Future Me Hates Me

{{Short description|2018 studio album by the Beths}}

{{Use New Zealand English|date=October 2022}}

{{Use dmy dates|date=October 2022}}

{{Infobox album

| name = Future Me Hates Me

| type = studio

| artist = the Beths

| cover = The Beths - Future Me Hates Me.jpg

| alt =

| released = {{Start date|2018|8|10|df=y}}

| genre = Indie rock

| length = 38:54

| label = Carpark

| producer = Jonathan Pearce

| prev_title = Warm Blood

| prev_year = 2016

| next_title = Jump Rope Gazers

| next_year = 2020

}}

Future Me Hates Me is the debut studio album by New Zealand indie rock band the Beths. It was produced by the band's lead guitarist Jonathan Pearce and released on Carpark Records' label on 10 August 2018.

Background and recording

Released on August 10, 2018, Future Me Hates Me was the band's debut album, following their extended play Warm Blood in 2016. The album was produced by the band's lead guitarist Jonathan Pearce, and recorded in-house at his studio on Karangahape Road in Auckland; Elizabeth Stokes wrote all of the lyrics.{{Cite magazine |last=Enis |first=Eli |date=2018-08-07 |title=The Beths on the Sly Humor and Irresistible Hooks of Their Debut Album |url=https://www.rollingstone.com/music/music-features/beths-future-me-hates-me-interview-705662 |access-date=2022-04-09 |magazine=Rolling Stone}}

In an interview with Rolling Stone, Stokes had a hard time articulating exactly what the album was about, mentioning "infatuation or something", "self-hiding" and "self-directed telling-offs". At Rolling Stone, Eli Enis wrote that much of the lyrical content on the album deals with "Stokes' reluctant attitude toward romance, and the anxiety that stems from overthinking her feelings"; Jon Dolan wrote that the lyrics were filled with "auto-critical logorrhea".

Critical reception

{{Album ratings

| MC = 83/100{{Cite web |title=Future Me Hates Me by The Beths |url=https://www.metacritic.com/music/future-me-hates-me/the-beths |access-date=2022-04-09 |website=Metacritic}}

| rev1 = The A.V. Club

| rev1score = B+{{Cite web |last= |first= |date=2018-08-10 |title=Foxing's excellent, elastic Nearer My God leads this week's new releases |url=https://www.avclub.com/foxing-s-excellent-elastic-nearer-my-god-leads-this-we-1828193732 |access-date=2022-04-09 |website=The A.V. Club}}

| rev2 = New Zealand Herald

| rev2score = {{Rating|4|5}}{{Cite web |last=Puschmann |first=Karl |date=2018-08-16 |title=Album review: The Beths, Future Me Hates Me |url=https://www.nzherald.co.nz/entertainment/album-review-the-beths-future-me-hates-me/5AUL5CRTS5KW2UPKXSU33VLU6M |access-date=2022-04-09 |website=New Zealand Herald}}

| rev3 = PopMatters

| rev3score = 8/10{{Cite web |last=Cober-Lake |first=Justin |date=2018-08-02 |title=The Beths Practice Confident Ambivalence on 'Future Me Hates Me' |url=https://www.popmatters.com/beths-future-me-hates-me-2591813100.html |access-date=2022-04-09 |website=PopMatters}}

| rev4 = Pitchfork

| rev4score = 7.9/10{{Cite web |last=Fitzmaurice |first=Larry |date=2018-08-18 |title=The Beths: Future Me Hates Me |url=https://pitchfork.com/reviews/albums/the-beths-future-hates-me |access-date=2022-04-09 |website=Pitchfork}}

| rev5 = Rolling Stone

| rev5score = {{Rating|4|5}}{{Cite magazine |last=Dolan |first=Jon |date=2018-08-17 |title=Review: The Beths' 'Future Me Hates Me' Is a Power-Pop Monument |url=https://www.rollingstone.com/music/music-album-reviews/review-the-beths-future-me-hates-me-is-a-power-pop-monument-711511 |access-date=2022-04-09 |magazine=Rolling Stone}}

| rev6 = The Skinny

| rev6score = {{Rating|4|5}}{{Cite web |last=Scott |first=Hayley |date=2018-08-07 |title=The Beths – Future Me Hates Me |url=https://www.theskinny.co.uk/music/reviews/albums/the-beths-future-me-hates-me |access-date=2022-04-09 |website=The Skinny}}

}}

Future Me Hates Me received universal acclaim from critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received a score of 83, based on 11 reviews. Larry Fitzmaurice of Pitchfork wrote that it was "one of the most impressive indie-rock debuts of the year{{Nbsp}}... tight, hook-filled songwriting filled with energy and attitude, paired with lyrics that cut to the bone and a sense of confidence that betrays the record's at-times slackened vibe."

At The Skinny, Hayley Scott wrote that "Stokes' songwriting focuses on existential themes and self-deprecation while negating the need for the kind of down-tempo musical styles that typically accompanies sadness... resulting in a perfect riposte to the kind of po-faced cynicism that’s typically associated with angst-y guitar pop." Writing for PopMatters, Justin Cober-Lake said that "the driving pop-rock of the Beths should heat up speakers, with sugary melodies and energetic guitars making for an exciting debut".

Track listing

{{Track listing

|title_width=100

|title1=Great No One

|length1=3:22

|title2=Future Me Hates Me

|length2=4:05

|title3=Uptown Girl

|length3=2:31

|title4=You Wouldn't Like Me

|length4=3:32

|title5=Not Running

|length5=3:51

|title6=Little Death

|length6=4:54

|title7=Happy Unhappy

|length7=3:29

|title8=River Run: Lvl 1

|length8=4:06

|title9=Whatever

|length9=4:24

|title10=Less Than Thou

|length10=4:17

|total_length=38:31

}}

References