Errol Sawyer

Sawyer was born in Miami, Florida, to parents Robert Earl Sawyer (1923–94) and Mamie Lucille Donaldson (1928–2009). His father was an African American playwright, actor, director and producer whose family emigrated from Nassau, Bahamas, to Miami.{{Cite web|url=http://www.robertearlsawyer.org/|title=ROBERT EARL SAWYER|website=Robertearlsawyer.org|access-date=June 8, 2022}} His mother, an African American-Cherokee Indian originally from Bainbridge, Georgia, was head of the Intensive Care Unit of the Bronx-Lebanon Hospital Center in The Bronx, New York City, for 25 years. She had a passion for theatre.

In 1950, Sawyer moved with his mother and sister Wanda from Miami to Harlem, New York City, and three years later to The Bronx. In 1961, he graduated from James Monroe High School. From 1962 to 1966, he studied history and political science at New York University. Nearby Greenwich Village exposed him to another world of art and culture, and to chess, which has remained a passion for him. According to Sawyer, the Woodstock Festival, in 1969, had a big impact on his career path. He was in the 1960s a regular at Mickey Ruskin's club Max's Kansas City, where he met Jimi Hendrix, Robert Rauschenberg, Larry Rivers, Claes Oldenburg, Andy Warhol, and Diane Arbus. Arbus would later make a portrait of him in her studio.{{Cite web |url=http://www.profoto.nl/PF-site/archief/archief.php |title=Hoeneveld, Herman. "Errol Sawyer", Duotoon, PF Magazine, the Netherlands, nr 2, 2001, pp 51–58. |access-date=January 11, 2009 |archive-url=https://web.archive.org/web/20090331095713/http://www.profoto.nl/PF-site/archief/archief.php |archive-date=March 31, 2009 |url-status=dead }}

In 1968, Sawyer found his vocation as a photographer while traveling in Colombia, Ecuador, and Peru. His first camera was a Kowa. His first professional job came in 1971 in London. Sawyer has cited photographers James Moore, Bill Silano, Richard Avedon, and Gosta Peterson as influences.{{citation needed|date=November 2019}}

In the early 1970s, Sawyer lived and worked in Paris and London. His photographs were published in magazines such as Dépêche Mode, Elle, and French Vogue. He photographed the African-American painter Beauford Delaney and the American actresses Patti D'Arbanville, Jessica Lange, and Maria Schneider in Paris. In 1973, he discovered the American model Christie Brinkley, took her first modeling photos and convinced John Casablancas to accept her at Elite Model Management in Paris.Gross, Michael. Model: The Ugly Business of Beautiful Women. New York: William Morrow, 1995, pp 317–18. {{ISBN|0-688-12659-6}}

In 1978, Sawyer returned to New York and worked for magazines such as New York Magazine, Working Women and US Vogue. He did beauty campaigns for Avon, Germaine Monteil and Max Factor.{{Citation needed|date=March 2015}} At the same time he continued his street photography.

Since 1984, Sawyer has worked on commercial assignments and has done multicultural beauty projects for L'Oréal and Vis-A-Vis Magazine. However, most of his time is spent on documentary and fine art photography, primarily black and white photographs in the streets of New York, Paris, and Amsterdam. His fine art pictures have been published in The Sun,{{cite journal|date=March 2003|title= Contributors|journal=The Sun|location=Harlan, IA|issue=327|url=http://www.thesunmagazine.org/issues/327/contributors|access-date=April 13, 2009}}{{cite journal|date=June 2004|title= Contributors|journal=The Sun|location=Harlan, IA|issue=342|url=http://www.thesunmagazine.org/issues/342/contributors|access-date=April 13, 2009}} ZoneZero of Pedro Meyer, PF Magazine, and Filosofie Magazine in the Netherlands.

From 2006 until 2010, Sawyer was a guest professor of photography at Technical University Delft in the Netherlands.

In 2010, his photo book City Mosaic was published.City Mosaic. Errol Sawyer Foundation, Amsterdam, 2010, {{ISBN|978-90-816041-1-6}} The book contains 64 black & white images divided into three chapters: "Graffiti," "Portraits & City Scenes" and "Perspectives." Writing the book's introduction, photography critic A. D. Coleman describes the work as "close to four decades worth of engagement with the classic mode of mainstream-modernist street photography. Consistent in quality, in terms of both craft and content, it speaks in its own voice, aware of the tradition on which it builds but not noticeably beholden to any predecessor therein."{{Cite web|url=http://www.nearbycafe.com/artandphoto/photocritic/about-a-d-coleman/adc-in-print-and-pixels/recent-publications/|title = Recent Publications « Photocritic International|website=Nearbycafe.com}}

According to Sawyer, "a picture is good when it leaves room for you to imagine."{{Cite web |url=http://www.errolsawyer.com/ |title=Archived copy |access-date=June 27, 2022 |archive-date=April 18, 2021 |archive-url=https://web.archive.org/web/20210418080303/https://www.errolsawyer.com/ |url-status=dead }} He aims to provoke the viewer to look more closely at everyday situations that may otherwise be overlooked. He photographs people, graffiti, and perspectives in public and semi-public space, such as parks, streets, and underground stations.

Writing for PF Magazine, critic Herman Hoeneveld remarked "Errol Sawyer could be justifiably called a cultural philosopher who seems to press for consciousness and contemplation. He calls on our common sense to not allow our feelings to be crushed by the unbridled rush for consumption."

Art critic and former museum director Julian Spalding described Sawyer as "a classical black and white photographer in the Henri Cartier-Bresson tradition, using the camera at its simplest and most challenging, as a trap for catching time."{{Cite web|url=http://www.julianspalding.net/JS/Errol_Sawyer.html|title = Errol Sawyer|website=Julianspalding.net}} Writing for the World Socialist Web Site, painter Richard Phillips remarked "Errol Sawyer is a rare figure in contemporary photography: someone who worked in the often faddish and superficial world of high-end commercial photography but still retains his artistic integrity and creative spirit."{{cite web|last=Phillips|first= Richard|title= Interview of Errol Sawyer |url=http://www.wsws.org/en/articles/2014/12/01/erro-d01.html|website=Wsws.org|date= December 2014}}

Sawyer was married to the archtect Mathilde Fischer.{{Cite web |last=Carder |first=Austin |title=Errol Sawyer |url=https://caesuramag.org/visual-art/errol-sawyer |access-date=2025-07-10 |website=Caesura |language=en-US}}

Sawyer died on December 24, 2020, at age 77.{{Cite web |title=Errol Sawyer (1943-2020): A Farewell « Photocritic International |url=https://www.nearbycafe.com/artandphoto/photocritic/2021/01/02/errol-sawyer-1943-2020-a-farewell/ |access-date=2025-07-06 |website=www.nearbycafe.com}}

Sawyer has held solo exhibitions at:

• 4th Street Gallery, New York City, 1989. Theme: Children of East End.{{Citation needed|date=March 2015}}
• Royal Photographic Society, Bath, England, 1992. Theme: Children of East End.{{Citation needed|date=March 2015}}
• La Musée de la Photographie, Bièvre, France, 1993. Theme: Paris.{{Citation needed|date=March 2015}}
• Foto Huset Gallery, Götenburg, Sweden, 1993. Theme: Graffiti.{{Citation needed|date=March 2015}}
• No Name Gallery, Basel, Switzerland, 1993. Theme: Graffiti.{{Citation needed|date=March 2015}}
• La Chambre Claire Gallery, Paris, France, 2000. Theme: City Mosaïc.{{Cite web|url=http://www.parisvoice.com/voicearchives/00/nov/html/cityscan.html|title=Cityscan|website=Parisvoice.com|access-date=June 8, 2022}}
• Town Hall, Amsterdam, Netherlands, 2010. Theme: Diofior, A Village in Senegal.{{Citation needed|date=March 2015}}

• La Bibliothèque Nationale, Paris, France, 1974 and 2001. 37 pictures.{{Cite web|url=http://catalogue.bnf.fr/rechercher.do?motRecherche=errol+sawyer&critereRecherche=0&depart=0&facetteModifiee=ok|title = BNF Catalogue général|website=Catalogue.bnf.fr}}
• La Musée de la Photographie, Bièvre, France, 1991. 6 pictures.
• Schomburg Center for Research in Black Culture, Harlem, New York, 1997. 40 pictures.{{Citation needed|date=March 2015}}
• Eric Franck Gallery, London, England, 1997. 21 pictures.{{cite web|url=http://www.artnet.com/gallery/162052/eric-franck-fine-art.html |title=ERIC FRANCK FINE ART|website=artnet.com|access-date=June 8, 2022}}
• Fadi Zahar, La Chambre Claire Gallery, Paris, France, 2000. 4 pictures.{{Citation needed|date=March 2015}}
• Manfred Heiting, Amsterdam, Holland, 2002. 2 pictures.{{Citation needed|date=March 2015}}
• Museum of Fine Arts, Houston, Texas, 2004. 2 pictures.{{Cite web |url=http://fa.mfah.org/eadprint.asp?id=140 |title=Archived copy |access-date=December 21, 2014 |archive-date=March 4, 2016 |archive-url=https://web.archive.org/web/20160304092317/http://fa.mfah.org/eadprint.asp?id=140 |url-status=dead }}
• Victoria & Albert Museum, London. England. Work added to National Art Library Collection, 2005.[https://nal-vam.on.worldcat.org/oclc/1008357056] {{dead link|date=June 2022}}
• Tate Britain, London, England, 2012. 21 pictures.{{Cite web|url=https://www.tate.org.uk/(%27https://www.tate.org.uk/search?q=errol%20sawyer%27,)|title=Search results|website=Tate.org.uk|access-date=June 8, 2022}}

{{Reflist}}

• [http://www.errolsawyer.org errolsawyer.org – Documentary and Fine Art]

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Category:1943 births

Category:20th-century African-American people

Category:American photographers

Category:American people who self-identify as being of Cherokee descent

Category:American expatriates in the Netherlands

Category:James Monroe High School (New York City) alumni

Category:2020 deaths