Goopy Gyne Bagha Byne#Soundtrack and other songs

Gopinath Gyne alias Goopy is the son of a poor grocer Kanu Kyne from a village called Amloki. Goopy wants to become a singer, but he sings terribly without melody, rhythm or tune. In an attempt to mock him, the village elders persuade Goopy to sing for the king in the early morning hours right under His Majesty's bedroom window. Goopy does so, but his terrible singing only disturbs the king's sleep, who then summons him to his court. There, the king humiliates him and orders for him to be driven out of Amloki on a donkey.

Exiled to a forest, he meets Bagha Byne, another exile from nearby village called Hortuki. Like Goopy, Bagha had been exiled from his village for playing the drum badly. They encounter a tiger in the forest, from which they narrowly escape by staying perfectly still. After the tiger is gone, they start to celebrate by singing and drumming. This attracts a group of ghosts, who are fascinated by their music. Happy with their performance, the king of the ghosts (Bhooter Raja) grants them three boons. These boons will only work if they are together.

• They can get any food or clothing they want by clapping their hands with each other.
• They are given a pair of magic slippers, which, when worn, will allow them to travel anywhere. All they need to do is clap their hands with each other and say the name of the place they want to go to.
• They become flawless musicians and gain the ability to hold people in awe with their music (literally, their music renders people motionless).

The pair travel to Shundi, where a benevolent king appoints them court musicians. However, the king of Halla (the long lost twin brother of Shundi's king), is planning to attack Shundi, after being poisoned by his prime minister with the help of a magic potion that makes him evil. He is aided by a senile sorcerer, who has created the evil potion.

Goopy and Bagha travel to Halla in an attempt to prevent the attack, but are captured instead. They also lose the power of their slippers when captured and hence cannot escape the jail by magic, but manage to do so by luring the famished gatekeeper with delicious foods. They arrive singing and drumming when the soldiers are about to launch their attack, rendering the army motionless. Next, they wish for unlimited food and sweets, which rain from the sky on the starving soldiers who forget the battle and settle for filling their bellies. Not only this, their singing takes off the evil effects of the potion given to the King of Halla, who drops the idea of capturing Shundi, and reunites happily with his brother. For averting the war, the two kings of Shundi and Halla respectively marry their daughters to Goopy and Bagha.

• Tapen Chatterjee - Goopy Gyne
• Rabi Ghosh - Bagha Byne
• Santosh Dutta - King of Shundi and King of Halla
• Harindranath Chattopadhyay - Borfi (The Magician)
• Ajoy Banerjee - Visitor to Halla
• Ratan Banerjee - Court singer at Shundi
• Durgadas Bannerjee - King of Amloki
• Binoy Bose - Village elder / visitor to Halla
• Govinda Chakravarti - Goopy's father
• Abani Chatterjee - Village elder
• Kartik Chatterjee - Court singer at Shundi / visitor to Halla
• Santi Chatterjee - Commander of Halla army
• Gopal Dey - Executioner
• Shailen Ganguli - Visitor to Halla
• Jahor Roy - Prime Minister of Halla
• Tarun Mitra - Court singer at Shundi
• Haridhan Mukherjee - Village elder
• Prasad Mukherjee - King of ghosts / village elder (bhoot er raja)
• Khagen Pathak - Village elder
• Chinmoy Roy - Spy of Halla
• Joykrishna Sanyal - Court singer at Shundi
• Mani Srimani - Visitor to Halla

Around 1967, Ray started toying with the idea of creating a film based on extra terrestrial creatures on Earth, and wrote a screenplay to that effect. Marlon Brando and Peter Sellers were supposed to star in lead roles in the film.{{cite web|url=http://timesofindia.indiatimes.com/india/Close-encounters-with-native-E-T-finally-real/articleshow/42443247.cms?|title=Close encounters with native E.T. finally real|access-date=11 September 2014 |year=2003 |work=The Times of India}}{{cite web|url=http://www1.ucsc.edu/currents/01-02/09-17/ray.html|title=Satyajit Ray Collection receives Packard grant and lecture endowment|access-date=11 September 2014 |year=2001 |work=The Times of India}} However, things did not turn out well between him and Columbia Pictures, and the project was shelved. Unable to make a fantasy movie in Hollywood, Ray decided to make one in India instead. He intended to reach a wider audience with this film, prompted in part by the lukewarm box office performance of his previous movies Kapurush, Mahapurush and Nayak.{{sfn|Robinson|1989|p=184}} R.D Bansal, who had produced those movies, became even less enthusiastic when he learnt of the film's estimated budget, and, as Ray told Marie Seton in December 1967, he spent the remainder of that year scouting for finance, and almost reduced to the same situation as he had been during shooting Pather Panchali.{{sfn|Robinson|1989|p=184}} Finally, towards the end of 1967, Nepal Dutta and Asim Dutta of Purnima Pictures agreed to lend some financial help. But since it was not substantial enough to shoot the entire movie in color, Ray decided to do it in black and white and show only the final scene in color.{{sfn|Robinson|1989|p=184}}

The film's pivotal sequence was a six and a half-minute dance, divided into four numbers, performed by the ghosts of the forest in front of Goopy and Bagha. The numbers were intertwined into a phantasmagoria of contrasting styles and moods. Ray settled on four classes of ghosts keeping in line with the four common classes in the social hierarchy in Hinduism, "since we have so many class divisions, the ghosts should have the same".{{sfn|Robinson|1989|p=187}} Thus came to be included the king and warriors, sahibs, fat people and the common people. Ray decided that the music ought to have "some order, form and precision", instead of being just being "a wooly, formless kind of thing".{{sfn|Robinson|1989|p=187}} He remembered a South Indian classical form he had once heard in the Delhi Film Festival, which used 12 musical instruments, of which he selected four. He deliberately avoided melody, because "melody suggests a kind of sophistication".{{sfn|Robinson|1989|p=187}} Each class, except the sahibs, was played by actors appropriately dressed and made-up, the sahibs were shadow-puppets expertly under-cranked to create the illusion. {{sfn|Robinson|1989|p=187}} The dance culminates with the four classes positioned vertically, with the priests at the bottom and the common people at the top, in contrast with the traditional class hierarchy. Ray imagined the caste system upside down in reaction to the evolving nature of power.{{sfn|Banerjee|2009}}

{{Track listing

| headline = Track listing

| extra7 = Anup Ghoshal

| title6 = ওরে বাঘারে (Ore Baghare)

| extra6 = Anup Ghoshal and Rabi Ghosh

| length6 = 2:02

| music6 = Satyajit Ray

| title7 = ও মন্ত্রী মশাই (O Mantri Moshai)

| music7 = Satyajit Ray

| length7 = 1:37

| length5 = 1:50

| title8 = হল্লা চলেছে যুদ্ধে (Halla Choleche Juddhe)

| extra8 = Kamu Mukherjee and Jahor Roy

| music8 = Satyajit Ray

| title9 = এক যে ছিল রাজা... (Ek Je Chhilo Raja...)

| extra9 = Anup Ghoshal

| music5 = Satyajit Ray

| extra5 = Anup Ghoshal

| extra_column = Singer(s)

| music2 = Satyajit Ray

| title1 = ভূতের রাজার বর দেওয়া (Bhuter Rajar Bor deoa)

| extra1 = Satyajit Ray, Tapen Chatterjee and Rabi Ghosh

| music1 = Satyajit Ray

| title2 = দেখোরে নয়ন মেলে (Dekhore Nayan Mele)

| extra2 = Anup Ghoshal

| length2 = 1:55

| title3 = ভূতের রাজা দিলো বর (Bhuter Raja Dilo Bor)

| title5 = রাজা শোনো (Raja Shono)

| extra3 = Anup Ghoshal and Rabi Ghosh

| length3 = 2:22

| music3 = Satyajit Ray

| title4 = মহারাজা! তোমারে সালাম (Maharaja! Tomare Selam)

| extra4 = Anup Ghoshal

| length4 = 3:37

| music4 = Satyajit Ray

| music9 = Satyajit Ray

| title10 = ওরে বাবা দেখো চেয়ে (Ore Baba Dekho Cheye)

| music10 = Satyajit Ray

| extra10 = Anup Ghoshal

| length1 = 1:37

| length8 = 1:42

| length9 = 2:45

| length10 = 3:43

}}

Critical response was generally positive, with the length and special effects being the main points of criticism. Dennis Schwartz wrote that "its only fault is that I thought it was too lengthy to hold the attention of children. But the appealing film dazzles with Ray's lively score that's carried out very well by the film's stars".{{cite web|url=http://homepages.sover.net/~ozus/adventuresofgoopyandbagha.html|title=Delightful children's film by India's greatest director Satyajit Ray.|access-date=11 September 2014|year=2014|work=Ozus' World Movie Reviews|archive-date=12 September 2014|archive-url=https://web.archive.org/web/20140912183141/http://homepages.sover.net/~ozus/adventuresofgoopyandbagha.html|url-status=dead}} Lindsay Anderson said that it had got lovely things in it, but it went on for too long.{{sfn|Robinson|1989|p=182}} A critic, writing for The Guardian, said that this was "Satyajit Ray at his least convincing". The Observer wrote that "perhaps it would appeal to singularly unfidgety children". The Times observed, "Ray is a true poet of the cinema, but he finds his poetry in everyday reality; in all-out fantasy, he seems somewhat prosaic". It was, however, a smash hit at home. Ray later wrote to Marie Seton that "it is extraordinary how quickly it has become part of popular culture. Really there isn't a single child who doesn't know and sing the songs".{{sfn|Robinson|1989|p=182}}

At the 16th National Film Awards,{{Dead link|date=December 2021}} the movie won two major awards:

• Best Feature Film
• Best Direction

It won 4 international awards:

• The Silver Cross at Adelaide
• Best director at Auckland Film Festival
• Best film at Melbourne International Film Festival
• Merit Award in Tokyo

It was also nominated for the Golden Bear at the Berlin Film Festival.

The Academy Film Archive preserved Goopy Gyne Bagha Byne in 2003.{{cite web|title=Preserved Projects|url=http://www.oscars.org/academy-film-archive/preserved-projects?title=&filmmaker=satyajit+ray&category=All&collection=All|website=Academy Film Archive}}

Goopy Gyne Bagha Byne was remade into a Hindi language animated film named Goopi Gawaiya Bagha Bajaiya, directed by Shilpa Ranade.[http://www.dubaifilmfest.com/en/films/detail/goopi-gawaiya-bagha-bajaiya/35306/2013 Dubaifilmfest] {{webarchive|url=https://web.archive.org/web/20140802183739/http://www.dubaifilmfest.com/en/films/detail/goopi-gawaiya-bagha-bajaiya/35306/2013 |date=2 August 2014}} It was nominated for and won for several international awards.{{cite web |url=http://dearcinema.com/news/batul-mukhtiar-wins-golden-elephant-kaphal-icffi-2013/1701 |title=Kaphal, Tamaash, Goopi Gawaiya Bagha Bajaiya win at Intl. Children's Film Festival of India | DearCinema.com |access-date=28 July 2014 |url-status=dead |archive-url=https://web.archive.org/web/20140728221059/http://dearcinema.com/news/batul-mukhtiar-wins-golden-elephant-kaphal-icffi-2013/1701 |archive-date=28 July 2014}}{{cite web | url=http://www.animationxpress.com/index.php/latest-news/arjunthe-warrior-prince-goopi-gawaiya-bagha-bajaiya-win-at-18th-intl-childrens-film-festival-india | title=Arjun:The Warrior Prince & Goopi Gawaiya Bagha Bajaiya Win at 18th Intl. Children's Film Festival India | date=22 November 2013}}{{cite web |url= http://www.asiapacificscreenacademy.com/2013/11/2013-asia-pacific-screen-awards-nominees/|title= Full List: 2013 APSA Nominees|access-date= 12 November 2013|work= asiapacificscreenacademy.com}}{{cite web|url= http://www.filmbiz.asia/news/omar-and-japan-lead-apsa-nominations|title= Omar and Japan lead APSA nominations|date= 11 November 2013|access-date= 12 November 2013|work= Film Business Asia|url-status= dead|archive-url= https://web.archive.org/web/20131114232015/http://www.filmbiz.asia/news/omar-and-japan-lead-apsa-nominations|archive-date= 14 November 2013}}

{{main|Hirak Rajar Deshe}}

Satyajit Ray made a sequel named Hirak Rajar Deshe, which released eleven years after the release of Goopy Gyne Bagha Byne.

{{main|Goopy Bagha Phire Elo}}

Sandip Ray, son of director Satyajit Ray directed another sequel named Goopy Bagha Phire Elo. The film released twelve years after the release of Hirak Rajar Deshe.

Sandip Ray wants to make another sequel to this series. He had received many requests to make the fourth Goopy - Bagha movie. Ray said to The Times of India about the plot of the fourth film: "Making a Goopy Bagha movie without Tapen and Rabi is unthinkable. The only way I can do a fourth is by taking the story forward and introducing Goopy and Bagha's sons". The idea to weave a story around the next generation came from a line from the introductory song 'Mora Dujonai Rajar Jamai' in 'Hirak Rajar Deshe'—"aar ache polapan, ek khan ek khan... (we have one child each)".[http://timesofindia.indiatimes.com/india/Satyajit-Rays-son-plan-sequel-of-fathers-films/articleshow/23075040.cms Satyajit Ray's son plan sequel of father's films]

• Gayen
• Pather Panchali

{{reflist|30em}}

{{refbegin}}

• {{cite book|last=Robinson|first=Andrew|title=Satyajit Ray: The Inner Eye|url=https://books.google.com/books?id=TnkcLvYRNfMC|year=1989|publisher=University of California Press|isbn=978-1-860-64965-3}}
• {{cite book|last=Banerjee|first=Deb|title=Powerful and Powerless: Power Relations in Satyajit Ray's Films

|url=http://kuscholarworks.ku.edu/dspace/bitstream/1808/6006/1/Banerjee_ku_0099M_10685_DATA_1.pdf|year=2009|publisher=University of Kansas}}

• {{cite book|last=Ray|first=Satyajit|title=Our Films, Their Films

|url=https://books.google.com/books?id=wqMHAQAAIAAJ|year=2013|publisher=Orient BlackSwan}}

{{refend}}

• [https://ggbb.nltr.org Goopy Gyne Bagha Byne website]

::[https://ggbb.nltr.org/node.php?pageno=1&khanda=1 Screenplay]

• [http://www.satyajitray.org/films/goopy.htm Goopy Gyne Bagha Byne (SatyajitRay.org)] {{Webarchive|url=https://web.archive.org/web/20070430074555/http://www.satyajitray.org/films/goopy.htm |date=30 April 2007}}
• {{IMDb title|0063023}}

{{Goopy Gyne Bagha Byne}}

{{Satyajit Ray}}

{{NationalFilmAwardBestFeatureFilm}}

Category:1969 films

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Category:Films whose director won the Best Director National Film Award

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