Giuseppe Bartolomeo Chiari

{{Short description|Italian painter (1654–1727)}}

{{Distinguish|Giuseppe Chiari (artist-composer-philosopher)}}

File:Giuseppe Bartolomeo Chiari - Susannah and the Elders - Walters 371880.jpg and the Elders]]

Giuseppe Bartolomeo Chiari (10 March 1654 – 8 September 1727), also known as simply Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome.

Biography

Born in Rome, he was one of the main assistants, along with Giuseppe Passeri and Andrea Procaccini, in the studio of an elder Carlo Maratta.Documentation for a Little-Known Work by Carlo Maratti, Jean K. Westin. The Burlington Magazine (1973) p738-40 His father had opposed the career, but his mother, on the recommendation of a painter named Carlo Antonio Gagliani.[https://books.google.com/books?id=aIB6X1Y76_AC Memorie per servire alla storia della romana Accademia di San Luca] by Melchiorre Missirini, page 203

By the age of 22, he had frescoed the lateral lunettes (Birth of Virgin and Adoration of Magi) of the Marchionni chapel in the church of Santa Maria del Suffragio. He also painted the ceiling of a chapel in Santa Maria in Cosmedin.Missirini, page 203.

He frescoed rooms in the Palazzo Barberini to allegorical sketches of Bellori of Aurora leading Apollo and chariot with time and seasons with extensive interweaving of heraldic symbols, including bees (symbol of Barberini); two-headed eagle alighting on globe with blue and white stripes (symbol of the family of Vittorio Ottoboni;Ottoboni became Gonfalienori de la Chiesa for the pope. crossed keys under baldachin (symbol of Pope Alexander VIII); a golden fleece (symbol of award given to Taddeo Barberini; a column (symbol of the Colonna family);The Barberini had acquired Palestrina from the Colonna sun and laurels (symbols of Urban VIII), and post (symbols of the Pignatelli familyPope Innocent XII was a member of the Pignatelli family).

He also frescoed the Palaces Colonna and Spada with scenes based on Ovid's Metamorphoses. He additionally frescoed the Villa di Marchese Torri outside of Porta San Pancrazio in collaboration with landscape artist Jan van Bloemen; as well as the church of San Silvestro in Capite with Madonna and child with Saint Anthony performing miracles and Pope Stephen I destroying temple of Mars with lightning (1696) for Santa Maria del Suffragio (where he completed Niccolò Berrettoni's fresco). He also painted for Santa Maria in Posterola,Santa Maria in Posterola, originally in central Rome on the shores of the Tiber, no longer exists. Santa Maria di Loreto, San Salvatore in Lauro, and an Assumption for Santa Maria del Montesanto. For Basilica di San Clemente, he painted a St Clement in Glory for pope Clement XI. He also prepared the cartoons for the mosaics in the lateral nave of the Basilica of Saint Peter’s and San Giovanni Laterano with the oval of Prophet Obdiah listening to trumpet of Judgement Day. He also painted a Vision of St John in the chapel of the Presentazione for the Duomo di Urbino.Also now lost.

He was a teacher of William Kent, Paolo Anesi, and Giovanni Andrea Lazzarini. His studio is described as highly frequented by French artists. He became director or principe of the Accademia di San Luca (1723–25).Missirini, page 204.

Partial anthology of works in Rome

File:Giuseppe Bartolomeo Chiari - The Adoration of the Shepherds - KMSsp28 - Statens Museum for Kunst.jpg

References

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Sources

  • Giuseppe Bartolomeo Chiari, by Bernhard Kerber; Renate Franciscono(1968) The Art Bulletin p75-86.
  • [http://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&subjectid=500024838 Getty Museum site]
  • Romecity entry

See also