Figaro Systems
{{Short description|American software company}}
{{Infobox company
|name = Figaro Systems, Inc.
|logo = Figaro logo
|type = Private
|foundation = 1993
|location_city = Santa Fe, New Mexico
|location_country =United States
|key_people = Patrick Markle, president and CEO, Geoff Webb, VP
|homepage = [http://www.figarosystems.com figarosystems.com]{dead link}
}}
Figaro Systems, Inc. is an American company that provides seatback and wireless titling software and system installations to opera houses and other music performance venues worldwide. The company is based in Santa Fe, New Mexico. It was established in 1993Andrew Webb, “Opera Subtitle Firm Eyes New Game,” New Mexico Business Weekly, Nov. 21, 2003 [http://www.bizjournals.com/albuquerque/stories/2003/11/24/story2.html]
by Patrick Markle, Geoff Webb, and Ron Erkman and was the first company to provide assistive technology that enables individualized, simultaneous, multi-lingual dialogue and libretto-reading for audiences.[http://www.highbeam.com/DocPrint.aspx?DocID=1P2:115622912 David Belcher, “Nothing Lost in Translation: Video]{{dead link|date=February 2019|bot=medic}}{{cbignore|bot=medic}}] system allows patrons to read words on chair backs,”] Albuquerque Journal, June 4, 2006
History
Figaro Systems grew out of a conversation in 1992 among three opera colleagues: Patrick Markle, at that time Production Director of The Santa Fe Opera, Geoffrey Webb, Design Engineer for the Metropolitan Opera House in New York, and Ronald Erkman, then a technician for the Met. At that time, opera houses had two options for the display of libretto and dialogue subtitles: projection onto a large screen above the stage or onto smaller screens throughout the theatre. Typically, the translation was in a single language.[http://www.bizjournals.com/albuquerque/stories/2005/04/11/story5.html?q=Figaro%20Systems Dennis Domrzalski, "Figaro: Eyes translate when ears don't get it"], New Mexico Business Weekly, April 8, 2005
The Americans with Disabilities Act of 1990 had recently been enacted; Markle was trying to solve the problem of venues which lacked accessibility to patrons with disabilities, including the profoundly deaf. Markle, Webb, and Erkman devised the first prototype of a personal seatback titling device and John Crosby, then General Director of The Santa Fe Opera, saw its potential for opera patrons.[http://www.figaro-systems.com/about.php Figaro Systems Official Website] Markle, Webb, and Erkman were further reinforced by their understanding of technology's role in remediating the physical barriers people encounter, worldwide, which frustrate or prevent their access to the visual performing arts.{{Cite web |url=http://figarosystems.com/linkdownloads/052007_figaro_auditoria_article.pdf |title="[[User-friendly]] art: In-seat text displays that subtitle and translate", Auditoria, May 2007 |access-date=2008-06-12 |archive-url=https://web.archive.org/web/20110711000223/http://figarosystems.com/linkdownloads/052007_figaro_auditoria_article.pdf |archive-date=2011-07-11 |url-status=dead }} Markle, Webb, and Erkman applied for and were granted patents for their invention.
[http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO2&Sect2=HITOFF&p=1&u=%2Fnetahtml%2FPTO%2Fsearch-bool.html&r=11&f=G&l=50&co1=AND&d=PTXT&s1=figaro.ASNM.&OS=AN/figaro&RS=AN/Figaro United States Patent 5,739,869, "Electronic libretto display apparatus and method," issued April 14, 1998.] United States Patent and Trademark Office[http://www.lanl.gov/orgs/pa/News/050701.html Los Alamos Laboratory, Daily News Bulletin, May 7, 2001]
Philanthropist and investor Alberto Vilar counted Figaro Systems among the companies in which he was a majority shareholder.[http://nymag.com/nymetro/arts/music/features/5616/ "A Knight at the Opera"], Robert Hilferty, New York Magazine, January 14, 2002 He donated the company's electronic libretto system to European venues including the Royal Opera House in London, La Scala's Teatro degli Arcimboldi in Milan, Italy, Gran Teatre del Liceu in Barcelona, Spain, and the Wiener Staatsoper in Wien, Austria. As a consequence of his failures to pay promised donations, most of these companies lost money.
In 2005 the Met charged the New Mexico company with unlawfully using its name in advertising promoting its "Simultext, system which defendant claims can display a simultaneous translation of an opera as it occurs on a stage and that defendant represented that its system is installed at the Met."[http://classactionlitigation.com/library/consumerlaw2006update.html#_edn173 Timothy E. Eble, Class Action Litigation Information] on classactionlitigation.com
Products and technology
The company's products are known variously as seat back titles, surtitles,[http://app1.kuhf.org/houston_public_radio-news-display.php?articles_id=20614 Eric Skelly, "Surtitles at the Opera," Public Radio News and Information in Houston, Texas, KUHF 88.7 FM Houston Public Radio] on app1.kuhf.org/ electronic libretto systems, opera supertitles, projected titles, and libretto translations.
Opera venues have utilized the system to display librettos in English, French, German, Italian, Japanese, Mandarin, Russian, and Spanish[http://www.sandia.gov/news-center/news-releases/2005/tech-trans/smbusiness.html "Sandia helps 278 state businesses in 2004 through New Mexico Small Business Assistance Program," Sandia National Laboratories, Sandia Corporation, March 22, 2005] {{Webarchive|url=https://web.archive.org/web/20080704145415/http://www.sandia.gov/news-center/news-releases/2005/tech-trans/smbusiness.html |date=July 4, 2008 }} on sandia.gov although the software enables the reading of the libretto in any written language.[http://www.entertanmentengineering.com/v4.issue04/page.06.html “Giving the Opera a New Voice,”]{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }} "Entertainment Engineering," Volume 4, Issue 2, p. 6 Translation is provided by one screen and delivery system per person.[http://www.figarosystems.com Figaro Systems Official Website]
Typically, but not in all cases, the system is permanently installed along the backs of rows of seats. Each screen is positioned so that the text is clearly visible to each user. The displays were initially available in vacuum fluorescent display (VFD) and, in 2000, liquid-crystal display (LCD) was used. In 2004 the displays became available with organic light-emitting diode (OLED) screens. Each type of display provides the same text information and program annotation on eight channels simultaneously, may be turned off by the user, and is user-operated with a single button. The software is capable of supporting venues' existing systems as well as Figaro Systems' "Simultext" system. The software enables cueing of each line as it is sung, and it appears instantly on the screen.
The company builds fully modular systems including its wireless handheld screens[http://patft.uspto.gov/netacgi/nph-Parser?Sect1=PTO2&Sect2=HITOFF&p=1&u=%2Fnetahtml%2FPTO%2Fsearch-bool.html&r=3&f=G&l=50&co1=AND&d=PTXT&s1=figaro.ASNM.&OS=AN/figaro&RS=AN/Figaro United States Patent 6,760,010. "Wireless electronic libretto display apparatus and method," issued July 6, 2004:] United States Patent and Trademark Office Patent Full-Text and Image Database for users who cannot use seatback systems, for example people in wheelchairs, who may be viewing the opera in areas lacking seatback viewing, or people with compromised eyesight.
Venues
In the US, the company's systems are in use in the Ellie Caulkins Opera House[https://web.archive.org/web/20121020074824/http://www.highbeam.com/doc/1G1-135788390.html Marc Shulgold, "Opera dialogue shows on seat in front of you,"] Rocky Mountain News (Denver, Colorado), September 3, 2005 on highbeam.com, in Denver, Colorado, The Santa Fe Opera in Santa Fe,[https://web.archive.org/web/20080512022822/http://www.santafeopera.org/yournite/operatitles.php Santa Fe Opera, Santa Fe, NM. Cached webpage], the Brooklyn Academy of Music[http://www.appliancemagazine.com/editorial.php?article=1768&zone=210&first=1 “An Operatic Performance,” Appliance Magazine, June 2007], the Metropolitan Opera, New York, where it is called "MetTitles"),[http://www.figaro-systems.com/installations.php Figaro Systems Official Website. Installations], the Roy E. Disney Theatre in Albuquerque's National Hispanic Cultural Center, McCaw Hall in Seattle, Washington, the Opera Theatre of St. Louis in St. Louis, Missouri, the Des Moines Metro Opera in Des Moines, Iowa, and the Lyric Opera of Kansas City, Missouri.
In the UK and Europe, the systems have been installed in venues including the Royal Opera House in London, the Teatro alla Scala and La Scala's Teatro degli Arcimboldi in Milan, Italy, the Gran Teatre del Liceu in Barcelona, Spain, and the Wiener Staatsoper in Wien, Austria.[http://www.entertainmentengineering.com/v4.issue04/page.06.html “Giving the Opera a New Voice,” Entertainment Engineering., Volume 4, Issue 2, p. 6], on entertainmentengineering.com
Awards
In 2001, the company won the Los Alamos Laboratories' Technology Commercialization Award for its Simultext system.[http://www.lanl.gov/news/index.php/fuseaction/home.story/story_id/1170 Todd Hanson, "Los Alamos announces technology commercialization awards," Los Alamos National Laboratory News], Los Alamos National Security, LLC, US Department of Energy's NNSA, May 7, 2001 on lanl.gov/news.
In 2008, the company's software was one of four finalists for the Excellence Award for Commercial Software awarded by the New Mexico Information Technology and Software Association.{{Citation needed|date=July 2020}}
References
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Category:Companies based in Santa Fe, New Mexico
Category:Software companies established in 1993
Category:Information retrieval organizations
Category:Privately held companies based in New Mexico
Category:Software companies based in New Mexico