Harald Slott-Møller

{{Short description|Danish painter and ceramist}}

{{expand Danish|date=June 2016|topic=bio}}

File:Harald Slott-Møller 02.jpg

Harald Slott-Møller ({{IPA|da|ˈhɑːˌʁɑlˀ ˈslʌt ˈmølˀɐ|lang}}; 17 August 1864 – 20 October 1937) was a Danish painter and ceramist. Together with his wife, the painter Agnes Slott-Møller, he was a founding member of Den Frie Udstilling (The Free Exhibition).

Early life

Born in Copenhagen, Slott-Møller was the son of merchant Carl Emil Møller and Anna Maria née Møller. After completing the preparatory course at the Royal Danish Academy of Fine Arts (1883), he painted for three years under Peder Severin Krøyer.[http://www.denstoredanske.dk/index.php?title=Dansk_Biografisk_Leksikon/Kunst_og_kultur/Billedkunst/Maler/Harald_Slott-M%C3%B8ller "Harald Slott-Møller"], Dansk Biografisk Leksikon. {{in lang|da}} Retrieved 4 February 2013.

Career

Slott-Møller first exhibited in 1886 at the Charlottenborg Spring Exhibition and attracted attention in 1888 with his large lively work Fattigfolk i Fattiglægens Venteværelse (Poor People in the Poor Doctor's Waiting Room). He exhibited at Kunsthal Charlottenborg and Den Frie Udstilling with individual portraits, such as that of Georg Brandes (Georg Brandes at the University in Copenhagen, 1889),{{cite web|url=http://www.dia.org/object-info/e3425479-d7ae-463c-9551-a906959e43f7.aspx|title=Georg Brandes at the University in Copenhagen|publisher=Detroit Institute of Arts|accessdate=1 February 2013|archive-url=https://web.archive.org/web/20140716082714/http://www.dia.org/object-info/e3425479-d7ae-463c-9551-a906959e43f7.aspx|archive-date=16 July 2014|url-status=dead}} and landscapes, which often featured a prominent spot. A change in style occurred in the early 1890s as can be seen in his portrait of the sculptor Anne Marie Brodersen, in which her fair hair is covered with gold, as are the cornfields in one of his landscapes. Then followed a series of painting which ensured him a place as one of the principal participants in 1890 painting: Tre kvinder (Three Women), Foraaret (Spring), and his strikingly symbolic work Primavera (1901). Slott-Møller is remembered for his portraits of well-known figures from Southern Jutland and South Schleswig, often characterized with customized backgrounds such as a landscape or appropriate buildings.[http://old.graenseforeningen.dk/artikel/3334 "Flensborghus"] {{webarchive|url=https://archive.today/20130217091402/http://old.graenseforeningen.dk/artikel/3334 |date=2013-02-17 }}, Grænseforeningen. {{in lang|da}} Retrieved 4 February 2013

He also worked at the faience factory Aluminia from 1902 to 1906 designing a number of notable items together with {{ill|Christian Joachim|da}}.[http://www.denstoredanske.dk/Kunst_og_kultur/Kunsth%C3%A5ndv%C3%A6rk_og_design/Keramik_(porcel%C3%A6n,_fajance,_stent%C3%B8j,_lert%C3%B8j)/Aluminia "Aluminia"], Den Store Danske. {{in lang|da}} Retrieved 4 February 2013. As a result, Slott-Møller gained wide recognition as one of the leading craftsmen of the turn of the century. Although he continued to paint, opinions about his work became ever less supportive, partly on artistic grounds but also as a result of his attitude towards the public.

In 1919, he became a Knight of the Dannebrog. He was a founding member of Den Frie Udstilling (The Free Exhibition).{{cite book|last1=Varnedoe|first1=Kirk|author2=Corcoran Gallery of Art|author3=Brooklyn Museum|author4=Minneapolis Institute of Arts|title=Northern light: realism and symbolism in Scandinavian painting, 1880-1910|url=https://books.google.com/books?id=3A3rAAAAMAAJ|accessdate=31 January 2013|year=1982|publisher=Brooklyn Museum|isbn=978-0-87273-094-6|page=212}} He is buried at Holmens Cemetery.

Slott-Møller is portrayed in a double portrait: Ude eller Kammerater (Out or Comrades, 1886) in which he and his wife have painted each other. Another self-portrait based on a study drawing was Trækfuglene (Migratory Birds, 1909). There is also a self-portrait in Florence's Uffizi Gallery (1924).[https://www.kulturarv.dk/kid/VisWeilbach.do?kunstnerId=892&wsektion=alle Birgit Jenvold, "Harald Slott-Møller"], Kunstindeks Danmark & Weilbachs kunstnerleksikon. {{in lang|da}} Retrieved 4 February 2013.

Selected paintings

File:Harald Slott-Møller - Badende unge piger.png|Nude Girls, c. 1910

File:Sommerdag (1888 - Harald Slott-Møller).jpg|Summer Day, 1888

File:Slot Moller On the beach.jpg|On the beach, 1907

File:Slot Moller Picnic.jpg|Picnic, 1919

File:Harald Slott-Møller-Primavera.jpg|Primavera, 1901

File:Harald Slott-Moller Midsummer's Eve.jpg|Midsummer's Eve, 1904

File:Slott Moller Three woman.jpg|Three Women, 1895

File:Adam and Eve by Harald Slott-Moller - Statens Museum for Kunst - DSC08287.JPG|Adam and Eve, 1891

File:Slot Moller Nude.jpg|Nude, 1910

File:Slott Moller Garda.jpg|At the Garda Lake, 1910

File:Slot Moller Morgenkaffen.jpg|Morning Coffee, c. 1910

File:Trækfuglene.jpg|Birdwatching, 1909

References

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