Francis de Croisset
{{Short description|Belgian-born French playwright and opera librettist}}
{{infobox person
| image = M. Francis de Croiset (i.e. Croisset). (Auteur dramatique) - (photographie, tirage de démonstration) - (Atelier Nadar).jpg
| caption = Photograph of de Croisset by Nadar
| birth_name = Franz Wiener
| birth_date = {{birth date|1877|01|28|df=yes}}
| birth_place = Brussels, Belgium
| death_date = {{death date and age|1937|11|08|1877|01|28|df=yes}}
| death_place = Neuilly, France
| spouse = {{marriage|Marie-Thérèse Bischoffsheim
|1910}}
| children = 2
| relations = Philippe de Montebello
| awards = Croix de Guerre
}}
Francis de Croisset ({{IPA|fr|fʁɑ̃sis də kʁwasɛ|lang}}; born Franz Wiener, 28 January 1877 – 8 November 1937) was a Belgian-born French playwright and opera librettist.
Early life
Born as Franz Wiener, he was educated in Brussels on 28 January 1877 into a prominent Jewish-Belgian family that was distinguished in diplomacy and the army. His parents were Alexandre Jacques Wiener and Eugenie Bertha (née Straus) Wiener. After moving to France, where he spent most of his life, he had his name changed by Presidential decree.
At age 17, he rebelled against his parents' wishes that he take up a military career, and ran away to Paris. In 1901, his play Chérubin was produced at the Comédie-Française where Cécile Sorel (later the Comtesse de Ségur) made her debut in it. Jules Massenet set Chérubin to music and, in 1905, Mary Garden sang its première at the Opéra de Monte-Carlo.
Career
File:Mary-garden-chérubin.jpg at the 1905 première of Chérubin]]
He was a lawyer by profession, but de Croisset gradually devoted more and more time to the theatre, "until play writing became his vocation."
His opera librettos include Massenet's Chérubin (1905), based on his play of the same name, and Reynaldo Hahn's Ciboulette (1923).{{cite book|author1=Stanley Hochman|author2=McGraw-Hill, inc|title=McGraw-Hill Encyclopedia of World Drama: An International Reference Work in 5 Volumes|url=https://books.google.com/books?id=VGNJxj9qnEkC&pg=PA565|year=1984|publisher=VNR AG|isbn=978-0-07-079169-5|pages=565}}
In 1919, de Croisset went to the United States to study film for the French government. By 1927, his name was attached to more than fifty plays. In 1925, he collaborated with Somerset Maugham on Dr. Miracle, which was produced in New York City. Additional plays were produced in New York, including Pierre or Jack?.{{cite news |title=GETS DE CROISSET COMEDY.; Gilbert Miller Has American Rights to "Pierre or Jack?" |url=https://www.nytimes.com/1931/04/23/archives/gets-de-croisset-comedy-gilbert-miller-has-american-rights-to.html |accessdate=23 June 2020 |work=The New York Times |date=23 April 1931}}
=Military service=
Notwithstanding his aversion to a career in the military, upon the outbreak of World War I, he enlisted in the French Army as a private, serving for four years before mustering out as a Lieutenant. He was twice decorated for his gallantry, including being awarded the Croix de Guerre for his valor.
Personal life
In 1909, he was engaged to Mlle. Isola, the daughter of one of the directors of the Théâtre de la Gaîté. The engagement was broken off and, instead, he married wealthy widow Marie-Thérèse Bischoffsheim, in 1910. A daughter of Count and Countess Adhéaume de Chevigné, she was a descendant of the Marquis de Sade and her grandmother Laure de Sade was, in part, the inspiration for the character of the Duchess of Guermantes in Marcel Proust's Remembrance of Things Past).{{cite news |last1=TIMES |first1=Special Cable to THE NEW YORK |title=DE CROISSET TO WED.; Playwright to Marry a Wealthy Widow of Paris. |url=https://www.nytimes.com/1910/03/20/archives/de-croisset-to-wed-playwright-to-marry-a-wealthy-widow-of-paris.html |accessdate=23 June 2020 |work=The New York Times |date=20 March 1910}} From her first marriage to banking heir Maurice Bischoffsheim, she had a daughter, the arts patron Marie-Laure de Noailles (later the Vicomtesse de Noailles from her 1923 marriage to Charles, Vicomte de Noailles). Together, Marie-Thérèse and Francis were the parents of two children:
- Philippe de Croisset (1912–1965),{{cite news |title=DE CROISSET DIES; FRENCH PUBLISHER; War Hero, 53, Had Headed French Agency in N.Y. |url=https://www.nytimes.com/1965/03/24/archives/de-groisset-dies-freblgh-publisher-war-hero-53-had-headed-french.html |accessdate=23 June 2020 |work=The New York Times |date=24 March 1965}} who married Ethel Woodward, a daughter of American banker William Woodward, in 1941.{{cite news |title=Ethel Woodward, Daughter of Turfman, Becomes the Bride of Philippe de Croisset |url=https://www.nytimes.com/1941/04/09/archives/ethel-woodward-daughter-of-turfman-becomes-the-bride-of-philippe-de.html |accessdate=23 June 2020 |work=The New York Times |date=9 April 1941}} After having two sons,{{cite news |title=Son to Philippe de Croissets |url=https://www.nytimes.com/1942/01/31/archives/son-to-philippe-de-croissets.html |accessdate=23 June 2020 |work=The New York Times |date=31 January 1942}}{{cite news |title=Son to Philippe de Croissets |url=https://www.nytimes.com/1943/09/29/archives/son-to-philippe-de-croissets.html |accessdate=23 June 2020 |work=The New York Times |date=29 September 1943}} they divorced and Philippe married Jacqueline de la Chaume. After his death in 1965, she became the third wife of actor Yul Brynner.{{cite news |title=Yul Brynner Remarries |url=https://www.nytimes.com/1971/09/26/archives/yul-brynner-remarries.html |accessdate=23 June 2020 |work=The New York Times |date=26 September 1971}}
- Germaine de Croisset (1913–1975), who married Marquis André Roger Lannes de Montebello (1908–1986), in 1933.
De Croisset died at the American Hospital of Paris in Neuilly on 8 November 1937.{{cite news |title=DE CROISSET, NOTED AS A PLAYWRIGHT; Belgian Who Won Series of Successes in Paris Dies in Neuilly at Age of 60 HIS PLAYS PRODUCED HERE Ran Away From Home to Avoid Army Career--Honored for Valor in World War |url=https://www.nytimes.com/1937/11/09/archives/de-croisset-noted-as-a-playwright-belgian-who-won-series-of.html |accessdate=23 June 2020 |work=The New York Times |date=9 November 1937}} His widow died in Grasse in October 1963.
=Descendants=
Through his son Philippe, he was a grandfather of two boys. One of which is Charles de Croisset, a French banker. Though his daughter Germaine, he was a grandfather of four boys, including Georges de Montebello (1934–1996), an investment banker and president of the Swiss Helvetia Fund, and Philippe de Montebello (b. 1936), the Director of the Metropolitan Museum of Art in New York City from 1977 until 2008.{{cite news |last1=Gelder |first1=Lawrence Van |title=G. de Montebello, Banker Who Started Fund, Is Dead at 62 |url=https://www.nytimes.com/1996/12/12/nyregion/g-de-montebello-banker-who-started-fund-is-dead-at-62.html |accessdate=23 June 2020 |work=The New York Times |date=12 December 1996}}
Filmography
- The Marriage of Kitty, directed by George Melford (1915, based on the play La Passerelle)
- Arsène Lupin, directed by George Loane Tucker (UK, 1916, based on the play Arsène Lupin)
- Arsène Lupin, directed by Paul Scardon (1917, based on the play Arsène Lupin)
- The Hawk, directed by Paul Scardon (1917, based on the play L'Épervier)
- L'Épervier, directed by Robert Boudrioz (France, 1925, based on the play L'Épervier)
- Afraid to Love, directed by Edward H. Griffith (1927, based on the play La Passerelle)
- The New Gentlemen, directed by Jacques Feyder (France, 1929, based on the play Les Nouveaux Messieurs)
- Arsène Lupin, directed by Jack Conway (1932, based on the play Arsène Lupin)
- Les Vignes du Seigneur, directed by René Hervil (France, 1932, based on the play Les Vignes du Seigneur)
- Il était une fois, directed by Léonce Perret (France, 1933, based on the play Il était une fois)
- Ciboulette, directed by Claude Autant-Lara (France, 1933, based on the operetta Ciboulette)
- L'Épervier, directed by Marcel L'Herbier (France, 1933, based on the play L'Épervier)
- Le cœur dispose, directed by Georges Lacombe (France, 1936, based on the play Le Cœur dispose)
- Take My Tip, directed by Herbert Mason (UK, 1937, based on the play La Livrée de M. Le Comte)
- Head over Heels, directed by Sonnie Hale (UK, 1937, based on the play Pierre ou Jack?)
- Woman of Malacca, directed by Marc Allégret (France, 1937, based on the novel La Dame de Malacca)
**Another World, directed by Marc Allégret and Alfred Stöger (German, 1937, based on the novel La Dame de Malacca)
- A Woman's Face, directed by Gustaf Molander (Sweden, 1938, based on the play Il était une fois...)
- A Woman's Face, directed by George Cukor (1941, based on the play Il était une fois...)
- Les Vignes du Seigneur, directed by Jean Boyer (France, 1958, based on the play Les Vignes du Seigneur)
- {{Interlanguage link|Le Maestro|fr}}, directed by {{Interlanguage link|Claude Vital|fr}} (France, 1977, based on the play Les Vignes du Seigneur)
References
{{reflist|30em}}
External links
- {{Internet Archive author |sname=Francis de Croisset}}
{{Authority control}}
{{DEFAULTSORT:Croisset, Francis De}}
Category:Writers from Brussels
Category:French opera librettists
Category:19th-century French dramatists and playwrights
Category:20th-century French dramatists and playwrights