Hugo Ball

{{Infobox artist

| name = Hugo Ball

| image = Hugoball.jpg

| imagesize =

| caption = Ball in 1916

| birth_name =

| birth_date = {{birth date|df=yes|1886|2|22}}

| birth_place = Pirmasens, Germany

| death_date = {{death date and age|df=yes|1927|9|14|1886|2|22}}

| death_place = Sant'Abbondio (Gentilino), Switzerland

| nationality = German

| field = Poetry

| training =

| movement = Dada

| works =

| patrons =

| awards =

|module={{Infobox person|child=yes

| signature = Hugo Ball Signature.png}}

}}

Hugo Ball ({{IPA|de|bal|lang}}; 22 February 1886 – 14 September 1927) was a German author, poet, and essentially the founder of the Dada movement in European art in Zürich in 1916. Among other accomplishments, he was a pioneer in the development of sound poetry.

Life and work

Hugo Ball was born in Pirmasens, Germany, and was raised in a middle-class Catholic family.Ball, Hugo (1974). Flight Out of Time: A Dada Diary by Hugo Ball. trans. Ann Raimes. New York: Viking Press. {{ISBN|0-670-31841-8}}. {{ISBN|0-670-31841-8}}, {{ISBN|0-670-31841-8}}, {{ISBN|0-670-31841-8}}, {{ISBN|0-670-31841-8}}. He studied sociology and philosophy at the universities of Munich and Heidelberg (1906–1907). In 1910, he moved to Berlin in order to become an actor and collaborated with Max Reinhardt. At the beginning of World War I, he tried joining the army as a volunteer, but was denied enlistment for medical reasons. After witnessing the invasion of Belgium, he was disillusioned, saying: "The war is founded on a glaring mistake – men have been confused with machines." Considered a traitor in his country, he crossed the frontier with the cabaret performer and poet Emmy Hennings, whom he would marry in 1920, and settled in Zürich, Switzerland. There, Ball continued his interest in anarchism and in Mikhail Bakunin in particular; he also worked on a book of translations of works by Bakunin, which never got published. Although interested in anarchist philosophy, he nonetheless rejected it for its militant aspects, and viewed it as only a means to his personal goal of socio-political enlightenment."I have examined myself carefully. I could never bid chaos welcome, blow up bridges, and do away with ideas. I am not an anarchist." Flight out of Time, Introduction. University of California Press (1996)

In 1916, Hugo Ball created the Dada Manifesto, making a political statement about his views on the terrible state of society and acknowledging his dislike for philosophies of the past that claimed to possess the ultimate truth. In the manifesto Ball aimed to legitimize the new artistic movement's ambition to not merely "write poetry with words", but to "write poetry out of the words", to create an entirely new language, because the old language was viewed as "doomed", and "ruined by the filthy hands of capital". The central thought of modernism since Baudelaire regarding that the language has to be fixed, is here given a distinctive critique of economy as a motivation.Mortensen, A. (2005). Skönhetens nytta. Om uppkomsten av konstnärligt värde under den skotska upplysningen. Res Publica, 66. p.3-4 The same year as the Manifesto, in 1916, Ball wrote his poem "{{lang|de|Karawane|italic=no}}," a poem consisting of nonsensical words. The meaning, however, resides in its meaninglessness, reflecting the chief principle behind Dadaism. Some of his other best known works include the poem collection {{lang|de|7 schizophrene Sonette}}, the drama {{lang|de|Die Nase des Michelangelo}}, a memoir of the Zürich period Flight Out of Time: A Dada Diary, and a biography of Hermann Hesse, entitled {{lang|de|Hermann Hesse. Sein Leben und sein Werk}} (1927).

{{Multiple image|total_width=400

|image1=Hugo ball karawane.png|width1=366|height1=560|caption1=Ball's 1916 poem, "{{lang|de|Karawane|italic=no}}"

|image2=Hugo Ball Cabaret Voltaire.jpg|width2=507|height2=691|caption2=Ball, reading "Karawane", Club Voltaire, 1916}}

As co-founder of the Cabaret Voltaire and a magazine with the same name, Cabaret Voltaire, in Zürich, he led the Dada movement in Zürich and is one of the people credited with naming the movement "Dada," by allegedly choosing the word at random from a dictionary. His companion and future wife, Emmy Hennings, was also a member of Dada.

His involvement with the Dada movement lasted approximately two years. He then worked for a short period as a journalist for {{ill|Die Freie Zeitung|de}} in Bern. After returning to Catholicism in July 1920, Ball retired to the canton of Ticino, where he lived a religious and relatively poor life with Emmy Hennings. He contributed to the journal Hochland during this time.{{cite book|last=Mehring|first=Reinhard|title=Carl Schmitt: A Biography|year=2014|publisher=Polity|isbn=978-0-7456-5224-5|pages=151–153}} He also began the process of revising his diaries from 1910 to 1921, which were later published under the title Die Flucht aus der Zeit (Flight Out of Time). These diaries provide a wealth of information concerning the people and events of the Zürich Dada movement.{{Cite web|url=https://www.theartstory.org/artist/ball-hugo/|title=Hugo Ball Performances, Bio, Ideas|website=The Art Story}} He died in Sant'Abbondio (Gentilino), Switzerland, of stomach cancer on 14 September 1927.

Adaptations

Ball's poem "Gadji beri bimba" was adapted to the song "I Zimbra" on the 1979 Talking Heads album Fear of Music. Ball received a writing credit for the song on the track listing.

The song contains these lines:

Gadji beri bimba clandridi

Lauli lonni cadori gadjam

A bim beri glassala glandride

E glassala tuffm I zimbra

The complete "Gadji beri bimba" poem by Ball reads:{{Cite web|url=http://www.theguardian.com/books/booksblog/2009/aug/31/hugo-ball-gadji-beri-bimba|title=Poem of the week: Gadji beri bimba by Hugo Ball|date=August 31, 2009|website=the Guardian}}

gadji beri bimba glandridi laula lonni cadori

gadjama gramma berida bimbala glandri galassassa laulitalomini

gadji beri bin blassa glassala laula lonni cadorsu sassala bim

gadjama tuffm i zimzalla binban gligla wowolimai bin beri ban

o katalominai rhinozerossola hopsamen laulitalomini hoooo

gadjama rhinozerossola hopsamen

bluku terullala blaulala loooo

zimzim urullala zimzim urullala zimzim zanzibar zimzalla zam

elifantolim brussala bulomen brussala bulomen tromtata

velo da bang band affalo purzamai affalo purzamai lengado tor

gadjama bimbalo glandridi glassala zingtata pimpalo ögrögöööö

viola laxato viola zimbrabim viola uli paluji malooo

tuffm im zimbrabim negramai bumbalo negramai bumbalo tuffm i zim

gadjama bimbala oo beri gadjama gaga di gadjama affalo pinx

gaga di bumbalo bumbalo gadjamen

gaga di bling blong

gaga blung

A voice-cut-up collage of his poem "Karawane" by German artist Kommissar Hjuler, member of Boris Lurie's NO!art movement, was released on an LP on the Greek Shamanic Trance label in 2010. "Karawane" was also set to music in 2012 by Australian composer Stephen Whittington, as an "anti-song cycle" of seventeen songs — one for each line of the poem, lasting approximately two minutes each.{{YouTube|TFLKgpaBbNw|"Karawane," Robert Macfarlane and Stephen Whittington}} The same poem and its historical context was used by Esa-Pekka Salonen for his 28-minute composition Karawane for mixed choir and orchestra.[http://www.musicsalesclassical.com/composer/work/49670 Karawane (2014)], details and analysis, Chester Music

Bibliography

Die Nase des Michelangelo. Tragikomödie in vier Auftritten, 1911
Der Henker von Brescia. Drei Akte der Not und Ekstase, 1914
Flametti oder Vom Dandysmus der Armen. Roman. Reiss, Berlin 1918
Zur Kritik der deutschen Intelligenz. Der Freie Verlag, Bern 1919
redeveloped as: Die Folgen der Reformation. Duncker & Humblot, München 1924
Byzantinisches Christentum. Drei Heiligenleben (on Joannes Klimax, Dionysius Areopagita und Symeon dem Styliten). Duncker & Humblot, München 1923
Hermann Hesse. Sein Leben und sein Werk. S. Fischer, Berlin 1927
Die Flucht aus der Zeit (Diary). Duncker & Humblot, München 1927
Gesammelte Gedichte mit Photos und Faksimiles, ed.. Annemarie Schütt-Hennings. Arche, Zürich 1963
Tenderenda der Phantast. Roman. Arche, Zürich 1967

Bibliography in English

{{cite book|last=Ball|first=Hugo|title=Flight Out of Time: A Dada Diary|year=1974|translator=Ann Raimes|publisher=Viking Press|location=New York|isbn=0-670-31841-8|ref=none}}
{{cite book|last=Ball|first=Hugo|translator=Brian Harris|title=Critique of the German Intelligentsia|url=https://archive.org/details/critiqueofgerman0000ball|url-access=registration|year=1993|publisher=Columbia University Press|isbn=9780231075268 |ref=none}}
Blago Bung, Blago Bung, Hugo Ball's Tenderenda the Fantast, Richard Huelsenbeck's Fantastic Prayers, and Walter Serner's Last Loosening – three key texts of Zürich ur-Dada. Translated and introduced by Malcolm Green. Atlas Press, {{ISBN|0-947757-86-4}}
Flametti, or The Dandyism of the Poor, trans. Catherine Schelbert, Wakefield Press, Massachusetts, 2014, {{ISBN|978-1-939663-03-0}}
''What was Beautiful and Good," (Was schön war und gut), Jill Blocker, Münster Verlag, Switzerland, 2023, English: {{ISBN|978-1-916964-33-4}} in German: {{ISBN|3907301617}}

References

External links

{{sister project links|d=Q70989|c=category:Hugo Ball|s=Author:Hugo Ball|n=no|b=no|v=no|voy=no|m=no|mw=no|wikt=no|species=no}}

{{Gutenberg author |id=1063| name=Hugo Ball}}
{{Internet Archive author |sname=Hugo Ball}}
{{Librivox author |id=1549}}
{{Helveticarchives|id=290066}}
{{Helveticat}}
[http://sdrc.lib.uiowa.edu/dada/dadas/ball.htm International Dada Archive]
[https://web.archive.org/web/20160211091419/http://www.dada-companion.com/ball/ Hugo Ball (DADA Companion)]
[http://members.peak.org/~dadaist/English/Graphics/er-manifest.html Opening-Manifest of the 1st Dada-Evening by Hugo Ball]
{{YouTube|fkl92oV1kMc|Dada and Cabaret Voltaire}}, Ball recites "Karawane", 1916 (at 2:32)
[http://www.ubu.com/sound/ball.html Sound recordings of the poems of Hugo Ball] on UbuWeb