Geometry of Caves

{{Music ratings

| rev1 = All About Jazz

| rev1Score = {{rating|4|5}}{{cite web |url=https://www.allaboutjazz.com/geometry-of-caves-tomeka-reid-kyoko-kitamura-taylor-ho-bynum-joe-morris-relative-pitch-records-review-by-troy-dostert |title=Tomeka Reid, Kyoko Kitamura, Taylor Ho Bynum, Joe Morris: Geometry Of Caves |first=Troy |last=Dostert |date=July 16, 2018 |website=All About Jazz |access-date=January 23, 2024}}

| rev2 = Jazzwise

| rev2Score = {{rating|3|5}}{{cite web |url=https://www.jazzwise.com/review/reid-kitamura-bynum-morris-geometry-of-caves |title=Reid/Kitamura/Bynum/Morris: Geometry Of Caves |first=Kevin |last=Le Gendre |website=Jazzwise |access-date=January 23, 2024}}

}}

In a review for All About Jazz, Troy Dostert called the album "bewitching," noting the players' "meticulously-developed improvisations." He wrote: "The recording quality of the album is first-rate, with clear separation between the musicians, something that's especially welcome on a release in which dialogic interaction is so crucial.... There's a lot of energy and excitement on the record, but it's usually carefully contained."

Kevin Le Gendre of Jazzwise stated: "there is a richness and attention to detail in the sound palette and interaction of the players that often suggests a larger group, or possibly one with more technological resources at its disposal. At the heart of the work is a delicious question mark over whether some of the timbres are electric or acoustic."

The New York City Jazz Record's John Sharpe commented: "Wonderfully gritty but exuberant interchange is the name of the game... Each participant shows that fine balance between listening and doing your own thing distinguishing the most satisfying improvisations...the absence of prolonged solo forays signals that this was conceived very much as a group endeavor."{{cite magazine |last=Sharpe |first=John |date=December 2018 |title=Reviews |magazine=The New York City Jazz Record |pages=35 |url=http://nycjazzrecord.com/issues/tnycjr201812.pdf}}

Writing for Dusted Magazine, Derek Taylor remarked: "Searching for leadership in a singular sense on Geometry of Caves immediately becomes an exercise in needless futility. The foursome behind the fifty-minutes of freely improvised music is resolute in its acceptance of communal responsibility and creation... No quarter given to listeners on the lookout for language beholden to melody, harmony and rhythm, this is still very much music and the work of four aces in the demanding craft of collective, instinctual improvisation."{{cite web |url=https://dustedmagazine.tumblr.com/post/175849534704/reidkitamurabynummorris-geometry-of-caves |title=Reid/Kitamura/Bynum/Morris – Geometry of Caves (Relative Pitch) |first=Derek |last=Taylor |date=July 13, 2018 |website=Dusted |access-date=January 22, 2024}}

In an article for Stereogum, Phil Freeman wrote: "This is hardcore improvised music... There is no conventional song form present, but each piece has consistency of mood, so there is logic here, if you listen carefully and let it explain itself to you."{{cite web |url=https://www.stereogum.com/1997249/ugly-beauty-the-month-in-jazz-may-2018/columns/ugly-beauty |title=Ugly Beauty: The Month In Jazz |first=Phil |last=Freeman |date=May 25, 2018|website=Stereogum |access-date=January 22, 2024}}

The Downtown Music Gallery's Bruce Lee Gallanter noted: "The exchange between all four members of this quartet moves from fast and furious to slightly more moderate tempo interaction to some more restrained moments... everything seems to fit together no matter where they go. Nobody here dominates, this is a true group effort... There is something most enchanting about this disc and feels like those special spirits which inspire us and often make us smile."{{cite web |url=https://www.downtownmusicgallery.com/newsletter_detail.php?newsID=882 |title=DMG Newsletter |first=Bruce Lee |last=Gallanter |date=May 18, 2018|website=Downtown Music Gallery |access-date=January 22, 2024}}

Writer Raul Da Gama described the music as "powerful," and commented: "while the title suggests a kind of dry, scientific spelunking, individual songs go far beyond that and it would almost appear that conceptually and musically the 'cave' might even be seen as a metaphor for a subterranean safe haven for humankind."{{cite web |url=https://jazzdagama.com/music/tomeka-reid-kyoko-kitamura-taylor-ho-bynum-joe-morris-geometry-of-caves |title=Tomeka Reid / Kyoko Kitamura / Taylor Ho Bynum / Joe Morris: Geometry of Caves |first=Raul |last=Da Gama |date=July 31, 2018 |website=JazzdaGama |access-date=January 22, 2024}}

1. "Prelude to a Crazy Year" – 8:29
2. "It is Deeper Than is Wide" – 8:55
3. "Cloud Latters" – 3:17
4. "Glowworm (Fungus Gnat)" – 4:38
5. "Then This Happened" – 8:17
6. "The First Encounter" – 5:40
7. "Stalactites Chapel" – 11:20

• Tomeka Reid – cello
• Kyoko Kitamura – vocals
• Taylor Ho Bynum – cornet, piccolo trumpet, bass trumpet
• Joe Morris – guitar

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Category:2018 collaborative albums

Category:Tomeka Reid albums

Category:Kyoko Kitamura albums

Category:Taylor Ho Bynum albums

Category:Joe Morris (guitarist) albums

Category:Relative Pitch Records albums