Girl Stroke Boy

{{Short description|1971 British film by Bob Kellett}}

{{Use dmy dates|date=March 2016}}

{{Use British English|date=March 2016}}

{{Infobox film

| name =

| image = Girl_Stroke_Boy_film_Theatrical_release_poster_(1971-2).png

| alt = Theatrical release poster

| caption = Theatrical release poster

| director = Bob Kellett

| writer =

| screenplay = Caryl Brahms
Ned Sherrin

| story =

| based_on = Girlfriend by David Percival

| producer = Terry Glinwood
Ned Sherrin

| starring =

| narrator =

| cinematography = Ian Wilson

| editing = Brian Smedley Aston

| music = John Scott

| studio = Virgin Films
Hemdale

| distributor = London Screen

| released = {{Film date|df=y|1971|08|12|London|ref1=}}

| runtime = 86 mins

| country = UK

| language = English

| budget = £50,000

| gross =

}}

Girl Stroke Boy (also known as Girl/Boy) is a 1971 British comedy-drama film directed by Bob Kellett and starring Joan Greenwood, Michael Hordern, Clive Francis, and Peter Straker, based on the play Girlfriend by David Percival.{{Cite web |title=Girl Stroke Boy |url=https://collections-search.bfi.org.uk/web/Details/ChoiceFilmWorks/150028527 |access-date=27 August 2024 |website=British Film Institute Collections Search}}[https://web.archive.org/web/20090117234147/http://ftvdb.bfi.org.uk/sift/title/34754 BFI.org]{{cite book|url=https://archive.org/details/nedsherrinautobi0000sher/page/207/mode/1up?q=%22Nat+cohen%22+%22emi+films%22|title= Ned Sherrin : the autobiography|last=Sherrin|first= Ned|year=2006 |publisher=Time Warner|pages=213–214}}

Plot

A middle-aged couple, author Letty and school teacher George, worry if their son Laurie will ever get married. Laurie brings home his new girlfriend Jo, the androgynous child of a West Indian politician, whose gender and sex Letty begins to question.

Cast

Production

The film was based on the play Girlfriend. The cast included Margaret Leighton, John Standing (Lorn), Alan MacNaughton (George), and Michel Des Barres and was directed by Vivian Matalon. It was by first time author, school teacher David Percival.{{cite news|title=Leaving the Nile for suburbia...|first=Michael|last=Owen|newspaper=Evening Standard|date=18 November 1969|page= 17}} It opened on 17 February 1970.{{cite news|newspaper=The Daily Telegraph|date=31 January 1970|page= 9|title=Margaret Leighton's Return}} The Daily Telegraph called it "an equivocal comedy balanced halfway between a wink and a snigger."{{cite news|newspaper=The Daily Telegraph|date=18 February 1970|page= 14|title=Miss Leighton's fans face disappointment|first=John|last=Barber}} The Observer said "it dragged the you-can't-tell-them-apart-in-those-clothes joke over a lamentable evening in which you were asked to believe no one on stage could notice the fiance of title's Adam's apple. The most maddening thing about it was the waste" of the cast and the author's talent whose "lines were fine. They only needed a play."{{cite news|newspaper=The Observer|date=22 February 1970|page= 32|first=Ronald|last=Bryden|title=Theatre}}

The play had flopped but Ned Sherrin bought the film rights. The movie version was shot over two weeks at a cost of £50,000 (the low cost because fees were deferred). The film was sold to John Daly of Hemdale.

It was the film debut of Peter Straker, who had been in Hair. He called the script "hysterical but it didn't turn out as well as it could have. But it was the chance of a lifetime."{{cite news|url=https://wearecult.rocks/cult-icon-peter-straker|newspaper=Gay News|title=Peter Straker -a Man of Many Parts|page=12|date=1972}}

Reception

Producer Ned Sherrin said the film previewed well but received poor reviews and minimal box office. However he says the film's costs were recovered through a television sale. Peter Straker said the film had a long run in cinemas and was released on a double bill with School for Virgins.

The Monthly Film Bulletin wrote: "Although this odd film – based on a short-running play – is set almost entirely in the (literally) stifling atmosphere of a snowbound country retreat, Bob Kellett's inventive yet discreet direction does at least eliminate a surprising amount of staginess. But despite some engagingly batty dialogue, the script flogs its two jokes very nearly to death; and whereas the relentlessly climbing temperature just about retains its lunatic appeal until the end, the altercations over the epicene youth (white in the play, black in the film) have no real progression and quickly pall. The film's one constant pleasure is in the expertly polished performances of Joan Greenwood and Michael Hordern as yet another set of respectable, contented and fearfully maladjusted parents. Their fumbling attempts at diplomatic curiosity ("Jo is rather an unusual name for a young person of your sex") are often quite irresistible."{{Cite journal |date=1 January 1971 |title=Girl Stroke Boy |url=https://www.proquest.com/docview/1305826198/B73BB5041F1146E8PQ/1 |journal=The Monthly Film Bulletin |volume=38 |issue=444 |pages=181 |via=ProQuest}}

Variety called it "a light, would-be sophisticated comedy" where "Young and old alike could find its single uni-sex joke tedious and sometimes unpleasant... The film, despite added exteriors, is stagy in the extreme."{{cite book|url=https://archive.org/details/varietysfilmrevi0013unse/page/n109/mode/1up?q=%22girl+stroke+boy%22|title=Variety Reviews 1971-74|year=1983}}

The Evening Standard said "it might have been called "Guess What's Coming to Dinner?"... a more tedious, ill-made, appallingly-acted and directed piece of mindlessness it would be difficult to discover in a decade of filmgoing."{{cite news|newspaper=Evening Standard|date=12 August 1971|page= 17|title=Burton, striking terror at the heart of horror|first=Alexander|last=Walker}}

Peter Straker claimed "the reviewers were just trying to make it into a vast racial transvestite mountain. It would have been alright if they had just stuck to the movie's failings as a comedy. And there were many, which I think was the fault of the director."

References