Isabelle Urquhart

Urquhart was born in New York City on December 9, 1865, and was of Scottish ancestry.Burroughs, Marie. "[https://books.google.com/books?id=RZFBAAAAYAAJ&q=urquhart Isabelle Urquhart]," in The Marie Burroughs Art Portfolio of Stage Celebrities: A Collection of Photographs of the Leaders of Dramatic and Lyric Art. Chicago: A.N. Marquis & Company, 1904. via Google Books.{{cite news |date=February 8, 1907 |title=Isabelle Urquhart Dead. |newspaper=The New York Times |url=https://timesmachine.nytimes.com/timesmachine/1907/02/08/106739346.pdf |access-date=September 16, 2009}} Her father died when she was five years old. At the age of ten, she enrolled in a convent school, where she sang in choirs.Browne, p. 218Dale, p. 120. When she was fifteen years old, Urquhart ran away from the convent school to seek a stage career, but her mother found her after two weeks and sent her back to the school. She ran away again and found a job as a chorus girl, officially starting her theatrical career and ending her formal education.Urquhart, Isabelle. [https://books.google.com/books?id=EDZmzq3mlBIC&q=urquhart "Triumphs and Failures. Isabelle Urquhart Tells of a Stage Career"], Temptations of the Stage, United States: J. S. Ogilvie, 1903. p. 77. via Google Books.

File:Isabelle Urquhart.jpg

Urquhart's first theatrical job was as a chorus girl at the Standard Theatre in New York City for $10 a week (${{Inflation|index=US|value=10|start_year=1885|fmt=c}} in today's money). She recalled that her first performance was in Gilbert and Sullivan's Patience. Other sources say that her first stage appearance was in the chorus in Billee Taylor, produced by the Richard D'Oyly Carte and E. E. Rice opera companies on February 19, 1881.Stone, David. [https://www.gsarchive.net/whowaswho/U-V/UrquhartBelle.htm Belle Urquhart], Who Was Who in the D'Oyly Carte Opera Company, August 27, 2001, accessed June 26, 2010Dale, p. 121. She soon had a small role in a serio-comedic opera by Charles Brown called Elves and Mermaids.Dale, pp. 121–122. She was in the chorus of another D'Oyly Carte production, the comic opera Claude Duval, the following theatrical season.Dale, p. 122.

Augustin Daly's company engaged Urquhart to play utility parts from 1882 to 1883.Londré, Felicia Hardison, and Fisher, James. Historical Dictionary of American Theater: Modernism. United States, Rowman & Littlefield Publishers, 2017. pp. 681–682. In this capacity, she performed as Edinge in Giroutte, Mary Ann in The Passing Regiment, and in a production of Needles and Pins. In The Squire, Urquhart played a 97-year-old woman, but not without some reservations; she recalled, "I was seventeen at the time, so I am not quite sure that I relished appearing as a nonagenarian."

She spent three successful theatrical seasons in London, England, with the H. M. Pitts comedy company, starting in the summer of 1883. Between these, in May 1884, she portrayed Cora Piper in Madame Piper at Wallack's Theatre on Broadway.Brown, pp. 315–316.{{Efn||name=London season}} In September 1884, as a member of the Bijoux Theatre opera company, she played Venus in a burlesque, Orpheus and Eurydice, at Stetson's Fifth Avenue Theatre on Broadway.Brown, p. 43.Dale, p. 123. She performed the role of Mars in another burlesque, Ixion in February 1885 at The New York Comedy Theatre.Brown, p. 212.Dale, p. 124.{{Efn|The New York Comedy Theatre is not the Comedy Theatre which operated in New York City from 1909 to c. 1942.}} During the 1885 to 1886 theater season in New York City, Urquhart was also in two comedies by George Bernard Shaw: Arms and the Man and How He Lied to Her Husband.Browne, p. 219.

In 1886, Urquhart acted in dramas with Lawrence Barrett at the Globe Theatre in Boston, Massachusetts, appearing as Portia in Julius Caesar, Nicol in The King's Pleasure, and Donna Isabella in The Wonder. Her other drama roles included Gertrude in Hamlet and Hero in Much Ado About Nothing. However, Rudolph Aronson persuaded her to return to comic opera because it paid better, though she stated in an interview, "I prefer legitimate drama to comic opera."Dale, p. 125.

Urquhart joined the Casino Theatre on Broadway, soon rising from the chorus to small parts in comic operas. In the summer of 1885, she sang with Lillian Russell as Ensign Daffodil in Rice's production of Polly. Her first major role was Cerise in the hit Erminie, which ran from May 1886 to October 1888 at the Casino.{{Cite web |title=Erminie |url=https://www.ibdb.com/broadway-production/erminie-4911 |access-date=October 8, 2023 |website=IBDB Internet Broadway Database}} As a leading lady in Erminie, she started a fashion trend by forgoing her petticoats "to accentuate her gorgeous figure".{{cite web |title=This is the Francis Wilson Playhouse: But Who Was Francis Wilson? |url=http://www.franciswilsonplayhouse.org/Who%20Was%20Francis%20Wilson.pdf |url-status=dead |archive-url=https://web.archive.org/web/20060619085751/http://www.franciswilsonplayhouse.org/Who%20Was%20Francis%20Wilson.pdf |archive-date=June 19, 2006 |access-date=September 16, 2009 |website=Francis Wilson Playhouse}} Comedian and actor Francis Wilson recalled:

Over this innovation of Urquhart, men raved, and women, taking the hint, became imitators. Petticoats disappeared from female attire. In place of the bulging hourglass type of dress, adored by the Dutch, American women became an anatomy, a slender, clinging thing of beauty....{{nbsp}}This startling change in female attire followed so pat upon the appearance and action of Miss Urquhart that I have ventured to credit her with its origin.Wilson, Francis. [https://books.google.com/books?id=yp4qAAAAMAAJ Francis Wilson's Life of Himself]. Boston: Houghton Mifflin, 1924. p. 86. via Google Books.

File:Isabelle Urquhart, stage actress (SAYRE 10821).jpg

Also at the Casino Theatre, Urquhart performed the role of Pompanoa in The Marquis in September 1887, and Princess Etelka in Nadja in May 1888.Brown, pp. 489–492. She also played Dame Carruthers in Gilbert and Sullivan's The Yeomen of the Guard in October 1888 and was the Princess of Granada in the operetta The Brigands, W. S. Gilbert's translation of Offenbach's Les brigands, in May 1899.Krehbiel, Henry Edward. [https://books.google.com/books?id=QykQAAAAYAAJ&q=urquhart Review of the New York Musical Season 1888-1890: Containing Programmes of Noteworthy Occurrences, with Numerous Criticisms]. New York: Novello, Ewer & Company, 1889. pp. 2 and 156. via Google Books.Brown, pp. 490–491. In an 1889 revival of Nadja, Urquhart understudied Lillian Russell, filling in for the star as Princess Nadja on April 25 and 26.Brown, p. 490. In February 1890, she performed as Iza in The Grand Duchess of Gerolstein, with Russell in the title role.Brown, p. 492. While with the Casino company, Urquhart also played Papanea in Madelen. In September 1891, Urquhart took on the role of Chloe in a Brooks and Dickson production of Sims and Clay's new operetta, The Merry Duchess, at the Standard Theatre in New York City.Brown, p. 249.{{Cite news |date=September 8, 1883 |title=Amusements: The Merry Duchess |pages=4 |work=The New York Times |url=https://timesmachine.nytimes.com/timesmachine/1883/09/08/106128330.pdf?pdf_redirect=true&ip=0 |access-date=July 31, 2022}}

In 1893, Urquhart married English actor Guy Standing and announced her retirement from the stage in February.{{Cite news |date=February 19, 1893 |title=A Clever Woman's Exploits: The Doings of Isabelle Urquhart Have the Charm of Novelty |pages=17 |work=The Kansas City Times |url=https://www.newspapers.com/article/the-kansas-city-times-a-clever-womans-e/133844608 |access-date=October 22, 2023 |via=Newspapers.com}} However, later that year, Urquhart and Standing appeared together in a Loie Fuller production that closed after just two and a half weeks of its scheduled six-week run.{{Cite news |date=October 10, 1893 |title=Isabelle Urquhart Standing |pages=7 |work=Muncie Evening Press |location=Muncie, Indiana |url=https://www.newspapers.com/article/muncie-evening-press-isabelle-urquhart-s/133845025 |access-date=October 22, 2023 |via=Newspapers.com}} In October 1893, the couple sued Fuller for $1,000 for non-fulfillment of their contracts.

When her marriage to Standing ended in divorce, Urquhart returned to the stage and appeared in vaudeville in the late 1890s. In 1897, she performed a sketch of her own devising, at the Union Square Theatre, in which she "did little more{{nbsp}}... than display her form in a handsome gown to the utmost advantage."{{Cite book |last1=Erdman |first1=Andrew L.|author1-link=Andrew L. Erdman |title=Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895–1915 |publisher=McFarland Co. |year=2004 |isbn=0-7864-1827-3 |location=Jefferson, N.C. |page=87}} The same year, she performed in a show written for her, In Durance Vile, at B. F. Keith's vaudeville theater in Boston.{{Cite journal |date=July 7, 1897 |title=Keith's Theatre |url=https://books.google.com/books?id=uvExAQAAMAAJ&q=%22Isabelle%20Urquhart%22%20 |journal=Boot and Shoe Recorder |volume=31 |issue=14 |pages=131 |via=Google Books}} Although she had aged since her time with Casino Theatre company, one critic commented, "She has gained greatly in the quality of her acting, and her performance of the part in the little sketch in which she is making her continuous performance debut is entirely satisfactory to patrons of that form of amusement."

In November 1900, her Isabelle Urquhart & Co. performed the comedy Even Steven again at B. F. Keith's; she also brought this vaudeville act to Procter's Theatres in September 1903, Keith's in Providence, Rhode Island, in 1903, and Shea's in Buffalo, New York, in 1904.{{Cite journal |date=November 3, 1900 |title=The Program at Keith's |url=https://books.google.com/books?id=QftK8SnldFUC&dq=%22Isabelle+Urquhart%22+-wikipedia&pg=RA43-PA13 |journal=Boston Home Journal |volume=56 |issue=44 |pages=13 |via=Google Books}}{{Cite journal |date=September 12, 1903 |title=Music and Drama: Proctor's Theatres |url=https://books.google.com/books?id=wKw6AQAAMAAJ&dq=%22Isabelle+Urquhart%22+-wikipedia&pg=RA45-PA4 |journal=The Tammany Time |volume=21 |issue=20 |pages=4 |via=Google Books}}{{Cite web |last=Monod |first=David |title=Isabelle Urquhart |url=https://vaudevilleamerica.org/performance/isabelle-urquhart/ |access-date=July 31, 2022 |website=Vaudeville America}}{{Cite web |last=Monod |first=David |title=Isabelle Urquhart & Co |url=https://vaudevilleamerica.org/performance/isabelle-urquhart-co/ |access-date=July 31, 2022 |website=Vaudeville America}} The Providence theater manager wrote in his report, "She never was very strong here, and this engagement is no exception. It is a nice clean act, and it is all right to play it about as often as we do. This is the first time we have had her in more than three years. She falls considerably short of being a headline feature." The Shea's manager opined, "Miss Urquhart is a very good actress and has some fine gowns which show to advantage clothing her graceful figure." In February 1900, Urquhart performed the lead role of Lady Garnett in Cecil Raleigh and Henry Hamilton's drama The Great Ruby at The Boston Theatre in Boston.{{Cite journal |date=February 12, 1900 |title=The Great Ruby |url=https://books.google.com/books?id=skHmqH2MP7IC&q=%22Isabelle%20Urquhart%22%20 |journal=The Play |volume=1 |issue=10 |access-date=July 31, 2022 |via=Google Books}} She then returned to Broadway, performing as Mrs. Challoner in Martha Morton's comedy The Diplomat at the Madison Square Theatre in April 1902."[https://books.google.com/books?id=pDaujMltssEC Madison Sq. Theatre: The Diplomat]". The Cast. 7 (9): 28. April 28, 1902 – via Google Books.

In 1906, she played the role of Mrs. Clandon in a production of George Bernard Shaw's You Never Can Tell in Pittsburgh, Pennsylvania.{{Cite journal |date=March 26, 1905 |title=At the Theatres |url=https://books.google.com/books?id=ImlJAQAAMAAJ&q=isabelle%20urquhart |journal=The Index |volume=14 |issue=12 |pages=17 |via=Google Books}} One critic wrote, "Urquhart played the advanced mother with grace and power." She also performed in Broadway revivals of Shaw's comedies Arms and the Man, in April 1906, and How He Lied to Her Husband, in May 1906.{{Cite web |title=Isabelle Urquhart |url=https://www.ibdb.com/broadway-cast-staff/isabelle-urquhart-62940 |access-date=July 23, 2022 |website=Internet Broadway Database |publisher=The Broadway League}} The latter was her final role. In May 1914, Leander Richardson wrote in Vanity Fair that Urquhart's "figure was both imposing and beautiful – an Amazonian type; stately, superb{{nbsp}}... Urquhart never rose very high in the profession, for her talents were not greatly out of the ordinary. But in a decorative capacity she was certainly second to none".{{Cite magazine |last=Richardson |first=Leander |date=July 1914 |title=The Chorus Girls of Yester-Year |url=https://books.google.com/books?id=3LA-AQAAMAAJ&dq=%22Isabelle+Urquhart%22+-wikipedia&pg=RA6-PA51 |magazine=Vanity Fair |page=51 |via=Google Books}}

File:Isabelle Urquhart, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes MET DP859751.jpg trade card)]]

Urquhart was a frequent model for cabinet cards that were distributed as a premium or gift with tobacco purchases.{{Cite news |date=March 26, 2013 |title=Isabelle Urquhart: Comic Opera and Musical Comedy Star (Photograph by Newsboy) |work=The Cabinet Card Gallery |url=https://cabinetcardgallery.com/2013/03/26/11230/ |access-date=July 31, 2022}} She was featured on cabinet cards issued by Newsboy cigars and Falk Tobacco Company.{{Cite web |title=Isabelle Urquhart, 1890, Cabinet Photos # 1, 2, 3 Count {{!}} #403978026 |url=https://www.worthpoint.com/worthopedia/isabelle-urquhart-1890-cabinet-photos-403978026 |access-date=July 31, 2022 |website=Worthpoint}}{{Cite web |title=Cabinet Cards - Falk, 1860 - 1900 {{!}} Rare and Distinctive Collections |url=https://archives.colorado.edu/repositories/2/archival_objects/379400 |access-date=July 31, 2022 |website=University Libraries University of Colorado Boulder}} Around 1888, she posed for trade cards issued by Allen & Ginter for its Dixie, Opera Puff Cigarettes, Our Little Beauties, and Virginia Brights.{{Cite web |title=Belle Urquhart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes |url=https://www.metmuseum.org/art/collection/search/414880 |access-date=July 31, 2022 |website=Met Museum}} In 1889, she was included in the actresses trade card series issued by William S. Kimball & Co. to market its cigarettes.{{Cite web |title=Belle Urquhart, from the Actresses series (N203) issued by Wm. S. Kimball & Co. |url=https://www.metmuseum.org/art/collection/search/717225 |access-date=July 31, 2022 |website=The Met Museum}}

Also in the 1880s, Urquhart posed for a trade card for W. Duke, Sons & Company which marketed its Cameo Cigarettes.{{Cite web |title=Card Number 108, Belle Urquhart, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes |url=https://www.metmuseum.org/art/collection/search/647046 |access-date=July 31, 2022 |website=The Met Museum}} Duke also included Urquhart in its promotional booklet, Costumes of All Nations.{{Cite book |last= |first= |url=http://archive.org/details/costumesofallnat00dukeuoft |title=Costumes of All Nations |publisher=W. Duke, Sons & Co |year=1888 |location=Durham |pages=16 |via=Internet Archive}} Within two years, Duke was the largest cigarette manufacturer in the United States.{{Cite web |last=Darden |first=Robert F. |date=2006 |title=W. Duke, Sons and Company |url=https://www.ncpedia.org/w-duke-sons-and-company |access-date=October 3, 2023 |website=NCpedia}} In 1890, Kinney Brothers Tobacco Company issued an Urquhart trade card to promote Sweet Caporal cigarettes.{{Cite web |title=Isabelle Urquhart, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes |url=https://www.metmuseum.org/art/collection/search/657363 |access-date=July 31, 2022 |website=The Met Museum}} Around the same time, Kinney Brothers issued a colorized trade card featuring Urquhart to promote its Sporting Extra cigarettes.{{Cite web |title=Belle Urquhart, from the Actresses series (N246), Type 2, issued by Kinney Brothers to promote Sporting Extra Cigarettes |url=https://www.metmuseum.org/art/collection/search/658520 |access-date=July 31, 2022 |website=The Met Museum}}

In 1890, Urquhart lived with her mother and aunt in a New York City apartment that overlooked the Metropolitan Opera House.Dale, p. 117.

She married English actor Guy Standing in London on January 30, 1893.{{Cite news |date=January 31, 1893 |title=Isabelle Urquhart Married |pages=3 |work=The Brooklyn Citizen |url=https://www.newspapers.com/article/the-brooklyn-citizen-isabelle-urquhart-m/133847596/ |access-date=October 22, 2023 |via=Newspapers.com}} Standing was eight years younger than Urquhart and was the son of well-known actor Herbert Standing.Browne, p. 211. They divorced six years later. In their divorce settlement, Urquhart received $10 a week in alimony from Standing; by February 1905, he was in arrears for $2,475 (${{Inflation|index=US|value=2475|start_year=1905|fmt=c}} in today's money).{{Cite news |date=February 11, 1905 |title=Guy Standing |pages=6 |work=Transcript-Telegram |location=Holyoke, Massachusetts |url=https://www.newspapers.com/article/transcript-telegram-guy-standing/133846255/ |access-date=October 22, 2023 |via=Newspapers.com}} In 1906, she lived in New Rochelle, New York.

Urquhart was stricken with peritonitis on January 21, 1907. After two operations, she died on February 7, 1907, at the Homeopathic Hospital in Rochester, New York, at the age of 41. Her funeral was held at her home in New York City, The Shantee, and she was buried in the family plot at Woodlawn Cemetery.{{Cite news |date=February 11, 1907 |title=Funeral of Isabelle Urquhart |page=9 |work=The New York Times |url=https://timesmachine.nytimes.com/timesmachine/1907/02/11/106110094.pdf?pdf_redirect=true&ip=0 |access-date=July 23, 2022}}

File:Belle Urquhart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes MET DP830080.jpg|Urquhart, c. 1888 (Allen & Ginter trade card)

File:Isabella Urquhart - Costumes of All Nations. W. Duke, Sons & Co.jpg|Urquhart, c. 1888 (Costumes of All Nations, W. Duke, Sons & Co)

File:Belle Urquhart, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes MET DP830079.jpg|Urquhart, c. 1888 (Virginia Brights trade card)

File:Card 836, Belle Urquhart, from the Actors and Actresses series (N45, Type 2) for Virginia Brights Cigarettes MET DP831000.jpg|Urquhart, c. 1888 (Virginia Brights trade card)

File:Belle Urquhart, from the Actresses series (N246), Type 2, issued by Kinney Brothers to promote Sporting Extra Cigarettes MET DP860093.jpg|Urquhart, c. 1890 (Sporting Extra Cigarettes trade card)

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{{reflist}}

• {{cite book |last=Brown |first=Thomas Allston |url=https://books.google.com/books?id=EzELAAAAIAAJ |title=A History of the New York Stage: From the First Performance in 1732 to 1901 |volume=3 |location=New York |publisher=Dodd, Mead |year=1903 |via=Google Books}}
• {{cite book |editor-last=Browne |editor-first=Walter |editor-first2=E. De Roy |editor-last2=Koch |url=https://books.google.com/books?id=yVk_AQAAMAAJ&q=isabelle%20urquhart |chapter=Urquhart, Isabelle |title=Who's Who on the Stage |location=New York |publisher=Walter Browne & F. A. Austin |year=1906 |via=Google Books}}
• {{cite book |last=Dale |first=Alan |url=https://books.google.com/books?id=jJQVAAAAYAAJ |title=Familiar Chats with the Queens of the Stage |publisher=G. W. Dillingham |year=1890 |location=New York |chapter=Isabelle Urquhart |access-date=July 23, 2022 |via=Google Books}}

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• [https://digitalcollections.nypl.org/search/index?utf8=%E2%9C%93&keywords=isabelle+urquhart# Photographs], New York Public Library

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Category:1865 births

Category:1907 deaths

Category:Actresses from New York City

Category:19th-century American actresses

Category:19th-century American women singers

Category:19th-century American singers

Category:American operatic contraltos

Category:American stage actresses

Category:20th-century American actresses

Category:20th-century American women singers

Category:20th-century American singers

Category:American vaudeville performers

Category:Deaths from peritonitis