Follow the Red Line

{{Album ratings

| rev1 = Allmusic

| rev1Score = {{rating|3.5|5}}

| rev2 = All About Jazz

| rev2Score = {{rating|4.5|5}}

| rev3 = All About Jazz

| rev3Score = {{rating|4.5|5}}

|rev4 = The Penguin Guide to Jazz Recordings

|rev4score = {{Rating|3.5|4}}{{cite book |last1=Cook |first1=Richard |authorlink1=Richard Cook (journalist) |last2=Morton |first2=Brian |authorlink2=Brian Morton (Scottish writer) |title=The Penguin Guide to Jazz Recordings |year=2008 |edition=9th |publisher=Penguin |isbn=978-0-141-03401-0 |page=1176}}

}}

The Allmusic review by Michael G. Nastos awarded the album 3{{frac|1|2}} stars stating "For Potter's fans, this is a worthwhile addition to his growing discography. Considering Potter as a new music composer, this indicates how his music is changing and still flowering, and in a developmental stage. Evidently Potter and the audience were very pleased with the results".{{allmusic|last=Nastos|first=Michael G. |class=album|id=mw0000484830|title=Chris Potter's Underground – Follow the Red Line: Review|accessdate=January 8, 2018}}

All About Jazz correspondent John Kelman observed "It's an exercise in futility to find a name for the music of Follow the Red Line. But as Potter blurs the lines between jazz, rock, funk and even a little afro- beat in ways that are finally being accepted again two decades after The New York Times declared the "pestilence known as fusion is dead," the best word to describe this recording is, quite simply, great".Kelman, J. [https://www.allaboutjazz.com/ultrahang-chris-potter-artistshare-review-by-john-kelman.php All About Jazz Review], September 4, 2007 Another review by Martin Longley stated "Potter penned nearly all the disc's pieces, all averaging around 13 minutes apiece; ample time to drive a powerful rhythmic point deep into the bowels. ... The extended length of these numbers is a bonus, as their live crackle is properly encapsulated on plastic, a valuable souvenir of what must have been an electrifying residency".Longley, M. [https://www.allaboutjazz.com/chris-potter-follow-the-red-line-and-song-for-anyone-by-martin-longley.php All About Jazz Review], June 7, 2008

In JazzTimes, David R. Adler wrote "All the material on Red Line is new. The takes are long, and we can hear Potter count off the tempos. His writing is full of tension and release, combining short, syncopated hooks and involved unison lines, open-ended vamps and passages of rippling harmonic complexity".Adler, D. R. [https://jazztimes.com/reviews/albums/chris-potter-underground-follow-the-red-line-live-at-the-village-vanguard/ JazzTimes Review], November 2007

The iTunes release of the album included a bonus track of "Morning Bell" by Radiohead.

All compositions by Chris Potter except where indicated

1. "Train" – 15:59
2. "Arjuna" – 14:41
3. "Pop Tune #1" – 11:56
4. "Viva Las Vilnius" – 12:59
5. "Zea" – 6:52
6. "Togo" (Ed Blackwell) – 12:55

• Chris Potter – tenor saxophone
• Adam Rogers − guitar
• Craig Taborn – Fender Rhodes
• Nate Smith – drums

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{{Chris Potter (jazz saxophonist)}}

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Category:Chris Potter (jazz saxophonist) live albums

Category:2007 live albums

Category:Sunnyside Records live albums

Category:Albums recorded at the Village Vanguard