Henri Le Fauconnier

{{short description|French painter (1881–1946)}}

{{about|the painter|the writer|Henri Fauconnier}}

{{Infobox artist

| name = Henri Le Fauconnier

| image = Henri Le Fauconnier, Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) 1912, RISD Museum.jpg

| image_size = 300px

| caption = Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) 1912, oil on canvas, 241 x 307 cm, Rhode Island School of Design Museum. Exhibited at the 1912 Salon d'Automne

| birth_name = Henri Victor Gabriel Le Fauconnier

| birth_date = {{birth date|df=yes|1881|7|5}}

| birth_place = Hesdin, France

| death_date = {{death date and age|df=yes|1946|12|25|1881|7|5}}

| death_place = Paris, France

| known_for = Painting

| training = Academie Julian

| movement = Cubism

| notable_works =

| patrons =

| awards =

}}

Henri Victor Gabriel Le Fauconnier ({{IPA|fr|fɔkɔnje|lang}}; July 5, 1881 – December 25, 1946) was a French Cubist painter born in Hesdin. Le Fauconnier was seen as one of the leading figures among the Montparnasse Cubists. At the 1911 Salon des Indépendants Le Fauconnier and colleagues Jean Metzinger, Albert Gleizes, Fernand Léger and Robert Delaunay caused a scandal with their Cubist paintings. He was in contacts with many European avant-garde artists such as Wassily Kandinsky, writing a theoretical text for the catalogue of the Neue Künstlervereinigung in Munich, of which he became a member. His paintings were exhibited in Moscow reproduced as examples of the latest art in Der Blaue Reiter Almanach (The Blue Rider Almanac).[http://www.hermitage.nl/en/tentoonstellingen/matisse_tot_malevich/biografieen/henri_le_fauconnier.htm Hermitage Amsterdam, Artist biographies, Henri Le Fauconnier]

Career

File:Henri le Fauconnier, 1908, Ploumanac'h.jpg

In 1901 Henri Le Fauconnier moved from northern France to Paris, where he studied law, then attended painting classes in the studio of Jean-Paul Laurens, then in the Academie Julian. He changed his name from Fauconnier to Le Fauconnier and exhibited at the Salon des Indépendants in 1904 and 1905, implementing bold colors in line with Henri Matisse. He moved to Brittany in 1907 and painted the rocky landscapes of Ploumanac'h in a proto-Cubist style characterized by chastened tones of brown and greens with thick outlines delimiting the simplified forms.

File:Henri Le Fauconnier, 1910-11, L'Abondance (Abundance), oil on canvas, 191 x 123 cm (75.25 x 48.5 in.), Gemeentemuseum Den Haag.jpg]]

He explored a personal style and put it into practice; painting nudes or portraits (such as that of the poet Pierre Jean Jouve in 1909 (Musée National d'Art Moderne). Under the influence of Paul Cézanne he developed his own form of Cubism. Back in Paris, he mingles with the artistic and literary gathered around Paul Fort at the Closerie des Lilas in Montparnasse.[https://books.google.com/books?id=IE16991FHJwC&dq=Henri+le+Fauconnier,+1908,+Ploumanac'h+x+cm&pg=PA193 Guillaume Apollinaire, Dorothea Eimert, Anatoli Podoksik, Cubism].

At the 1909 Salon d’Automne Le Fauconnier exhibited alongside Constantin Brâncuși, Jean Metzinger and Fernand Léger.

Louis Vauxcelles, in his review of the 1910 Salon des Indépendants, made a passing and inaccurate reference to Le Fauconnier, Jean Metzinger, Albert Gleizes, Robert Delaunay and Fernand Léger, as "ignorant geometers, reducing the human body, the site, to pallid cubes."[http://gallica.bnf.fr/ark:/12148/bpt6k7527626n/f1.item Louis Vauxcelles, A travers les salons: promenades aux « Indépendants », Gil Blas, 18 March 1910]Daniel Robbins, Jean Metzinger: At the Center of Cubism, 1985, Jean Metzinger in Retrospect, The University of Iowa Museum of Art (J. Paul Getty Trust, University of Washington Press) p. 13

File:Salon d'Automne 1912, Paris, works exhibited by Kupka, Modigliani, Csaky, Picabia, Metzinger, Le Fauconnier.jpg, Joseph Csaky, František Kupka, Francis Picabia, and Amedeo Modigliani]]

File:Henri Le Fauconnier (L'Abondance), Jean Metzinger, (Le Goûter), Robert Delaunay (La Tour Eiffel), La Veu de Catalunya, 1 February 1912.jpg, 1911, Le goûter (Tea Time), Philadelphia Museum of Art; Robert Delaunay, 1910–11, La Tour Eiffel. Published in La Veu de Catalunya, 1 February 1912]]

Metzinger had written in 1910 of 'mobile perspective' as an interpretation of what would soon become known as "Cubism" with respect to Picasso, Braque, Delaunay and Le Fauconnier.Jean Metzinger, Note sur la peinture, Pan (Paris), October–November 1910

At the invitation of Wassily Kandinsky, Le Fauconnier published a theoretical text in the catalog of the Neue Künstlervereinigung (Munich, 1910). He opened his Rue Visconti studio in Paris to artists eager like him to apply the lessons of Cézanne. With Jean Metzinger, Albert Gleizes, Fernand Léger, Robert Delaunay, he contributed to the Cubist scandal of the 1911 Salon des Indépendants. Le Fauconnier exhibited his vast Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) at the Salon d'Automne of 1912 (Paris).David Cottington, [https://books.google.com/books?id=o3vSvh8CytIC&dq=Henri+Le+Fauconnier,+Montagnards+attaqués+par+des+ours&pg=PA106 Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914], pp. 104-107

February 1912 Henri Le Fauconnier was appointed to succeed Jacques-Émile Blanche as chef d'atelier of the avant-garde school of art Académie de La Palette.[https://books.google.com/books?id=x-DqAAAAMAAJ&q=palette John Golding, Cubism: A History and an Analysis, 1907-1914, Belknap Press of Harvard University Press, 1988] Le Fauconnier commissioned Jean Metzinger and André Dunoyer de Segonzac as full-time instructors for the morning sessions; Eugeniusz Żak (Eugène Zak) and Jean Francis Auburtin took over in the afternoon.[http://www.kubisme.info/kt237.html Academies in Paris, Kubisme.info (Dutch)] {{webarchive|url=https://web.archive.org/web/20150203010147/http://www.kubisme.info/kt237.html |date=2015-02-03 }}

In 1912, Le Fauconnier participated in the first exhibition of Cubism in Spain, at Galeries Dalmau, Barcelona, with Jean Metzinger, Albert Gleizes, Marcel Duchamp, Juan Gris, Marie Laurencin, and August Agero.[http://www.publicacions.ub.edu/ficha.aspx?cod=03809 Mercè Vidal, L'exposició d'Art Cubista de les Galeries Dalmau 1912], Edicions Universitat Barcelona, 1996, {{ISBN|8447513831}}[https://repositori.upf.edu/bitstream/handle/10230/22029/Andres_13.pdf?sequence=1 Elisenda Andrés Pàmies, Les Galeries Dalmau, un projecte de modernitat a la ciutat de Barcelona], 2012-13, Facultat d’Humanitats, Universitat Pompeu Fabra[https://books.google.com/books?id=6EvIx6zOuqgC&q=dalmau&pg=PA319 William H. Robinson, Jordi Falgàs, Carmen Belen Lord, Barcelona and Modernity: Picasso, Gaudí, Miró, Dalí], Cleveland Museum of Art, Metropolitan Museum of Art (New York), Yale University Press, 2006, {{ISBN|0300121067}}

Le Fauconnier was a contributing member of the Section d'Or (Puteaux Group).

At the outset of World War I Le Fauconnier moved to the Netherlands where he stayed for six years. His work at this time combined Cubism and Expressionism, which generated considerable success and influence in the Netherlands. He returned to France in 1920 where his paintings became more realistic.

He died of a heart attack in Paris (1946).

Works

File:Henri Le Fauconnier, 1911-12, Le Chasseur (The Huntsman), oil on canvas, 203 x 166.5 cm.jpg]]

  • Femme nue dans un intérieur, Lyon, Musée des Beaux-Arts
  • L’Église de Grosrouvre, Lyon, Musée des Beaux-Arts
  • L’Enfant breton, Lyon, Musée des Beaux-Arts
  • Nature morte aux fleurs, Beauvais, Musée Départemental de l’Oise
  • Paysage, Lyon, Musée des Beaux-Arts
  • Portrait de vieille femme, Lyon, Musée des Beaux-Arts
  • Maisons dans les rochers à Ploumanac'h, Brest, Musée des Beaux-Arts

References

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