Johann Ludwig Bach#JLB 13

{{Short description|German composer}}

{{use dmy dates|date=February 2021}}

Image:Johannludwigbach.jpg

Johann Ludwig Bach ({{OldStyleDate|14 February|1677|4 February}} – 1 May 1731) was a German composer and violinist.

He was born in Thal (Ruhla) near Eisenach. At the age of 22 he moved to Meiningen eventually being appointed cantor there, and later Kapellmeister. He wrote a large amount of music and regularly oversaw performances, both at Meiningen and neighbouring courts.

He was a third cousin of Johann Sebastian Bach, who made copies of several of his cantatas and performed them at Leipzig. The cantata Denn du wirst meine Seele nicht in der Hölle lassen, BWV 15, once thought to be by Johann Sebastian, and listed as BWV 15 in Wolfgang Schmieder's catalogue of his works, is now thought to be by Johann Ludwig.

Bach died in Meiningen.

Works, editions and recordings

{{see also|Church cantatas in Leipzig between Trinity Sunday 1725 and St. John's Day 1728}}

The earliest lists of compositions by Johann Ludwig Bach appeared in the 19th century: Johann Theodor Mosewius listed 16 of his cantatas in 1852,Johann Theodor Mosewius. [https://books.google.com/books?id=AXkWY4YKLBAC Johann Sebastian Bach's Matthaüs-Passion, musikalisch-aesthetisch dargestellt.] Berlin: Guttentag (Trautwein), 1852; Republished by Michael Heinemann (editor) at Georg Olms Verlag, 2001 ({{ISBN|9783487418766}}), [https://books.google.com/books?id=AXkWY4YKLBAC&pg=PR6 p. VI] and Alfred Dörffel listed 17 cantatas and the Mass in E minor, with their incipits, in Vol. 41 of the Bach-Gesellschaft Ausgabe (1894).{{sfn|Dörffel|1894|loc="Vorwort", pp. XXXVI–XL, and "Anhang II", pp. 275–276}} The Johann-Ludwig-Bach-Verzeichnis (catalogue of compositions by Johann Ludwig Bach, abbreviated JLB) contains 39 compositions, starting, in the same sequence, with the 17 cantatas listed by Dörffel:Hermann Max (editor). [https://www.carus-verlag.com/chor/geistliche-chormusik/johann-ludwig-bach-ja-mir-hast-du-arbeit-gemacht-oxid.html Johann Ludwig Bach: Ja, mir hast du Arbeit gemacht.] Carus, 1982

  1. {{anchor|JLB 1}}Gott ist unser Zuversicht, sacred cantata for the fourth Sunday after Epiphany. Scored for soprano, alto, tenor and bass soloists (satb) and choir (SATB), with an accompaniment consisting of 2 violin parts and one viola part (Str), and basso continuo (Bc). Performed in Leipzig on {{nowrap|3 February 1726}}.Gott ist unser Zuversicht, JLB 1 (Bach, Johann Ludwig) at IMSLP websiteBach Digital Work {{BDW|8231}} at Bach Digital website
  2. {{anchor|JLB 2}}Der Gottlosen Arbeit, sacred cantata for the fifth Sunday after Epiphany. Scored for satbSATB, Str and Bc. Performed in Leipzig on {{nowrap|10 February 1726}}.Der Gottlosen Arbeit, JLB 2 (Bach, Johann Ludwig) at IMSLP websiteBach Digital Work {{BDW|8241}} at Bach Digital website
  3. {{anchor|JLB 3}}Darum will ich auch erwählen, sacred cantata for the third Sunday before Lent (Septuagesima). Scored for satbSATB, two oboes (2Ob), Str and Bc. Performed in Leipzig on {{nowrap|17 February 1726}}.Darum will ich auch erwählen, JLB 3 (Bach, Johann Ludwig) at IMSLP websiteBach Digital Work {{BDW|8184}} at Bach Digital website
  4. {{anchor|JLB 4}}Darum säet euch Gerechtigkeit, sacred cantata for the second Sunday before Lent (Sexagesima). Scored for satbSATB, Str and Bc. Performed in Leipzig on {{nowrap|24 February 1726}}.Darum säet euch Gerechtigkeit, JLB 4 (Bach, Johann Ludwig) at IMSLP websiteBach Digital Work {{BDW|8243}} at Bach Digital website
  5. {{anchor|JLB 5}}Ja, mir hast du Arbeit gemacht, sacred cantata for the last Sunday before Lent (Estomihi). Scored for satbSATB, Str and Bc. Performed in Leipzig on {{nowrap|3 March 1726}}. Movements:Barbara Schlick, Mary Nichols, Wilfried Jochens, Jugendkantorei Dormagen, Das Kleine Konzert and Hermann Max (conductor). [https://www.jpc.de/jpcng/classic/detail/-/art/Johann-Ludwig-Bach-1677-1731-Kantaten/hnum/5678958 Johann Ludwig Bach: Kantaten.] Carus, 1981Ja, mir hast du Arbeit gemacht, JLB 5 (Bach, Johann Ludwig) at IMSLP websiteBach Digital Work {{BDW|8208}} at Bach Digital website
  6. :Part I
  7. :: Aria (bass): "Ja, mir hast du Arbeit gemacht" (Yes, you rather burden me, {{Sourcetext|source=Bible|version=King James|book=Isaiah|chapter=43|verse=24|range=–25}}) – Recitative (tenor): "Der Herr der Herrlichkeit" (The Lord of blessedness) – Duet (alto, tenor): "Ach, der Sünden Greul und Wust" (O, confusing sinfulness) – Recitative (bass): "Sehet, wir gehen hinauf" (Come now, we journey the path)
  8. :Part II
  9. :: Aria (soprano): "Fließt, ihr Lieb- und Trauertränen" (Flow, my tears of love and mourning!, {{Sourcetext|source=Bible|version=King James|book=Luke|chapter=18|verse=31|range=–33}}) – Recitative (soprano): "Dies ist das Reis'geschenk" (With tears I follow you) – Arioso (alto): "O wundergroße Lieb" (O wondrous loving heart) – Chorus: "Zieh, teurer Jesus, hin" (My precious Lord, alas), concluding with two stanzas from Johannes Heermann's "Herzliebster Jesu, was hast du verbrochen" (tune by Johannes Crüger)
  10. {{anchor|JLB 6}}Wie lieblich sind auf den Bergen, sacred cantata for the first Sunday after Easter (Quasimodogeniti). Scored for satbSATB, Str and Bc. Performed in Leipzig on {{nowrap|28 April 1726}}.Wie lieblich sind auf den Bergen, JLB 6 (Bach, Johann Ludwig) at IMSLP websiteBach Digital Work {{BDW|8245}} at Bach Digital website
  11. {{anchor|JLB 7}}Ich will meinen Geist, sacred cantata for the sixth Sunday after Trinity. Scored for satbSATB, two natural horns (2Hn), Str and Bc. Performed in Leipzig on {{nowrap|28 July 1726}}. Movements:Ich will meinen Geist, JLB 7 (Bach, Johann Ludwig) at IMSLP websiteBach Digital Work {{BDW|8226}} at Bach Digital websiteMaria Zadori, Kai Wessel, David Cordier, Wilfried Jochens, Hans-Georg Wimmer, Stephan Schreckenberger, Harry van der Kamp, the Rheinische Kantorei, the Kleine Konzert and Hermann Max (conductor) [https://www.jpc.de/jpcng/classic/detail/-/art/Johann-Ludwig-Bach-1677-1731-Missa-Brevis-Allein-Gott-in-der-H%F6h-sei-Ehr/hnum/8971430 Missa Brevis "Allein Gott in der Höh sei Ehr".] {{webarchive|url=https://web.archive.org/web/20150323054815/http://www.blayney.nsw.gov.au/ArticleDocuments/329/3h%20-%20Hobbys%20Yards%20Heritage%20Items.pdf.aspx |date=23 March 2015 }} Capriccio, 2004
  12. Duet (soprano, alto): "Ich will meinen Geist in euch geben"
  13. Recitative (bass): "Das Gute, das ich kann"
  14. Aria (bass): "Lass mich deine Hilfe spüren"
  15. Arioso (alto, tenor): "An dem merken wir, dass wir ihn kennen"
  16. Aria (soprano): "Seele, wilst du Christum kennen"
  17. Recitative (soprano): "Dies ist die Prob', die er von dir begehrt"
  18. Chorus: "Hilf Jesu, hilf" – Chorale: "Die Werke kommen wahrlich her"
  19. {{anchor|JLB 8}}Die mit Tränen säen, sacred cantata for the third Sunday after Easter (Jubilate). Scored for satbSATB, Str and Bc. Performed in Leipzig on {{nowrap|12 May 1726}}. Movements:Bach Digital Work {{BDW|8290}} at Bach Digital websiteHans Hornung and Martin Gotthard Schneider (editors). [https://www.carus-verlag.com/chor/geistliche-chormusik/johann-ludwig-bach-die-mit-traenen-saeen-oxid.html Johann Ludwig Bach: Die mit Tränen säen.] Carus, 1977 (21992)Susanne Gorzny, Steve Wächter, Michael Zabanoff, Biederitzer Kantorei, Telemann-Consort-Magdeburg and Michael Scholl (conductor). [https://www.jpc.de/jpcng/classic/detail/-/art/Mittedeutsche-Barockkantaten/hnum/8964621 mitteldeutsche Barockkantaten.] Amati, 2007
  20. Chorus: "Die mit Tränen säen" (Who has sorrow planting, {{Sourcetext|source=Bible|version=King James|book=Psalms|chapter=126|verse=5|range=–6}})
  21. Recitative (alto): "Bei unverdrossnem Schweiß" (Alone by work and care)
  22. Aria (alto): "Tau und Tränen feuchten Saat und Herzen an" (Dew and weeping water seeds and faithful hearts)
  23. Duet (tenor, bass): "Denn ich halte es dafür" (This I strongly do maintain, {{Sourcetext|source=Bible|version=King James|book=Romans|chapter=8|verse=18}})
  24. Aria (soprano): "Dringt, ihr Qualen auf mich her" (Come, o torments, over me)
  25. Recitative (soprano): "Es kann die Seel kein besser Glück genießen" (The soul can know no higher satisfaction)
  26. Chorus: "O angenehmer Tausch" (O wonderful exchange), concluding with three stanzas from "Kommt her zu mir" by Georg Grünwald
  27. {{anchor|JLB 9}}Mache dich auf, werde licht, sacred cantata for the feast of Purification. Scored for satbSATB, 2Ob, Str and Bc. Performed in Leipzig on {{nowrap|2 February 1726}}. Movements:Bach Digital Work {{BDW|8233}} at Bach Digital websiteHermann Max (editor). [https://www.carus-verlag.com/chor/geistliche-chormusik/johann-ludwig-bach-mache-dich-auf-werde-licht-oxid.html Johann Ludwig Bach: Mache dich auf, werde licht.] Carus, 1984 (21992)
  28. :Part I
  29. :: Aria (bass): "Mache dich auf, werde licht" (Rise up and shine, be a light) – Duet (soprano, tenor): "Und die Heiden" (And the nations) – Recitative (alto): "Siehst du, verdüstert Aug'" (See now, most darkened eye) – Aria (soprano): "Weicht, ihr Schatten" (Flee, dark shadows) – Aria (tenor): "Herr, nun lässet du deinen Diener" (Lord, you let now your faithful servant)
  30. :Part II
  31. :: Aria (alto): "Herr, dein Wort, das ist geschehen" (Lord, your word has been fulfilled now) – Recitative (soprano, alto, tenor, bass): "Dein Reich ist ja den Menschen zubereitet" (Your kingdom, Lord, is meant for ev'rybody) – Chorus: "Laß, Höchster, diesen Wunsch" (Most highest, may this wish)
  32. {{anchor|JLB 10}}Er ist aus der Angst und Gericht genommen, sacred cantata for Easter Monday. Scored for satbSATB, 2Ob, Str and Bc. Performed in Leipzig on {{nowrap|22 April 1726}}.Bach Digital Work {{BDW|8247}} at Bach Digital website
  33. {{anchor|JLB 11}}Er machet uns lebendig, sacred cantata for Easter Tuesday. Scored for satbSATB, Str and Bc. Performed in Leipzig on {{nowrap|23 April 1726}}. Movements:Bach Digital Work {{BDW|8195}} at Bach Digital website
  34. Chorus: "Er machet uns lebendig"
  35. Recitative: "Du hast gesiegt"
  36. Aria: "Soll ich vor dir, Herr"
  37. Duet: "So sind wir nun mit ihm begraben"
  38. Aria: "Geerbte Schuld"
  39. Recitative: "Nimm, Heiland, hin den Dank"
  40. Chorale: "Hilf, daß ich mit diesem Morgen"
  41. {{anchor|JLB 12}}Und ich will ihnen einen einigen Hirten, sacred cantata for the second Sunday after Easter (Misericordias Domini). Scored for satbSATB, Str and Bc. Performed in Leipzig on {{nowrap|5 May 1726}}.Bach Digital Work {{BDW|8300}} at Bach Digital website
  42. {{anchor|JLB 13}}Der Herr wird ein Neues im Lande, sacred cantata for the feast of Visitation. Scored for satbSATB, 2Ob, Str and Bc. Performed in Leipzig on {{nowrap|2 July 1726}}. Movements:Bach Digital Work {{BDW|8303}} at Bach Digital website
  43. Chorus: "Der Herr wird ein Neues im Lande erschaffen"
  44. Recitative (alto): "Hat Gott nicht alles gut gemacht?"
  45. Aria (alto): "Evens Kinder aus der Schuld zu reißen"
  46. Aria (soprano): "Meine Seele erhebt den Herrn"
  47. Arioso (tenor, bass): "Gesegnet ist der Leib, der Jesum hat getragen"
  48. Recitative (alto, tenor, bass): "Muss alle Welt die Mutter selig preisen"
  49. Chorus: "Verschmähe nicht den Preis" – Chorale: "Nun lob', mein Seel', den Herren"
  50. {{anchor|JLB 14}}Die Weisheit kömmt nicht, sacred cantata for the fourth Sunday after Easter (Cantate). Scored for sabbSATB, 2Ob, Str and Bc. Performed in Leipzig on {{nowrap|19 May 1726}}. Movements:Bach Digital Work {{BDW|8305}} at Bach Digital website
  51. Chorus: "Die Weisheit kömmt nicht in eine boshafte Seele"
  52. Recitative (tenor): "Wie stehen Tag und Finsternis zusammen"
  53. Aria (tenor): "Licht und Recht muss die Brust der Seelen weisen"
  54. Arioso (bass): "Wenn derselbige kommt, der die Welt wird strafen"
  55. Aria (soprano): "Streu ein Fünklein reiner Flammen"
  56. Recitative (soprano): "Wie kann ich sonst vor seinem Recht bestehn?"
  57. Chorale (chorus): "O du allersüß'ste Freude"
  58. {{anchor|JLB 15}}Durch sein Erkenntnis, sacred cantata for the 11th Sunday after Trinity. Scored for satbSATB, 2Ob, Str and Bc. Performed in Leipzig on {{nowrap|1 September 1726}}.Bach Digital Work {{BDW|8308}} at Bach Digital website
  59. {{anchor|JLB 16}}Ich aber ging für dir über, sacred cantata for the 13th Sunday after Trinity. Scored for satbSATB, 2Ob, Str and Bc. Performed in Leipzig on {{nowrap|15 September 1726}}.Bach Digital Work {{BDW|8229}} at Bach Digital website
  60. {{anchor|JLB 17}}Siehe, ich will meinen Engel senden, sacred cantata for the feast of St. John the Baptist. Scored for satbSATB, 2Ob, Str and Bc. Performed in Leipzig on {{nowrap|24 June 1726}}.Bach Digital Work {{BDW|8310}} at Bach Digital website
  61. {{anchor|JLB 18}}Klingt vergnügt, ihr holden Saiten, secular cantata.Bach Digital Work [http://www.bach-digital.de/receive/BachDigitalWork_work_00010563 10563] at Bach Digital website
  62. {{anchor|JLB 19}}O Herr, ich bin dein Knecht, funeral music (Trauermusik) for Ernst Ludwig I, Duke of Saxe-Meiningen (died 24 November 1724).Bach Digital Work {{BDW|8237}} at Bach Digital website Movements:Maria Zadori, Lena Susanne Norin, Guy de Mey, Klaus Mertens, Veronika Winter, Gundula Anders, Hans Jörg Mammel, Hans-Joachim Weber, Annette Schneider, Rheinische Kantorei, Das Kleine Konzert and Hermann Max (conductor). [https://www.jpc.de/jpcng/classic/detail/-/art/Johann-Ludwig-Bach-1677-1731-Trauermusik-f%FCr-SoliDoppelchor2-Orchester/hnum/1157089 Johann Ludwig Bach: Trauermusik (für Soli, Doppelchor, 2 Orchester).] {{webarchive|url=https://web.archive.org/web/20150323054815/http://www.blayney.nsw.gov.au/ArticleDocuments/329/3h%20-%20Hobbys%20Yards%20Heritage%20Items.pdf.aspx |date=23 March 2015 }} Capriccio, 2011
  63. : Part I:
  64. :: "O Herr, ich bin dein Knecht" (Chorus) – Recitative: "Du Gottes Ebenbild" (Soprano) – Aria: "Ach ja, die Ketten" (Soprano) – Recitative: "Dein Will kann nicht das?" (Alto) – Aria: "O Herr, ich bin dein Knecht" (Alto) – Recitative: "So kannstu aus dem Diensthaus" (Tenor) – Aria: "Ob gleich aller Treiber Wut" (Tenor) – Recitative: "Ja, der, dem alle Macht" (Bass) – "Meine Bande sind zurissen" (Chorus)
  65. : Part II:
  66. :: Duet and Aria: Ich suche nur das Himmelleben (Soprano, Alto, Bass) – Chorale: Herr Jesu Christ (Chorus) – Duet: Drum will ich auch Dankopfer bringen (Alto, Tenor) – Aria: Das, was ich meinem Gott versprochen (Bass) – Chorale: Herr Jesu Christ (Chorus) – Duet: Drum Welt, ade, ich bin dein müde (Soprano, Alto) – Aria and Chorale: Jerusalem, ich tu verlangen (Tenor, Bass, Chorus)
  67. : Part III:
  68. :: Dir Will Ich Dank Opfern (Chorus) – Recitative: Was Ist Der Mensch, Herr (Alto) – Aria: Dies Macht Dein Sohn (Alto) – Recitative: Befreit Mich Nun Der Sohn (Tenor) – Aria: Lob Und Dank Zum Opfer Geben (Tenor) – Recitative: Doch Eines Weiss Ich Noch (Soprano) – Aria: Da, Da Will Ich Dir Bezahlen (Soprano) – Accompagnato: Die Herrschaft, Welche Nur (Bass) – So Viel Gnadengaben (Bass) – Finale: In Dir, Jerusalem (Chorus) – Chorale: Preis, Lob, Ehr, Ruhm, Dank, Kraft Und Macht (Chorus)
  69. {{anchor|JLB 20}}Ouvertüre à 4 in G major.Bach Digital Work [http://www.bach-digital.de/receive/BachDigitalWork_work_00010960 10960] at Bach Digital website
  70. {{anchor|JLB 21}}Denn du wirst meine Seele nicht in der Hölle lassen, sacred cantata for Easter, in two parts.Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21 (Bach, Johann Ludwig) at IMSLP website Performed in Leipzig on {{nowrap|21 April 1726}}, and for some time misattributed to Johann Sebastian Bach (BWV 15).Bach Digital Work {{BDW|0017}} at Bach Digital website
  71. {{anchor|JLB 22}}Küsset den Sohn, daß er nicht zürne.[http://home.arcor.de/kbhartmann/KATALOGE/bachjl.kat Johann Ludwig Bach] {{webarchive|url=https://web.archive.org/web/20160920053124/http://home.arcor.de/kbhartmann/KATALOGE/bachjl.kat |date=20 September 2016 }} at {{URL|home.arcor.de/kbhartmann}}
  72. {{anchor|JLB 23}}Siehe, ich will viel Fischer aussenden.
  73. {{anchor|JLB 24}}Du sollst lieben Gott deinen Herrn, sacred cantata for the 13th Sunday after Trinity.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00011030 11030] at Bach Digital website
  74. {{anchor|JLB 25}}Es wird des Herren Tag kommen, sacred cantata.Bach Digital Work {{BDW|8202}} at Bach Digital website
  75. {{anchor|JLB 26}}Gehet, ihr Sorgen, gehet hin, for H. Anton Ulrich, 17 October 1728.
  76. {{anchor|JLB 27}}Gott sei uns gnädig, motet.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010468 10468] at Bach Digital website
  77. {{anchor|JLB 28}}Das ist meine Freude, motet.Das ist meine Freude, JLB 28 (Bach, Johann Ludwig) at IMSLP websiteDas ist meine Freude (Johann Ludwig Bach) at Choral Public Domain Library websiteBach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010470 10470] at Bach Digital website
  78. {{anchor|JLB 29}}Uns ist ein Kind geboren, motet.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010472 10472] at Bach Digital website
  79. {{anchor|JLB 30}}Die richtig für sich gewandelt haben, motet.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010473 10473] at Bach Digital website
  80. {{anchor|JLB 31}}Ich will auf den Herren schauen, motet.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010477 10477] at Bach Digital website
  81. {{anchor|JLB 32}}Wir wissen so unser irdisches Haus, motet.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010479 10479] at Bach Digital website
  82. {{anchor|JLB 33}}Unsere Trübsal die zeitlich und leicht ist, motet.Unsere Trübsal die zeitlich und leicht ist, JLB 33 (Bach, Johann Ludwig) at IMSLP websiteUnsere Trübsal (Johann Ludwig Bach) at Choral Public Domain Library websiteBach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010481 10481] at Bach Digital website
  83. {{anchor|JLB 34}}Das Blut Jesu Christi, motet.Bach Digital Work {{BDW|8447}} at Bach Digital website
  84. {{anchor|JLB 35}}Sei nun wieder zufrieden, motet.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010483 10483] at Bach Digital website
  85. {{anchor|JLB 36}}Gedenke meiner, mein Gott, funeral motet.Bach Digital Work {{BDW|8449}} at Bach Digital website
  86. {{anchor|JLB 37}}Ich habe dich ein klein Augenblick verlassen, motet.Bach Digital Work [http://www.bachdigital.de/receive/BachDigitalWork_work_00010485 10485] at Bach Digital website
  87. {{anchor|JLB 38}}Kyrie–Gloria Mass in E minor, Missa super cantilena "Allein Gott in der Höh sei Ehr", a.k.a. BWV Anh. 166, formerly attributed to Johann Nicolaus Bach. Short addition by J. S. Bach in his Leipzig copy of this composition. The text of the Gloria is partly in German: it intersperses the Latin text of the Gloria with, as cantus firmus, all four stanzas of "Allein Gott in der Höh sei Ehr" (which is itself a paraphrase of the Gloria), a Lutheran hymn by Nicolaus Decius and Joachim Slüter. Movements:{{sfn|Dörffel|1894|loc="Vorwort", pp. XXXVI–XL, and "Anhang II", pp. 275–276}}Bach Digital Work {{BDW|1477}} at Bach Digital website[http://www.bach-cantatas.com/Vocal/BWVAnh166.htm Mass in E minor, BWV Anh 166] at {{URL|www.bach-cantatas.com}}Klaus Hofmann (editor). [https://www.carus-verlag.com/chor/geistliche-chormusik/johann-nikolaus-bach-missa-brevis-oxid.html Johann Nikolaus Bach: Missa brevis Allein Gott in der Höh sei Ehr.] Carus Verlag, 1976 (21993)Geiringer, Karl and Irene. [https://archive.org/stream/bachfamilyseveng00geir#page/117/mode/1up/search/Anh.+166 The Bach Family: Seven Generations of Creative Genius, footnote p. 117.] New York: Oxford University Press, 1954.
  88. : Kyrie:
  89. :: "Kyrie eleison" – "Christe eleison" – "Kyrie eleison"
  90. : Gloria:
  91. :: "Gloria in excelsis" – "Laudamus te" – "Domine Fili unigenite" – "Quoniam tu solus sanctus" – "Cum Sancto Spiritu"
  92. {{anchor|JLB 39}}Concerto for two violins and orchestra in D major.Bach Digital Work {{BDW|8205}} at Bach Digital website

{{anchor|Kommet, es ist alles bereit}}

Further there is a sacred cantata for the second Sunday after Trinity, Kommet, es ist alles bereit, JLB deest, with a manuscript dated 1719.Bach Digital Work {{BDW|8954}} at Bach Digital website

Compositions that are sometimes attributed to Johann Ludwig Bach:

  • BWV Anh. 25 – Kyrie–Gloria Mass in C major, copied & performed by J. S. Bach {{circa}}1740–1742.Bach Digital Work {{BDW|1333}} at Bach Digital website
  • BWV Anh. 167 – Kyrie–Gloria Mass for double choir in G major, according to 21st-century scholarship attributable to Christoph Bernhard, Johann Philipp Krieger or David Pohle.{{sfn|Wollny|2015|p=132}}Bach Digital Work {{BDW|1478}} at Bach Digital website Older scholarship attributed the mass to Antonio Lotti{{sfn|Bitter|1865|p=[https://www.digitale-sammlungen.de/de/view/bsb10600016?page=120 112]}}{{sfn|Spitta|1899|loc=Vol. III, p. [https://archive.org/stream/johannsebastianb03spituoft#page/28/mode/2up 28]}} or Johann Ludwig Bach,{{sfn|Dörffel|1894|loc="Vorwort", pp. XXXVI–XL, and "Anhang II", pp. 275–276}}{{sfn|Forkel|Terry|1920|loc=Terry's first footnote p. [https://archive.org/stream/johannsebastianb00forkuoft#page/141/mode/1up 141]}} after it had been considered Johann Sebastian Bach's up to the middle of the 19th century.{{sfn|Schicht|1805}}{{sfn|Hilgenfeldt|1850|p=[https://www.digitale-sammlungen.de/de/view/bsb10528132?page=137 117]}}{{sfn|Dürr|Kobayashi|Beißwenger|1998|p=460}}{{sfn|Beißwenger|2000}}

=Score publications=

In 1852 Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21, was published as J. S. Bach's 15th cantata by the Bach-Gesellschaft.Johann Nikolaus Forkel, translated with notes and appendices by Charles Sanford Terry: [https://archive.org/details/johannsebastian01terrgoog Johann Sebastian Bach: His Life, Art, and Work] New York: Harcourt, Brace and Howe; London: Constable. 1920, [https://archive.org/stream/johannsebastian01terrgoog#page/n276/mode/1up p. 227] Carus Verlag published the Kyrie-Gloria Mass (JLB 38), the Suite in G major (JLB 20),[https://www.carus-verlag.com/themen/instrumentalmusik/orchestermusik/johann-ludwig-bach-suite-in-g.html Suite G-dur.] Carus, 1984 the motets,Uwe Wolf (editor). [https://www.carus-verlag.com/chor/geistliche-chormusik/bach-j-l-saemtliche-motetten.html Bach, J.L.: Sämtliche Motetten.] Carus Verlag, 2002 and a few cantatas (JLB 5, 8 and 9). Facsimiles of several 18th-century manuscripts containing Johann Ludwig Bach's works are available at the Bach Digital website. Ulrich Leisinger's edition of the Trauermusik, JLB 19, was published by Hofmeister.Ulrich Leisinger. [https://www.jpc.de/jpcng/score/detail/-/art/Trauermusik-auf-Herzog-Ernst-Ludwig-I-von-Sachsen-Coburg-Meiningen/hnum/1761472 Johann Ludwig Bach: Trauermusik auf Herzog Ernst Ludwig I. von Sachsen-Coburg-Meiningen.] Hofmeister, 2013

=Recordings=

Sacred cantatas JLB 1–17:

Trauermusik, JLB 19:

Overture in G major, JLB 20:

  • Musica Antiqua Köln conducted by Reinhard Goebel (2012)Musica Antiqua Köln and Reinhard Goebel (conductor). [http://www.hbdirect.com/album/2321109-bach-bachianas-music-by-the-bach-family-magdalena-kozena-reinhard-goebel-musica-antiqua-koln-et-al.html Bach Bachianas: Music by the Bach Family.] {{Webarchive|url=https://web.archive.org/web/20160917031400/http://www.hbdirect.com/album/2321109-bach-bachianas-music-by-the-bach-family-magdalena-kozena-reinhard-goebel-musica-antiqua-koln-et-al.html |date=17 September 2016 }} Deutsche Grammophon, 2012
  • Freiburg Baroque Orchestra conducted by Thomas HengelbrockFreiburg Baroque Orchestra and Thomas Hengelbrock (conductor) [http://www.hbdirect.com/album/2956070-johann-bernhard-bach-orchestral-suites-suites-by-jl-bach-telemann-fasch-zelenka-freiburg-baroque-orchestra-hengelbrock.html Johann Bernhard Bach: Orchestral Suites; Suites by J.L. Bach, Telemann, Fasch, & Zelenka.] {{Webarchive|url=https://web.archive.org/web/20171208122439/https://www.hbdirect.com/album/2956070-johann-bernhard-bach-orchestral-suites-suites-by-jl-bach-telemann-fasch-zelenka-freiburg-baroque-orchestra-hengelbrock.html |date=8 December 2017 }} Warner Classics, 2015

Sacred cantata, JLB 21 (see also Denn du wirst meine Seele nicht in der Hölle lassen#Recordings):

  • Mona Spägele, Harry Van Berne, Stephan Schreckenberger, Christiane Iven, Bremen Baroque Orchestra, Alsfelder Vokalensemble, Gesualdo Consort and others conducted by Wolfgang Helbich (before 2014)Mona Spägele, Harry Van Berne, Stephan Schreckenberger, Christiane Iven, Bremen Baroque Orchestra, Alsfelder Vocal Ensemble, Gesualdo Consort, etc. and Wolfgang Helbich (conductor). [http://www.arkivmusic.com/classical/album.jsp?album_id=1153384 The Sacred Apocryphal Bach / Helbich, Alsfelder Vokalensemble (8-CD Set)] CPO, 2014

Motets, JLB 27–37:

  • JLB 27, 29, 31, 32, 34, 35, 36 and 37: Maria Zadori, Lena Susanne Norin, Guy de Mey, Klaus Mertens, Veronika Winter, Gundula Anders, Hans Jörg Mammel, Hans-Joachim Weber, Annette Schneider, Rheinische Kantorei and Das Kleine Konzert conducted by Hermann Max (1997–2004)
  • JLB 27, 28, 29, 30, 31, 32, 34, 35, 36 and 37: Ex tempore Gent, Orpheon Consort Wien, Florian Heyerick (2006)Ex tempore Gent, Orpheon Consort Wien and Florian Heyerick (conductor). [https://www.jpc.de/jpcng/classic/detail/-/art/Johann-Ludwig-Bach-1677-1731-Motetten-f%FCr-Doppelchor/hnum/3671003 Johann Ludwig Bach: Motetten für Doppelchor.] {{webarchive|url=https://web.archive.org/web/20150323054815/http://www.blayney.nsw.gov.au/ArticleDocuments/329/3h%20-%20Hobbys%20Yards%20Heritage%20Items.pdf.aspx |date=23 March 2015 }} Carus-Verlag, 2006.
  • JLB 28 and 33: Choir of Clare College Cambridge conducted by Timothy Brown (2013)Choir of Clare College Cambridge and Timothy Brown (conductor). [http://www.hbdirect.com/album/2441722-motets-of-the-bach-family-jc-bach-js-bach-jm-bach-jl-bach-liz-kenny-helen-gough-keri-dexter.html Motets of the Bach Family – J.C. Bach; J.S. Bach; J.M. Bach; J.L. Bach.] {{Webarchive|url=https://web.archive.org/web/20160917031607/http://www.hbdirect.com/album/2441722-motets-of-the-bach-family-jc-bach-js-bach-jm-bach-jl-bach-liz-kenny-helen-gough-keri-dexter.html |date=17 September 2016 }} United Classics, 2013
  • JLB 28, 32 and 33: Leipziger Cantorey conducted by Gotthold Schwarz (2015)Leipziger Cantorey and Gotthold Schwarz (conductor). [https://www.jpc.de/jpcng/classic/detail/-/art/von-bach-zu-bach/hnum/1682508 Von Bach zu Bach – Motetten der Bach-Familie.] Querstand, 2015
  • JLB 34: Cantus Cölln conducted by Konrad Junghänel (2015)Cantus Cölln, Concerto Palatino and Konrad Junghänel (conductor) [http://www.hbdirect.com/album/2998574-altbachisches-archiv-les-archives-de-js-bach-cantus-coumllln-concerto-palatino-konrad-junghaumlnel.html Altbachisches Archiv – Les Archives de J.S. Bach.] {{Webarchive|url=https://web.archive.org/web/20171225152053/https://www.hbdirect.com/album/2998574-altbachisches-archiv-les-archives-de-js-bach-cantus-coumllln-concerto-palatino-konrad-junghaumlnel.html |date=25 December 2017 }} Harmonia Mundi, 2015

Kyrie-Gloria Mass, JLB 38:

  • Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Helmuth Rilling (1976–77, reissued 2013)Gächinger Kantorei, Bach-Collegium Stuttgart and Helmuth Rilling (conductor). [https://www.jpc.de/jpcng/classic/detail/-/art/Magnificat-Missa-brevis/hnum/3285842 C. P. E. Bach: Magnificat – J. L. Bach: Missa brevis.] Hänssler, 2013
  • Maria Zadori, Kai Wessel, David Cordier, Wilfried Jochens, Hans-Georg Wimmer, Stephan Schreckenberger, Harry van der Kamp, Rheinische Kantorei and Das Kleine Konzert conducted by Hermann Max (2004)
  • Ex Tempore, conducted by Florian Heyerick (2012)Ex Tempore and Florian Heyerick (conductor) [http://www.prestoclassical.co.uk/r/Ricercar/RIC317 Un dimanche à Leipzig.] Ricercar, 2012

Concerto, JLB 39:

  • Reinhard Goebel, Stephan Schardt and Musica Antiqua Köln (2012)

Kyrie–Gloria Masses BWV Anh. 25 and 167:

  • Mona Spägele, Harry Van Berne, Stephan Schreckenberger, Christiane Iven, Bremen Baroque Orchestra, Alsfelder Vocal Ensemble, Gesualdo Consort and others conducted by Wolfgang Helbich (before 2014)

References

Sources

  • {{cite book |last1=Beißwenger |first1=Kirsten |date=2000 |chapter= Missa (Kyrie und Gloria) G-Dur (BWV Anh. 167) |trans-chapter=Mass (Kyrie and Gloria) G major (BWV Anh. 167) |title=Lateinische Kirchenmusik, Passionen: Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Kritischer Bericht) |trans-title=Latin Church Music, Passions: Works with Doubtful Authenticity, Arrangements of Music from other Composers (Critical Commentary) |url=https://www.baerenreiter.com/en/shop/product/details/BA5095_41/ |series=New Bach Edition |language=de |volume=II/9 |publisher=Bärenreiter |ismn=9790006494927 |id=BA 5095-41 }}
  • {{cite book |last1=Bitter |first1=Karl Hermann |author-link1=Karl Hermann Bitter |date=1865 |chapter=F. Die lateinischen kurzen Messen |trans-chapter=F. The Latin short masses |chapter-url=https://reader.digitale-sammlungen.de/de/fs1/object/goToPage/bsb10600016.html?pageNo=119 |title=Johann Sebastian Bach |url=http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb10600016-5 |language=de |volume=II |edition=1st |location=Berlin |publisher=Schneider |pages=111–134 }}
  • {{cite book |last1=Dörffel |first1=Alfred |author-link1=Alfred Dörffel |date=1894 |title=Kirchenmusikwerke: Ergänzungsband |trans-title=Church music: Complementary volume |series=Bach-Gesellschaft Ausgabe |language=de |volume=41 |publisher=Breitkopf & Härtel }}
  • {{cite book |date=1998 |editor1-last=Dürr |editor1-first=Alfred |editor1-link=Alfred Dürr |editor2-last=Kobayashi |editor2-first=Yoshitake |editor-last3=Beißwenger |editor-first3=Kirsten |title=Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe |trans-title=Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition |edition=BWV2a |location=Wiesbaden |publisher=Breitkopf & Härtel |isbn=9783765102493 |language=de, en}}
  • {{cite book |last1=Forkel |first1=Johann Nikolaus |author-link1=Johann Nikolaus Forkel |last2=Terry |first2=Charles Sanford |author-link2=Charles Sanford Terry (historian) |date=1920 |title=Johann Sebastian Bach: His Life, Art and Work – translated from the German, with notes and appendices |location=New York |publisher=Harcourt, Brace and Howe }}
  • {{cite book |last1=Hilgenfeldt |first1=Carl L. |date=1850 |chapter=D. Missen |trans-chapter=D. Masses |chapter-url=https://www.digitale-sammlungen.de/de/view/bsb10528132?page=135 |title=Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts |trans-title=Johann Sebastian Bach's Life, Work and Works: A Contribution to Art History of the Eighteenth Century |url=http://www.mdz-nbn-resolving.de/urn/resolver.pl?urn=urn:nbn:de:bvb:12-bsb10528132-5 |language=de |location=Leipzig |publisher=Friedrich Hofmeister |pages=115–117 }}
  • {{cite book |date=1805 |editor1-last=Schicht |editor1-first=Johann Gottfried |editor1-link=Johann Gottfried Schicht |title=Messa a 8 voci reali e 4 ripiene coll'accompagnamento di due Orchestre, composta da Giov. Sebast. Bach: Partitura, copiata dalla partitura autografa dell' Autore |trans-title=Mass in eight real voices and four additional voices, accompanied by two Orchestras, composed by Joh. Sebast. Bach: Score, copied from the autograph score of the Author |url=https://id.lib.harvard.edu/curiosity/digital-scores-and-libretti/37-990017314720203941 |language=it, la |location=Leipzig |publisher=Breitkopf & Härtel |at=[https://curiosity.lib.harvard.edu Harvard Digital Collections] }}
  • {{cite book |last1=Spitta |first1=Philipp |author-link1=Philipp Spitta |translator-last1=Bell |translator-first1=Clara |translator-link1=Clara Bell |translator-last2=Fuller Maitland |translator-first2=John Alexander |translator-link2=John Alexander Fuller Maitland |date=1899 |title=Johann Sebastian Bach: His Work and Influence on the Music of Germany, 1685–1750 |publisher=Novello & Co}}
  • [https://archive.org/details/johannsebastianb01spituoft volume I]
  • [https://archive.org/details/johannsebastianb02spituoft volume II]
  • [https://archive.org/details/johannsebastianb03spituoft volume III]
  • {{cite book |last1=Wollny |first1=Peter |author-link1=Peter Wollny |date=2015 |chapter=Vom „apparat der auserleßensten kirchen Stücke“ zum „Vorrath an Musicalien, von J. S. Bach und andern berühmten Musicis“: Quellenkundliche Ermittlungen zur frühen Thüringer Bach-Überlieferung und zu einigen Weimarer Schülern und Kollegen Bachs |title=Bach-Jahrbuch 2015 |trans-title=Bach Yearbook 2015 |url=https://www.neue-bachgesellschaft.de/bach-jahrbuch-2015/ |series=Bach-Jahrbuch |language=de |volume=101 |location=Leipzig |publisher=Evangelische Verlagsanstalt |isbn=978-3-374-04320-0 |issn=0084-7682 }}