Howell Binkley

{{Short description|American lighting designer (1956–2020)}}

{{Use mdy dates|date=December 2024|cs1-dates=ly}}{{Infobox artist

| image = Howell Binkley 2016 Tony Awards.png

| caption = Binkley at the 2016 Tony Awards

| birth_date = {{birth date|1956|07|25}}

| birth_place = Winston-Salem, North Carolina

| death_date = {{death date and age|2020|08|14|1956|07|25}}

| death_place = Jacksonville, North Carolina

| education = East Carolina University

| notable_works = {{unbulleted list|"Caught"|Jersey Boys|Hamilton}}

| movement = {{unbulleted list|Modern dance|Musical theatre}}

| website = {{official url}}

}}

Howell Bagby Binkley (July 25, 1956 – August 14, 2020){{Cite news |last1=Genzlinger |first1=Neil |date=2 September 2020 |title=Howell Binkley, Who Sculpted Broadway Hits in Light, Dies at 64 |url=https://www.nytimes.com/2020/09/02/theater/howell-binkley-dead.html |access-date=2024-12-05 |newspaper=The New York Times}} was an American lighting designer in modern dance and musical theatre. He received the Tony Award for Best Lighting Design in a Musical for Jersey Boys in 2006, and again in 2016 for Hamilton.{{Cite web|title=Tony Award-Winning Lighting Designer Howell Binkley Has Passed Away|url=https://www.broadwayworld.com/article/Tony-Award-Winning-Lighting-Designer-Howell-Binkley-Has-Passed-Away-20200814|access-date=2020-08-14|language=en}}

Early life and education

File:Howell Binkley HS Yearbook Portrait.jpg

Binkley was born in 1956 in Winston-Salem, North Carolina. As a teenager, he became interested in theatre, participating in theatre summer camps for three years at the North Carolina School of the Arts. In addition, Binkley picked up jobs unloading trucks at the R. J. Reynolds Memorial Auditorium in Winston-Salem. He attended the adjacent to Richard J. Reynolds High School. He considered studying architecture in college, and applied to architecture programs at multiple state universities in North Carolina, but was not admitted to any of them.{{Cite news |last=Felder |first=Lynn |date=2016-10-09 |title=Howell Binkley, Winston-Salem native, designing his way into the spotlight |url=https://journalnow.com/relishnow/the_arts/howell-binkley-winston-salem-native-designing-his-way-into-the-spotlight/article_49b177d2-4daf-5d95-9961-b8904d54e890.html |access-date=2024-12-05 |work=Winston-Salem Journal}}

Binkley instead enrolled in the theatre program at East Carolina University (ECU) in Greenville, North Carolina in 1974. Less than two years into his studies, he left college for two years to work at Opryland as a stagehand.{{Cite web |last=Eddy |first=Kathleen |date=February 1, 2004 |title=Simply Howell Binkley |url=https://www.livedesignonline.com/simply-howell-binkley |access-date=2024-12-05 |website=Live Design}} Upon his return to ECU, he studied with The Acting Company during their residency at the university, and left college without graduating to take a full-time job with the company.

Career

Binkley joined the Paul Taylor Dance Company as an associate under lighting designer Jennifer Tipton, who encouraged him to branch out and seek independent work. Binkley and David Parsons collaborated in 1982 to produce "Caught," a six-minute modern dance solo set to music by Robert Fripp. "Caught" depicts a soloist who is only illuminated while in midair, using strobe lights to create the illusion that the soloist is floating.{{Cite web |last=Upchurch |first=Michael |date=2007-10-28 |title=PNB’s “Caught” in the act of flying — kind of |url=https://www.seattletimes.com/entertainment/pnbs-caught-in-the-act-of-flying-8212-kind-of/ |access-date=2024-12-05 |work=The Seattle Times}}{{Cite web |last=Mendoza |first=Michael |date=2018-06-29 |title=David Parsons creates joy by making his dancers fly; see them Saturday in Dallas |url=https://www.dallasnews.com/arts-entertainment/visual-arts/2018/06/29/david-parsons-creates-joy-by-making-his-dancers-fly-see-them-saturday-in-dallas/ |access-date=2024-12-05 |work=Dallas News}}

In 1985, Binkley moved to New York City, and co-founded the Parsons Dance Company. He remained the resident lighting designer of Parsons Dance for decades, creating over sixty designs for works by the company.

Binkley then went on to make his Broadway debut as designer for Kiss of the Spider Woman (1993), which earned him his first ever Tony Award nomination. From this success, he went on to design and light a plethora of major Broadway shows. In total, he designed 52 shows for Broadway and was nominated for a Tony Award nine times.{{Cite web|date=2020-08-15|title=Remembering Howell Binkley|url=https://www.ald.org.uk/news/243983/remembering-howell-binkley|access-date=2020-08-16|website=The Association of Lighting Designers|language=en}} Over the course of his work in Broadway, he became a frequent collaborator with Hal Prince and director Des McAnuff.

In addition to his work in New York City, Binkley worked across America, including national tours of Applause in 1996; tick, tick…BOOM! in 2003; and Flashdance in 2012. Alongside this, he worked at regional theatres such as La Jolla Playhouse, Shakespeare Theatre DC, Old Globe Theatre, Guthrie Theatre, Goodman Theatre, and Hartford Stage.[http://americantheatrewing.org/biography/detail/howell_binkley Credits as of November 2006] American Theatre Wing

Style

University of North Carolina School of the Arts lighting design professor Norman Coates described Binkley's technique in 2016 as "a dynamic use of color, and he cuts through that color with a purity of white light. ... The dynamic of being able to create the motion in light that matches the motion in the music and dance could be what makes his work so successful."

Personal life

Binkley was married twice: firstly (in 1988) to Linda Kent, then to Joyce Storey. He had a daughter during a relationship with Anne King.

Death and legacy

Binkley died on August 14, 2020, of lung cancer. He was 64.

Following his death, lighting equipment manufacturer Rosco Laboratories created a compilation of shows designed by Binkley, highlighting his use of gobos that create patterns in beams of light. Binkley's signature looks often utilized the abstract geometric patterns created by one specific Rosco gobo, catalog number R77760 "Internal Reflections." Rosco renamed the gobo "Binkley Reflections" in his honor in September 2020.{{Cite web |last=Tiller |first=Chad |date=2020-09-24 |title=BINKLEY REFLECTIONS: A Tribute To Howell |url=https://spectrum.rosco.com/index.php/2020/09/binkley-reflections-a-tribute-to-howell |access-date=2024-12-05 |work=Rosco Spectrum}}

Awards and nominations

class="wikitable" style="width:95%;"

! style="width:5%;" | Year

! style="width:20%;"|Production

! style="width:20%;"| Award

! style="width:45%;"| Category

! style="width:10%;"| Outcome

rowspan = "2" | 1993

|rowspan = "2" |Kiss of the Spider Woman

|Tony Award

Best Lighting Design{{nom}}
Olivier AwardBest Lighting Design{{win}}
1998ParadeDrama Desk AwardOutstanding Lighting Design{{nom}}
2000The Full MontyDrama Desk AwardOutstanding Lighting Design{{nom}}
2003Radiant BabyLucille Lortel AwardOutstanding Lighting Design{{nom}}
2005Jersey BoysTony AwardBest Lighting Design of a Musical{{win}}
2007LoveMusikDrama Desk AwardOutstanding Lighting Design{{win}}
|2008In The HeightsTony AwardBest Lighting Design of a Musical{{nom}}
2009West Side StoryTony AwardBest Lighting Design{{nom}}
2011How to Succeed in Business Without Really TryingTony AwardBest Lighting Design of a Musical{{nom}}
2014After MidnightTony AwardBest Lighting Design of a Musical{{nom}}
rowspan="3" | 2015

|rowspan="4" | Hamilton

|Lucille Lortel Award

Outstanding Lighting Design{{win}}
Drama Desk AwardOutstanding Lighting Design{{nom}}
Hewes Design AwardLighting Design{{win}}
2016Tony AwardBest Lighting Design of a Musical{{win}}
2017Come From AwayTony AwardBest Lighting Design of a Musical{{nom}}
2018HamiltonOlivier AwardBest Lighting Design{{win}}
2019Ain't Too ProudTony AwardBest Lighting Design of a Musical{{nom}}

References

{{reflist}}