Ewa Mazierska

{{Short description|Polish academic}}

{{BLP sources|date=July 2021}}

{{Infobox person

|name = Ewa Mazierska

|image = Ewa Mazierska July25 2010 Fot Mariusz Kubik 01.JPG

|caption = Ewa Mazierska
- Wrocław (Poland), July 25, 2010

|birth_date = {{bya|1964}}

|birth_place = Włocławek, Poland

|other_names =

|known_for =

|occupation = film

|nationality = Polish

}}

{{Commons|Ewa Mazierska}}

Ewa Mazierska (born 1964 in Włocławek, Poland) is a reader in Contemporary Cinema, in the Department of Humanities of the University of Central Lancashire.[https://web.archive.org/web/20070608075322/http://www.uclan.ac.uk/facs/class/humanities/staff/mazierska.htm Ewa Mazierska – University of Central Lancashire, Department of Humanities] Her publications include various articles in Polish and English and a number of monographs. She also co-edited Relocating Britishness (co-authors: John Walton, Susan Sydney-Smith, and Steven Caunce; Manchester University Press, 2004).

Education:

  • 1987; Masters in philosophy, Warsaw University, Poland
  • 1995; Ph.D., Lódz University, Poland

Film critic Michał Oleszczyk writes she is one of the two Poland-born scholars leading the field of Polish films studies outside Poland (the other one being Marek Haltof).Michał Oleszczyk, "Reviewed Work: Polish Cinema: A History", Cinéaste, vol. 44, no. 4, 2019, pp.73-75, {{JSTOR|26754292}}

Selected bibliography

= In English =

  • 2003 - From Moscow to Madrid: European Cities, Postmodern Cinema (co-author: Laura Rascaroli)
  • 2004 - Dreams and Diaries: The Cinema of Nanni Moretti (co-author: Laura Rascaroli)
  • 2006 - Crossing New Europe: Postmodern Travel and the European Road Movie
  • 2006 - Women in Polish Cinema (co-author: {{ill|Elżbieta Ostrowska|pl}})
  • 2007 - Roman Polanski: The Cinema of a Cultural Traveller
  • 2007 - Polish Postcommunist Cinema: From Pavement Level
  • 2008 - Larks on a String: Masculinities in Polish and Czech and Slovak Cinema
  • 2010 - Jerzy Skolimowski: The Cinema of a Nonconformist
  • 2010 - Nabokov's Cinematic Afterlife
  • 2017 - Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema
  • 2020 - Popular Viennese Electronic Music, 1990-2015: A Cultural History

= In Polish =

  • 1999 - Człowiek wobec kultury: James Ivory i jego filmy (Oficyna Wydawnicza ER, {{ISBN|83-900494-1-4}})
  • 1999 - Uwięzienie w teraźniejszości i inne postmodernistyczne stany: Twórczość Wong Kar-Waia (Książka i Prasa, {{ISBN|83-909696-7-X}})
  • 2007 - Słoneczne kino Pedra Almodóvara (Słowo/Obraz Terytoria, {{ISBN|978-83-7453-732-2}})[http://www.hiszpania-online.com/?strona,doc,pol,glowna,1432,0,1301,1,1432,ant.html&PHPSESSID=598ad655ad4d771ce0665497c4bd15d7 Magdalena Wrzodak, „Najpierw obejrz!”; Recenzja książki: „Słoneczne kino Pedra Almodóvara”]
  • 2010 - Pasja. Filmy Jean-Luca Godarda (Korporacja Ha!art, {{ISBN|978-83-61407-23-2}})[https://web.archive.org/web/20171207192417/http://ha.art.pl/komentarze/1080-gazeta-wyborcza-tadeusz-sobolewski-o-godardzie-i-ksiazce-ewy-mazierskiej.html Tadeusz Sobolewski, „Muzyka Godarda” (o książce Ewy Mazierskiej „Pasja. Filmy Jean-Luca Godarda”); „Gazeta Wyborcza”, 15.06.2010 r.][https://web.archive.org/web/20100719011411/http://ha.art.pl/wydawnictwo/katalog-ksiazek/913-ewa-mazierska-pasja-filmy-jean-luca-godarda.html O książce Ewy Mazierskiej „Pasja. Filmy Jean-Luca Godarda” (korporacja Ha!art)]

References

{{reflist}}

Web