Everything That Rises Must Converge

{{about|the book|the short story|Everything That Rises Must Converge (short story)|other uses|Everything That Rises Must Converge (disambiguation)}}

{{Short description|1965 short story collection by Flannery O'Connor}}

{{Use mdy dates|date=January 2022}}

{{Infobox book |

| name = Everything That Rises Must Converge

| title_orig =

| translator =

| image = EverythingThatRises.JPG

| caption = First edition cover

| author = Flannery O'Connor

| illustrator =

| cover_artist =

| country = United States

| language = English

| series =

| genre = Short stories

| publisher = Farrar Straus Giroux

| release_date = January 1965

| media_type = Print (hard & paperback)

| pages = 269 pp

| isbn = 0-374-15012-5

| preceded_by =

| followed_by =

}}

Everything That Rises Must Converge is a collection of nine short stories written by Flannery O'Connor during the final decade of her life. The collection was published posthumously in 1965 and contains an introduction by Robert Fitzgerald. It includes all three of O'Connor's O. Henry Award-winning stories: "Greenleaf" (1957), "Everything That Rises Must Converge" (1963), and "Revelation" (1965). In addition, it contains two stories that were published for the first time via the collection: "Parker's Back" and "Judgement Day".

Short story contents

Development

= Creating the collection =

Of the volume's nine stories, seven had been printed in magazines or literary journals prior to being collected, including three that won O. Henry Awards: "Greenleaf" (1957), "Everything That Rises Must Converge" (1963), and "Revelation" (1965). O'Connor also considered including "The Partridge Festival", but later withdrew it.{{Cite book |last=Giroux |first=Robert |title=The Complete Stories |publisher=Farrar, Straus & Giroux |year=1971 |location=New York |pages=xv-xvi |chapter=Introduction}}

During her final illness, O'Connor wrote two new stories. "Judgment Day" is a dramatically reworked version of "The Geranium", which was one of O'Connor's earliest publications and appeared in her graduate thesis at the Iowa Writers' Workshop. "Parker's Back", the collection's only completely new story, was a last-minute addition.

The collection's eponymous story derives its name from the work of Pierre Teilhard de Chardin.{{Cite book |last=Whitt |first=Margaret Earley |title=Understanding Flannery O'Connor |date=August 1, 1997 |publisher=University of South Carolina Press |isbn=1-57003-225-4}}{{Cite book |last=Chardin |first=Pierre Teilhard De |title=Building the Earth and The Psychological Conditions of Human Unification |publisher=Avon (Discus Edition) |year=1969 |page=11}}

= O'Connor's intended collection =

It remains unclear whether O'Connor intended for "Parker's Back" and "Judgement Day" to be included in the Everything That Rises Must Converge collection. According to Forrest Ingram, editor Robert Fitzgerald told him that O'Connor's initial intent was to publish the first seven stories as a unit, and that he added the new stories after she died.{{Cite journal |last=Ingram |first=Forrest L. |date=1973 |title=O'Connor's Seven-Story Cycle |url=https://www.jstor.org/stable/26669751 |journal=The Flannery O'Connor Bulletin |volume=2 |pages=19–28 |issn=0091-4924}} Publisher Robert Giroux explained that O'Connor mostly left him in the dark about the new stories, and did not leave him instructions on whether to include them in the upcoming collection. She sent him the manuscript for "Judgement Day" in July 1964, and died on August 3 of that year.

Ingram argues that while the additional two stories both incorporate O'Connor's traditional Christian themes, and "Parker's Back" reflects the influence of Teilhard de Chardin on O'Connor's spirituality, the original seven stories work as a coherent unit and were meant to be read as such. He argues that the first seven stories are unified by their interest in "man's relationship to his neighbor, and therefore to himself and to God", which inevitably "entails a conflict of visions [where] [o]ne's self-image is shattered when one looks at himself through other eyes". He adds that "Revelation" ties together the six stories that came before it.

References

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