Goldin+Senneby
{{Short description|Collaborative duo of artists}}
Goldin+Senneby is the collaborative duo of artists Simon Goldin and Jakob Senneby. They have worked together under this name since 2004 and are based in Stockholm.
Their collaboration started with The Port (2004–2006);[http://www.goldinsenneby.com/gs/?p=62 The Port]. Goldin+Senneby. a series of insertions into the online world Second Life, exhibited among other places on Artport, Whitney Museum of American Art in 2005.[http://artport.whitney.org/gatepages/december05.shtml Artport Gatepage December 2005]. Whitney Museum of American Art.
They are also known for the project AfterMicrosoft,[http://www.goldinsenneby.com/gs/?p=81 "AfterMicrosoft" by Goldin+Senneby] {{Webarchive|url=https://web.archive.org/web/20140220095645/http://www.goldinsenneby.com/gs/?p=81 |date=2014-02-20 }}. Goldin+Senneby. in which they re-photographed the site in Sonoma valley where Bliss, the default wallpaper in Windows XP, was taken.
In the project Headless (2007–), they approach the sphere of offshore finance, and its production of virtual space through legal code. Looking at strategies of withdrawal and secrecy, they trace an offshore company in the Bahamas called Headless Ltd. A ghostwritten detective novel continuously narrates their investigations.{{cite web|url=http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&storycode=414729&c=1|title=Headless maybe, but not mindless|last=Jump|first=Paul|date=6 January 2011|publisher=Times Higher Education Supplement|accessdate=25 May 2011}} This work was exhibited at the 28th São Paulo Art Biennial,[http://www.28bienalsaopaulo.org.br/participant/goldinsenneby 28th Sao Paulo Biennial] {{Webarchive|url=https://web.archive.org/web/20090212142525/http://www.28bienalsaopaulo.org.br/participant/goldinsenneby |date=2009-02-12 }}. São Paulo Art Biennial. The Power Plant, Toronto,[http://www.thepowerplant.org/current.html The Power Plant]. The Power Plant. with an epilogue at Kadist in Paris.{{cite journal|last=Fidduccia|first=Joanna|date=October 2010|title=Paris: Goldin+Senneby|journal=Artforum|pages=289–290}}
A series of NFTs titled Spot Price (2023), was published on Triple Canopy (online magazine) with Nome Gallery in Berlin. The project is accompanied by the long-form essay Regions of Interest. {{Cite web |last=Senneby |first=Goldin |date=2023-10-19 |title=Regions of Interest |url=https://canopycanopycanopy.com/contents/regions-of-interest |access-date=2024-05-24 |website=canopycanopycanopy.com |language=en-US}}
References
{{Reflist|2}}
External links
- {{Official website|www.goldinsenneby.com}}
- {{cite web|url=http://www.liberennes.fr/libe/2010/05/face-au-rennes-de-la-terreur.html |title=Face au Rennes de la terreur |last=Lechner |first=Marie |date=28 May 2010 |publisher=Libėration |accessdate=25 May 2011 |url-status=dead |archiveurl=https://web.archive.org/web/20110725124108/http://www.liberennes.fr/libe/2010/05/face-au-rennes-de-la-terreur.html |archivedate=25 July 2011 }}
- {{cite web|url=http://www.bard.edu/ccs/exhibitions/sites/exhibition.php?g=492055&type=2 |title=The Office for Parafictional Research Presents Headless: Work by Goldin+Senneby |publisher=Bard College |year=2010 |accessdate=25 May 2011 |url-status=dead |archiveurl=https://web.archive.org/web/20100528061109/http://www.bard.edu/ccs/exhibitions/sites/exhibition.php?g=492055&type=2 |archivedate=28 May 2010 }}
- {{cite web|url=http://rhizome.org/editorial/2010/mar/12/putting-the-capital-in-decapitation/|title=Putting the capital in decapitation|last=Kollak|first=Ginny|date=12 March 2010|publisher=Rhizome|accessdate=25 May 2011}}