Jannis Kounellis

Kounellis was born in Piraeus, Greece in 1936.{{cite news|last1=Stoilas|first1=Helen|title=Arte Povera artist Jannis Kounellis has died, aged 80|url=http://theartnewspaper.com/news/arte-povera-artist-jannis-kounellis-has-died-aged-80/|work=The Art Newspaper|date=17 February 2017|url-status=dead|archive-url=https://web.archive.org/web/20170217223515/http://theartnewspaper.com/news/arte-povera-artist-jannis-kounellis-has-died-aged-80/|archive-date=17 February 2017|df=dmy-all}} He lived in Greece during the Second World War and Greek Civil War before he moved to Rome in 1956.

From 1960 to 1966, Kounellis went through a period of only exhibiting paintings. In some of his first exhibitions, Kounellis began stenciling numbers, letters, and words onto his canvases, often reflecting advertisements and signs seen on the street. In 1960 he began to introduce found sculptural objects such as actual street signs into his work, exhibiting at Galleria La Tartaruga. This same year he donned one of his stencil paintings as a garment and created a performance in his studio to demonstrate himself literally becoming one with his painting. This newfound convergence of painting, sculpture, and performance was Kounellis' way out of traditional art. By 1961 he began to paint on newspaper to reflect his feelings towards modern society and politics.Christov-Bakargiev, Carolyn. Arte Povera. London: Phaidon Press Limited, 1999. 251. Print. From 1963, Kounellis introduced found objects in his artworks, among them live animals but also fire, earth, burlap sacks, and gold. He replaced the canvas with bed frames, doorways, windows or simply the gallery itself. Kounellis' work from the 1980s, which also consisted of sculptures and performances using unusual materials, traveled all over Europe. In 1974, he performed with Edward Kienholz, Wolf Vostell, and other artists in Berlin at the ADA – Aktionen der Avantgarde.[http://www.medienkunstnetz.de/works/ada/images/2/ ADA – Aktionen der Avantgarde]. medienkunstnetz.de His work has become integral to numerous renowned, international museums' collections.[https://web.archive.org/web/20120207103545/http://www.guggenheim.org/new-york/collections/collection-online/show-full/bio/?artist_name=Jannis%20Kounellis Jannis Kounellis]. guggenheim.org

In 1967, Kounellis became associated with Arte Povera, a movement theorized by curator Germano Celant as a major shift from work on flat surfaces to installations. Kounellis participated in the exhibition 'Arte Povera – e IM Spazio' at the La Bertesca Gallery in Genoa curated by Celant, which brought together artists whose work was concerned with the space between art and life, and nature and culture. Examples of artists who substantiated this basis of Arte Povera as a movement include Alighiero Boetti, Luciano Fabro, Giulio Paolini, Pino Pascali, and Emilio Prini.{{cite book|editor-last=Christov-Bakargiev|editor-first=Carolyn|title=Arte Povera|year=2005|publisher=Phaidon|location=Berlin|isbn=0714845566|edition=Repr. in paperback.}} To solidify the movement, Celant curated yet another group show, 'Arte Povera', which was exhibited at the De' Foscherari gallery in Bologna in 1968 with similar artists. In the same year Kounellis exhibited 'Senza titolo (Untitled)', which consisted of raw wool, rope, and a wooden structure all leaning against a wall. Finally, Kounellis was also included in 'RA3 Arte Povera + Azioni povere' which was organized by Marcello Rumma and curated by Celant.{{cite journal|last=Bellini|first=Andrea|title=Jannis Kounellis.|journal=Flash Art (International Edition)|date=March 2007|issue=40|pages=112–115}}

In 1967, Kounellis installed "live birds in cages along with rose-shaped, cloth cut-outs pinned to canvas" alongside his painting. Through this shift in his work, "Kounellis was more interested in anarchical freedom from linguistic norms and conventional materials. The space of the gallery and the exhibition site in general were transformed into a stage where real life and fiction could join in a suspension of disbelief."{{cite book|editor-last=Christov-Bakargiev|editor-first=Carolyn|title=Arte Povera|year=2005|publisher=Phaidon|location=Berlin|isbn=0714845566|page=32|edition=Repr. in paperback.}} The viewers became part of the scene of these living natural sources of energy within the gallery space. He continued his involvement with live animals later in 1969, when he exhibited twelve living horses, as if they were cars, in the Galleria l'Attico's new location in an old garage in Via Beccaria. Gradually, Kounellis introduced new materials, such as propane torches, smoke, coal, meat, ground coffee, lead, and found wooden objects into his installations. He also looked beyond the gallery environment to historical (mostly industrial) sites. In 1997, Kounellis installed thirteen wardrobes and two doors that were sealed in lead along a scaffolding ledge that blocked the entry to a central hall.

In 1968, in an interview by Marisa Volpi. Kounellis stated that incidental adjustments are certain as aspects that can indicate the human liberty of life.{{cite book|editor-last=Christov-Bakargiev|editor-first=Carolyn|title=Arte Povera|year=2005|publisher=Phaidon|location=Berlin|isbn=978-0-7148-4556-2|edition=Repr. in paperback.}}

• 1960: La Tartaruga gallery, Rome
• 1969: Attico Gallery, Rome
• 1981: Van Abbemuseum, Eindhoven
• 1982: Whitechapel Art Gallery, London
• 1988: Castle of Rivoli, Turin
• 1996: Museo Nacional Centro de Arte Reina Sofía, Madrid
• 2005: Albertina, Vienna
• 2007: Neue Nationalgalerie, Berlin
• 2007: Kounellis - Jaffa Port, Jaffa, Israel
• 2009: Tate Modern, London
• 2012: Goulandris Museum of Cycladic Art, Athens
• 2013: 'Kounellis per Trieste', Salone degli Incanti, Trieste, Italy

• 2016: Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba
• 2016: Monnaie de Paris, Paris
• 2016: The Negev Museum of Art, Beersheva, Israel; curator Adachiara Zevi;
• 2019: Fondazione Prada, Venice

• 1967: 'Arte Povera – e IM Spazio', La Bertesca Gallery, Genoa
• 1968: 'Arte Povera', De Foscherari gallery, Bologna
• 1968: 'RA3 Arte povera + Azioni povere', Arsenali della Republica, Amalfi
• 1969: 'Live in Your Head: When Attitudes become Form', Kunsthalle, Bern
• 1969: 'Op losse schroeven: situaties en cryptostructuren' 1969 Stedelijk Museum, Amsterdam
• 1970: 'Conceptual Art, Arte Povera, Land Art', Galleria Civica d Arte Moderna, Turin
• 1982: 'Arte Povera, Antiform, Sculptures 1966–69', CAPC Centre d'Arts Plastiques Contemporains, Bordeaux
• 2001: 'Zero to infinity: Arte Povera 1962–1972', Walker Art Center, Minneapolis

Kounellis participated in many international exhibitions, including the Biennale of Paris (1971),{{cite news|last1=Duponchelle|first1=Valérie|title=Jannis Kounellis, la mort d'un poète de l'Arte povera|url=http://www.lefigaro.fr/arts-expositions/2017/02/17/03015-20170217ARTFIG00018-yannis-kounellis-la-mort-d-un-poete-de-l-arte-povera.php|work=Le Figaro|date=17 February 2017|language=fr}} Documenta (1972, 1977, 1982), the Venice Biennale (1972, 1976, 1978, 1980, 1984, 1988, 1993, and 2011), the Istanbul Biennial (1993), and the Biennale of Sydney (2008). His work has also been exhibited in many museums and institutions such as the Kunstmuseum in Bern, the Museum Boijmans Van Beuningen in Rotterdam, The Musée d'Art Moderne de la Ville de Paris, the Whitechapel Art Gallery in London, The Museum of Contemporary Art in Chicago, the Museo Nacional Centro de Arte Reina Sofía in Madrid, and the Neue National gallery in Berlin.[http://www.guggenheim-bilbao.es/en/artists/jannis-kounellis-2/bio/ Kounellis at the Guggenheim Museum]

In 1994, Kounellis held an exhibition titled Ionion, in which he displayed his work on a boat docked in his town of birth in Piraeus, Greece. He later curated another exhibition that on another ship called Apollo in 1973 as an addition to "Ionion".*[http://www.artops.org/main-en.html?artists/kounellis/ionion-en.html&3]{{dead link|date=December 2017 |bot=InternetArchiveBot |fix-attempted=yes }}

In October 2009, Kounellis exhibited many works at Tate Modern Gallery in London, United Kingdom. Jonathan Jones of The Guardian newspaper noted that his "Dry-stone walling, sacks of grain and rice, and a painting that includes part of the score of St John Passion by JS Bach, bring a sense of real life, organic and ancient, into the museum."Jones, Jonathan (19 May 2009) [https://www.theguardian.com/artanddesign/jonathanjonesblog/2009/may/19/arte-povera-anselm-kiefer-tate-modern Arte Povera makes history come alive at Tate Modern], The Guardian

On 16 February 2017, Kounellis died at the Villa Mafalda hospital in Rome at the age of 80.

His estate is represented by Barbara Gladstone Gallery, New York/Brussels, and Sprovieri, London.

{{Reflist}}

• Germano Celant, Kounellis, Fondazione Prada, Milan, 2019. {{ISBN|978-8-8870-2976-5}}
• Philip Larratt-Smith, Rudi Fuchs, Michele Robecchi (ed.), Jannis Kounellis, Phaidon, London, 2018. {{ISBN|978-0-7148-7079-3}}
• Adachiara Zevi, Jannis Kounellis: The Negev Museum of Art, Be'er Sheva, Israel, 2017. {{ISBN|97896592048-7-8}}
• Annegret Laabs, Jannis Kounellis, Berlin, Jovis, 2012. {{ISBN|978-3-8685-9206-1}}
• Mario Codognato, Mirta D'Argenzio: Jannis Kounellis: Echoes in the Darkness, Trolley Books, London, 2012. {{ISBN|978-0-9542079-4-6}}
• Bruno Corà, Annamaria Maggi, Ruggero Martines, Jannis Kounellis, Silvana, Milan, 2011. {{ISBN|978-8-8366-1801-9}}
• Ines Goldbach, Wege aus der Arte Povera. Jannis Kounellis im Kontext internationaler Kunstentwicklung, Gebrüder Mann, Berlin, 2010. {{ISBN|978-3-7861-2620-1}}
• Adachiara Zevi, Kounellis: Jaffa Port, Har-El Printers & Publishers, 2007.
• Stephen Bann, Jannis Kounellis, Reaktion Books, Berlin, 2004. {{ISBN|978-1-8618-9152-5}}
• Dieter Roelstraete and Jan Hoet, Jannis Kounellis, Charta Art Books, Milan, 2002. {{ISBN|978-8-8815-8386-7}}
• Mary Jane Jacob, Jannis Kounellis, Museum of Contemporary Art, Chicago, 1986. {{ISBN|978-0-9338-5623-3}}

{{Wikiquote}}

{{Commons category}}

• [http://www.galerie-lelong.com Galerie Lelong, Paris]
• [http://www.blainsouthern.com/artists/jannis-kounellis BlainSouthern Gallery, Berlin] {{Webarchive|url=https://web.archive.org/web/20130918233341/http://www.blainsouthern.com/artists/jannis-kounellis |date=18 September 2013 }}
• [http://www.sprovieri.com/artists/jannis-kounellis/ Sprovieri Gallery, London]
• [http://www.modernmastersgallery.com Modern Masters Gallery, London]
• [http://www.guggenheim.org/new-york/collections/collection-online/artists/985/Jannis%20Kounellis Kounellis artworks in the Guggenheim Collection] {{Webarchive|url=https://web.archive.org/web/20141016020620/http://www.guggenheim.org/new-york/collections/collection-online/artists/985/Jannis%20Kounellis |date=16 October 2014 }}
• [https://archive.today/20130215144925/http://www.rev-ma.blogspot.com/2012/12/jannis-kounellis-parasol-unit.html Kostas Prapoglou's review of the Jannis Kounellis exhibition at Parasol Unit, London, January 2013]
• [http://artpulsemagazine.com/jannis-kounellis-non-verbal-communication Michele Robecchi interview with Jannis Kounellis, Art Pulse Magazine, 2013]
• [http://sastreport.x10.mx/kounellis.html SAST REPORT: Jannis Kounellis, 2009]
• [http://www.designboom.com/history/kounellis.html Jannis Kounellis at Fondazione Arnaldo Pomodoro, Milan, 2006]
• [http://www.artopos.org/main-en.html?artists/kounellis/ionion-en.html&3 Katerina Koskina, Kounellis-Mistral, Bergamo, 1996]
• [https://web.archive.org/web/20201201120101/https://www.harelart.com/janniskounellis Jannis Kounellis, Editions & Artist's Books, Har-El Printers & Publishers]
• [http://www.picture-worl.org/tasmania-island-goldfish-bowl-knife-chair.html GOLDFISH BOWL KNIFE – Jannis Kounellis at MONA Hobart Tasmania]

{{Arte Povera}}

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Category:1936 births

Category:2017 deaths

Category:Greek painters

Category:Italian people of Greek descent

Category:Greek contemporary artists

Category:Arte Povera

Category:20th-century Greek sculptors

Category:20th-century Greek male artists

Category:21st-century Greek sculptors

Category:Greek emigrants to Italy

Category:Artists from Piraeus

Category:Accademia di Belle Arti di Roma alumni