Driving Through Mythical America

The album was recorded across four sessions in March 1971 at Morgan Studios in London, produced by Don Paul with engineering by Roger Quested. Most of the tracks were recorded live, or as live as possible, in order to keep the cost of the sessions low; Atkin used overdubs judiciously. Musicians included regular Morgan session players, as well as members of the band Blue Mink. The budget limitations of the previous album resulted in an acoustic folk sound. With an expanded production budget for their second effort, Atkin achieved a more rock-oriented sound.{{cite web |title=Session Notes: Pete Atkin - Driving Through Mythical America |url=https://www.peteatkin.com/sessionb.htm |website=Smash Flops |access-date=29 March 2024}}{{cite web |title=RIP Clive James… musical partner Pete Atkin remembers |url=https://shindig-magazine.com/?p=3270 |website=Shindig | date=28 November 2019 |access-date=15 February 2025}}

According to Atkin and James, the album marked a turning point for the artists, away from writing songs for other performers to sing and toward more idiosyncratic style, structure and subject matter. "The Pearl Driller" was inspired by a BBC2 documentary on the pearl industry. "Prince of Aquitaine" departs from a line from T.S. Elliot's The Waste Land that may have been borrowed from poet Gerard de Nerval. "No Dice," inspired by a line from Louis MacNeice, portrays four different characters and their untimely deaths. Atkin considered it one of their best songs. "Practical Man" described a cynical viewpoint of the music industry, though both songwriters noted that they would have accepted such an offer at the time, if available.

The title track explored American themes, culture and iconography, though at the time of writing, James had not yet visited the country. Only Atkin had toured America, with the Oxford and Cambridge Shakespeare Company. James had nonetheless been inspired by recent events. "The Kent State disaster created, in my mind, a vortex of centripetal energy that pulled second-hand vignettes together with such force that they fused, as if a junk-pile had melted," he recalled in 2008.{{cite news |last1=Peel |first1=John |title=Smash Flops: Pete Atkin and Clive James |work=BBC Radio 2 |date=2000}}{{cite book |last1=Atkin |first1=Pete |title=Driving Through Mythical America (booklet) |publisher=Edsel |page= |edition=Edsel re-release}}

The album was critically acclaimed and remains one of the duo's most well regarded works. "From the first minute of the first track this album is clearly in another class altogether," said a favorable review by Dave Gelly in Creem. “Very interesting sounds against Pete Atkin’s soft vocalising” said NME, which singled out "The Faded Mansion on the Hill" for praise. Two years later, the 1973 re-issue was a "Near Miss" for critic Derek Jewell in his list of top albums of the year. Sounds likened the title track to a British version of "Desolation Row", and proclaimed the two as among the best songwriters in the country. Melody Maker also gave it a glowing review.{{cite news |title=Driving Through Mythical America |work=New Music Express |date=11 December 1971}}{{cite news |last1=Gelly |first1=Dave |title=Review: Driving Through Mythical America |work=Creem |issue=10 |date=February 1972}}{{cite news |last1=Jewell |first1=Derek |title=Expanding Horizons |work=The Sunday Times |date=9 December 1973}}{{cite news |title=Driving Through Mythical America |work=Sounds |date=11 December 1971}}{{cite news |last1=Williams |first1=Richard |title=Pop: Pete Atkin, Driving Through Mythical America |work=Melody Maker |date=13 November 1971}}{{cite news |last1=Belsey |first1=James |title=Pop: Driving Through Mythical America |work=Bristol Evening Post |date=27 November 1971}}

Though it sold the least well of the Atkin/James albums from that era, Shindig observed that it receives the most attention from contemporary listeners.{{cite web |title=RIP Clive James… musical partner Pete Atkin remembers |url=https://shindig-magazine.com/?p=3270 |website=Shindig | date=28 November 2019 |access-date=15 February 2025}}

"The Flowers and the Wine" was covered by other artists. Doug Ashdown first recorded it in 1974, followed by John the Fish a year later. Val Doonican's version in 1980 provided royalties to Atkin and James that the songwriters jokingly claim surpassed their previous album sales. Liesbeth List recorded the song in 1982, with lyrics translated by Jan Simon Minkema. Sarah Moule recorded it in 2008.

Writer Tom Holt parodied "Practical Man" in the collection Bitter Lemmings in 1997.{{cite web |title=BITTER LEMMINGS (2nd Edition) |url=https://www.beccon.org/B/lemmings.html |website=Beccon Publishing |access-date=3 April 2024}}

1. "Sunlight Gate"
2. "The Pearl-Driller"
3. "No Dice"
4. "The Flowers and the Wine"
5. "Where Have They All Gone?"
6. "The Prince of Aquitaine"
7. "Thief in the Night"
8. "Driving Through Mythical America"
9. "The Faded Mansion on the Hill"
10. "Practical Man"
11. "Lady of a Day"

• Pete Atkin - lead vocals, guitar, piano
• Chris Spedding - electric guitar
• Barry Morgan - drums
• Alan Parker - electric guitar
• Herbie Flowers - bass
• Dave Bell - bass
• Kenny Clare - drums
• Russell Davies - trombone
• Dennis Clift - trumpet
• Leon Calvert – flugelhorn
• Jim Wortley – bass trombone
• Richard Ihnatowicz – clarinet
• Alan Wakeman – tenor sax
• Don Fay – tenor sax
• Clive Baker - trumpet, flugelhorn

• Don Paul - producer
• Roger Quested - engineer
• Don Fraser - conductor
• Pat Doyle - cover design

Category:1971 albums

Category:Pete Atkin albums

Category:Philips Records albums

Category:RCA Records albums