Douglas Grant

Grant was born around 1885 into the rainforest Indigenous Nations of north Queensland near Malanda on the Atherton Tablelands. Grant's repatriation file (Service Number 6020) records his birth as 5 January 1887.{{Cite news|date=19 May 1949|title=Summary of Particulars of Application|work=National Archives of Australia|url=https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=13022661|access-date=23 October 2022}}

In 1887, as an infant orphaned as a result of a massacre of Aboriginal people by the Native Police during the Australian Frontier Wars, he was 'rescued' by taxidermists Robert Grant and E.J. Cairn, who were in the region on a collecting expedition for the Australian Museum.{{Cite web |last=Murray |first=Tom |title=The Skin of Others |url=https://www.roninfilms.com.au/feature/16832/skin-of-others.html |website=Ronin Films}} The Aboriginal child was later fostered and renamed Douglas by Robert Grant and his wife Elizabeth. Then, contrary to the laws of the time they smuggled him aboard the steamer ship 'Barcoo' from Cairns, Queensland, across state jurisdictions and eventually to Lithgow, New South Wales. There, he lived with the extended Grant family until Robert and Elizabeth moved, together with their son Henry, to another Scottish diaspora community in the Sydney suburb of Annandale, New South Wales.

Grant attended Annandale Public School and trained as a draughtsman, working for Mort's Dock & Engineering in Sydney. In 1913, he was employed as a wool classer at Belltrees, near Scone, New South Wales. It was from Scone that he enlisted to serve in World War One, and numerous newspaper articles of the time celebrated his enlistment by describing his educational attainments, Scottish cultural skills, and skin colour:

"a man of high attainments, with a great love for Shakespeare and poetry generally. He is an artist, and is said to play the bagpipes as well as any Scot."{{Cite news|date=9 September 1916|title=Aborigine, Artist and Piper Answers the Call of Empire|work=The Herald|url=https://trove.nla.gov.au/newspaper/article/242385560?searchTerm=aborigine|access-date=10 May 2021}}

File:Douglas Grant seen in The Herald 9 September 1916.jpg

Grant first joined the Australian Army at Scone on 13 January 1916.{{cite web |title=National Archives of Australia |url=http://recordsearch.naa.gov.au/scripts/Imagine.asp |work=AIF war records |access-date=29 March 2013}} Grant completed training with the 34th Battalion, but was discharged because indigenous people were officially barred from military service. However, as the number of possible recruits dwindled, such legal barriers were increasingly ignored by recruiters. Grant re-enlisted in August 1916 and was sent to France to join the 13th Battalion.{{cite web|title=State Library of NSW|url=http://acmssearch.sl.nsw.gov.au/search/itemDetailPaged.cgi?itemID=422596|work=Douglas Grant papers, 1917–1918|access-date=1 April 2013}} Douglas Grant was one of more than 1,000 Indigenous men who served in World War I.

On 11 April 1917, during the First Battle of Bullecourt, Grant was wounded and captured. He was first sent to Wittenberg, where POWs received very small amounts of rations. Douglas Grant's POW colleague Harry Adams later remembered their experience in the Wittenberg camp, also recalling Grant's wit and sense of humour:

"We had been here about three or four months. We weren't getting very much food, so Doug with others he used to go sick with the idea of getting the doctor to declare them unfit for further laborious work around the front. The doctor, on examining him [Douglas] said 'You don't look sick!' Doug said, 'What have I got to do – turn white ... before you can tell whether I'm sick or not?'Thompson, John, and Brian Hungerford. 1957. “The Story of Douglas Grant.” ABC Radio Feature, Script, Box c21, NAA: SP1297/2, National Archives of Australia, Canberra.

While at Wittenberg Grant was noticed by social scientists from the Royal Prussian Phonographic Commission which had been established by the psychologist and musicologist Carl Stumpf, and by linguist Wilhelm Doegen, to study the languages and culture of the men held captive as German prisoners of war. Grant was transferred to the Wünsdorf POW camp and like many of the colonial soldiers from the British and French empires there, he became an object of study as part of this major research project. German doctors, scientists, anthropologists and artists sought to examine and document him. One German scientist argued that the POW camps were "a völkerschau [people show] without comparison",Andrew D. Evans, 2002. “Capturing Race: Anthropology and Photography in German and Austrian Prisoner-of-War Camps during World War I.” In Colonialist Photography: Imag(in)ing Race and Place, edited by Eleanor M. Hight, and Gary D. Sampson, 226–256. London and New York: Routledge. and Grant later told his war colleague Roy Kinghorne that "he was measured all over, and upside down and inside out". However, Grant was given some favour within the camp and allowed a certain level of freedom within it.{{cite book|last=Ramsland|first=John|title=Remembering Aboriginal Heroes|year=2006|publisher=Brolga Publishing|location=Melbourne, Victoria|isbn=9781920785857|pages=[https://archive.org/details/rememberingabori0000rams/page/2 2–15]|url=https://archive.org/details/rememberingabori0000rams/page/2}} The German sculptor Rudolf Marcuse modelled Grant's bust in bronze, and this significant work was only re-discovered by researchers in 2015.

During his incarceration (April 1917 to December 1918), Grant became president of the British Help Committee (The Red Cross) and organised food parcels and medical supplies for the large number of Indian and African prisoners held at the Halbmondlager prisoner-of-war camp for coloured soldiers, near Zossen. Grant wrote on behalf of his fellow prisoners to agencies such as the British Help Committee, the Invalid Comfort Fund for Prisoners of War, the British Red Cross and the Merchant Seaman's Help Society. The Wünsdorf POW camp is also significant as the site chosen by Max von Oppenheim and the Nachrichtenstelle für den Orient (German Intelligence Bureau for the East) to persuade Muslim prisoners of war — men who had been fighting for the British and French — to change sides and join the Ottoman-German Alliance. As part of this scheme the Intelligence Bureau for the East built the first mosque on German soil at Wünsdorf in 1915.{{Cite news |last=Pegram |first=Aaron |date=25 May 2022 |title=Under the Kaiser's Crescent Moon |work=Australian War Memorial |url=https://www.awm.gov.au/articles/blog/kaisers-crescent-moon |access-date=21 July 2022}} A number of the men selected as part of this 'Jihad' scheme would have been known to Douglas Grant, who was given the task of supporting the wellbeing of British colonial troops within his role as President of the British Help Committee.{{Cite news |last=Murray |first=Tom |date=8 Aug 2017 |title=Experimenting on Anzacs, inciting jihad: Inside a POW camp unlike any other |work=ABC News |url=https://www.abc.net.au/news/2017-08-08/aboriginal-anzacs-racial-science-jihad-wunsdorf-pow-camp/8771110 |access-date=21 July 2022}}

On 22 December 1918, Grant was repatriated from Germany to England. He took the opportunity to visit his adoptive fathers' family in Scotland. Grant was able to mimic a Scottish accent and attracted much attention in Scotland. In 1919 he sailed back to Australia on the troopship Medic and arrived in Sydney on 12 June. He was discharged from service on 9 July and returned to civilian life, and to his former position as a draughtsman at Mort's Dock.

Not long after returning to Sydney, Grant left Mort's Dock and moved to Lithgow, working as a labourer at a paper products factory and then at the Lithgow Small Arms Factory. Here Grant also became Secretary of the Lithgow Returned and Services League (RSL), and lobbied government to keep returned soldiers employed. Despite Grant's war heroism and position within the RSL he was still subjected to acts of racism while working at the Small Arms Factory, and a colleague later recalled that Grant had to 'spit on his tools to make sure no-one had taken a blow-torch to them' while he was away from his work-station.

During the 1920s, while living in both Lithgow and Sydney, Grant was also an active member of the Australian Museum (Sydney) fraternity and would often perform Scottish songs at the 'museum smokos' according to the museum's Curator of Fishes Gilbert Percy Whitley. (His father Robert Grant was a taxidermist at the museum and, after his retirement in 1918, was succeeded by Douglas' foster brother.) {{Cite web |last= |first= |title=History of the Exhibition and Preparation Department |url=https://australian.museum/about/history/people/history-of-the-exhibition-and-preparation-department/australian.museum/about/history/people/history-of-the-exhibition-and-preparation-department/ |access-date=2023-08-09 |website=The Australian Museum |language=en}}

Grant became a sought-after public speaker, giving lectures on numerous subjects including the experience of war, Aboriginal rights, and the significant role of women in society. Beyond his public appearances Grant was admired by many as a raconteur, a bagpipe player, and as a reciter of the poetry of Robert Burns and numerous Australian poets including Henry Lawson with whom [https://www.theguardian.com/australia-news/postcolonial-blog/2018/feb/27/when-douglas-grant-met-henry-lawson-new-light-on-australias-dark-story he had a friendship].{{Cite news |date=2018-02-26 |title=The Skin of Others: when Douglas Grant met Henry Lawson – video |language=en-GB |work=the Guardian |url=http://www.theguardian.com/film/video/2018/feb/27/the-skin-of-others-when-douglas-grant-met-henry-lawson-video |access-date=2023-08-09 |issn=0261-3077}}

A significant piece of journalism by Grant was published in a major Sydney newspaper, the Sunday Pictorial, on February 3 1929. The article, titled A Call for Justice, and argued that the 1928 Coniston Massacre represented a 'wake-up call' for all Australians and 'a great unparalleled crime'. Grant wrote: 'What can we do and what are we doing for the first inhabitants, the rightful owners of this land which was usurped and portioned as your heritage, the outcome of war and bloodshed? The government has to awaken and take measures to ensure the lives of the remnants of Australia’s original inhabitants'. Throughout his wartime experience and during his public speaking work and advocacy for indigenous rights during the 1920s, Douglas Grant had achieved a level of fame that ensured that the press noted his activist activities. For example, when the Condobolin Football Club refused to play against an Aboriginal football team, Grant's protest was printed by several newspapers and Grant was [https://trove.nla.gov.au/newspaper/article/216860214?searchTerm=Douglas%20Grant%20the%20colour%20line quoted in several] saying: 'the colour line was never drawn in the trenches [during WW1]'.The Beaudesert Times (Qld. : 1908 - 1954), Fri 28 Jun 1929, Page 4. Grant continued this public service advocacy and media work throughout his life, and much later, while living in Lithgow, he was also a regular guest on radio 2LT Lithgow's Diggers Show.{{cite journal|last1=Laugesen|first1=Amanda|title=Journeys in Reading in Wartime: Some Australian Soldiers' Reading Experiences in the First World War|journal=Australian Humanities Review|date=May 2014|issue=56|url=http://www.australianhumanitiesreview.org/archive/Issue-May-2014/laugesen.html|access-date=11 August 2014}} A number of commentators, such as the historian John Maynard, have described Grant's effort to establish connections between Aboriginal and non-Aboriginal communities as that of a cultural 'bridge-builder'.

In 1931, the cumulative effects of racial prejudices, exacerbated by his Grant suffering from "shell shock" (probably post-traumatic stress disorder), and a decade of insecure work in Sydney, Lithgow, other parts of rural NSW and Victoria, together with the stresses of being in the public eye, resulted in him being admitted to the military wing (Ward B) of Callan Park Mental Hospital. The racism of the time is epitomised in a popular story published in the Sydney tabloid newspaper Smith's Weekly, that reads like an obituary, and describes Grant's admission into Callan Park in 1931 under the title The Bitter Tragedy of Douglas Grant.Murray, Tom, 2020, The bitter tragedies of Bennelong and Grant: Colonial cryptoplots'. History Compass. 2020; e12620. {{doi|10.1111/hic3.12620}} Grant remained at Callan Park Hospital from 1931 until 1939, during which time he designed and built a replica of the Sydney Harbour Bridge as a memorial to the ‘fallen’ of WW1 that is still standing today.Anon. 1931 “Model of Bridge as War Memorial.” Sydney Morning Herald, August 5 1931. He also engaged in sporting activities such as golf and bowls, ran errands, and spent occasional afternoons drinking in the nearby Balmain and Rozelle pubs, much to the annoyance of his nurses. In 1939 he was released back into the community.

In his later years, Grant travelled between relatives and friends living in Sydney, Lithgow, and in the small townships along the coast south of Sydney, often staying in Helensburgh. There, relatives such as June Madge remembered him as an interesting and much loved presence within their households although noting that Grant was subject to racism in the wider community.Murray, Tom. 2017. “Douglas Grant: The Skin of Others.” ABC Radio National Earshot broadcast, August 8. See: http://www.abc.net.au/radionational/programs/earshot/douglas-grant:-the-skin-ofothers/8742008 . Grant also lived with former WW1 colleagues such as Peter Holburn, and also lived at the Salvation Army's old men's quarters at Dee Why, New South Wales. After 1950 Grant lived at the Bare Island War Veteran's Home in La Perouse, New South Wales. It is not known if Grant associated with the Aboriginal community at La Perouse.

Grant died in Prince Henry Hospital, Little Bay, on 4 December 1951. His cause of death was a subarachnoid hemorrhage. He is buried at Botany Cemetery. He never married or had children.

The Douglas Grant Park, located at Chester Street, Annandale, is named in his memory.{{Cite web|url=https://www.innerwest.nsw.gov.au/explore/parks-sport-and-recreation/parks-and-playgrounds/parks-by-suburb/annandale-parks/douglas-grant-park|title=Douglas Grant Park - Inner West Council|website=www.innerwest.nsw.gov.au|access-date=2019-03-30}}

Grant's life was the subject of a 1957 Australian radio feature on the ABC.{{Citation | title=The Tragedy of Douglas Grant| journal=ABC Weekly | date=6 July 1957 | location=Sydney | publisher=ABC | id=nla.obj-1334143973 | via=Trove| url=https://nla.gov.au/nla.obj-1283254684/view?sectionId=nla.obj-1334143912&partId=nla.obj-1283338442}}

A character in the play Black Diggers, written in 2013 and staged in January 2014, is based on Grant.{{cite news|last1=Daley|first1=Paul|title=Black Diggers: challenging Anzac myths|url=https://www.theguardian.com/culture/australia-culture-blog/2014/jan/14/black-diggers-challenging-anzac-myths|access-date=11 August 2014|work=The Guardian|date=14 January 2014}} Journalist and author Paul Daley wrote a long article about Grant in the March 2015 edition of Meanjin, later republished in The Guardian.{{Cite news |last=Daley |first=Paul |date=25 Mar 2015 |title=Black Anzac: the life and death of an Aboriginal man who fought for king and country |work=The Guardian |url=https://www.theguardian.com/australia-news/2015/mar/25/black-anzac-the-life-and-death-of-an-aboriginal-man-who-fought-for-king-and-country |access-date=22 July 2022| quote=This version of this article first appeared in the March edition of Meanjin, volume 71, number 1, 2015}}

In 2021 the University of Newcastle historian John Ramsland published a fictionalised biography of Grant, entitled The Legacy of Douglas Grant: A Notable Aborigine in War and Peace.Ramsland, John (2021) The Legacy of Douglas Grant: A Notable Aborigine in War and Peace, Simon and Schuster.

A number of radio and television documentaries have been made about Grant by the filmmaker and academic Tom Murray, including an ABC Radio National feature in 2017, and an award-winning screen documentary, The Skin of Others, featuring Tom E. Lewis as Grant. Lewis died during the making of the film, which was released posthumously in 2020. The film was released online at the Sydney Film Festival, owing to the COVID-19 pandemic.{{Cite news |last=Buckmaster |first=Luke |date=10 June 2020 |title=The Skin of Others review – Balang Tom E Lewis's final film is a fascinating look at the life of Douglas Grant |work=The Guardian |url=https://www.theguardian.com/film/2020/jun/10/the-skin-of-others-review-balang-tom-e-lewiss-final-film-is-a-fascinating-look-at-the-life-of-douglas-grant |access-date=22 July 2022}}[https://www.roninfilms.com.au/feature/16832/skin-of-others.html The Skin of Others],{{youtube|2c99WpoqOwA 2020}} and later screened by SBS Television and NITV.[https://www.sbs.com.au/ondemand/movie/the-skin-of-others/1989707331716 SBS and NITV]. A song from the film inspired by Grant's life, "Ballad of the Bridge Builders", co-written by Murray and David Bridie and performed by Archie Roach, won the APRA Award for Best Original Song Composed for the Screen.[https://www.apraamcos.com.au/about-us/news-and-events/2020-screen-music-award-winners-announced 2020 APRA Award for Best Original Song Composed for the Screen]. Ursula Yovich performed the song at the 2020 Awards Ceremony.{{youtube|82Q7oTdnB6s|2020 Awards Ceremony}}

{{reflist}}

• {{cite news |url=http://nla.gov.au/nla.news-article234991756 |title=The end of a human experiment |newspaper=Smith's Weekly |volume=XIII |issue=17 |location=New South Wales, Australia |date=6 June 1931 |page=17 |via=National Library of Australia}}
• {{cite web |url=http://www.abc.net.au/radionational/programs/the-history-listen/douglas-grant/10350180 |title=Douglas Grant: the skin of others |date=16 October 2018 |website=ABC Radio National, "The History Listen"|publisher=ABC Radio National |format = audio}}

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Category:1885 births

Category:1951 deaths

Category:Australian prisoners of war

Category:World War I prisoners of war held by Germany

Category:Australian military personnel of World War I

Category:Indigenous Australian military personnel

Category:Burials at Eastern Suburbs Memorial Park

Category:Military personnel from Queensland

Category:Australian Army soldiers