Face the Music (musical)

The musical was written as a political satire, specifically spoofing political and police corruption that the Seabury Commission was investigating. It also satirized show business, showing the far-fetched economies, such as seeing 4 films with a room and bath for 10¢. The musical did not ignore the Depression but rather found humor in it. There were many titles considered, among them Nickels and Dimes, but Berlin came up with the final title.

"New York Police Satirized on Stage", The New York Times, February 4, 1932, p. 25Brown, pp. 77- 79

Producer Hal Reisman desperately seeks backers for his Broadway show. Because of the Great Depression, once-rich investors are "Lunching at the Automat". Kit Baker, a former musical-comedy star and her boyfriend Pat Mason are now out of work and poor ("Let's Have Another Cup of Coffee"). In his search, Reisman meets crooked policemen who need to get rid of their illegal money before they are found out. The corrupt police chief Martin van Buren Meshbesher and his eccentric wife Myrtle become investors in the show, expecting it to be a failure. In the show-within-the-show, Rodney St. Clair sings "My Beautiful Rhinestone Girl". However, when risqué material is added the show is raided and the government tries to close it. The flop becomes a hit because of the publicity.

• Lunching at the Automat – Ensemble
• Let's Have Another Cup of Coffee – Pat Mason, Jr. and Kit Baker
• Torch Song – Streetwalker
• You Must Be Born with It – Pickles and Joe
• On a Roof in Manhattan – Pat Mason, Jr. and Kit Baker
• My Beautiful Rhinestone Girl – Rodney St. Clair
• Soft Lights and Sweet Music – Pat Mason, Jr. and Kit Baker

• Act II Opening – Ensemble
• I Say It's Spinach (And the Hell with It) – Pat Mason, Jr. and Kit Baker
• A Toast to Prohibition (Drinking Song) – Rodney St. Clair and Boys
• Dear Old Crinoline Days – Kit Baker
• I Don't Want to Be Married – Pickles and Joe
• Manhattan Madness – Pat Mason, Jr.
• Investigation – Company

• "Lunching at the Automat" – Ensemble
• "Let's Have Another Cup of Coffee" – Pat Mason, Jr. and Kit Baker
• "Two Cheers Instead of Three" – Uncle Sam and Ensemble*
• "The Police of New York" – Martin Van Buren Meshbesher, Officer O'Rourke, and Policemen*
• "Reisman's Doing a Show" – Company^
• "Torch Song" – Streetwalker
• "You Must Be Born With It" – Pickles and Joe
• "On a Roof in Manhattan" – Pat Mason, Jr. and Kit Baker
• "Crinoline Days" – Kit Baker
• "My Beautiful Rhinestone Girl" – Rodney St. Clair
• "Soft Lights and Sweet Music" – Pat Mason, Jr. and Kit Baker
• "If You Believe" – Myrtle Meshbesher and Ensemble*

• "Well, Of All The Rotten Shows" – Ensemble
• "I Say It's Spinach (And The Hell With It)" – Pat Mason, Jr. and Kit Baker
• "How Can I Change My Luck?" – Hal Reisman*
• "A Toast to Prohibition (Drinking Song)" – Martin Van Buren Meshbesher, Rodney St. Clair, Myrtle Mesbesher, and Ensemble
• "The Nudist Colony (Crinoline Days [Reprise]) – Kit Baker^
• "I Don't Wanna Be Married (I Just Wanna Be Friends" – Pickles and Joe
• "Manhattan Madness" – Pat Mason, Jr.
• "Investigation" – Company

*Added during touring versions of the show, following the original Broadway production

^Performed in the original production but not listed in the Playbill

Face the Music opened in Philadelphia on February 3, 1932, for 2 weeks in its pre-Broadway tryout."Theatrical Notes", The New York Times, February 3, 1932, p. 22

The musical premiered on Broadway at the New Amsterdam Theatre on February 17, 1932, and closed on July 9, 1932, after 165 performances. Staging was by Hassard Short, direction by George S. Kaufman and choreography by Albertina Rasch. It had a return engagement from January 31, 1933, to February 25, 1933, for 31 performances at the 44th Street Theatre (demolished in 1945). The cast featured Mary Boland (Mrs. Meshbesher), J. Harold Murray (Pat Mason, Jr.), Margot Adams (Miss Eisenheimer), Charles Lawrence (Martin van Buren Meshbesher), Robert Emmett Keane (Hal Reisman), Katherine Carrington (Kit Baker), Thomas Arace (Detective), and The Albertina Rasch Dancers.

The 42nd St. Moon (San Francisco) production ran from March 26 - April 13, 1997.[http://www.42ndstmoon.org/Schedule/Face%20Music.html Face The Music] {{Webarchive|url=https://web.archive.org/web/20071011171902/http://www.42ndstmoon.org/Schedule/Face%20Music.html |date=2007-10-11 }} 42ndstmoon.org, accessed August 23, 2009

The Musicals Tonight! (New York City) production ran in June 2002.[http://www.musicalstonight.org/ARCHfacethemusic.html Face The Music, 2002] {{Webarchive|url=https://web.archive.org/web/20080516082828/http://www.musicalstonight.org/ARCHfacethemusic.html |date=2008-05-16 }} musicalstonight.org, accessed August 23, 2009

Encores! (New York City) presented a staged concert from March 29 to April 1, 2007.Pomahac, Bruce.[http://www.playbill.com/features/article/105649-Restoring_Irving_Berlin%27s_Face_The_Music "Restoring Irving Berlin's Face The Music"], playbill.com, March 1, 2007 Directed by John Rando with choreography by Randy Skinner, the cast featured Judy Kaye (Mrs. Myrtle Meshbesher), Lee Wilkof (Martin van Buren Meshbesher), Walter Bobbie (Hal Reisman), Eddie Korbich as (Joe Malarky), Jeffry Denman (Pat Mason), and Meredith Patterson (Kit Baker).Sommer, Elyse.[http://www.curtainup.com/encoresfacethemusic.html "A CurtainUp Review:Encores! 'Face the Music'"], curtainup.com, March 31, 2007

'Face the Music' was scheduled for a UK Professional Stage Premiere at the Rose and Crown Theatre from 9 June to 3 July 2015. Directed by Brendan Matthew, choreography by Sally Brooks and musical direction by Aaron Clingham.

Brooks Atkinson, reviewing the original 1932 production for The New York Times, called the musical a "bountiful merry-go-round" of songs and "gibes", writing that it is "bold satire", but has familiar musical comedy numbers, such as the "stunning mirror dance... expressionistic Times Square ballet...and "Dear Old Crinoline Days which is guffawing burlesque."Atkinson, Brooks. "The Play", The New York Times, February 18, 1932, p. 24

An unnamed reviewer, quoted in the Brown biography Moss Hart, wrote "It's a worthy successor to Of Thee I Sing [but] it doesn't entirely measure up to it. It resorts to slapstick instead of satire. It becomes merely burlesque. All of which doesn't mean that Face the Music isn't a howl. It most emphatically is."

The reviewer for "theatermania.com", in reviewing the "Musicals Tonight!" 2002 production, noted that "1932 audiences didn’t go to musicals for ingenious satire; they wanted sumptuous productions, brilliant choreography, delightful performers, and great songs." The score "boasts two classics ("Soft Lights and Sweet Music" and "Let’s Have Another Cup of Coffee") and much more that's lilting, clever, or otherwise intriguing. One real discovery is "Torch Song," a wicked send-up of Helen Morgan weepers..."Investigation," a 12-minute opera-comique finale that reprises and restates old themes, introduces new ones, wraps up the plot, and brings in a Threepenny Opera-style deus ex machina to usher in the happy ending.Miller, Marc.[http://www.theatermania.com/new-york/reviews/06-2002/face-the-music_2279.html "Review:Face the Music"], theatermania.com, June 14, 2002

According to the Curtain Up reviewer, commenting on the 2007 Encores! concert, this musical had an "influence on backstage musicals like The Producers, The Drowsy Chaperone and Curtains."

{{reflist}}

• Botto, Louis. [https://archive.org/details/atthistheatre10000bott Playbill: At This Theatre] (Applause Books, 2002) ({{ISBN|1-55783-566-7}})
• Brown, Jared (2006). Moss Hart: A Prince of the Theatre. Back Stage Books. {{ISBN|0-8230-7890-6}}.

• {{ibdb show|id=3424|Title=Face the Music}}
• [http://www.rnh.com/show_detail.asp?id=FM2 Face the Music background, musical numbers at The Rodgers and Hammerstein site]

{{Irving Berlin}}

Category:Musicals by Irving Berlin

Category:1932 musicals

Category:Broadway musicals

Category:Musicals set in New York City

Category:Backstage musicals