Frances Joseph

{{Short description|Australian-born New Zealand sculptor and academic}}

{{Use dmy dates|date=December 2020}}

{{Use New Zealand English|date=December 2020}}

{{Infobox academic|name=Frances Joseph|academic_advisors=|awards=|website=|education=University of Tasmania
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Frances Joseph is an Australian-born sculptor and academic. She is a full professor at Auckland University of Technology.

Academic career

Joseph has a BA in visual art from the University of Tasmania and a Master of Fine Art from the College of Fine Arts at the University of New South Wales. She was awarded a PhD by Auckland University of Technology in 2010.{{Cite web|title=Professor Frances Joseph|url=https://academics.aut.ac.nz/frances.joseph|access-date=2020-12-27|website=Auckland University of Technology|archive-date=23 January 2021|archive-url=https://web.archive.org/web/20210123051036/https://academics.aut.ac.nz/frances.joseph|url-status=live}} The title of her doctoral thesis was Mnemotechne of design — ontology and design research theories.{{cite thesis |last=Joseph |first=Frances |year=2010 |type=Doctoral thesis |title=Mnemotechne of design — ontology and design research theories |publisher=Tuwhera Open Access, Auckland University of Technology |hdl=10292/1205 |url=https://openrepository.aut.ac.nz/items/4c4e87f0-ae83-4000-b75e-e69adefd7c6d}}

Joseph moved to New Zealand in 1997, working in the School of Art and Design. In 2007 she became director of AUT's Textile and Design Lab and in 2009 director of CoLab. She was appointed a full professor at the Auckland University of Technology in November 2018.{{Cite web|date=2018-11-01|title=New Professors and Associate Professors announced|url=https://news.aut.ac.nz/news/new-professors-and-associate-professors-announced|access-date=2020-12-27|website=Auckland University of Technology|archive-date=11 January 2021|archive-url=https://web.archive.org/web/20210111154440/https://news.aut.ac.nz/news/new-professors-and-associate-professors-announced|url-status=live}}

Selected works

  • {{Cite Q|Q60502825}}
  • {{Cite Q|Q60502769}}
  • {{Cite Q|Q26744098|doi-access=free}}
  • {{Cite journal|last1=Lin|first1=Xiaoyou|last2=Seet|first2=Boon-Chong|last3=Joseph|first3=Frances|last4=Li|first4=Erfeng|date=July 2018|title=Flexible Fractal Electromagnetic Bandgap for Millimeter-Wave Wearable Antennas|url=https://ieeexplore.ieee.org/document/8369138|journal=IEEE Antennas and Wireless Propagation Letters|volume=17|issue=7|pages=1281–1285|doi=10.1109/LAWP.2018.2842109|bibcode=2018IAWPL..17.1281L |s2cid=49573990 |issn=1536-1225|url-access=subscription}}
  • {{Cite journal|last1=Smitheram|first1=Miranda|last2=Joseph|first2=Frances|date=2020-10-01|title=Material-aesthetic collaborations: making-with the ecosystem|journal=CoDesign|language=en|volume=16|issue=4|pages=293–310|doi=10.1080/15710882.2020.1841796|s2cid=227230031 |issn=1571-0882|doi-access=}}

Personal

A portrait of Joseph and her son by Rosemary Valadon was selected as a finalist for the 1990 Archibald Prize{{Cite web|title=Archibald Prize finalists 1990|url=https://www.artgallery.nsw.gov.au/prizes/archibald/1990/|access-date=2020-12-27|website=Art Gallery NSW|archive-date=5 April 2019|archive-url=https://web.archive.org/web/20190405040221/https://www.artgallery.nsw.gov.au/prizes/archibald/1990/|url-status=live}} and won the Portia Geach Memorial Award the following year.{{Cite web|title=The Goddess Series (1990–1996)|url=http://www.rosemaryvaladon.com.au/portfolio/the-goddess-series/|access-date=2020-12-27|website=Rosemary Valadon|language=en-US|archive-date=28 February 2021|archive-url=https://web.archive.org/web/20210228095511/http://www.rosemaryvaladon.com.au/portfolio/the-goddess-series/|url-status=live}}

References

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