Hendrik Wijdeveld
{{short description|Dutch architect and graphic designer (1885-1987)}}
{{Infobox person
| name = Hendrik Wijdeveld
| image = Morgen viert de bekende nederlandse architekt, dichter, schrijver en filosoof pr, Bestanddeelnr 931-0589.jpg
| caption = Wijdeveld in 1980
| birth_date = 4 October 1885
| birth_place = The Hague, Netherlands
| death_date = {{death date and age|1987|2|20|1885|10|4}}
| death_place = Nijmegen, Netherlands
| nationality = Dutch
| occupation = Architect
}}
Hendricus Theodorus Wijdeveld (The Hague, 4 October 1885 - Nijmegen, 20 February 1987) was a Dutch architect and graphic designer. He was an important figure of the Amsterdam School and is known for his work as editor-in-chief for the Wendingen magazine.
Life and work
Wijdeveld started his career at the architectural firm of Jacques van Straaten and the studio of Pierre Cuypers. He then worked in France as an assistant to the architect Louis Cordonnier.{{Cite web|title=Hendrik Wijdeveld - Treasures of the NAI|url=http://schatkamer.nai.nl/en/designers/hendrik-wijdeveld|website=schatkamer.nai.nl|access-date=2020-05-30}} He returned to Amsterdam in 1914. From 1914 to 1940, he completed his main designs:
- 1920-1921: Bendien Residence
- 1922-1927: Villa De Wachter
- 1927: Plan West Amsterdam
- 1928: Villa de Bouw
- 1936: Tilburg villa
File:Amersfoort.villa.de.wachter.JPG
File:PlanWestAmsterdam-Wijdeveld.jpg
He is also known for his futuristic projects:
- 1918: A vagina-shaped building for the Volkstheater ("People's Theater"){{Cite web|title=A Brief History of Buildings That Look Like Vaginas|url=https://gizmodo.com/a-brief-history-of-buildings-that-look-like-vaginas-1469082852|last=|first=|date=|website=Gizmodo|language=en-us|archive-url=|archive-date=|access-date=2020-05-30}}
- A reforestation project for Amsterdam {{Cite web|title=Archive: Wijdeveld {{!}} Designblog|url=https://designblog.rietveldacademie.nl/?tag=wijdeveld|language=en-US|access-date=2020-05-30}}
- The 'Plan the impossible' project {{Cite web|title=Cosmic and Theatrical|url=https://www.archined.nl/2006/03/cosmic-and-theatrical/|date=2006-03-09|website=Archined|language=nl|access-date=2020-05-30}}
= Editor for Wendingen =
From 1918 to 1932, Wijdeveld was the editor-in-chief of the magazine Wendingen, a publication for the architecture association Architectura et Amicitia. The magazine was known for its groundbreaking architectural approach to typography.{{Cite web|title=Periodicals as Collections, No. 1: Het Overzicht and Wendingen|url=https://letterformarchive.org/news/periodicals-as-collections-01|website=letterformarchive.org|language=en|access-date=2020-05-30}} It also was an important platform for several modernist movements in the Netherlands.
= War period =
Wijdeveld published a book titled De Nieuwe Orde ("The New Order") in 1940, suggesting his sympathy for the German occupation. As a result, he fell out of public favor, but appears to have been rehabilitated after the war since the Stedelijk Museum, a major national museum in Amsterdam, dedicated a major retrospective to him in 1953.
= Teaching =
Wijdeveld taught in America between 1947 and 1952 at the invitation of Frank Lloyd Wright.{{Cite web|title=H. Th. Wijdeveld Collection, 1920-1962 {{!}} NC State University Libraries Collection Guides|url=https://www.lib.ncsu.edu/findingaids/mc00473|website=www.lib.ncsu.edu|access-date=2020-05-30}} In 1949–1950, he was a visiting professor at NC State College's School of Design.
= Family =
Wijdeveld was married to the cellist Ellen Philippine Kohn, then to the actress Charlotte Köhler. He has one daughter, illustrator Ruscha Wijdeveld, and two sons, Wolfgang Wijdeveld and Roland Matthijs Wijdeveld.
See also
Publications about Wijdeveld
- Jean-Paul Baeten & Aaron Betsky: Design the impossible. The world of architect Hendrik Wijdeveld (1885-1987). Rotterdam, NAI Publishers, 2006. {{ISBN|9056624970}}
- H.Th. Wijdeveld, 50 years of creative work. Architecture and urbanism, ideal projects, theatre, sets, costumes, typography, Wendingen, decorative work, publications, books. Inl. by W.M. Dudok. Amsterdam, Stedelijk Museum Amsterdam, 1953