Gaudeamus igitur

The lyrics reflect an endorsement of the bacchanalian mayhem of student life while simultaneously retaining the grim knowledge that one day we will all die: {{lang|la|memento mori}}. The song contains humorous and ironic references to sexFor instance, the noun membrum (member) has the same double meaning in Latin as in English. and death, and many versions bowdlerising the text for performance in public ceremonies. In private, students will typically sing ribald words.

The song is sometimes known by its opening words, "Gaudeamus igitur" or simply "Gaudeamus". In the UK, it is sometimes affectionately known as "The Gaudie". The centuries of use have given rise to numerous slightly different versions.

The proposition that the lyrics originate in 1287 is based on a manuscript held in the Bibliothèque nationale de France in Paris. A poem starting with the words {{lang|la|Subscribere proposui}} ("I have suggested signing (it)") has two verses that closely resemble the later "Gaudeamus igitur" verses, although neither the first verse nor the actual words {{lang|la|Gaudeamus igitur}} appear. The music accompanying this poem bears no relation to the melody which is now associated with it. A German translation of these verses was made in about 1717 and published in 1730 without music. A Latin version in a handwritten student songbook, dating from some time between 1723 and 1750, is preserved in the Berlin State Library (formerly located at Marburg); however, this differs considerably from the modern text. The current Latin lyrics with a German translation were published by Halle in 1781 in {{lang|de|Studentenlieder}} ("Students' Songs")Fuld, James J. (1966) [https://books.google.com/books?id=EVninY59ul0C&pg=PA241 The Book of World-Famous Music: Classical, Popular, and Folk], Dover Publications (2012 edition), {{ISBN|978-0486414751}} (pp. 241–242) written by {{ill|Christian Wilhelm Kindleben|de}} (1748–1785),Papadopoulos, George-Julius (2005), [https://books.google.com/books?id=Gn4YAQAAIAAJ&q=Gaudeamus+igitur+%22suppe%22 Johannes Brahms and Nineteenth-Century Comic Ideology], University of Washington (p. 360) who admitted to making important changes to the text.

Below is Kindleben's 1781 Latin version, with two translations to English (one anonymous, and another by Tr. J. Mark Sugars, 1997).{{cite web |url=https://ingeb.org/Lieder/gaudeamu.html|title= Gaudeamus igitur / Brüder laßt uns lustig sein|website=Ingeb.org|access-date=2025-04-12}}{{cite web |url=http://morec.com/rpc/gaudeamus.htm |title=Gaudeamus igitur |publisher=Christopher S. Morrissey, Trinity Western University|website=morec.com|access-date=2025-04-12}} The Neo-Latin word Antiburschius refers to opponents of the 19th-century politically active German student fraternities.

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f8. f16 es8 ([c']) b ([g]) | bes4 (a) g | f8. f16 es8 ([c']) b ([g]) | d'4 (es,) f~ | f2 r4 \bar "|."

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f8. bes16 a8 ([g]) a ([f]) | bes g f ([es]) f ([g]) | a8. bes16 a8 ([g]) a ([f]) | bes, d f ([g]) a ([f]) |

bes8. bes16 es,8 ([c]) d ([es]) | f4 (fis) g\fermata | d8. d16 es8 ([c]) d ([es]) | f4 (f8 [es]) bes4~ | bes2 r4 \bar "|."

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verse = \lyricmode {

\repeat volta 2 { Gau -- de -- a -- mus i -- gi -- tur,

iu -- ve -- nes dum su -- mus! }

Post iu -- cun -- dam iu -- ven -- tu -- tem,

post mo -- les -- tam se -- nec -- tu -- tem,

nos ha -- be -- bit hu -- mus,

nos ha -- be -- bit hu -- mus.

}

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The first appearance in print of the present melody was in Lieder für Freunde der Geselligen Freude ("Songs for Friends of Convivial Joy"), published in Leipzig in 1782, together with Kindleben's German lyrics; however, the tune was evidently well known before this date. The first publication of the present Latin text together with the present melody was probably in Ignaz Walter's 1797 operatic setting of Goethe's Faust. It is also heard in Berlioz' La Damnation de Faust.

Johannes Brahms quoted the melody in the final section of his Academic Festival Overture, in a fortissimo rendition performed by the full orchestra.

Sigmund Romberg used it in the operetta The Student Prince, which is set at the University of Heidelberg.Everett, William A (2007), [https://books.google.com/books?id=POXH4_IE7ooC&pg=PA143 Sigmund Romberg] Yale University Press, {{ISBN|978-0300111835}} (pp. 142–143)

It is quoted in Johann Strauss II's "{{ill|Studenten-Polka|de}}" (Française, Op. 263), first performed at the students' ball at the ballroom in the Vienna Hofburg on 24 February 1862.

The tune is quoted, along with other student songs, in the overture of Franz von Suppé's 1863 operetta {{ill|Flotte Bursche|de}}, the action being once again set at the University of Heidelberg.{{cite web |url=http://www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.553935&catNum=553935&filetype=About%20this%20Recording&language=English |title=Suppé: Famous Overtures |website=www.naxos.com |publisher=Naxos Digital Services|access-date=25 November 2016}}

Based on the original melody, Franz Liszt composed the "Gaudeamus igitur—Paraphrase" and later (1870) the "Gaudeamus igitur—Humoreske".{{cite web |url=http://www.hyperion-records.co.uk/dw.asp?dc=W11368_GBAJY9603411 |title=Gaudeamus igitur – Humoreske, S509 |website=www.hyperion-records.co.uk |publisher=Hyperion }} Pyotr Tchaikovsky made an arrangement for male chorus with piano accompaniment (1874) (TH 187; ČW 413).

Tom Lehrer mentioned the Gaudeamus in his satirical song, "Bright College Days":

Turn on the spigot

Pour the beer and swig it

And gaudeamus igit-itur

In 1979, New England Science Fiction Association member Joe Ross wrote a parody of the song, with lyrics referencing the 1955 film This Island Earth. The parody was titled "Haec Insula Terra" (a Latin translation of the film's title) and was published in the first volume of the NESFA Hymnal. Warwick Academy in Bermuda uses part of the lyrics as their school song.

• Ars longa, vita brevis
• Ubi sunt

{{Reflist|30em}}

• {{cite journal|last=Randolph|first=Charles B.|title=Three Latin Students' Songs|journal=The Classical Journal|date=April 1912|volume=7|issue=7|pages=291–305|jstor=3287680|url=https://archive.org/details/jstor-3287680/page/n1/mode/2up|via=Internet Archive|ref=none}}
• {{cite journal|last=Vakulyk|first=Iryna|date=May 2020|title=Gaudeamus: from Source of Origin to Cult|language=en,uk|journal=Mìžnarodnij fìlologìčnij časopis|issn=2706-9737|volume=11|number=2|pages=46–51|doi=10.31548/philolog2020.02.046|ref=none}}

{{commons category}}

{{wikisource-lang|la|Gaudeamus Igitur}}

{{wikisource-lang|de|Allgemeines Deutsches Kommersbuch:122}}

• Hoffmann von Fallersleben, Gustav Schwetschke: [https://books.google.com/books?id=AR_4jjDptD8C&pg=PA9 Gaudeamus igitur. Eine Studie von Hoffmann von Fallersleben. Nebst einem Sendschreiben und Carmen an Denselben von Gustav Schwetschke. Halle, 1872.]

Other (often non-original but altered) text variants:

• [https://books.google.com/books?id=-Vw6AAAAcAAJ&pg=PA142 Johann Christian Christoph Rüdiger (editor, published as only "R-d-r"): Auswahl guter Trinklieder, oder Töne der Freude und des Weins, beym freundschaftlichen Mahle anzustimmen. Aus den besten Dichtern gesammlet. – Trink- oder Commersch-Lieder, beym freundschaftlichen Mahle zu singen, aus den besten Dichtern gesammlet. 2nd edition, Hendelscher Verlag, Halle 1795, p. 142–143.]
• [https://books.google.com/books?id=6G46AAAAcAAJ Neues deutsches allgemeines Commers- und Liederbuch. Germania, 1815, p. 20–21 and 180–183 (Das neue Gaudeamus).]
• [https://books.google.com/books?id=_tMzAQAAMAAJ&pg=PA106 Leipziger Commersbuch. Bei Karl Tauchnitz, Leipzig, 1816, p. 106–108.]
• [https://books.google.com/books?id=JJRUAAAAcAAJ Berlinisches Commersbuch. Bey Theodor Joh. Chr. Fr. Enslin, Berlin, 1817, p. 27–28 and 158–159 (Das neue Gaudeamus).]
• [https://books.google.com/books?id=_W46AAAAcAAJ&pg=PA42 Neues Commersbuch. Germania, 1818, p. 42–43.]
• [https://books.google.com/books?id=LtI7AAAAcAAJ&pg=PA25 Neues teutsches allgemeines Commers- und Liederbuch. 3rd edition, Germania, 1820 (Tübingen in der Osiander'schen Buchhandlung), p. 25–26.]
• [https://books.google.com/books?id=RWBCAQAAMAAJ&pg=PA113 Auswahl deutscher Volks- und Burschen-Lieder. Gedruckt und verlegt von der Deckerschen Geheimen Ober-Hofbuchdruckerei, Berlin, 1821, p. 113–114.]
• [https://books.google.com/books?id=DO5LAQAAMAAJ&pg=PA179 Urceus Lebensreise. – Meine Lebensreise. In sechs Stazionen zur Belehrung der Jugend und zur Unterhaltung des Alters beschrieben von Urceus. Nebst Franz Volkmar Reinhard's Briefen an den Verfasser. Leipzig, 1825, p. 179–180 containg Das neue Gaudeamus (The new Gaudeamus).]
• [https://books.google.com/books?id=lZ9dAAAAcAAJ&pg=PA165 Deutsche Studenten-Lieder des siebzehnten und achtzehnten Jahrhunderts. Nach alten Handschriften gesammelt und mit einleitenden Bemerkungen über die geschichte des deutschen Studentenliedes versehen von Dr. Robert Keil und Dr. Richard Keil]. Verlag M. Schauenburg & C., Lahr, pp. 165–167
• {{cite book|editor-last=Waite|editor-first=Henry Randall|editor-link=Henry Randall Waite|title=Carmina Collegensia|publisher=Oliver Ditson|date=January 1876|page=71|chapter=Gaudeamus (in English)|translator=J. A. Pearce Jr.|chapter-url=https://archive.org/details/carminacollegens00wait/page/n73/mode/2up|via=Internet Archive|ref=none}}
• {{cite book|editor-last=Bartholomew|editor-first=Marshall|title=Songs of Yale|pages=20–21|chapter=Gaudeamus|chapter-url=https://archive.org/details/songsofyale0000mars/page/20/mode/2up|year=1934|orig-year=1882|publisher=Schirmer|location=New York|via=Internet Archive|ref=none}}
• a medical travesty, by Kayser from Breslau:
• [https://books.google.com/books?id=1qEegTClzgIC&pg=PA180 Archivii italiani di laringologia periodico trimestrale. Anno X.   Ottobre 1890   Fasc. 4. Napoli, 1890, p. 180–181.]
• [https://books.google.com/books?id=2QnTeav1HHkC&pg=PA132 Internationales Centralblatt für Laryngologie, Rhinologie und verwandte Wissenschaften. Siebenter Jahrgang. (Juli 1890 bis Juni 1891.) Berlin, 1891, pp. 132–133.]

Songs:

• {{YouTube|pwT2vtH7g4A|Video}}, performed by the Roosevelt Academy Choir, Middelburg, Netherlands
• {{YouTube|-icDqiW-NQY|Video|link=no}}, at Smith College convocation, 2008; note the stomping and enthusiasm for the "Vivat academia!" and "Vivant professores" lines.

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{{DEFAULTSORT:Gaudeamus Igitur}}

Category:Commercium songs

Category:Songs in Latin

Category:Latin words and phrases

Category:Graduation songs

Category:FISU World University Games

Category:13th-century songs

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