Eli Lotar

{{Short description|French photographer and cinematographer}}

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Eli Lotar (born Eliazar Lotar Teodorescu; January 30, 1905 – May 10, 1969) was a French photographer and cinematographer.{{Cite web|url=https://www.imdb.com/name/nm0521419/|title=Eli Lotar | Cinematographer, Camera and Electrical Department, Director|website=IMDb}}

Lotar was born in Paris, the son of Tudor Arghezi, a Romanian poet,{{Cite web|url=http://revistaflacara.ro/aurora-cornu-%e2%80%9eliteratura-a-fost-singura-femeie-a-lui-marin-preda-singura-care-nu-l-a-inselat%e2%80%9c/|title=AURORA CORNU: "Literatura a fost singura femeie a lui Marin Preda, singura care nu l-a înşelat" | Revista Flacara}} and Constanța Zissu, a teacher.{{Cite web|url=https://www.ziaruldemures.ro/|title=Ziarul de Mures|website=Ziarul de mures}} He became a French citizen in 1926 and met the German photographer Germaine Krull. He took part in many exhibitions with Krull and photographer André Kertész.

Lotar published his photographs in reviews such as Jazz, Variétés, Bifur, and Documents. His reportage on the Parisian La Villette's slaughterhouses (1929, issue 6) was a theme very much in line with Georges Bataille's interests in sacrificial rituals and became one of his best-known works.{{cn|date=May 2024}}

Lotar also frequented cinematic and theatrical circles, through which he met filmmakers René Clair and Luis Buñuel, theater director Antonin Artaud and playwright Roger Vitrac. Lotar was the cinematographer on Buñuel's Las Hurdes: Tierra Sin Pan. A member of the Groupe Octobre, Lotar worked with filmmakers such as Jacques Brunius, Joris Ivens, Jean Painlevé, and Jean Renoir, as a set photographer or as a cameraman. He assisted Marc Allégret and directed three films, one of which, Aubervilliers (1946), was selected for the Cannes Film Festival in 1946.{{cn|date=May 2024}}

During his last years, which were particularly somber, he became close friends with Alberto Giacometti and posed for several of his sculptures.{{cn|date=May 2024}}