, in 1947, recorded its first-ever end-of-year financial loss. The movie industry was faced with the threat of the Paramount Decree, rising labor costs, political turmoil, labor unrest, and the threat of television. MGM's parent company, Loews Incorporated in New York, decided that Schary might be able to turn the tide. Schary signed to be vice president in charge of production in July 1948.{{Cite news|title=Schary signed as production pilot of MGM|date=Jul 15, 1948|work=Los Angeles Times|id={{ProQuest|165865494}}}} Schary and studio chief and founder Louis B. Mayer would soon be at odds over philosophy, with Mayer favoring splashy, wholesome entertainment and Schary leaning toward what Mayer derided as darker "message pictures". "Films must provoke thought in addition to entertainment", Schary once said. "They must educate and inform as they entertain."{{Cite news|title=HOLLYWOOD DOSSIER|author=T. M.|date=May 16, 1954|work=New York Times|id={{ProQuest|112919349}}}}

Schary's career at MGM got off to a strong start when Battleground (1949) proved to be MGM's most profitable film of the year. A 1949 profile called him a "boy wonder... very probably the most important man in the movie industry."{{cite news|author=S. B.|date=Feb 6, 1949|title=Plan for hollywood -- by schary|work=New York Times|id={{ProQuest|105779005}}}} Schary also received acclaim for his personal productions, including The Next Voice You Hear... (1950), Go for Broke! (1951) and Westward the Women (1951). Schary co-wrote (with Charles Palmer) the 1950 book Case History of a Movie, which extensively covered, from initial conception to screening, the production of the film The Next Voice You Hear....

Mayer and Schary's differences came to a head with the production of The Red Badge of Courage (1951). Mayer presented an ultimatum to Nick Schenck, head of Loews, that Schary be fired. Schenck supported Schary and Mayer resigned. In July 1951 Schary took over complete control of production at MGM.{{Cite news|title=DORE SCHARY GETS FULL METRO POWER|author=THOMAS M PRYOR|date=Jul 17, 1951|work=New York Times|id={{ProQuest|112192041}}}}

==MGM after Mayer==

Schary's personal productions started losing money: Washington Story (1952), Plymouth Adventure (1952), and Dream Wife (1953). However Take the High Ground! (1953) and Bad Day at Black Rock (1955) were moderately successful. Schary also wrote and produced the documentary film The Battle of Gettysburg (1955), getting two Oscar nominations for his work.

At MGM, Schary greenlighted such films as Blackboard Jungle (1955), The Teahouse of the August Moon and Don't Go Near the Water which all proved to be big successes at the box office.{{cite news|author=Tinee, M.|date=Aug 26, 1956|title=Dore schary, a movie man of convictions|work=Chicago Daily Tribune|id={{ProQuest|179859743}}}}

==Fired from MGM==

In Schary's last year at MGM he personally produced three films, all of which lost money: The Swan (1956), The Last Hunt (1956) and Designing Woman (1957). MGM recorded a loss in 1956 leading to Loews firing him from his $200,000 annual contract and replacing him with Ben Thau. He was to remain as a consultant for MGM until 1968 at $100,000 a year.{{Cite news|title=SCHARY IS OUSTED AS CHIEF AT M-G-M|author=MILTON ESTEROW|date=Nov 29, 1956|work=New York Times|id={{ProQuest|113676233}}}} Contemporary newspaper reports and Schary later claimed he was fired because of his political activities, including his close association with the Democratic Party.{{Cite news|title=Butler hails dore schary's political stand. |date=Oct 19, 1959|work=Los Angeles Times|id={{ProQuest|167589853}}}}

In 1956, his final year running MGM, he appeared on the show This Is Your Life. Host Ralph Edwards stated that there had never been a show where more stars appeared to honor a guest. However, MGM swimming star Esther Williams would later state in her 1999 autobiography The Million Dollar Mermaid that Schary was just as rude, cruel, and as imperious as Mayer had been. She noted that she thought it appropriate that Schary was fired on Thanksgiving, since he was a "turkey".

=Return to Broadway and later films=

Following his departure from MGM, Schary obtained the rights to the life of Franklin D. Roosevelt in April 1957.{{cite news|title=Dore schary gets the FDR story|date=Apr 12, 1957|work=The Washington Post and Times-Herald|id={{ProQuest|148918843}}}} He wrote and produced the Broadway play Sunrise at Campobello (1958–59), about Roosevelt, starring Ralph Bellamy. The play won five Tony Awards and ran for 556 performances.{{cite web|url=https://www.ibdb.com/broadway-production/sunrise-at-campobello-2670|title=Sunrise at Campobello – Broadway Play – Original – |work=IBDB}}

Schary returned to Hollywood when he wrote and produced the film Lonelyhearts (1958), starring Montgomery Clift and directed by Vincent J. Donehue.{{Cite news|title=Dore schary returns to film-making|author=Richard, D. M.|date=Sep 9, 1958|work=The Christian Science Monitor|id={{ProQuest|509736065}}}}

Schary had another Broadway hit when he produced and directed (but did not write) the comedy A Majority of One (1959–60) by Leonard Spigelgass, starring Gertrude Berg and Cedric Hardwicke. Schary earned a Tony nomination for his direction and the show ran for 556 performances. (It was later filmed, without Schary's involvement.)

Less successful was The Highest Tree (1959), which Schary wrote, produced and directed (and featured Robert Redford in the cast{{cite web|url=https://www.ibdb.com/broadway-production/the-highest-tree-2793|title=The Highest Tree – Broadway Play – Original|work=IBDB}}) and Triple Play (1959), a collection of short plays, which he produced.{{cite web|url=https://www.ibdb.com/broadway-production/triple-play-2737|title=Triple Play – Broadway Play – Original|work=IBDB}}

Schary wrote and produced the film version of Sunrise at Campobello, which was released by Warner Brothers, directed by Donehue, in 1960. He also had a brief uncredited role in the film as Chairman of the Connecticut Delegation.{{IMDb title|0054354|Sunrise at Campobello}}

On Broadway, Schary had another huge hit as producer and director with the Meredith Willson musical, The Unsinkable Molly Brown (1960) starring Tammy Grimes, which ran for 532 performances. MGM released a film version starring Debbie Reynolds in 1964.{{cite web|url=https://www.ibdb.com/broadway-production/the-unsinkable-molly-brown-2267|title=The Unsinkable Molly Brown – Broadway Musical – Original|work=IBDB}}

Schary wrote, produced and directed The Devil's Advocate (1961), based on the novel by Morris West, which ran for 116 performances.{{cite web|url=https://www.ibdb.com/broadway-production/the-devils-advocate-2297|title=The Devil's Advocate – Broadway Play – Original|work=IBDB}} He produced and directed Something About a Soldier (1962) by Ernest Kinoy{{cite web|url=https://www.ibdb.com/broadway-production/something-about-a-soldier-2914|title=Something About a Soldier – Broadway Play – Original|work=IBDB}} and Love and Kisses (1963) by Anita Block{{cite web|url=https://www.ibdb.com/broadway-production/love-and-kisses-3049|title=Love and Kisses – Broadway Play – Original|work=IBDB}} both which had short runs. He also wrote a memoir, For Special Occasions (1962).{{Cite news|title=Growing up in newark|author=M. S.|date=Oct 21, 1962|work=New York Times|id={{ProQuest|116198100}}}}

Schary made his directorial debut in movies with Act One (1963) based on the memoirs of Moss Hart; Schary also wrote and produced. It was a flop and marked both the beginning and the end of Schary's film directing career.

=Later career=

On Broadway Schary wrote, produced and directed One by One (1964), which ran for seven performances,{{cite web|url=https://www.ibdb.com/broadway-production/one-by-one-2841|title=One by One – Broadway Play – Original|work=IBDB}} and produced and directed the musical, The Zulu and the Zayda (1965) which went for 179.{{cite web|url=https://www.ibdb.com/broadway-production/the-zulu-and-the-zayda-3263|title=The Zulu and the Zayda – Broadway Musical – Original|work=IBDB}} Schary also wrote two more produced Broadway plays, Brightower (1970) (one performance{{cite web|url=https://www.ibdb.com/broadway-production/brightower-3317|title=Brightower – Broadway Play – Original|work=IBDB}}) and Herzl (1976) (8 performances),{{cite web|url=https://www.ibdb.com/broadway-production/herzl-3876|title=Herzl – Broadway Play – Original|work=IBDB}} neither of which had long runs.

Schary wrote his memoirs, Heyday, which came out shortly before his death.{{cite news|author=Kevin Kelly, G. S. |date=Feb 10, 1980|title=SCHARY AUTOBIOGRAPHY IS MOSTLY SELF-TRIBUTE; HEYDAY – AN AUTOBIOGRAPHY BY DORE SCHARY. LITTLE, BROWN. 389 PP. $L4.95|work=Boston Globe|id={{ProQuest|293932621}}}} In an interview, he said "I've always had an edge and the edge is that I'm a writer. No matter what happens I can write. And I'm tough. You had to be tough to outwit them, to wear them down. I've always been pretty lucky that way."{{cite news|author=Kleiman, C.|date=Feb 28, 1980|title=Tempo|work=Chicago Tribune|id={{ProQuest|170110677}}}}

Politics

Although Schary was one of the studio executives who formulated the 1947 Waldorf Statement, he became an outspoken opponent of the anticommunist investigations of the House Un-American Activities Committee. In 1948, he was honored by the Anti-Defamation League for "distinguished contributions toward the enrichment of America's democratic legacy," together with Charles E. Wilson, Eleanor Roosevelt, Barney Balaban, and Darryl Zanuck.{{cite news |title=Anti-defamation League Awards Medals to Fighters for Human Rights |url=https://www.jta.org/archive/anti-defamation-league-awards-medals-to-fighters-for-human-rights |access-date=29 August 2022 |publisher=Jewish Telegraphic Agency |date=April 29, 1948}}

Schary served as National Chairman of the Anti-Defamation League of B'nai B'rith from 1963 until April 22, 1969, when Samuel Dalsimer was elected the new National Chairman.{{Cite news|date=April 24, 1969|title=Samuel Dalsimer Named Anti-defamation League Chairman, Succeeding Dore Schary|language=en-US|page=4|publisher=Jewish Telegraphic Agency|url=https://www.jta.org/1969/04/24/archive/samuel-dalsimer-named-anti-defamation-league-chairman-succeeding-dore-schary|access-date=July 28, 2020}} After Dalsimer died unexpectedly later that year on August 22, Schary was named acting National Chairman and served until May 1970, when Seymour Graubard was elected to replace him.{{Cite news|date=1969-08-23|title=Samuel Dalsimer Is Dead at 60; Head of Anti-Defamation League; B'nai B'rith Group Chairman Since April Was on Board of Grey Advertising|language=en-US|work=The New York Times|url=https://www.nytimes.com/1969/08/23/archives/samuel-dalsimer-is-dead-at-60-head-of-antidefamation-league-bnai.html|access-date=2020-07-28|issn=0362-4331}}{{cite news|date=May 22, 1970|title=Anti-Defamation League of B'nai B'rith Elects Seymour Graubard US Chairman|language=en|page=6|publisher=The Wisconsin Jewish Chronicle|url=https://www.newspapers.com/newspage/49949711/|access-date=July 28, 2020|via=Newspapers.com}} Schary was appointed by Mayor John Lindsay to the office of New York City Commissioner for Cultural Affairs.{{Cite web|date=February 26, 1970|title=Dore Schary Appointed New York Cultural Commissioner by Mayor Lindsay|url=https://www.jta.org/1970/02/26/archive/dore-schary-appointed-new-york-cultural-commissioner-by-mayor-lindsay|access-date=September 2, 2020|publisher=Jewish Telegraphic Agency|page=4|language=en-US}}

Personal life

Schary worked as a printer in his youth at Art Craft Press in Newark, New Jersey. He married Miriam Svet, a pianist and painter, on March 5, 1932. The couple had three children: the novelist and memoirist Jill Schary Robinson, psychoanalyst Dr. Joy Schary, and CLIO award-winning producer Jeb Schary.

Miriam and Dore Schary had seven grandchildren and 13 great-grandchildren.{{cn|date=August 2022}}

Dore Schary died in 1980, aged 74, and was interred in the Hebrew Cemetery (also known as the Monmouth Fields Jewish Cemetery{{cite web |title=Monmouth Fields Jewish Cemetery |url=https://monmouthfields.com/ |access-date=September 16, 2021}}), West Long Branch, New Jersey. Miriam Svet Schary died on October 2, 1986, aged 74, and was interred next to her husband in the Hebrew Cemetery.{{cn|date=August 2022}}

Legacy

To honor his memory, the Anti-Defamation League established the Dore Schary Awards in 1982 "to recognize outstanding student film and video productions addressing themes related to ADL's mission."{{cite web |title=Toward Justice for All. 9. In the 1980's |url=https://www.adl.org/who-we-are/history |publisher=Anti-Defamation League |access-date=29 August 2022}}

In popular culture

  • Schary's name is used for a rhyme at the very end of Stan Freberg Presents the United States of America Volume One: The Early Years, a satirical album from 1961: "That highly military / (script by Dore Schary) / Revolutionary War!"
  • In the 1947 RKO film, The Bachelor and the Bobby-Soxer (which he produced), Schary appears driving Cary Grant to the airport at the end of the film. Grant calls him "Jebby".
  • In the I Love Lucy episode "Don Juan is Shelved" (1955), Ricky Ricardo calls Schary's office from his Hollywood hotel room and later Lucy Ricardo unknowingly recruits Schary to play a "big Hollywood producer" to prevent Ricky from being fired from his movie contract at MGM. Schary had agreed to play himself but cancelled on short notice and was played instead by Philip Ober, who at the time was the husband of cast member Vivian Vance.Nick at Nite's Classic TV Companion, edited by Tom Hill, © 1996 by Viacom International, p. 281: "Phil Ober, who was married to Vivian Vance at the time, makes his... appearance as Dore Schary... Schary was scheduled to appear as himself but backed out at the last minute."
  • In the Patty Duke Show episode "The Actress", Patty tries to get discovered by sending Schary a fake newspaper review of her high school play. The actor playing Schary says "That's the oldest trick in the book, a fake review. But I like her initiative. Send someone over."
  • In the one-act comedy "Adaptation", written by Elaine May, the lead character Phil Bensen names his son "Dore Schary Junior".
  • Actor Josh Pais portrayed Schary in the 2015 film I Saw the Light{{cite magazine|author1=Beville Dunkerley|title=Hank Williams Movie Casts Four New Roles|url=https://www.rollingstone.com/movies/news/hank-williams-movie-cast-i-saw-the-light-20141016|magazine=Rolling Stone|access-date=28 October 2014|date=16 October 2014}}
  • Dore Schary appears as a character in the Broadway biography of Moss Hart, Act One, written by James Lapine and produced by Lincoln Center Theatre in 2014.

Select filmography

=As screenwriter=

{{columns-list|colwidth=22em|

}}

=As head of MGM B unit=

{{columns-list|colwidth=22em|

}}

=For David O. Selznick=

{{columns-list|colwidth=22em|

}}

=Films overseen while head of RKO=

{{columns-list|colwidth=22em|

}}

=Personally produced while head of MGM=

{{columns-list|colwidth=22em|

}}

=Films overseen while head of MGM=

{{columns-list|colwidth=22em|

}}

=Post MGM films=

{{columns-list|colwidth=22em|

  • Lonelyhearts (1958) – writer, producer
  • Startime (1960) (TV series) – episode "What About You" – writer, producer
  • Sunrise at Campobello (1960) – writer, producer
  • Westinghouse Presents: The Sound of the Sixties (1961) (TV special) – producer
  • Act One (1963) – writer, producer director (producer)

}}

Theatre credits

{{columns-list|colwidth=22em|

  • Too Many Heroes (1937) – writer
  • Sunrise at Campobello (1958) – writer, producer
  • A Majority of One (1959) – producer, director
  • Triple Play (1959) – producer
  • The Highest Tree (1959) – writer, producer, director
  • The Unsinkable Molly Brown (1960) – producer, director
  • The Devil's Advocate (1961) – writer, producer, director
  • Something About a Soldier (1962) – producer, director
  • Love and Kisses (1963) – producer, director
  • One by One (1964) – writer, producer, director
  • The Zulue and the Zayda (1965) – producer, director
  • Brightower (1970) – writer
  • Herzl (1976) – writer, producer

}}

References

{{reflist|colwidth=30em}}

External links

{{Portal|Biography}}

  • [http://www.gwu.edu/~erpapers/mep/displaydoc.cfm?docid=erpn-dschar Brief bio of Schary]
  • {{IMDb name|0770196}}
  • {{IBDB name}}
  • {{Find a Grave|6754549|access-date=August 30, 2010}}

{{AcademyAwardBestStory 1928–1939}}

{{Valentine Davies Award}}

{{Anti-Defamation League}}

{{Authority control}}

{{DEFAULTSORT:Schary, Dore}}

Category:Film producers from New York (state)

Category:American film studio executives

Category:American male dramatists and playwrights

Category:American male screenwriters

Category:Film producers from California

Category:1905 births

Category:1980 deaths

Category:Metro-Goldwyn-Mayer executives

Category:RKO General

Category:Anti-Defamation League members

Category:20th-century American Jews

Category:Best Story Academy Award winners

Category:Businesspeople from Newark, New Jersey

Category:Central High School (Newark, New Jersey) alumni

Category:Writers from New York City

Category:Writers from Newark, New Jersey

Category:20th-century American businesspeople

Category:20th-century American dramatists and playwrights

Category:Screenwriters from New Jersey

Category:20th-century American male writers

Category:Screenwriters from New York (state)

Category:Film producers from New Jersey

Category:20th-century American screenwriters

Category:Jewish American dramatists and playwrights