Every Ocean Hughes

Hughes was an undergraduate at Hampshire College, from which they graduated in 1999. In 2002, they completed the Independent Study Program at the Whitney Museum of American Art. Hughes received an MFA in Interdisciplinary Studio from the University of California, Los Angeles in 2006.

In 2002, Hughes helped as a co-founder of the feminist genderqueer artist collective and annual literary journal Lesbians To The Rescue (LTTR), which remained an active part of the queer art theory community until 2008, along with Ginger Brooks Takahashi and K8 Hardy.{{cite web|title=LTTR|url=http://lttr.org|accessdate=1 February 2014}} LTTR was dedicated to "highlighting the work of radical communities whose goals are sustainable change, queer pleasure, and critical feminist productivity."

Hughes developed the concept of "ecstatic resistance"{{Cite web|last=|first=|date=|title=Ecstatic Resistance|url=http://www.tenstakonsthall.se/site/wp-content/uploads/2012/01/Ecstatic_Resistance_Emily_Roysdon.pdf|archive-url=|archive-date=|access-date=16 December 2020|website=}} in 2009 to talk about the impossible and imaginary in politics. In their essay on the topic, Hughes says, "Ecstatic Resistance is a project, practice, partial philosophy and set of strategies. It develops the positionality of the impossible alongside a call to re-articulate the imaginary. Ecstatic Resistance is about the limits of representation and legibility — the limits of the intelligible, and strategies that undermine hegemonic oppositions. It wants to talk about pleasure in the domain of resistance — sexualizing modern structures to centralize instability and plasticity in life, living, and the self. It is about waiting, and the temporality of change. Ecstatic Resistance wants to think about all that is unthinkable and unspeakable in the Eurocentric, phallocentric world order."{{cite web|last=|first=|date=|title=Ecstatic Resistance|url=http://everyoceanhughes.com/work/ecstatic-resistance|archive-url=|archive-date=|accessdate=15 December 2020|website=}} In addition to their essay being published in Grand Arts and Toronto's [https://cmagazine.com/issues/104/pdf?p=16 C Magazine], the project also was inclusive of a "practice, partial philosophy, set of strategies, and group exhibition(s)" that were all organized and curated by Hughes.

The two simultaneous sister shows were exhibited at Grand Arts (Nov. 13 - Jan. 16, 2010) and X Initiative in NYC (Nov. 21 - Feb. 6, 2010) and incorporated the art and performance of Yael Bartana, Sharon Hayes, Matthew Lutz-Kinoy, My Barbarian, Jeanine Oleson, Ulrike Ottinger, Adrian Piper, Dean Spade and Craig Willse, A.L. Steiner, Rosa Barba, Juan Davila, Xylor Jane, My Barbarian in collaboration with Liudni Slibinai, Ulrike Muller, A.L. Steiner, Joyce Wieland, Leah Gilliam, Julianna Snapper, PIG/ Politically Involved Girls (Wu Ingrid Tsang, Zackary Drucker, and Mariana Marroquin), and Ian White.{{cite web|last=|first=|date=|title=Ecstatic Resistance|url=http://everyoceanhughes.com/work/ecstatic-resistance|archive-url=|archive-date=|accessdate=15 December 2020|website=}} The New York Times' Roberta Smith wrote that "Ms. Roysdon's title connotes a spirit of Zen activism, with absurdity substituting for ideology, but with politics still in the picture."{{cite web|title=Art In Review| website=The New York Times |url=https://www.nytimes.com/2009/12/18/arts/design/18galleries.html?scp=1&sq=ecstatic%20resistance&st=cse&_r=0/|accessdate=1 February 2014}}

Hughes's many other collaborations include costume design for choreographers Levi Gonzalez, [https://www.vanessaanspaugh.com/ Vanessa Anspaugh] and Faye Driscoll, as well as lyric writing for The Knife, and JD Samson & MEN.

Recent solo projects include Help the Dead (2019), scenic, say (Kunsthalle Lissabon, Lisbon, 2017), Comedy of Margin Theatre (Secession, Vienna, 2015), and Uncounted (2014-17).{{Cite web|title=Every Ocean Hughes|url=http://everyoceanhughes.com/work|access-date=2020-12-15|website=everyoceanhughes.com}}

Hughes's work has been featured in solo exhibitions at Kunsthalle Lissabon, Lisbon (2017), Secession, Vienna (2015), Participant Inc., New York (2015), and the Berkeley Art Museum (2010).

Their work has also been featured in the 11th Gwangju Biennale, South Korea (2016), the Biennale of Sydney (2014), the Whitney Biennial, New York (2010), and Manifesta 8, Murcia, Spain (2010), as well as in group exhibits at Museu Serralves, Porto, Portugal (2017), Kunst-Werke Institute for Contemporary Art, Berlin (2016), the Museum of Modern Art, New York (2014), Moderna Museet, Malmö, Sweden (2014), Institute of Contemporary Art, Boston (2011), and the Museo Nacional Centro de Arte Reina Sofía, Madrid (2010).{{Cite web|title=Every Ocean Hughes {{!}} Hammer Museum|url=https://hammer.ucla.edu/artist-residencies/2018/every-ocean-hughes|access-date=2020-12-15|website=hammer.ucla.edu|language=en}}

Hughes completed the Whitney Museum Independent Study Program in 2001 and an Interdisciplinary MFA at UCLA in 2006. They have received grants and residencies from the Rema Hort Mann Foundation (2010), Franklin Furnace (2009), Wexner Center for the Arts (2009), Art Matters (2008), the International Artists Studio Program in Sweden (IASPIS, 2008), and the Hammer Museum (2018-2019). In 2012 Hughes was a finalist for the Future Generation Art Prize.

Hughes is currently a Mary I Bunting Fellow at the Radcliffe Institute for Advanced Study.{{Cite web|date=2019-02-26|title=Every Ocean Hughes|url=https://www.radcliffe.harvard.edu/people/every-ocean-hughes|access-date=2020-12-17|website=Radcliffe Institute for Advanced Study at Harvard University|language=en}}

• The New York Public Library's Miriam and Ira D. Wallach Division of Art, Prints, and Photographs
• [https://www.moma.org/artists/44660#works The Museum of Modern Art, New York]

• [http://everyoceanhughes.com/ Every Ocean Hughes]
• [https://www.moma.org/audio/playlist/272/3535 MoMA Audio interview with Emily Roysdon about Sense and Sense]

• [https://www.jstor.org/stable/24584866 Hughes documented as bringing queer voices into feminist art with their reenactment of Carolee Schneeman's Interior Scroll]
• [https://www.jstor.org/stable/24475133 Hughes mentioned their photography series on predecessor David Wojnarowicz]
• [https://www.jstor.org/stable/41315381 Hughes included in multiple parts of this article for their involvement in LTTR, their photography series on Wojnarowicz, and their work with ecstatic resistance]
• [https://www.jstor.org/stable/24475143 Hughes cited as providing inspiration to K8 Hardy via their concept of ecstatic resistance]

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Category:1977 births

Category:Living people

Category:Academic staff of Konstfack

Category:American interdisciplinary artists

Category:American women academics

Category:21st-century American women

Name:Emily Roysdon