Grete Stern
{{Short description|Argentine photographer (1904–1999)}}
{{Use dmy dates|date=August 2021}}
{{Infobox person
| name = Grete Stern
| image = Grete Stern, Self-portrait 1956.jpg
| caption = Stern in 1956 (Self-portrait)
| birth_place = Wuppertal-Elberfeld, German Empire
| death_date = {{Death date and age|df=y|1999|12|24|1904|5|9}}
| death_place = Buenos Aires, Argentina
| occupation = Photography
| years_active =
| nationality = German-Argentine
}}
Grete Stern (9 May 1904 – 24 December 1999) was a German-Argentine photographer.{{cite book|last1=Stern|first1=Grete|last2=Coppola|first2=Horacio|last3=Marcoci|first3=Roxana|last4=Meister|first4=Sarah Hermanson|last5=Roberts|first5=Jodi|last6=Kaplan|first6=Rachel|title=From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola|date=2015|publisher=Museum of Modern Art|location=New York|isbn=9780870709616}} Between April 1930 and March 1933, she studied at the Bauhaus. With her husband Horacio Coppola, she helped modernize the visual arts in Argentina, and presented the first exhibition of modern photographic art in Buenos Aires, in 1935.{{cite web |url=http://jwa.org/encyclopedia/article/stern-grete |title=Grete Stern |publisher=Mandelbaum, Juan, and Clara Sandler. Jewish Women: A Comprehensive Historical Encyclopedia |date=1 March 2009 |work=Jewish Women's Archive |access-date=February 7, 2011 }}
Early life
The daughter of Frida Hochberger and Louis Stern, Grete Stern was born on 9 May 1904 in Elberfeld, Germany. She often visited family in England and attended primary school there. After reaching adulthood, from 1923 to 1925 she studied graphic arts at the Kunstgewerbeschule, Stuttgart, but after a short term working in the field she was inspired by the photography of Edward Weston and Paul Outerbridge to change her focus to photography. Relocating to Berlin, she took private lessons from Walter Peterhans.{{rp|21}}
Career
File:Grete Stern, Self-portrait, 1943.jpg
In 1930 Stern and Ellen Rosenberg Auerbach founded ringl+pit, a critically acclaimed, prize-winning Berlin based photography and design studio. They used equipment purchased from Peterhans and became well known for innovative work in advertising.James Crump. "Stern, Grete." Grove Art Online. Oxford Art Online. Oxford University Press. Updated and revised 27 September 1999. Retrieved October 3, 2015. The name ringl+pit is from their childhood nicknames (Ringl for Grete, Pit for Ellen).
Intermittently between April 1930 and March 1933, Stern continued her studies with Peterhans at the Bauhaus photography workshop in Dessau, where she met the Argentinian photographer Horacio Coppola. In 1933 the political climate of Nazi Germany led her to emigrate with her brother to England,{{Cite news|url=https://www.nytimes.com/1997/02/06/arts/two-proto-feminists-remember-weimar.html|title=Two Proto-Feminists Remember Weimar|last=O'Connor|first=John J.|date=1997-02-06|work=The New York Times|access-date=2018-03-11|language=en-US|issn=0362-4331}} where Stern set up a new studio, soon to resume her collaboration there with Auerbach.
Stern first traveled to Argentina in the company of her new husband, Horacio Coppola in 1935. The newlyweds mounted an exhibition in Buenos Aires at Sur magazine, which according to the magazine, was the first modern photography exhibition in Argentina. In 1958, she became a citizen of Argentina.
File:Articulos electricos para el hogar - Grete Stern, 1950.jpg
In 1948 Stern began working for Idilio, an illustrated women's magazine, targeted specifically at lower/lower-middle class women. In the late 1940s and early 1950s, Stern created Los Sueños as illustrations for the woman's magazine Idilio and its column "El psicoanálisis te ayudará" (Psychoanalysis Will Help You).{{Cite journal|last=Plotkin|first=Mariano Ben|date=April 1999|title=Tell Me Your Dreams: Psychoanalysis and Popular Culture in Buenos Aires, 1930-1950|url=https://www.cambridge.org/core/product/identifier/S0003161500028339/type/journal_article|journal=The Americas|language=en|volume=55|issue=4|pages=601–629|doi=10.2307/1008323|jstor=1008323|pmid=19743564|issn=0003-1615|url-access=subscription}} Readers were encouraged to submit their dreams to be analyzed by the 'experts' as an aid for its readers to find "self-knowledge and self-aid that would help them succeed in love, family and work".{{Cite journal|date=August 16, 1949|title=El psicoanálisis le ayudará|journal=Idilio|pages=2}} Each week, one dream would be selected, analyzed in depth by the expert, Richard Rest, and then illustrated by Stern through photomontage. Stern created about 150 of these photomontages, of which only 46 survive in negatives.{{Cite book|title="Photographer Against the Grain: Through the Lens of Grete Stern" in From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola|last=Marcoci|first=Roxana|publisher=Museum of Modern Art|year=2015|isbn=9780870709616|location=New York|pages=21–36}} Stern's photomontages are surreal interpretations of the readers' dreams that often subtly pushed back on the traditional values and concepts in Idilio magazine by inserting feminist critique of Argentinian gender roles and the psychoanalytic project in her images. The Idilio series has often been compared to Francisco Goya's Sueños drawings, a series of preliminary drawings for his later body of work, Los Caprichos; they have also been directly compared to Los Caprichos themselves.
Image:Grete Stern - Desnudo III, 1946.jpg
Stern provided photographs for the magazine and served for a stint as a photography teacher in Resistencia at the National University of the Northeast in 1959 and continued to teach until 1985.
Death
Legacy
In 1995 documentarian Juan Mandelbaum made a documentary about Studio Ringl + Pit, which was reviewed in the New York Times{{cite news | url=https://www.nytimes.com/1997/02/06/arts/two-proto-feminists-remember-weimar.html | title=Two Proto-Feminists Remember Weimar | newspaper=The New York Times | date=6 February 1997 | last1=O'Connor | first1=John J. }} In 2005 her work was the subject of an exhibition at New York's Museum of Modern Art called "From Bauhaus to Buenos Aires: Grete Stern and Horatio Coppola."{{cite web | url=https://www.moma.org/calendar/exhibitions/1441 | title=From Bauhaus to Buenos Aires: Grete Stern and Horacio Coppola | MoMA }}
Collections
Stern's work is held in the following permanent collections:
- The Jewish Museum
- The Museum of Modern Art
- The Metropolitan Museum
- The J. Paul Getty Museum
See also
References
{{reflist}}
Further reading
- {{cite magazine |author=Thurman, Judith |date=December 19–26, 2016 |title=Grete Stern |department=Visionaries |magazine=The New Yorker |volume=92 |issue=42 |pages=100}}
- Foster, David William. “Dreaming in Feminine: Grete Stern’s Photomontages and the Parody of Psychoanalysis” Ciberletras 10. 2004
http://www.lehman.cuny.edu/ciberletras/v10/foster.htm - Lavin, Maud. “Ringl + Pit: The Representation of Women in German Advertising, 1929–33 in The Print Collector's Newsletter, Vol 16, No. 3 (July – August 1985), pp. 89–93
- Hopkinson, Amanda. "Grete Stern" obituary. The Guardian. January 18, 2000.{{Cite web |author=Guardian Staff |date=2000-01-18 |title=Grete Stern |url=http://www.theguardian.com/news/2000/jan/18/guardianobituaries1 |access-date=2023-01-19 |website=the Guardian |language=en}}
External links
{{commons category|Grete Stern}}
- [http://librodenotas.com/almacen/Archivos/004770.html Almacen magazine]
- [http://www.proa.org/exhibiciones/pasadas/chaco/biografia.html Proa foundation]
- [http://www.moma.org/collection/artists/36781 Grete Stern works in MoMA's collection]
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Category:20th-century Argentine artists
Category:20th-century Argentine women photographers
Category:20th-century Argentine photographers
Category:Argentine photographers
Category:German emigrants to Argentina
Category:Jewish emigrants from Nazi Germany to the United Kingdom
Category:Naturalized citizens of Argentina
Category:Artists from Wuppertal