He Jianjun

{{short description|Chinese film director and screenwriter (born 1960)}}

{{infobox person

| name = He Jianjun

| image =

| alt =

| caption =

| birth_date = {{birth year and age|1960}}

| birth_place = Beijing, China

| occupation = Film director

| awards = FIPRESCI Award
1993 Red Beads (Rotterdam)
1995 Postman (Rotterdam)
Golden Alexander
1995 Postman
Rotterdam Tiger Award
1995 Postman

| module = {{Infobox Chinese|child=yes

| t = 何建軍

| s = 何建军

| p = Hé Jiànjūn

}}

He Jianjun ({{zh|s=何建军|t=何建軍|p=Hé Jiànjūn}}; born 1960 in BeijingBarbieri, Maria (2005). "He Jianjun" in [https://books.google.com/books?id=U2cO7tjYIK0C&pg=PA340 Encyclopedia of Contemporary Chinese Culture], edited by Edward Lawrence Davis. Routledge, p. 340. {{ISBN|0-203-64506-5}}. ) is a Chinese film director and screenwriter. A graduate of the Beijing Film Academy, He is considered a leading voice in the so-called "Sixth Generation."Zhang, Yingjin & Xiao, Zhiwei (1998). Encyclopedia of Chinese Film. Taylor & Francis, p. 184. {{ISBN|0-415-15168-6}}. He is occasionally credited under the name "He Yi."

Career

He Jianjun began his film career like many of his contemporaries at the Beijing Film Academy, China's premiere film school. Upon graduating in 1990, he began an apprenticeship with some of the Fifth Generation's major figures, notably Zhang Yimou, Chen Kaige, and Tian Zhuangzhuang. He would serve as the assistant director in Zhang's Raise the Red Lantern (1992) and Tian's The Blue Kite,{{cite news|url=https://movies.nytimes.com/movie/review?res=990CE0DB1039F932A15750C0A963958260|title=Postman-Movie-Review|newspaper = The New York Times | date=1995-03-21| author=Maslin, Janet| accessdate=2008-09-27}} as well as a screenwriter for Chen Kaige's King of the Children (1987), before his debut film, Red Beads, was released in 1993 to strong reviews in the west. Filmed in only twelve days, Red Beads was based on the experiences of one of He's classmates, who had a psychotic break.

While Red Beads would win a FIPRESCI award in the 1993 International Film Festival Rotterdam, the film also caught the wrath of Chinese censors, who blacklisted He Jianjun in 1994 along with several other prominent filmmakers, including Tian Zhuangzhuang, Wang Xiaoshuai, Wu Wenguang, Zhang Yuan, and Ning Dai.{{cite news|url=http://www.iht.com/articles/1994/05/30/filmchin.php|title=In Surprise Move, Ministry Issues Blacklist: A Crackdown on Filmmakers|newspaper=The International Herald Tribune|author=Halligan, Fionnuala|date=1994-05-30|accessdate=2008-11-17|archive-url=https://web.archive.org/web/20121012020302/http://www.iht.com/articles/1994/05/30/filmchin.php|archive-date=2012-10-12|url-status=dead}}

Because of the blacklisting, He Jianjun had to smuggle out his next film, Postman for post-production.{{cite web|url=http://preview.reelviews.net/movies/p/postman2.html|title=Review:Postman (Youchai)|author=Berardinelli, James| publisher=ReelReviews| accessdate=2008-10-21|year=1995}}