Fay Foster

{{Short description|American composer and teacher (1886–1960)}}

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Fay Foster (November 8, 1886 – April 17, 1960) was an American pianist, composer, and teacher.

Biography

Foster was born in Leavenworth, Kansas on November 8, 1886. She was a child prodigy, performing publicly by the age of 5, and professionally as organist and choir director by age 12. In Chicago she studied piano under William Hall Sherwood, voice under Mme Dove-Boitte, and theory with Frederick Grant Gleason.{{Cite book |title=The National Cyclopaedia of American Biography |publisher=James T. White & Company |year=1926 |location=New York |page=468}} At the age of 17 she went on a national tour playing the piano for Sherwood's Grand Opera Company. Following her Chicago studies, at the age of 19, she was appointed director of the Grand Prairie Seminary's Conservatory of Music in Onarga, Illinois.{{Cite journal |last=Foster |first=Fay |date=1912-01-01 |title=Sol' Down de Stream (voice and piano) |url=https://ecommons.udayton.edu/dunbar/120 |journal=Dunbar Music Archive}} In 1897 she opened a studio in Chicago's Steinway Hall to teach piano and theory.{{Cite journal |date=September 22, 1897 |title=Music in Chicago |url=https://books.google.com/books?id=WY9CAQAAMAAJ&q=%22onarga%22%20%22conservatory%22%20%22fay%20foster%22&pg=RA11-PA17 |journal=The Musical Courier |volume=XXXV |issue=12 |page=17}}

In 1899 she travelled to Europe for twelve years, studying further under Heinrich Schwartz, Moritz Rosenthal, and Sofie Menter in Munich, and under Theodore Wiehmeyer, Alfred Reisenauer, and Salomon Jadassohn at the Leipzig Conservatory.{{Cite journal |last=Foster |first=Fay |date=May 15, 1915 |title=Beauty and Eccentricity as Combined in Sofie Menter |url=https://books.google.com/books?id=Mkc0AQAAMAAJ&pg=RA23-PA122 |journal=Musical America |volume=XXII |issue=2 |page=13}} She studied singing under Siga Garso, Hans Weinhoppel and Alexander Heinemann. She performed opera for two years in Italy.

In 1910, Berlin's Die Woche sponsored an international contest for a waltz modelled on the Blue Danube. Her waltz "The Prairie Flower" (originally titled "Sit Illi Terra Levis"), judged by a panel headed by Johann Strauss III, won second prize out of 4,222 submissions.{{Cite news |title=WALTZ PRIZE FOR AMERICAN.; Miss Fay Foster Gets Second Award in Die Woche's Competition. |language=en |work=The New York Times |url=http://timesmachine.nytimes.comhttp//arch-timesmachine-fe-prd-40741-2-575473780.us-east-1.elb.amazonaws.com/timesmachine/1911/01/12/104817204.html?pageNumber=3 |access-date=2023-04-29}}

In early 1911 she returned to Kansas City to be with her sick father. Soon afterward she settled in New York City, establishing educational studios in Manhattan and in Hempstead. She divided her time between composing, teaching, and recital/accompanist work. She founded and directed the Foster Choral Club in Hempstead, Long Island.{{Cite book |url=https://books.google.com/books?id=Mkc0AQAAMAAJ&pg=RA10-PA25 |title=Musical America |date=July 17, 1915 |publisher=Music Publications, Limited |page=25 |language=en}} She taught voice at the American Institute of Applied Music.{{Cite journal |date=September 1926 |title=Studio Notes |url=https://books.google.com/books?id=vvDUkO6GtEYC&pg=RA6-PA33 |journal=The Musical Observer |volume=XXV |issue=9 |page=52}} With two of her AIAM colleagues Josef Berge and Gene Gravelle, she founded the Foster Trio vocal ensemble.{{Cite journal |date=July 1926 |title=Foster Trio a Decided Novelty |url=https://books.google.com/books?id=vvDUkO6GtEYC&pg=RA6-PA33 |journal=The Musical Observer |volume=XXV |issue=7 |page=33}} From 1923 to 1933 she taught at the Ogontz School in Rydall, Pennsylvania.{{Cite news |title=FAY FOSTER |language=en |work=The New York Times |url=http://timesmachine.nytimes.comhttp//arch-timesmachine-fe-prd-40741-2-575473780.us-east-1.elb.amazonaws.com/timesmachine/1960/04/19/105427920.html?pageNumber=37 |access-date=2023-04-29}}

Foster was a prolific song composer.{{Cite journal |last=Pool |first=Jeannie G. |date=1979 |title=America's Women Composers: Up from the Footnotes |url=https://www.jstor.org/stable/3395571 |journal=Music Educators Journal |volume=65 |issue=5 |pages=28–41 |doi=10.2307/3395571 |jstor=3395571 |s2cid=143442149 |issn=0027-4321}} She won first place in the American Composers Competition in 1913.{{cite book|title=International Encyclopedia of Women Composers|last=Cohen|first=Aaron I. |date=1981|publisher=R. R. Bowker Company|isbn=0835212882|page=[https://archive.org/details/roni00aaro/page/163 163] }} Her song "Are You For Me or Against Me?" won a prize in 1919 from the New York American, a competition with over 10,000 applicants. Foster was the only woman composer to win a prize.{{cite magazine |editor-last=Watt |editor-first=Charles E. |date=1920 |magazine= Music News |volume=12 |issue=1 |title=The Americans come |url=https://books.google.com/books?id=SndFAQAAMAAJ&pg=RA2-PA20 |page=20}}

Her song "The Americans Come (An Episode in France in the Year 1918)" was her most widely heard composition, having become part of the American post-WWI propaganda effort.{{Cite news |title=SHOW 'DEVIL DOGS' IN TRAINING CAMP; Pictures of United States Marines Arouse Enthusiasmof Movie Audience.MAE MARSH IN NEW PLAYGeorge M. Cohan In "Hit-the-TrailHolliday" Has Great Chanceto Wave the Flag. George Cohan and Lots of Flags. Mae Marsh in New Play. |language=en |work=The New York Times |url=http://timesmachine.nytimes.comhttp//arch-timesmachine-fe-prd-40741-2-575473780.us-east-1.elb.amazonaws.com/timesmachine/1918/06/10/102708116.html?pageNumber=9 |access-date=2023-04-29}} George Harris Jr. and Margaret Romaine sang it on their tour in support of Liberty Loans, and Pathé contributed sales of its recording by Paul Althouse to the war bond effort. Reinald Werrenrath recorded it for RCA Victor.{{Cite book |last=Rubin |first=Richard |title=The last of the doughboys : the forgotten generation and their forgotten world war |date=2013 |isbn=978-0-547-84369-8 |location=Boston |publisher=Houghton Mifflin Harcourt |pages=104–105 |oclc=850180181}} It had performances at New York Hippodrome by John McCormack, by Lotta Madden and several others at New York's Wanamaker's, by Yvonne de Tréville in Washington DC, and by Schumann-Heink and Theodore Van Yorx.{{Cite journal |date=October 19, 1918 |title="The Americans Come!" Booming - Fay Foster Presents Autographed Pathe Record to Purchaser of a $1,000 Liberty Bond |url=https://books.google.com/books?id=dZtQAAAAYAAJ&pg=RA18-PA32 |journal=The Music Trades |volume=LVI |issue=16 |page=32}}{{Cite journal |date=November 30, 1918 |title="The Americans Come!" Sung by McCormack |url=https://books.google.com/books?id=dZtQAAAAYAAJ&pg=RA18-PA32 |journal=The Music Trades |volume=LVI |issue=22 |page=39}} In 1930 the song was turned into a short film by Alfred Mannon and Elmer Clifton featuring Otto Matieson.{{Cite book |last=Webb |first=Graham |title=Encyclopedia of American short films, 1926-1959 |date=2020 |isbn=978-1-4766-3926-0 |location=Jefferson, North Carolina |publisher= McFarland & Company |oclc=1165386404}}

She was a member of the Society of American Women Composers, Society of German Composers,{{Cite book |title=American Women |publisher=Richard Blank Publishing Company |year=1937 |editor-last=Howes |editor-first=Durward |volume=2 |pages=237}} the youngest admitted member of the Chicago Manuscript Society, the Authors' League of America, the Guild of Vocal Teachers, and the Musicians, No Name, Gamut, and MacDowell clubs of New York.{{Cite journal |last=Green |first=Miriam Stewart |date=January 1976 |title=Consider These Creators |url=https://www.jstor.org/stable/43537970 |journal=American Music Teacher |volume=25 |issue=3 |pages=9–12 |jstor=43537970 |issn=0003-0112}} She owned a summer home in Lavallette, New Jersey.

Compositions

Below is a non-comprehensive list of Foster's compositions.{{Cite book|title=International Encyclopedia of Women Composers |last=Cohen|first= Aaron I.|date=1987|publisher=Books & Music (USA), Inc|isbn=0961748524|edition=2nd, revised and enlarged|location=New York|oclc=16714846}}

class="wikitable"
TitleInstrumentation

!Comment

Prairie flowersPiano

|Won the 1910 International Waltz Competition in Berlin

Etude de ConcertPiano

|Won first prize in an Etude contest

Petite Valse de Ballet

|Piano

|

Sunset in a Japanese Garden

|Piano

|

Women's ChorusesVoice

|

The Honorable Chop-Sticks

|Voice

|

The Shadow of the Bamboo Fence

|Voice

|Lyrics by Lafcadio Hearn{{Cite book |last=Sheppard |first=William Anthony |title=Extreme exoticism : Japan in the American musical imagination |date=2019 |isbn=978-0-19-007270-4 |location=New York, NY |publisher=Oxford University Press |page=437 |oclc=1089258621}}

The Cruel Mother-in-Law

|Voice

|Lyrics by Lafcadio Hearn, dedicated to Anna Addison Moody.

The Red Heart

|Voice

|#1 of Two Japanese Sword Songs

A Nipponese Sword Song

|Voice

|#2 of Two Japanese Sword Songs

The Americans come: an episode in France in the year 1918Voice

|Based on a poem by Elizabeth A. Wilbur published in Munsey's Magazine.{{Cite journal |last1=Foster |first1=Fay |date=1918 |title=Americans Come! |url=https://jstor.org/stable/community.31754017 |journal=|publisher=J. Fischer & Bro }}{{dead link|fix-attempted=yes|date=May 2024}}

Dusk in JuneVoice

|

A Snow Song

|Voice

|

A Maiden

|Voice

|

Russian DollVoice

|

In the carpenter shopVoice

|

Your kissVoice

|Lyrics by Sara Teasdale{{Cite thesis |last=Russell |first=Rebecca Straney |title=A Study of Representative Musical Settings of the Poetry of Sara Teasdale by Josephine McGill, Fay Foster, Alice Barnett, Mabel Wood Hill, and Amy Beach |date=1999 |degree=PhD |publisher=Indiana University}}

Sol' Down de Stream

|Voice

|Lyrics by Paul Lawrence Dunbar,{{Citation |title=Sol' down de stream |date=1912 |url=https://catalog.hathitrust.org/Record/100001954 |access-date=2023-04-27 |place=New York |publisher=G. Schirmer}} dedicated to Foster's father

Con Amore

|Voice

|Lyrics by Ray Clarke Rose

My Journey's End

|Voice

|Lyrics by Florence Tarr (a student of Foster's)

Chains{{Cite journal |date=June 1928 |title=Four Song Composers Who Have Made Outstanding Contributions to the Repertoires of Many Singers |url=https://digitalcommons.gardner-webb.edu/cgi/viewcontent.cgi?article=1756&context=etude |journal=The Etude |volume=XLVI |issue=6}}

|Voice

|

Don't Want to Know

|Voice

|

I Can Sing You a Song of Springtime

|Voice

|

Five Songs of Childhood

|Voice

|Lyrics by Ray Clark Rose. One of the songs is Fairy Castles

Karma

|Voice

|

Winter

|Voice

|Won 1st prize in New York's American song competition in 1914.{{Cite journal |date=May 22, 1915 |title=Philadelphia "Pop" Concerts a Success |url=https://books.google.com/books?id=Mkc0AQAAMAAJ&pg=RA23-PA122 |journal=Musical America |volume=XXII |page=45}} Lyrics by I. Zangwill.

The King

|Voice

|Lyrics by Horatio Winslow

Sing a Song of Roses

|Voice

|

A Kiss in Colin's Eyes{{Cite journal |date=September 7, 1917 |title=Books And Music |url=https://books.google.com/books?id=ZnNFAQAAMAAJ&pg=RA14-PA24 |journal=The Music News |volume=9 |issue=36 |page=26}}

|Voice

|Published by William A. Pond & Co

The Sheep in the Sky

|Voice

|Published by William A. Pond & Co

One Golden Day

|Voice

|

Der Maler

|Voice

|Lyrics by A. Glück, English translation by Allen Monroe Foster, dedicated to Oscar Seagle who premiered the song.{{Cite journal |date=October 23, 1915 |title=New Music - Vocal and Instrumental |url=https://books.google.com/books?id=Mkc0AQAAMAAJ&pg=RA23-PA122 |journal=Musical America |page=36}}{{Cite journal |date=August 14, 1915 |title=Fay Foster Visits Musicolony, RI |url=https://books.google.com/books?id=Mkc0AQAAMAAJ&pg=RA23-PA122 |journal=Musical America |page=27}}

The Call of the Trail

|Voice

|Dedicated to Ethelynde Smith{{Cite journal |date=May 15, 1915 |title=Ethelynde Smith's Tour. Soprano Gives Recital in New Jersey on Way to West |url=https://books.google.com/books?id=Mkc0AQAAMAAJ&pg=RA23-PA122 |journal=Musical America |volume=XXII |issue=2 |page=21}}

The Daughter

|Voice

|

Spinning Wheel

|Voice

|Also a prize winner in New York's American song competition in 1914.{{Cite journal |date=July 17, 1915 |title=Maverick-Foster Recital |url=https://books.google.com/books?id=Mkc0AQAAMAAJ&pg=RA23-PA122 |journal=Musical America |page=30}} Lyrics based on poetry of Alfred Perceval Graves.

Springtide of Love

|Voice

|Dedicated to Paul Althouse

In the Ilex Shadow

|Voice

|

If I Were the King of Ireland

|Voice

|

Peace, Ye Martyred Ones

|Voice

|

The Nightingales of Flanders

|Voice

|Lyrics by Grace Conkling

My Menagerie

|Voice

|Lyrics by Mrs. Elder from a poem found in The Youth's Companion. Dedicated to Louis Graveure.

O'er Bloomy Lands or Heather

|Voice

|

Secret Languages

|Voice

|Lyrics by Melville Chater. Dedicated to Kathleen Hart Bibb.

Swinging

|Voice

|

When Lovers Part

|Voice

|Lyrics by James. I. White

Love in Absence

|Voice

|

Louisiana Lullaby

|Choral

|

In the Carpenter's Shop

|Choral

|Published by Oliver Ditson Company. Won a prize given by the Women's Federation of Music Clubs.

A Little Boy's Dream{{Cite book |url=http://archive.org/details/sim_music-magazine-and-musical-courier_1923-10-18_87_16 |title=Musical Courier 1923-10-18: Vol 87 Iss 16 |date=1923-10-18 |publisher=Summy-Birchard Publishing Company |language=English}}

|Choral

|The Etude from this chorus won a Theodore Presser prize

The Moon Lady, Chinese themeOpera

|

The Castaways{{Cite journal |date=January 1926 |title=Ideal Operettas and Cantatas from which to make selection now for spring productions |url=https://digitalcommons.gardner-webb.edu/cgi/viewcontent.cgi?article=1729&context=etude |journal=The Etude |volume=XLIV |issue=1}}

|Operetta

|Libretto by Alice Monroe Foster

The Land of Chance{{Cite journal |date=1922 |title=Back Matter |url=https://www.jstor.org/stable/3382778 |journal=Music Supervisors' Journal |volume=8 |issue=3 |pages=21–33 |doi=10.2307/3382778 |jstor=3382778 |s2cid=221071437 |issn=1559-2472}}

|Operetta

|Book and lyrics by Alice Monroe Foster

Blue BeardOperetta

|

References