Jean-Nicolas Bouilly

{{Short description|French playwright, librettist, children's writer, and politician (1763–1842)}}

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{{Infobox person

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| image = Jean-Nicolas Bouilly.jpg

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| birth_date = 24 January 1763

| birth_place = Joué-lès-Tours

| death_date = {{Death date and age|df=yes|1842|04|14|1763|01|24}}

| death_place = Paris

| othername =

| occupation = Playwright
Librettist
Writer

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Jean-Nicolas Bouilly (24 January 1763 – 14 April 1842) was a French playwright, librettist, children's writer, and politician of the French Revolution. He is best known for writing a libretto, supposedly based on a true story, about a woman who disguises herself as a man to rescue her husband from prison, which formed the basis of Beethoven's opera Fidelio as well as a number of other operas.

Life

Bouilly was born near Tours, and was briefly a lawyer for the Parlement of Paris. At the outbreak of the Revolution he held office under the new government{{EB1911|inline=y|wstitle=Bouilly, Jean Nicolas|volume=4|page=318}} and was head of the military commission in Tours during the Reign of Terror.

In 1795, he served as a member of the Committee of Public Instruction having a considerable share in the organization of primary education, but retired from public life four years later in order to devote himself to literature. Bouilly died in Paris.

Works

;Theatre

  • 1790: Pierre le Grand, comedy in 4 acts and in prose,mingled with singing, music by André Grétry, Comédie Italienne, 13 January
  • 1790: Jean-Jacques Rousseau à ses derniers moments, historical trait in 1 act and in prose, Comédie Italienne, 31 December [http://gallica.bnf.fr/ark:/12148/bpt6k57038c.pdf read online]
  • 1798: Léonore, ou L'amour conjugal, historical fact in 2 acts and in prose mingled with songs, music by Pierre Gaveaux, created at the Théâtre Feydeau 19 February [http://gallica.bnf.fr/ark:/12148/bpt6k849780.pdf Read online] The play formed the basis for the libretto which Ludwig van Beethoven used for the opera Fidelio; it was also set by Pierre Gaveaux as Léonore, ou L’amour conjugal (1798), by Ferdinando Paer as Leonora (1804), and by Simon Mayr as L'amor coniugale (1805).
  • 1797: La Mort de Turenne, historical and military play with extravaganza, in 3 acts, mingled with pantomimes, fights and evolutions, with Jean-Guillaume-Antoine Cuvelier, Théâtre de la Cité, 11 June
  • 1796: René Descartes, historical trait in 2 acts and in prose, Théâtre-Français, 20 September [http://gallica.bnf.fr/ark:/12148/bpt6k48204n.pdf Read online]
  • 1796: La Famille américaine, comedy in 1 act and in prose, mingled with songs, music by Nicolas Dalayrac, Comédie Italienne, 17 February
  • 1799: Le Tombeau de Turenne, ou l'Armée du Rhin à Saspach, historical fact in 1 act, mingled with vaudevilles, pantomimes, dances and military evolutions, with Jean-Guillaume-Antoine Cuvelier and Hector Chaussier, Palais des Variétés, 8 January
  • 1799: L'Abbé de L'Épée, historical comedy in 5 acts and in prose, Théâtre-Français, 14 December [http://gallica.bnf.fr/ark:/12148/bpt6k84941n.pdf Read online]
  • 1800: Les Deux Journées, comédie lyrique in 3 acts, music by Luigi Cherubini, Théâtre of the Opéra-Comique, 15 January
  • 1800: Zoé, ou la Pauvre Petite, opera in 1 act, music by Charles-Henri Plantade, Théâtre de l'Opéra-Comique, 3 July
  • 1800: Téniers, comedy in 1 act and in prose, mingled with vaudevilles, with Joseph Pain, Théâtre du Vaudeville, 18 October
  • 1800: Florian, comedy in 1 act, in prose, mingled with vaudevilles, with Joseph-Marie Pain, Théâtre du Vaudeville, 18 December
  • 1801: Berquin, ou l'Ami des enfants, comedy in 1 act, on prose, mingled with vaudevilles, with Joseph-Marie Pain, Théâtre du Vaudeville, 7 December [https://books.google.com/books?id=qIwGAAAAQAAJ Read online]
  • 1802: Une Folie, comedy in 2 acts, mingled with songs, music by Étienne-Nicolas Méhul, Théâtre de l'Opéra-Comique, 4 April
  • 1803: Fanchon la vielleuse, comedy in 3 acts, mingled with vaudevilles, with Joseph-Marie Pain, Théâtre du Vaudeville, 16 January [http://gallica.bnf.fr/ark:/12148/bpt6k84922c.pdf Read online]
  • 1803: Héléna, opera in 3 acts, music by Étienne-Nicolas Méhul, Théâtre de l'Opéra-Comique, 1 March
  • 1804: Le Désastre de Lisbonne, heroical drama in 3 acts, in prose, mingled with dance and pantomime, music by Alexandre Piccini, Théâtre de la Porte-Saint-Martin, 24 November [https://books.google.com/books?id=E20UAAAAQAAJ Read online]
  • 1805: L'Intrigue aux fenêtres, opera bouffon in 1 act, with Emmanuel Dupaty, music by Nicolas Isouard, Théâtre de l'Opéra-Comique, 25 February [https://books.google.com/books?id=TJcGAAAAQAAJ Read online]
  • 1805: Madame de Sévigné, comedy in 3 acts and in prose, Théâtre-Français, 6 June [http://gallica.bnf.fr/ark:/12148/bpt6k84934c.pdf Read online]
  • 1806: Les Français dans le Tyrol, historical fact, in 1 act and in prose, Théâtre-Français, 1 February
  • 1806: Agnès Sorel, comedy in 3 acts mingled with vaudevilles, with Emmanuel Dupaty, Théâtre du Vaudeville, 9 April
  • 1808: Haine aux femmes, comedy in 1 act, mingled with vaudevilles, Théâtre du Vaudeville, 23 February
  • 1809: Françoise de Foix, opera comique in 3 acts, with Emmanuel Dupaty, music by Henri Montan Berton, Théâtre de l'Opéra-Comique, 28 January
  • 1809: Le Petit courrier, ou Commé les femmes se vengent, comedy in 2 acts, in prose, mingled with vaudevilles, with Charles-François-Jean-Baptiste Moreau de Commagny, Théâtre du Vaudeville, 20 April
  • 1810: La Vieillesse de Piron, comedy in 1 act, in prose, mingled with vaudevilles, with Joseph-Marie Pain, Théâtre du Vaudeville, 9 April
  • 1811: La Belle au bois dormant, féerie-vaudeville in 2 acts, with Théophile Marion Dumersan, Théâtre du Vaudeville, 20 February
  • 1812: Robert le diable, comedy in 2 acts, mingled with vaudevilles, with Théophile Marion Dumersan, Théâtre du Vaudeville, 31 December
  • 1813: Le Séjour militaire, opera comique in 1 act, music by Auber, Théâtre de l'Opéra-Comique, 27 February
  • 1817: Le Prince en goguette, ou la Faute et la leçon, comedy in 2 acts and in prose, mingled with couplets, music by Marc-Antoine Désaugiers, Théâtre du Vaudeville, 21 April
  • 1818: Les Jeux floraux, opera in 3 acts, music by Léopold Aimon, Académie royale de musique, 16 November
  • 1822: Valentine de Milan, drame lyrique in 3 acts, posthumous music by Étienne-Nicolas Méhul, score completed by Joseph Daussoigne, Théâtre de l'Opéra-Comique, 28 November
  • 1829: Les Deux Nuits, opera comique in 3 acts, with Eugène Scribe, music by François Adrien Boieldieu, Théâtre de l'Opéra-Comique, 20 May
  • 1832: Le Bandeau, comédie en vaudeville in 1 act, with Louis-Émile Vanderburch, Théâtre du Gymnase-Dramatique, 21 May
  • 1833: Guido Reni, ou les Artistes, drama in 5 acts, with Antony Béraud, Comédie-Française, 6 February

;Tales

  • 1807: Causeries d'un vieillard,
  • 1819: Contes à ma fille,
  • 1811: Conseils à ma fille [http://gallica.bnf.fr/ark:/12148/bpt6k5562023g.pdf Read online]
  • 1817: Les Jeunes Femmes, 2 vol.
  • 1817: Annales de la jeunesse, with M. et Mme Hyacinthe Azaïs, by Rougemont and Lefebvre,
  • 1817: Les Encouragements de la jeunesse [http://gallica.bnf.fr/ark:/12148/bpt6k748624.pdf read online]
  • 1823: Les Mères de famille, 2 vol.
  • 1824–1825: Contes offerts aux enfants de France, 2 vol.,
  • 1827: Contes à mes petites amies, ou Trois Mois en Touraine, 1827 [http://gallica.bnf.fr/ark:/12148/bpt6k64323n.pdf Texte en ligne]
  • 1829–1831 Le Portefeuille de la jeunesse, ou la Morale et l'histoire enseignées par des exemples, précédé d'un discours sur l'ensemble de l'ouvrage, 20 vol.,
  • 1830: Contes populaires, [http://gallica.bnf.fr/ark:/12148/bpt6k5473583t.pdf read online]
  • 1835: Les Adieux du vieux conteur,
  • 1836: Alfred et Nathalie, ou les Coupables supposés,
  • 1838: Nouvelles Causeries d'un vieillard,
  • 1846: La Discrétion,
  • 1846: Petits Contes d'une mère à ses enfants,
  • 1877: Nouveaux conseils à ma fille, [http://gallica.bnf.fr/ark:/12148/bpt6k5496901t.pdf Read online]
  • 1883: Contes moraux pour les jeunes élèves, [http://gallica.bnf.fr/ark:/12148/bpt6k54961457.pdf read on line]
  • 1884: Geneviève et Marcelin, ou les Jumeaux de la Beauce. La Charrette à bras, [http://gallica.bnf.fr/ark:/12148/bpt6k64321z.pdf Read online]
  • 1884: Le Dévouement filial, ou la Chanteuse volée, [http://gallica.bnf.fr/ark:/12148/bpt6k64368m.pdf Read online]
  • 1885: La Petite Gouvernante, suivie d'autres épisodes, [http://gallica.bnf.fr/ark:/12148/bpt6k643229.pdf Read online]
  • 1886: Causeries pour la jeunesse, [http://gallica.bnf.fr/ark:/12148/bpt6k54595745.pdf read online]
  • 1886: Causeries et nouvelles causeries, [http://gallica.bnf.fr/ark:/12148/bpt6k54994m.pdf Read online]

;Varia

  • 1836–1837: Mes Récapitulations, 3 vol.,
  • 1837: Explication des douze écussons qui représentent les emblèmes et les symboles des douze grades philosophiques du rite écossais dit ancien et accepté, par l'ill.* F.* Bouilly,
  • 1838: Nouvelles Récapitulations,
  • 1842: Soixante ans du Théâtre-Français, par un amateur, né en 1769,
  • undated: Le Vieux Glaneur, ou de Tout un peu, poems.

In 1836 he published an autobiography.

Quote

  • "Whatever we possess becomes of double value when we have the opportunity of sharing it with others."

References

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