Harry Ensign

Harry Ensign (1883 in Waterbury, Connecticut – 1943 in Hollywood) was an early American cinematographer of the silent period. He became head of the film laboratory at Paramount Pictures.{{cite book|last=Mitchell|first=Glenn|title=The Chaplin Encyclopedia|url=https://archive.org/details/chaplinencyclope00glen|url-access=registration|year=1997|publisher=B.T. Batsford|isbn=978-0-7134-7938-6|page=[https://archive.org/details/chaplinencyclope00glen/page/262 262]}} He worked with Charlie Chaplin{{cite book|last=Pierre|first=Paul Matthew St.|title=Music Hall Mimesis in British Film, 1895-1960: On the Halls on the Screen|url=https://books.google.com/books?id=AvxgFdRJ66kC&pg=PA197|year=2009|publisher=Associated University Presse|isbn=978-0-8386-4191-0|page=197}} on films such as A Night in the Show (1915), A Woman (1915), By the Sea (1915), The Champion (1915), A Jitney Elopement (1915), The Bank (1915), Work (1915), A Night Out (1915), Shanghaied (1915). Police (1916), and Triple Trouble (1918).