Draft:Foon Sham

Foon Sham was born in Macao, China, and grew up in Hong Kong. At age ten, he was sent to study shading and perspective from a Chinese drawing master.{{Cite web |title=Journey In Wood - Home & Design Magazine |url=https://www.homeanddesign.com/2020/06/23/journey-in-wood/ |access-date=2025-03-28 |website=www.homeanddesign.com/ |language=en-US}} Later, between the ages of twelve and sixteen, Sham studied painting under Chin Chung. His training consisted of copying many reproductions of landscapes and portraits, and he won art competitions at the ages of fifteen and sixteen. He later became a teaching assistant to Chung’s younger students.

IIn 1975, Sham moved to the United States to pursue his art career and enroll in the California College of Arts and Crafts in Oakland as an international student. Sham originally studied textile design but eventually turned to sculpture. He earned his BFA in 1978 and his MFA in 1981 from Virginia Commonwealth University.

Sham initially favored wood because of its affordability. However, his preference for wood grew when he realized its versatility. Sham notes that “wood is very much like a person. Each piece has its own identity–color, grain structure, texture, and smell.” He created his first large-scale interactive wood sculpture, Vase of Knowledge, in 1997. This was the first of his “vessels”, or wooden sculptures made of small wooden blocks that nest into one another to give the illusion of a self-generated form. This was followed by 20-20-2, Joint in 1999.

Sham’s public installations are site-specific. For example, Chapel Oak Vessel (2013) was a tribute to an oak tree that stood next to the Memorial Chapel of The University of Maryland in College Park for 75 years. The tree, also known as “Duke’s Tree”, was cut down in July 2012 because it was struck by lightning and was further damaged by fungi and insects. Resourcing the tree’s wood, Sham created the orbital vessel, intending people to walk in and interact with the piece. According to Sham, the sculpture is a metaphor for transformation.{{Cite web |title=Umd Artist Resurrects Spirit Of Beloved Chapel Oak {{!}} College of Arts and Humanities |url=https://arhu.umd.edu/news/umd-artist-resurrects-spirit-beloved-chapel-oak |access-date=2025-03-28 |website=arhu.umd.edu |language=en}}

Later, his work progressed to social commentary. Escape (2017) was a commentary on the US-Mexico border designed specifically for the lights at the Katzen Arts Center at American University. The sculpture is a 62-foot-long wood tunnel with a ridgeline modeled off the US-Mexico border.{{Cite web |last=Goukassian |first=Elena |date=2017-08-03 |title=Wood Sculptures Rooted in Politics and Philosophy |url=https://hyperallergic.com/393496/wood-sculptures-rooted-in-politics-and-philosophy/?utm_medium=email&utm_campaign=Archaeologists%20Discover%20a%20Little%20Pompeii%20in%20Southern%20France&utm_content=Archaeologists%20Discover%20a%20Little%20Pompeii%20in%20Southern%20France+CID_1b34a056d20f47d1525fd5ddcbf5b727&utm_source=HyperallergicNewsletter&utm_term=Wood%20Sculptures%20Rooted%20in%20Politics%20and%20Philosophy |access-date=2025-03-28 |website=Hyperallergic |language=en-US}} Visitors were invited to walk through the tunnel and physically interact with the sculpture.{{Cite web |title=Spring 2017 Exhibitions {{!}} Washington, DC |url=https://www.american.edu/cas/museum/2017/escape.cfm |access-date=2025-03-28 |website=American University |language=en}}{{Cite web |date=2023-11-20 |title=UMD professor exhibits large-scale sculptures in new DC exhibition |url=https://dbknews.com/2023/11/20/umd-professor-sculptures-in-dc/ |access-date=2025-03-28 |website=The Diamondback |language=en-US}} Escape was inspired by Sham’s experience as an immigrant to the United States.{{Cite web |last=Cari |date=2017-05-08 |title=Foon Sham's Wood Tunnel Takes Viewers on Dual-Natured Journey |url=https://washdiplomat.com/foon-shams-wood-tunnel-takes-viewers-on-dual-natured-journey/ |access-date=2025-03-28 |website=Washington Diplomat |language=en-US}}

In his work, Sham combines elements of Chinese culture and theory with ideas from Western discourses on nature. Art historian Aneta Georgievska-Shine argues that this sentiment is exemplified through his piece Sea of Hope (2003), which is a tribute to Sham’s mother after her death from cancer in 2002. The piece features a wooden boat suspended above the ground, inspired by the Chinese spirit boats of the dead. Sham’s sister contributed to the piece by sending a paper boat to add to the installation and invited other cancer survivors to do the same. In each installation of the piece, visitors added their own boats, culminating in more than 1,000 paper boats at the end of the exhibition.{{Cite web |last=Georgievska-Shine |first=Aneta |date=2012-11-01 |title=Foon Sham: Crafting Dialogs |url=https://sculpturemagazine.art/foon-sham-crafting-dialogs/ |access-date=2025-03-28 |website=Sculpture |language=en-US}}

Sham’s work is part of the collections of United States Embassies worldwide, including the US Embassy in Norway, Bulgaria, and Suriname.{{Cite book |url=https://books.google.com/books?id=q6IM0AEACAAJ |title=Paramaribo Suriname: Art Collection of the U.S. Embassy |date=2017 |publisher=United States of America, Department of State |language=en}} His recent commissions include the Golden Triangle BID in Washington, DC, the Smithsonian Garden at the National Museum of American History, and the Schar Cancer Institute in Inova Virginia. Sham’s sculpture, Ductile II, was featured in the 2023 Architectural Venice Biennale.{{Cite web |last=Existence |first=Time Space |title=Time Space Existence |url=https://timespaceexistence.com/past-editions/time-space-existence-2023/ |access-date=2025-03-28 |website=Time Space Existence |language=en-US}} In 2018, Sham received the Visionary Artist Award from the Smithsonian Institution and the Smithsonian Women's Committee. He has been teaching at the University of Maryland at College Park since 1988 and received the International Sculpture Center’s Educator of the Year award in 2021.

Sham is represented by gallery Neptune & brown in Washington, DC.

• Kreeger Museum, Washington DC{{Cite web |title=Permanent Collection {{!}} The Kreeger Museum |url=https://www.kreegermuseum.org/about-us/collection/outdoor-sculpture/Foon-Sham_Revolve |access-date=2025-04-04 |website=www.kreegermuseum.org}}
• US Embassy in Suriname, Suriname
• Fundacao Rui Cunha Foundation, Macao{{Cite web |date=2013-12-28 |title=Sea of Hope |url=https://ruicunha.org/frc/?p=2073 |access-date=2025-04-04 |language=en-US}}
• Hong Kong Museum of Art, Hong Kong{{Cite web |title=LCSD MCMS |url=https://mcms.lcsd.gov.hk/Search/search/enquire!searchRecords |access-date=2025-04-04 |website=mcms.lcsd.gov.hk}}
• Art Omi International Arts Center, Ghent, New York{{Cite web |title=Foon Sham: Vessels on the Field |url=https://artomi.org/exhibition/foon-sham-vessels-on-the-field/ |access-date=2025-04-04 |website=Art Omi |language=en-US}}
• Washington Metropolitan Area Transit Authority, Washington DC{{Cite web |title=Gallery Place-Chinatown |url=https://www.wmata.com/initiatives/art-in-transit/ait-gallery-place-the-glory-of-chinese-descendants.cfm}}
• Strathmore Hall Arts Center, Bethesda, Maryland{{Cite news |last=Lewis |first=Nicole |date=1998-07-16 |title=STRATHMORE'S OUTSIDE INTERESTS |url=https://www.washingtonpost.com/archive/lifestyle/1998/07/16/strathmores-outside-interests/e229a35c-6156-40b0-ab19-e3fd35e75dec/ |access-date=2025-04-04 |newspaper=The Washington Post |language=en-US |issn=0190-8286}}

{{reflist}}