Happyend

{{Infobox film

| name = Happyend

| image = Happyend 2024.jpg

| alt =

| caption = Japanese theatrical release poster

| director = Neo Sora

| producer = {{Plainlist|

  • Albert Tholen
  • Aiko Masubuchi
  • Eric Nyari
  • Anthony Chen
  • Alex C. Lo

}}

| writer = Neo Sora

| starring = {{Plainlist|

}}

| music = Lia Ouyang Rusli

| cinematography = Bill Kirstein

| editing = Albert Tholen

| production_companies = {{Plainlist|

  • Zakkubalan
  • Cineric Creative
  • Cinema Inutile
  • Giraffe Pictures
  • Spark Features
  • Sons of Rigor

}}

| distributor = {{Plainlist|

}}

| released = {{Film date|2024|9|2|Venice|ref1=|2024|10|4|Japan}}

| runtime = 113 minutes{{Cite web |date=July 8, 2025 |title=Happyend (12A) |url=https://www.bbfc.co.uk/release/happyend-q29sbgvjdglvbjpwwc0xmdmwmty1 |access-date=July 8, 2025 |website=British Board of Film Classification |language=en}}

| country = {{Plainlist|

  • Japan
  • United States

}}

| language = Japanese

| budget =

| gross =

}}

Happyend (stylized in Japan as HAPPYEND){{cite web |title=映画 HAPPYEND (2024) |url=https://www.allcinema.net/cinema/396028 |publisher=allcinema |access-date=23 April 2025}}{{cite web |title=HAPPYEND : 作品情報・キャスト・あらすじ・動画 |url=https://eiga.com/movie/102070/ |publisher=eiga.com |access-date=23 April 2025 |archive-date=12 September 2024 |archive-url=https://web.archive.org/web/20240912023301/https://eiga.com/movie/102070/ |url-status=live }}{{cite web |title=HAPPYEND (2024) – 作品情報・映画レビュー |url=http://www.kinenote.com/main/public/cinema/detail.aspx?cinema_id=100077&key_search=happyend |publisher=KINENOTE |access-date=23 April 2025}} is a 2024 drama film, written and directed by Neo Sora. It stars Kurihara Hayato, Hidaka Yukito, Ayumu Nakajima, Makiko Watanabe, and Shirō Sano.

It had its world premiere at the 81st Venice International Film Festival on September 2, 2024, in the Orizzonti section, and was released in Japan on October 4, 2024, by Bitters End.

Premise

Set in near-future Tokyo, two best friends are about to graduate high school, while threats of an earthquake looms. One night, they pull a prank on their principal, leading to a surveillance system being installed. They respond in contrasting ways.{{cite web|url=https://variety.com/2024/film/news/magnify-venice-happyend-neo-soras-1236081423/|title=Magnify Boards Neo Sora's Venice-Bound Japanese Dystopian Film 'Happyend' (EXCLUSIVE)|website=Variety|first=Elsa|last=Keslassy|date=July 23, 2024|access-date=August 6, 2024|archive-date=September 3, 2024|archive-url=https://web.archive.org/web/20240903144108/https://variety.com/2024/film/news/magnify-venice-happyend-neo-soras-1236081423/|url-status=live}}

Cast

  • Hayato Kurihara as {{Nihongo|Yuta|ユウタ|Yūta}}
  • Yukito Hidaka as {{Nihongo|Kou|コウ|Kō}}
  • Yuta Hayashi as Ata-chan
  • Shina Peng as Ming
  • Arazi as Tomu
  • Kilala Inori as Fumi
  • Pushim as Fukuko
  • Ayumu Nakajima as Okada
  • Makiko Watanabe as Yuko
  • Shirō Sano as Principal Nagai
  • Masaru Yahagi as Taira
  • Yousuke Yukimatsu as DJ

Production

In August 2020, it was announced that Neo Sora would direct the film, then titled Earthquake, from a screenplay he wrote.{{cite web|url=https://variety.com/2020/film/global/locarno-the-chicken-neo-sora-earthquake-1234725163/|title=Locarno Competition Filmmaker Neo Sora Prepares Debut Feature 'Earthquake' (EXCLUSIVE)|website=Variety|first=Jamie|last=Lang|date=August 5, 2020|access-date=August 6, 2024}} The film was selected for the 2022 Sundance Institute Screenwriting and Directing labs.{{cite web|url=https://www.sundance.org/blogs/sundance-institute-announces-2022-fellows-for-directors-screenwriters-and-native-labs/|title=Sundance Institute Announces 2022 Fellows for Directors, Screenwriters and Native Labs|website=Sundance Institute|date=May 9, 2022|access-date=August 6, 2024}}

Release

The film had its world premiere at the 81st Venice International Film Festival on September 2, 2024, in the Orizzonti section.{{cite web|url=https://deadline.com/2024/07/venice-film-festival-lineup-2024-full-list-1236018399/|title=Venice Film Festival Lineup: 'Joker: Folie à Deux', Almodovar, Guadagnino, Kurzel, Larrain & More In Competition – Full List|website=Deadline Hollywood|first=Nancy|last=Tartaglione|date=July 23, 2024|access-date=August 6, 2024|archive-date=July 23, 2024|archive-url=https://web.archive.org/web/20240723193927/https://deadline.com/2024/07/venice-film-festival-lineup-2024-full-list-1236018399/|url-status=live}} Prior to, Metrograph Pictures acquired North American distribution rights to the film.{{cite web|url= https://variety.com/2024/film/global/metrograph-pictures-happyend-north-america-venice-film-festival-1236127891/|title= Metrograph Pictures Buys Venice Festival Highlight 'Happyend' for North America Ahead of Toronto Premiere (EXCLUSIVE)|website=Variety|first=Elsa|last=Keslassy|date=September 3, 2024|access-date=September 3, 2024}} It will also screen at the 2024 Toronto International Film Festival on September 9, 2024.{{cite web|url=https://www.indiewire.com/news/festivals/tiff-2024-centrepiece-lineup-sets-presence-seed-of-the-sacred-fig-1235032888/|title='Presence,' Cannes Favorites 'Seed of the Sacred Fig' and 'To a Land Unknown' Join TIFF Centrepiece Lineup|website=IndieWire|first=Ryan|last=Lattanzio|date=August 6, 2024|access-date=August 6, 2024}}{{cite web|url=https://tiff.net/events/happyend|title=Happyend|website=Toronto International Film Festival|access-date=August 10, 2024|archive-date=August 10, 2024|archive-url=https://web.archive.org/web/20240810182547/https://tiff.net/events/happyend|url-status=live}} and the 2024 New York Film Festival.{{cite web|url=https://www.filmlinc.org/nyff2024/films/happyend/|title=Happyend|website=New York Film Festival|access-date=August 10, 2024}}{{cite web|url=https://www.filmlinc.org/nyff2024/daily/62nd-new-york-film-festival-main-slate-announced/|title=62nd New York Film Festival Main Slate Announced|website=New York Film Festival|date=August 6, 2024|access-date=August 10, 2024|archive-date=September 21, 2024|archive-url=https://web.archive.org/web/20240921031225/https://www.filmlinc.org/nyff2024/daily/62nd-new-york-film-festival-main-slate-announced/|url-status=live}} It was released in Japan on October 4, 2024, by Bitters End.{{cite web|url=https://www.bitters.co.jp/HAPPYEND/|title=Happyend|website=Bitters End|access-date=August 13, 2024|archive-date=August 9, 2024|archive-url=https://web.archive.org/web/20240809053818/https://www.bitters.co.jp/HAPPYEND/|url-status=live}} It was scheduled to be released in the United States on June 20, 2025, however was pulled from the schedule.{{cite web|url=https://www.filmlinc.org/daily/film-at-lincoln-center-announces-spring-2025-programming-lineup/|title=Film at Lincoln Center Announces Spring 2025 Programming Lineup|website=Film at Lincoln Center|date=March 12, 2025|access-date=March 12, 2025}}

It was also invited at the 29th Busan International Film Festival in 'Special program in focus' Teenage Minds, Teenage Movies section and it will be screened there in October 2024.{{Cite web|url=https://www.biff.kr/eng/artyboard/mboard.asp?Action=view&strBoardID=9611_05&intPage=1&intCategory=0&strSearchCategory=%7Cs_name%7Cs_subject%7C&strSearchWord=&intSeq=94209|title=The 29th BIFF announces Special Program in Focus 'Teen Spirit, Teen Movie'|website=Busan International Film Festival|date=August 19, 2024|access-date=September 1, 2024|language=en|archive-date=September 1, 2024|archive-url=https://web.archive.org/web/20240901033258/https://www.biff.kr/eng/artyboard/mboard.asp?Action=view&strBoardID=9611_05&intPage=1&intCategory=0&strSearchCategory=%7Cs_name%7Cs_subject%7C&strSearchWord=&intSeq=94209|url-status=live}} And take part in the 'First Feature Competition' of the 2024 BFI London Film Festival.{{Cite web|url=https://www.hollywoodreporter.com/news/general-news/2024-london-film-festival-full-program-documentary-series-1235986015/|website=The Hollywood Reporter|first=Georg|last=Szalai|title=London Film Fest Unveils Full Program, Including Doc and First Feature Competition Lineups, Series|date=4 September 2024 }} The film will make its South Asia premiere at the MAMI Mumbai Film Festival 2024 in the World Cinema section.{{Cite web |last=Deb |first=Deepshikha |date=2024-09-30 |title=MAMI Mumbai Film Festival Unveils 2024 Official Lineup |url=https://www.highonfilms.com/mami-mumbai-film-festival-unveils-2024-official-lineup/ |access-date=2024-10-13 |website=High On Films |language=en-US}}

Themes

Happyend explores how political unrest and personal relationships intersect. The film centers on a friendship that fractures as one character becomes politically active while the other withdraws. Director Neo Sora contrasts small, personal moments with broader social shifts, touching on themes such as surveillance, youth disillusionment, and state control. The story also engages with questions of Japanese identity, xenophobia, and historical amnesia, particularly regarding Japan’s colonial past. Underground music scenes and resistance to AI-generated culture reflect the characters’ pushback against commercialization and conformity. The film also addresses the limited political agency of marginalized groups, including Japan’s Zainichi Korean community.{{Cite web |last=Ramachandran |first=Naman |date=2025-03-15 |title=Neo Sora Talks Political Divide in 'Happyend': 'Japan Hasn't Really Reflected on its Colonial Past' |url=https://variety.com/2025/film/news/neo-sora-happyend-interview-1236338227/ |access-date=2025-05-18 |website=Variety |language=en-US}}

Reception

=Critical response=

{{Rotten Tomatoes prose|94|3=17|4=|ref=yes|access-date=16 October 2024}} {{Metacritic film prose|68|6|ref=yes|access-date=16 October 2024}}

The Hollywood Reporter's David Rooney praised Happyend for its "expert tonal balance between the bittersweet, elegiac qualities of the end-of-school drama" and its portrayal of an educational institution "that becomes like a prison," reflecting broader political anxieties. He noted the film’s "light yet lingering touch to larger fears affecting all of us" while remaining grounded in the personal. Rooney also highlighted Bill Kirstein’s cinematography for "finding poetry in the stark urban landscapes," and noted that Lia Ouyang Rusli’s score complemented the visuals. He described the mostly newcomer cast as "naturals."{{Cite web |last=Rooney |first=David |date=2024-09-02 |title='Happyend' Review: High School Becomes a Microcosm of Surveillance-State Oppression in Affecting Near-Future Drama |url=https://www.hollywoodreporter.com/movies/movie-reviews/happyend-review-neo-sora-japan-1235988818/ |access-date=2025-05-18 |website=The Hollywood Reporter |language=en-US}} Writing for Screen Daily, Jonathan Romney described the film as "a crisp and understated piece" and highlighted Bill Kirstein’s cinematography for its use of "nocturnal cityscapes" and "sterile empty spaces" within school settings. He also noted the young cast's "organic energy," though remarked they were "unconvincingly a little heavy on the pop star looks."{{Cite web |last=Romney |first=Jonathan |title='Happyend': Venice Review |url=https://www.screendaily.com/reviews/happyend-venice-review/5196808.article |access-date=2025-05-18 |website=Screen Daily |language=en}}

Slate's Marshall Shaffer rated the film 2 out of 4 stars, writing that the director "struggles to balance the immediacy of adolescent angst with the long-range outlook of using the students’ experience as a canary in the coal mine for society at large." The review noted that Happyend "never quite satisfies as a microcosmic analysis of Japan" due to limited depiction of the world outside the school. While describing the film as a "confident narrative feature debut" with insight into generational and national direction, Shaffer notes that it lacks "connective tissue between the small details and Sora’s bigger-picture views."{{Cite web |last=Shaffer |first=Marshall |date=2024-09-24 |title='Happyend' Review: It's Only a Teenage Wasteland |url=https://www.slantmagazine.com/film/happyend-review-neo-sora/ |access-date=2025-05-18 |website=Slant Magazine |language=en-US}} Whang Yee Ling of The Straits Times gave it 3 out of 5 stars, describing it as "unassuming but emotionally textured."{{Cite news |date=2025-05-07 |title=At The Movies: K-occult thriller Holy Night: Demon Hunters packs a punch, a bittersweet Happyend |url=https://www.straitstimes.com/life/entertainment/at-the-movies-k-occult-thriller-holy-night-demon-hunters-packs-a-punch-a-bittersweet-happyend |access-date=2025-05-18 |work=The Straits Times |language=en |issn=0585-3923}}

=Accolades=

class="wikitable sortable"
Award

! Year

! Category

! Recipient(s)

! Result

! class="unsortable" | {{Refh}}

rowspan="3" | Asia Pacific Screen Awards

| rowspan="3" | 2024

| Best Film

| Happyend

| {{nom}}

| rowspan="2" | {{Cite web |date=2024-10-16 |title=17th ASIA PACIFIC SCREEN AWARDS NOMINATIONS ANNOUNCED |url=https://www.asiapacificscreenawards.com/news-events/17th-asia-pacific-screen-awards-nominations-announced |access-date=2024-10-17 |website=Asia Pacific Screen Awards |language=en}}

Best Screenplay

| rowspan="5" | Neo Sora

| {{nom}}

Young Cinema Award

| {{won}}

| {{Cite web |date=13 November 2024 |title=WINNERS OF YOUNG CINEMA, BEST NEW PERFORMER & CULTURAL DIVERSITY AWARDS |url=https://www.asiapacificscreenawards.com/news-events/winners-of-young-cinema-best-new-performer-cultural-diversity-awards |access-date=2024-12-02 |website=Asia Pacific Screen Awards |language=en |archive-date=2024-11-23 |archive-url=https://web.archive.org/web/20241123194111/https://www.asiapacificscreenawards.com/news-events/winners-of-young-cinema-best-new-performer-cultural-diversity-awards |url-status=live }}

BFI London Film Festival

| 2024

| Sutherland Trophy

| {{nom}}

| {{Cite web |last=Williams |first=Tom |date=2024-09-27 |title=LFF announces 2024 competition juries |url=https://britishcinematographer.co.uk/lff-announces-2024-competition-juries/ |access-date=2024-10-17 |website=British Cinematographer Magazine |language=en-GB |archive-date=2024-12-01 |archive-url=https://web.archive.org/web/20241201195452/https://britishcinematographer.co.uk/lff-announces-2024-competition-juries/ |url-status=live }}

Jogja-NETPAC Asian Film Festival

| 2024

| Golden Hanoman Award

| {{won}}

| align="center"|{{cite web|url=https://mediaindonesia.com/hiburan/724278/ini-daftar-pemenang-jaff-2024|title=Ini Daftar Pemenang JAFF 2024|work=Media Indonesia|date=7 December 2024|access-date=7 December 2024|author=Fathurrozak|archive-date=14 December 2024|archive-url=https://web.archive.org/web/20241214115352/https://mediaindonesia.com/hiburan/724278/ini-daftar-pemenang-jaff-2024|url-status=live}}

Pingyao International Film Festival

| 2024

| Roberto Rossellini Jury Award

| {{won}}

| {{Cite web |last=Shackleton |first=Liz |date=2024-09-30 |title='Karst', 'The Sparrow In The Chimney' Win Top Awards At Pingyao International Film Festival |url=https://deadline.com/2024/09/pingyao-film-festival-china-karst-the-sparrow-in-the-chimney-1236103254/ |access-date=2024-10-17 |website=Deadline Hollywood |language=en-US |archive-date=2024-10-02 |archive-url=https://web.archive.org/web/20241002052317/https://deadline.com/2024/09/pingyao-film-festival-china-karst-the-sparrow-in-the-chimney-1236103254/ |url-status=live }}

rowspan="2" | Taipei Golden Horse Film Festival

| rowspan="2" | 2024

| NETPAC Award

| rowspan="2" | Happyend

| {{nom}}

| {{Cite web |date=2024-10-30 |title=2024 NETPAC Award |url=https://www.goldenhorse.org.tw/news/detail/2175 |access-date=2024-10-30 |website=Taipei Golden Horse Film Festival |language=en |archive-date=2024-12-03 |archive-url=https://web.archive.org/web/20241203123619/https://www.goldenhorse.org.tw/news/detail/2175 |url-status=live }}

Observation Missions for Asian Cinema Award

| {{won}}

| {{Cite web |date=2024-11-20 |title=Montages of a Modern Motherhood Wins NETPAC Award |url=https://goldenhorse.org.tw/news/detail/2206?r=en |access-date=2024-11-21 |website=Taipei Golden Horse Film Festival |language=en}}

Venice Film Festival

| 2024

| Orizzonti

| Neo Sora

| {{nom}}

| {{cite web |title=Biennale Cinema 2024 {{!}} Happyend |date=11 July 2024 |url=https://www.labiennale.org/en/cinema/2024/orizzonti/happyend |publisher=Venice Biennale |access-date=23 April 2025 |archive-date=5 September 2024 |archive-url=https://web.archive.org/web/20240905015105/https://www.labiennale.org/en/cinema/2024/orizzonti/happyend |url-status=live }}

References

{{Reflist}}