Hologram of Baal

{{Use dmy dates|date=January 2017}}

{{Use Australian English|date=January 2017}}

{{Infobox album

| name = Hologram of Baal

| type = studio

| artist = The Church

| cover = Hologram_of_Baal_Australian_Cover.jpg

| alt =

| caption = Australian cover

| released = 8 September 1998

| recorded = 1998

| venue =

| studio =

| genre = Alternative rock, neo-psychedelia, psychedelic rock, dream pop, post-rock, space rock{{cite web | url = https://www.washingtonpost.com/archive/lifestyle/1998/10/09/the-church-hologram-of-baal-thirsty-ear/de1ce70a-948b-44ed-99ef-d2b1bd85660f/ | work = Washington Post | title = THE CHURCH "HOLOGRAM OF BAAL" THIRSTY EAR | last1 = Jenkins | first1 = Mark | date = 9 October 1998 | accessdate = 3 May 2020 }}

| length = 50:40 / 79:18 (bonus disc)

| label = Festival, Cooking Vinyl, Thirsty Ear

| producer = The Church

| prev_title = Pharmakoi/Distance-Crunching Honchos with Echo Units

| prev_year = 1997

| next_title = A Box of Birds

| next_year = 1999

| misc = {{Extra album cover

| header = Variant Cover

| cover = Thi-57054.2-usa.jpg

| border =

| alt =

| caption = American cover

}}

}}

Hologram of Baal is the eleventh album by the Australian alternative rock band The Church, released in September 1998.{{cite web | archiveurl = https://web.archive.org/web/20121006014121/http://hem.passagen.se/honga/database/c/church.html | url = http://hem.passagen.se/honga/database/c/church.html | work = passagen.se | title = The Church | publisher = Australian Rock Database (Magnus Holmgren) | last1 = Holmgren | first1 = Magnus | archivedate = 6 October 2012 | url-status = usurped | accessdate = 14 July 2014 }}

It was written and recorded following the full-time return of founding guitarist Peter Koppes, who had left the band in 1992 after the Priest=Aura tour. It was also the first album which the band had produced on their own and was recorded and mixed by their drummer Tim Powles. Album titles originally proposed by singer Steve Kilbey included Bastard Universe and Hologram of Allah, but these were rejected as too inflammatory. In the end, the latter was amended with the name of a deity from the Canaanite pantheon and the former was used as the title of the bonus disc. The song "This Is It" is about the death of INXS front man and fellow Australian, Michael Hutchence.

The bonus disc, Bastard Universe, included with the first pressings, contained a seemingly continuous 79 minute instrumental improvisation, divided into six "stages". The U.S. and U.K. pressings list only four "stages", although all six tracks are present on the CDs.

The original Australian cover design, featuring a green, full-frame, pseudo-holographic image of a primitive mask, was heavily modified for the U.S. and U.K. releases. These feature a plain reddish-brown image of the mask, originally used inside the Australian booklet, placed to the right (U.S.) or left (U.K.) of a vertical black bar containing the band's name in large dark blue type.

During the subsequent U.S. tour in 1999, Kilbey was arrested in New York City for attempting to purchase heroin. He was sentenced to community service by sweeping subway cars. The band performed the following night at New York's Bowery Ballroom with Marty Willson-Piper serving as lead vocalist. There is a bootleg recording of the show known as Steveless in New York City.

Track listing

All songs written by Kilbey/Koppes/Powles/Willson-Piper

  1. "Anaesthesia" - 5:18
  2. "Ricochet" - 3:34
  3. "Louisiana" - 6:04
  4. "The Great Machine" - 5:48
  5. "No Certainty Attached" - 4:00
  6. "Tranquility" - 7:38
  7. "Buffalo" - 4:14
  8. "This Is It" - 4:23
  9. "Another Earth" - 3:32
  10. "Glow-Worm" - 6:07

Bastard Universe (bonus disc)

  1. "Stage 1" - 15:52
  2. "Stage 2" - 11:31
  3. "Stage 3" - 13:04
  4. "Stage 4" - 12:23
  5. "Stage 5" - 10:49
  6. "Stage 6" - 15:40

{{Album ratings

| rev1 = Allmusic

| rev1Score = {{Rating|4|5}} [{{AllMusic|class=album|id=r376722|pure_url=yes}}] }}

Personnel

with

  • William Bowden – radiotronics on tracks 1, 2, 3, 4, 8 & 9
  • Linda Neil – violin on tracks 3 and 10

References