Jeannine Cook
Jeannine Cook (born in 1944), is a contemporary metalpoint{{Cite web|title=Silverpoint|url=https://www.tititudorancea.com/z/silverpoint_46.htm|access-date=2017-12-11|website=www.tititudorancea.com|language=en}} artist who works from her studio in Palma de Mallorca, Spain, after living in the United States. Encouraged to concentrate on art rather than languages and freelance journalism by Jeanne Nelson Szabo,{{Cite web|url=https://www.theartlist.com/aom_11_08.html|title=The Art List}} a former Professor of Art at University of California Los Angeles, Cook initially exhibited watercolours in Westchester, New York, and elsewhere in New York from 1979 onwards.
Cook was quickly accepted for membership in such artists’ organisations as the Mamaroneck Artists Guild, Catharine Lorillard Wolfe Artists Club, New York, and the American Artists Professional League, New York, with which she often exhibited. She was subsequently selected for membership in the National Association of Women Artists, The Pen & Brush in New York, and Women’s Caucus for Art, as well as being a Signature Member of the Georgia Watercolor Society.
In 1983, Cook moved with her husband to coastal Georgia, where the couple spent two years building a post-and-beam house bordering on salt water marshes. During this period, she set aside her art practice. When she returned to art, she began to draw in metalpoint, a medium little known amongst both artists and the general public. Soon Cook was exhibiting in solo shows in local museums and galleries in Georgia and beyond, and her drawings and watercolours began to enter numerous museum and private collections.{{Cite news|url=https://drive.google.com/file/d/1W4-oNq68NLlc-rAyVIdSPx6JR1VQTqBo/view?usp=sharing|title=Seabreeze Magazine|date=1987}} Her work was acquired by the Georgia Art Acquisition Program for Gainesville College in 1986. In 2003, she was awarded a public art commission from the Fulton County Arts Council, Atlanta, Georgia. By 2011, Cook was increasingly specialising in drawing and painting far less in watercolours.
Cook's drawing practice has continued both in the United States and Europe, with frequent solo and group exhibitions on both continents. Her work is now represented in such museums as the British Museum, the Victoria & Albert Museum, and BAMPFA, in Berkeley, California, among many others around the world.
File:Fallen Palmetto, silverpoint, Jeannine Cook.jpg|Fallen Palmetto, silverpoint, Jeannine Cook
File:Limestone Lace, silverpoint, goldpoint, Jeannine Cook.jpg|Limestone Lace, silverpoint, goldpoint, Jeannine Cook
File:Miro's Pine Tree 2, by Jeannine Cook.jpg|Miró's Pine Tree 2, silverpoint, Plike paper, Jeannine Cook
File:Pierres de Chablis, silverpoint silver foil, watercolour, Jeannine Cook.jpg|Pierres de Chablis, silverpoint, silver leaf, watercolour, Jeannine Cook
File:Cork Oak Contours, goldpoint, silverpoint, Jeannine Cook.jpg|Cork Oak Contours, goldpoint, silverpoint, Jeannine Cook
Life
Cook was born in Kenya, and grew up on her family’s farm in the Northern Province of Tanzania, near Arusha.From an early age she had a keen interest in agriculture, and worked alongside the Africans, Afrikaans, British and Sikhs employed on the mixed farms. With her mother, Patricia Wright, guiding her, she learnt the correct botanical structure and petal colour of innumerable flowers grown commercially for seed, whilst also participating in the cultivation of coffee, seed beans and aromatic plants destined for the perfume trade. Cook's family members were committed environmentalists long before the term became a household word. Living with her parents and widely-travelled grandparents in the same house, Cook was exposed to Australian, European, Asian (particularly Japanese) and African cultural influences. This exposure almost certainly contributed to the development of her passion for nature, travelling and all forms of art. The long fascinated hours she spent in the darkroom with her photographer grandfather led to the genesis of her love of monochromatic photographs and drawings. In addition to these influences, she learned much of local and British politics as both her grandfather, Francis James Anderson, and father, Jack Wright, were very active politically.{{Cite web|title=....Biography..Biographie..Biografía....|url=https://www.jeanninecook.com/biography|access-date=2020-11-13|website=Jeannine Cook|language=en-US}}
Cook finished her high school education at Limuru High School, outside Nairobi, Kenya, at the same time that the then Tanganyika (later Tanzania) became independent. She continued her studies in languages and business in London and Paris, then worked in an international organization, European Launcher Development Organisation (precursor to the European Space Agency), before taking another degree at EFAP, the French communications school. She married British scientist Albert Rundle Cook and moved to New York, where she divided her time between art and non-fiction writing, publishing work in Connoisseur Magazine and other publications.{{Cite news|url=http://www.loweraltamahahistoricalsociety.org/Newsletters/1990-1999/1992_August.pdf|title=Lower Altamaha Historical Society Newsletter}} Cook and her husband moved to Georgia in 1983, where she became a full-time artist.{{Cite web|url=https://www.theartlist.com/aom_11_08.html|title=The Art List Interview}} Cook worked from her studio in coastal Georgia, before moving to Palma de Mallorca. Her central practice is metalpoint drawing.
Career
= Artistic Practice =
Cook is among the early contemporary metalpoint artists currently employing the medium, having undertaken the practice in 1979.{{Cite journal|last=Doherty M.|first=Stephen|date=August 2000|title=The Shimmer of Silverpoint Drawings|journal=American Artist|volume=64|issue=697|pages=64}} Prior to her metalpoint drawing, she had worked as a silversmith.
Frequently cited in written works on the topic of metalpoint,{{cite book|url=https://library.rijksmuseum.nl/cgi-bin/koha/opac-detail.pl?biblionumber=244672|title=Drawing in Silver and Gold: From Leonardo to Jasper Johns|last1=Chapman|first1=Hugo|date=2015|publisher=National Gallery of Art|isbn=9780691166124|location=Washington DC|pages=234|access-date=24 September 2017}} Cook has also taught{{Cite news|url=https://ashantillycenter.org/ashantilly-events/26-evoking-ashantilly-plein-air-event-with-jeannine-cook|title="Evoking Ashantilly" Plein Air Event with Jeannine Cook|work=Ashantilly Center|access-date=2017-12-11|language=en-gb|archive-date=2017-12-11|archive-url=https://web.archive.org/web/20171211213700/https://ashantillycenter.org/ashantilly-events/26-evoking-ashantilly-plein-air-event-with-jeannine-cook|url-status=dead}} and presented talks on the technique and curated metalpoint exhibitions.{{Cite news|url=https://www.times-standard.com/2015/11/19/modern-artists-use-ancient-drawing-technique/|title=Modern artists use ancient drawing technique|access-date=2017-12-11|language=en}}{{Cite web|url=https://www.northcoastjournal.com/humboldt/my-precious/Content?oid=3436811|title=My Precious!|last=Gopinath|first=Gabrielle|website=North Coast Journal|access-date=2017-12-11}}
Metalpoint was famously employed in European monasteries' scriptoria, such as Lindisfarne, in the 8th century AD{{Cite web|url=https://www.theguardian.com/uk/2000/may/30/books.booksnews|title=Revealed: hidden art behind the gospel truth|last=Ezard|first=John|date=2000-05-30|website=The Guardian|access-date=2018-01-23}} but centuries before, in AD77, Pliny the Elder had alluded to drawing in silver{{Cite web|url=https://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.02.0137:book=33:chapter=31|title=Pliny the Elder, The Natural History, BOOK XXXIII. THE NATURAL HISTORY OF METALS., CHAP. 31. (6.)—SILVER.|website=www.perseus.tufts.edu|access-date=2020-04-08}} in his Natural History. Highly conscious of metalpoint’s illustrious heritage, Cook draws mostly in silver, always from real life, and does not lay out any preparatory indications on the drawing surface before starting her drawing in metal. She believes that working directly from life confers spontaneity to a drawing, making it possible for intuition to guide the drawing and allowing the subject matter to dictate. For Cook, this method of drawing{{Dead link|date=October 2024 |bot=InternetArchiveBot |fix-attempted=yes }} allows for unexpected results and opportunities to grow as an artist.
File:Miro's Pine Tree 1, by Jeannine Cook.jpg
Rigorous in her choice of archival-quality materials, Cook most often prepares her smooth drawing supports in advance with acrylic-based grounds, particularly if she is drawing outdoors in hot and insect-filled environments. Working on paper, board, and occasionally porcelain, the artist lets the silver and copper drawings tarnish naturally.
File:Summer Energy - Tillandsia recurvata, silverpoint, watercolour, Jeannine Cook.jpg
Like other contemporary metalpoint artists,{{Cite web|last=Corona|first=Sarah|date=2015-06-02|title=Metalpoint Art|url=https://wsimag.com/art/15560-metalpoint-art|access-date=2020-06-10|website=Wall Street International|language=en}} Cook experiments with the medium, exploring innovative ways to extend its unique properties.{{cite web|url=https://britishmuseum.tumblr.com/post/133586998942/metalpoint-still-resonates-with-artists|title=Metalpoint still resonates with artists|website=britishmuseum.tumblr.com|publisher=British Museum|access-date=20 November 2015}}{{Cite web|date=2015-06-25|title=10 Metalpoint Artists Redefine a Traditional Technique in Contemporary Terms|url=https://www.artsy.net/article/artsy-editorial-eleven-metalpoint-artists-redefine-a-traditional-technique-in|access-date=2020-06-11|website=Artsy|language=en}} She frequently combines touches of colour with the monochromatic drawings, employing such media as Prismacolour, Polychromos pencil, watercolour, Plike paper, Washi papers, silk fabric and silk threads, whilst at other times she uses coloured grounds or coloured supports, such as in the drawing Tillandsia recurvata.{{cite web|last1=Bullock|first1=Robert Edward|title=Beautiful Tarnished Lines|url=http://bullockonlinereviews.blogspot.fr/2013/12/|website=Bullock Online Reviews|date=10 December 2013 |access-date=10 December 2013}} Her artistic vocabulary also includes gold and silver foil and marks made with wide metal tools (spoons, rings or bracelets, wedges of silver, etc.). Her drawings on paper are executed in a range of sizes. Her oeuvre also includes artist books and watercolour paintings.{{Cite news|url=http://www.theartconnection.org/jeannine-cook/|title=Jeannine Cook - Bringing art to life|date=2014-08-18|work=Bringing art to life|access-date=2017-12-11|language=en-US}}
Cook's use of the mark-making metals is varied in style, ranging from realistic drawings of flowers, landscapes and other natural subjects to seemingly abstract studies of barks, stones and other natural materials, often depicted realistically but at close range.
Recent series have included Miro-inspired drawings done in and about the Fundación Pilar i Joan Miró in Palma de Mallorca, Pensando en Miro,{{cite web|url=https://perdidoenmallorca.com/2017/04/04/pensando-en-miro-una-exposicion-de-jeannine-cook-en-deia/|title=Pensando en Miró. Una exposición de Jeannine Cook en Deia|website=Perdido en Mallorca|date=4 April 2017 |access-date=4 April 2017}} a series entitled Terratorium based on the Chablis region in Burgundy, France, and De Natvræ, studies of nature drawn from many different sources. In 2022, Cook embarked on an ambitious large-scale project entitled Olive Tree Waltzes, an ensemble of drawings in silverpoint and goldpoint that are designed to be shown together.
Much of Cook's recent work has been carried out while in residency in France at La Porte Peinte Centre pour les Arts, Noyers sur Serein,{{cite web|url=http://laportepeinte.com/gallery/artists/jeannine-cook/|title=La Porte Peinte: Jeannine Cook|website=La Porte Peinte|access-date=8 December 2017}} Bordeneuve Retreat, Betchat (Ariège),{{Cite web|url=http://bordeneuveretreat.com/2015/03/lost-art-silverpoint/|title=The Lost Art of Silverpoint - Bordeneuve Retreat|website=bordeneuveretreat.com|language=en-US|access-date=2015-03-30|archive-date=2017-01-16|archive-url=https://web.archive.org/web/20170116071707/http://bordeneuveretreat.com/2015/03/lost-art-silverpoint/|url-status=dead}} and Hôtel Sainte Valière, Sainte Valière,{{Cite web|url=http://hotelsaintevaliere.com/hsv/residences/|title=Résidences|website=hotelsaintevaliere.com|language=fr-FR|access-date=2017-12-08}} as well as in Portugal, at OBRAS, Estremoz.{{cite web|url=http://www.obras-art.org/residents-2014.html|title=Foundation Obras Residents 2014|access-date=8 December 2017}}
As Cook has evolved as a metalpoint artist, her choice of subject matter has widened from the early botanical studies which betray the deep influence of her nature-oriented East African life. Deeply passionate about environmental issues, Cook reminds us to wake up, to look, to truly see nature. Her art acts as an advocate for a more informed look at our planet, at details that reveal nature's past and present: hurricane-struck red cedar trees that become burnished silver skeletons, tree barks that bespeak age and endurance, stones that tell of past geological dramas. Given that the majority of the world’s population is now urban, Cook sees the need to share with art lovers the intricacy, elegance and vital importance of even the smallest aspect of life in the natural world. The rarity and allure of the lustrous metalpoint medium arouse curiosity and offer a starting point for dialogue about much wider environmental issues and the rewards that await us when we awaken to nature’s riches.
File:Remembering (Catteleya), graphite, Jeannine Cook.jpg|Remembering (Catteleya), graphite, Jeannine Cook
File:Palmetto Frond .jpg|Palmetto Frond, silverpoint, Jeannine Cook
File:Stone Lace I, silverpoint, Prismacolour, Jeannine Cook.jpg|Stone Lace I, silverpoint, Prismacolour, Jeannine Cook
File:Stone Lace II, by Jeannine Cook.jpg|Stone Lace II, silverpoint, Jeannine Cook
File:Japanese Maple Bark, silverpoint, copperpoint, Prismacolour, Jeannine Cook.jpg|Japanese Maple Bark, silverpoint, copperpoint, Prismacolour, Jeannine Cook
=Exhibitions=
File:Pensando en Miro 1, by Jeannine Cook.jpg
Cook's metalpoint drawings have been shown in solo exhibitions in over a dozen museums and galleries in the past ten years, while she has also participated in more than twenty-two juried or invitational metalpoint gallery and museum group shows since 2010 in the United States, Europe and online exhibitions. Exhibition venues include MA Arte Contemporaneo (Palma de Mallorca, Spain), San Diego Museum of Art (San Diego, California), Can Prunera Museu Modernista (Soller, Mallorca), The Ashantilly Center (Darien, GA), Emory University (Atlanta), Birmingham Botanical Gardens (Alabama),{{Cite news|url=https://issuu.com/bggardens/docs/garden_dirt_may_2015_web|title=Garden Dirt May 2015|work=issuu|access-date=2017-12-12|language=en}} Norfolk Arts Center (Norfolk, Nebraska),{{Cite web|url=http://www.norfolkartscenter.org/?page_id=187|title=Norfolk Arts Center}} Fundación Barceló (Mallorca, Spain),{{cite news|url=http://canal4diario.com/2017/09/05/la-fundacion-barcelo-inaugura-intimidades-de-jeannine-cook|title=La Fundación Barceló inaugura 'Intimidades' de Jeannine Cook|date=15 September 2017|access-date=18 September 2017|archive-date=19 December 2017|archive-url=https://web.archive.org/web/20171219083847/http://canal4diario.com/2017/09/05/la-fundacion-barcelo-inaugura-intimidades-de-jeannine-cook/|url-status=dead}} Telfair Museums (Savannah, Georgia), National Arts Club (New York),{{Cite web|url=http://bullockonlinereviews.blogspot.fr/2013/12/|title=Bullock Online Reviews|website=bullockonlinereviews.blogspot.fr|date=10 December 2013 |access-date=2017-12-12}} Clement Art Gallery (Troy, New York),{{cite web|last1=Webster|first1=Andrew|title=Luster of the Line|url=https://fineartconnoisseur.com/2016/02/luster-of-the-line/|website=Fine Art Connoisseur|date=25 February 2016 |access-date=25 February 2016}} Evansville Museum of Arts, History and Science (Indiana), Musée des Arts Naïfs et Populaires de Noyers (Noyers sur Serein, Yonne, France),{{Cite web|url=https://burgondiart.wordpress.com/tag/art-vin/|title=Art & Vin {{!}} Burgondiart / Art, Culture et Patrimoine en Bourgogne|website=burgondiart.wordpress.com|date=14 September 2015 |language=fr-FR|access-date=2017-12-09}} The Colors of Humanity Art Gallery (online),{{Cite news|url=http://www.colorsofhumanityartgallery.com/Open-2016/Blue-2015-Show/n-n2pqdT|title="Open" 2016 Show|access-date=2017-12-11}} Marbury NYC (New York, New York),{{Cite web|url=http://www.marburynyc.com/argentum|title=Marbury NYC|website=Marbury NYC|access-date=2017-12-11|archive-date=2020-08-09|archive-url=https://web.archive.org/web/20200809204851/https://www.marburynyc.com/argentum|url-status=dead}} Morris Graves Museum of Art (Eureka, California), Swope Art Museum,{{Cite news|url=http://www.tribstar.com/features/bash/swope-to-host-metalpoint-exhibit-reception-friday/article_a04b9b07-e543-5a83-8639-314aa4197400.html|title=Swope to host metalpoint exhibit reception Friday|work=Terre Haute Tribune Star|access-date=2018-02-01|language=en}} (Terre Haute, Indiana), BAMPFA (Berkeley, California) and North Carolina Museum of Natural Sciences (Raleigh).
=Collections=
Cook's metalpoint drawings are in the permanent collections of more than twenty public art institutions in Europe,{{Cite web|url=https://1264.newstogo.us/editionviewer/default.aspx?Edition=83ac6b8b-0610-41ed-bc0d-2ccd8c67ec43&Page=9723d532-25a3-471d-a18b-95933763a25a|title=The Darien News - March 15, 2018|website=1264.newstogo.us|access-date=2018-05-05}} the United States and Australia, including the British Museum (London, England), the Victoria & Albert Museum (London, England), The Fitzwilliam Museum (Cambridge University, UK) New Hall Women’s Art Collection (at Murray Edwards College, Cambridge University, UK),{{Cite news|url=https://www.art.newhall.cam.ac.uk/collection/|title=Explore the Collection {{!}}, New Hall Art Collection Website|work=New Hall Art Collection|access-date=2017-12-08|language=en-US|archive-date=2017-12-09|archive-url=https://web.archive.org/web/20171209100007/https://www.art.newhall.cam.ac.uk/collection/|url-status=dead}} the National Museum of Women in the Arts (Washington), Huntington Museum of Art (Huntington, West Virginia), Fort Wayne Museum of Art (Fort Wayne, Indiana), Gibbes Museum of Art (Charleston, SC), McNay Museum of Art (San Antonio, Texas),{{Cite web|url=http://collection.mcnayart.org|title=Collection - Highlights|website=collection.mcnayart.org|language=en|access-date=2017-12-09}} Western Australian Museum (Perth, Western Australia), [The State Library of Western Australia], Perth, Legion Paper East, (New York, New York), North Carolina Museum of Natural Sciences (Raleigh, NC), Dr. Shirley A. Sherwood Collection (London, England), Mayo Foundation (Rochester, MN), Spring Island Trust (Spring Island, Okatie, South Carolina), and Consell de Mallorca (Balearic Islands Government, Palma de Mallorca, Spain).
File:The Weathered Cedar, silverpoint, Jeannine Cook.jpg|The Weathered Cedar, silverpoint, Jeannine Cook. Collection of the British Museum, London, England.
File:Patterns of Africa, Mixed Media, Jeannine Cook.png|Patterns of Africa, mixed media, Jeannine Cook. Collection of New Hall Art Collection, Murray Edwards College, University of Cambridge, Cambridge, England.
File:Trillium maculatum, Spring Island, silverpoint-copperpoint, Jeannine Cook.jpg|Trillium maculatum, Spring Island, silverpoint, copperpoint, Jeannine Cook. Collection of Spring Island Trust, Okatie, South Carolina, USA.
References
{{Reflist}}
External links
- [http://www.jeanninecook.com Official website]
- [https://www.youtube.com/watch?v=9G-hl8_RyCY IB3 Television, "Jeannine Cook recupera la tènica de la punta de plata, interview with Ana Maria Murillo Ferrer, ENS Públic de Radiotelevisió de les Illes Balears, 15:28, April 10, 2017]
- Butler, Wendy, [http://khsu.streamguys.net/20011.mp3 “Artwaves – Jeannine Cook”] {{Webarchive|url=https://web.archive.org/web/20170506065835/http://khsu.streamguys.net/20011.mp3 |date=2017-05-06 }}, KHSU 90.5 (interview on public radio), 29 December 2015
- The family story https://www.rasharasha.com
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Category:American abstract artists