John Conomos
{{Short description|Australian artist (1947–2024)}}
{{Use Australian English|date=June 2020}}
{{Use dmy dates|date=April 2015}}
{{Infobox person
| name = John Conomos
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| birth_date = {{birth date|df=y|1947|1|28}}
| birth_place = Grafton, New South Wales, Australia
| death_date = {{death date and age|df=y|2024|7|26|1947|1|28}}
| death_place = Sydney, New South Wales, Australia
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| nationality = Australian
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| alma_mater = University of New South Wales, University of Technology, Sydney
| occupation = Artist, critic, writer, academic
| years_active = 1967–2024
| employer = University of Sydney
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John George Conomos (28 January 1947 – 26 July 2024) was an Australian artist, critic and writer, and Associate Professor and Principal Fellow at Victorian College of the Arts, Faculty of Fine Arts and Music, the University of Melbourne.
His books, essays and artworks are framed within four traditions of contemporary art: Anglo–American and Australian cultural studies, critical theory and post-structuralism.
Conomos was an active participant in Australian film and small magazine culture from the mid-1960s, when he was affiliated with the Sydney Push.
Conomos worked across a number of art forms – video, new media, installation art, radiophonic art and photo-performance – and his written oeuvre includes cultural and film aesthetics, art criticism and theory, new media and critical theory.
Conomos received a New Media Arts Board Fellowship in 2000[http://www.australiacouncil.gov.au/resources/reports_and_publications/artforms/interdisciplinary_arts/in_repertoire_a_guide_to_australian_new_media_art Australia Council, In Repertoire: A Guide to New Australian Media Art] {{webarchive|url=https://web.archive.org/web/20120618144549/http://www.australiacouncil.gov.au/resources/reports_and_publications/artforms/interdisciplinary_arts/in_repertoire_a_guide_to_australian_new_media_art |date=18 June 2012 }} and developed two major projects during this time, Aura[http://www.realtimearts.net/article/64/7692 RealTime 64, 'New landscapes, new thinking', Dan Edwards] and Cyborg Ned.[http://trove.nla.gov.au/work/19399418?versionId=22794525 National Library of Australia][http://www.roslynoxley9.com.au/exhibitions/schedules/2003/ Roslyn Oxley 9 schedule][https://www.worldcat.org/oclc/499877277 World Cat entry, Film Art Doco] He died in Sydney on 26 July 2024, at the age of 77.{{Cite web |date=2024-08-03 |title=John George Conomos |url=https://tributes.smh.com.au/obituaries/517334/john-george-conomos/?r=https://tributes.smh.com.au/obituaries/smh-au/ |access-date=2024-08-03 |website=Sydney Morning Herald}}
Writing and publishing projects
From the 1970s, Conomos was an art, film and media essayist, both in Australia and overseas, as well as a critic and writer responsible for many articles, book chapters, reviews, critiques and commentary for local and international journals, anthologies and magazines. He was a co-founding editor (with Brian Langer and Eddy Jokovich) of the arts journal Scan+. In 1995, Conomos spoke on interactive art at Sydney's Biennale of Ideas Symposium. He was a new media critic for the Sydney Morning Herald in the 1990s, and in 1999 was appointed the Sydney editor for the London-based journal Contemporary.
His main books include: Mutant Media: Essays on Cinema, Video Art and New Media (2008),[https://books.google.com/books?id=UTqkGAAACAAJ Mutant Media: Essays on Cinema, Video Art and New Media, Google Books] a collection of essays; Anti-Kythera Conversations (2010) and Kythera Conversations (2010); and two anthologies co-edited with Brad Buckley; Republics of Ideas: Republicanism Culture Visual Arts (2001);,Republics of Ideas: Republicanism Culture Visual Arts, Google Books {{cite web |url=http://www.artspace.org.au/publications_theory.php?i=4 |title=Artspace Sydney |accessdate=2013-02-11 |url-status=dead |archiveurl=https://web.archive.org/web/20130409093303/http://artspace.org.au/publications_theory.php?i=4 |archivedate=9 April 2013 |df=dmy-all }} Rethinking the Contemporary Art School: The Artist, the PhD and the Academy (2009),{{Cite web |url=http://nscad.ca/en/home/shopsandservices/nscadpress/publicationsprints/rethinking.aspx |title=Nova Scotia College of Art & Design |access-date=18 July 2012 |archive-url=https://web.archive.org/web/20140409002614/http://nscad.ca/en/home/shopsandservices/nscadpress/publicationsprints/rethinking.aspx |archive-date=9 April 2014 |url-status=dead }} and Ecologies of Invention (2013).[http://sydney.edu.au/news/architecture/274.html?newsstoryid=12513 University of Sydney, Faculty of Architecture, Design and Planning] He has been a contributor to periodicals, journals and newspapers around the world since the 1970s, including the now defunct Filmnews, Continuum: The Australian Journal of Media & CultureContinuum: The Australian Journal of Media & Culture, 'Electronic Arts in Australia', 1992 [http://wwwmcc.murdoch.edu.au/ReadingRoom/8.1/8.1.html] and RealTime.[http://www.realtimearts.net/article/47/6218 RealTime 47, Obituary: Nicholas Zurbrugg][http://www.realtimearts.net/article/issue48/6389 RealTime 48, 'The Lawson vision: sharing Australia'][http://www.realtimearts.net/article/87/9175 RealTime 87, 'Parallel lives: in cinema & beyond']
Also, with Brad Buckley, Conomos has published a major illustrated monograph, Brad Buckley/John Conomos, published by the Australian Centre for Photography in 2013.[http://www.acp.org.au/publications The Australian Centre for Photography] {{webarchive|url=https://web.archive.org/web/20141012193328/http://www.acp.org.au/publications |date=12 October 2014 }}.
Other contributions include chapter articles in Catherine Simpson, Renata Murawska and Anthony Lambert's Diasporas of Australian Cinema (2009) published by Intellect;{{Cite web |url=http://www.intellectbooks.co.uk/books/view-Book,id=4640/ |title=Intellect |access-date=5 August 2014 |archive-date=3 December 2013 |archive-url=https://web.archive.org/web/20131203063930/http://www.intellectbooks.co.uk/books/view-Book,id=4640/ |url-status=dead }} James Elkins' What Do Artists Know? (2012) published by Penn State University Press;[http://www.psupress.org/books/titles/978-0-271-05424-7.html Penn State University Press] Sean Cubitt and Paul Thomas' collection Relive: Media Art Histories (2013) published by The MIT Press;[http://mitpress.mit.edu/books/relive The MIT Press] and the foreword to Video Void (2014), published by Australian Scholarly Publishing.{{Cite web |url=http://www.scholarly.info/book/394/ |title=Australian Scholarly Publishing |access-date=5 August 2014 |archive-url=https://web.archive.org/web/20140808055422/http://www.scholarly.info/book/394/ |archive-date=8 August 2014 |url-status=dead }}
Curatorial work
Conomos in the 1980s was a film curator, programmer and researcher for the Australian Film Institute, Paddington. There, Conomos was responsible for the film programs: Cahiers Du Cinema in the Fifties, Early German Expressionist Cinema, The Evil Eye (Religion in the Cinema), Cinematheque Series: Ken Russell, François Truffaut, Horror Film (a retrospective), Through Other People's Eyes (Multicultural Cinema) and Archetypes (with Mark Jackson and Mark Stiles).
Conomos towards the late 1980s was also a video art and new media curator/consultant and researcher for the Australian International Video Festival[http://scanlines.net/event/sixth-australian-international-video-festival Australian International Video Festival 1991] and Electronic Media Arts (Australia). He was a director of both organisations and, was also media artist-in-residence for Electronic Media Arts (Australia).[http://scanlines.net/group/electronic-media-arts-ema Scanlines, Electronic Media Arts (EMA)].
Since the 1970s, Conomos has also been a film program consultant and researcher for the Sydney Film Festival, Melbourne International Film Festival and the Adelaide Film Festival and for local and international academic and cultural institutions and organisations, galleries and museums in Australia, England, Greece, France, Canada, Germany and the United States of America.
Academia
Conomos has worked as an academic since 1985, including College of Fine Arts, University of New South Wales; the University of Technology, Sydney; and the Sydney College of the Arts, University of Sydney.{{citation needed|date=March 2020}}
Videography
Conomos' videos and installations have been exhibited throughout Australia, France, England, the United States of America, Canada, China, Greece, Italy, Switzerland, Germany, Belgium, Sweden, Denmark, the Netherlands, Brazil, Argentina, Chile and New Zealand, and reviewed or cited in Artforum International, Art and Australia, Screen, Senses of Cinema, Cantrill Filmnotes, Art Monthly, Photofile, Broadsheet, Eyeline, Metro Magazine, Vertigo (London), Variant (Liverpool, UK), The Times Higher Education Supplement,[http://www.timeshighereducation.co.uk/418698.article The Times Higher Education Supplement, 'The art of the matter', 19 January 2012] Heat, Tate Modern Catalogue and Art Survey, RealTime, Continuum and Scanlines.
- Museum of Fire[http://qagoma.qld.gov.au/cinematheque/past_programs/liquid_medium_list_of_works Queensland Art Gallery of Modern Art, Liquid Medium List of Works] {{webarchive|url=https://web.archive.org/web/20120718235320/http://qagoma.qld.gov.au/cinematheque/past_programs/liquid_medium_list_of_works |date=18 July 2012 }} (with Chris Caines and David Haines), 1991.
- White Light (with David Haines), 1991.
- Night Sky,[http://www.eaf.asn.au/conomos.html Experimental Art Foundation listing] {{webarchive|url=https://web.archive.org/web/20130704214137/http://www.eaf.asn.au/conomos.html |date= 4 July 2013 }} 1995.
- Slow Burn,{{Cite web |url=http://artworkscatalogue.griffith.edu.au/web/pages/gal/Display.php?irn=2005&QueryPage=%2Fweb%2Fpages%2Fnrm%2FQuery.php |title=Griffith University art collection |access-date=18 July 2012 |archive-url=https://web.archive.org/web/20160304044545/http://artworkscatalogue.griffith.edu.au/web/pages/gal/Display.php?irn=2005&QueryPage=%2Fweb%2Fpages%2Fnrm%2FQuery.php |archive-date=4 March 2016 |url-status=dead }} 1996.
- Autumn Song, 1998.
- Album Leaves, 1999.
- Aura, 2003.
- Cyborg Ned, 2003.
- Autumn Song, Take Two,[http://anat.katalyst.com.au/news_items/87 Australian Network for Art & Technology, Video Logic Exhibition]{{dead link|date=April 2017 |bot=InternetArchiveBot |fix-attempted=yes }} 1998–2008.
- Lake George (After Mark Rothko), 2008.[http://www.roslynoxley9.com.au/news/releases/2008/03/04/143 Roslyn Oxley 9 Gallery, 'John Conomos – Lake George After Mark Rothko']
- Rat-a-tat-tat, 2008.
- Shipwreck,[https://archive.today/20121127032031/http://www.artmuseum.uq.edu.au/john-conomos The University of Queensland, UQ Art Museum exhibition listing] 2011.
- Dada Buster, 2013.
- The Spiral of Time, 2013.
- Nocturnal Bench, 2013.
- The Absent Sea, 2013.
- Paging Mr Hitchcock, 2014.
- Miro on the Beach, 2014.
- The Girl from the Sea, 2014.
Radiophonic works
- Smoke in the Woods,Australian Broadcasting Corporation, Sunday Night, 8 August 2004, Radio National [http://www.abc.net.au/rn/legacy/programs/sunnightrn/stories/s1161780.htm] 1998.
- Cinema of SolitudeAustralian Broadcasting Corporation, Radio Eye, 8 April 2001, Radio National [http://www.abc.net.au/radionational/programs/radioeye/cinema-of-solitude/3481382] (with Robert Lloyd), 2001.
- The Bells of Toledo,Australian Broadcasting Corporation, Radio Eye, 4 October 2008, Radio National [http://www.abc.net.au/radionational/programs/radioeye/the-bells-of-toledo/3183210] 2008.
Other resources
- George Alexander, Australian Perspecta, Exhibition catalogue, Art Gallery of New South Wales, 1989.
- Cathie Payne, 'Visible Spaces, Electronic Records: John Conomos and Tracey Moffatt,' in Nicholas Zurbrugg (ed.), 'Electronic Arts in Australia', Continuum, Vol. 8, No.1, 1994, pp. 318–327.
- Michael Maziere, 'Passing through the Image', in Julia Knight (ed), Diverse Practices, University of London and The Arts Council of England, 1996.
- Nicholas Papastergiadis, Dialogues in Diaspora, Rivers Oram Press, London and New York, 1998.
- Helen Macallan, 'Autumn Song: John Conomos' Work of Mourning', Heat, 10, 1998.
- George Kouvaras, 'Nocturnal Kinship: Cinema and memory in John Conomos', Album Leaves, Screening the Past, No.13, 2001, Melbourne.
- Tom Holert, 'Unsentimental Education', Artforum, Summer Issue, 2010.
References
{{Reflist}}
External links
- [http://www.johnconomos.com Official website]
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