Jonatha Brooke
{{short description|American singer-songwriter and musician}}
{{Use mdy dates|date=March 2020}}
{{Infobox musical artist
| name = Jonatha Brooke
| image = Jonatha14-109Square.jpg
| caption = Press shot by Sandrine Lee
| background = solo_singer
| birth_name = Jonatha Brooke
| alias =
| birth_date = {{birth date and age|1964|1|23}}
| birth_place = Illinois, United States
| instrument = Vocals, guitar, piano
| genre = Folk rock
| occupation = Musician, songwriter
| years_active = 1980s–present
| label = Bad Dog Records, MCA Records, Elektra, Green Linnet, Rykodisc
| associated_acts = The Story
| website = [http://www.jonathabrooke.com jonathabrooke.com]
}}
Jonatha Brooke (born January 23, 1964) is an American folk rock singer-songwriter and guitarist from Massachusetts, United States. Her music merges elements of folk, rock and pop, often with poignant lyrics and complex harmonies. She has been a performer, writer, and artist since the late 1980s, and her songs have been used in television shows and movies.
Education
Jonatha Brooke attended Shady Hill School in Cambridge, Massachusetts, and the Commonwealth School in Boston. She graduated from Amherst College in 1985.
Career
=Beginnings=
Jonatha Brooke and fellow Bostonian Jennifer Kimball began playing music together in the 1980s after having met at Amherst College. They performed regularly during their college years.{{cite news
| author = Derk Richardson
| title = A Label of Her Own – Jonatha Brooke takes back her music with Steady Pull
| newspaper =The San Francisco Chronicle
| date = March 29, 2001
| url = http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2001/03/29/derk.DTL
| access-date = September 18, 2009
}} Their folk songs were marked by "witty wordplay and sumptuous pop harmonies," according to one music critic.{{cite news
| author = Geoffrey Himes
| title = JONATHA BROOKE '10 Cent Wings' Refuge/MCA; CATIE CURTIS "Catie Curtis" Guardian
| newspaper = The Washington Post
| date = November 7, 1997
| url = http://www.highbeam.com/doc/1P2-758967.html
| archive-url = https://web.archive.org/web/20121026143313/http://www.highbeam.com/doc/1P2-758967.html
| url-status = dead
| archive-date = October 26, 2012
| access-date = September 18, 2009
}} Another critic suggested Brooke (the duo's principal songwriter) was the creative dynamo behind the team. Another suggested that many artists of this era were inspired by Joni Mitchell to strive for excellent musicianship, singing, and writing.{{cite news
| author = Tracy Collins
| title = On the Arts: They are chicks, hear them roar as a musical influence
| newspaper = Pittsburgh Post-Gazette
| date = January 2, 2000
| url = http://www.postgazette.com/magazine/20000102onarts3.asp
| access-date = September 18, 2009
| archive-date = August 14, 2007
| archive-url = https://web.archive.org/web/20070814132910/http://www.postgazette.com/magazine/20000102onarts3.asp
| url-status = dead
}} Brooke was sometimes grouped with emerging 1990s talents such as the Indigo Girls, Sheryl Crow, Shawn Colvin, and Mary Chapin Carpenter.
In 1989, the duo played the coffeehouse folk circuit and radio as The Story and were described as an example of the "folk-rock singer-songwriter aesthetic," according to one account. That year they created a demo called Over Oceans. They were signed to the independent label Green Linnet which, in 1991, issued the duo's debut full-length album Grace in Gravity. Later Elektra Records signed The Story and re-issued their debut. Their second album, The Angel in the House, was released in 1993, highlighting their intricate and sometimes dissonant harmonies.
One music critic described their approach as "levity" between heavy songs about "God, church, death, female oppression, self-suppression, mothers and daughters." Their songs adroitly avoided "heavy-handedness" with a certain "winning buoyancy of tune and/or spirit" with "sophisticated harmonic changes whose intriguing hooks come at you cockeyed and sideways more often than they swoop down from the heavens."{{cite news
| title = POP MUSIC REVIEWS – Vocal Precision From the Story
| newspaper = Los Angeles Times
| date = October 26, 1993
| url = https://www.latimes.com/archives/la-xpm-1993-10-26-ca-49742-story.html
| access-date = September 18, 2009
| first=Chris
| last=Willman
}} The duo were compared with artists such as Suzanne Vega and Indigo Girls.{{cite news
| author = Jean rosenbluth
| title = Pop Reviews – Uneven Set by Pair of Boston Singers
| newspaper = Los Angeles Times
| date = June 27, 1992
| url = https://www.latimes.com/archives/la-xpm-1992-06-27-ca-752-story.html
| access-date = September 18, 2009}}
=Solo career=
In 1994, Brooke pursued a solo career. One critic described Brooke as having a "lovely soprano voice" and liked the "catchy original melodies and thorny lyrics." On her first solo effort Plumb (1995) People Magazine noted that "Brooke glides through poignant, multifaceted songs with her sweet, insinuating voice. The effect, on limpid compositions such as "Nothing Sacred" and "Inconsolable," is both ravishing and heartbreakingly sad."{{cite web|title = Picks and Pans Review: Plumb : People.com|url = http://www.people.com/people/archive/article/0,,20101933,00.html|website =People|access-date = January 7, 2016}} Her followup 10 Cent Wings earned her a review in Billboard Magazine, which declared that "10 Cent Wings is essential, like taking a deep breath after witnessing something magnificent."{{Cite magazine|url = https://books.google.com/books?id=5AkEAAAAMBAJ&q=jonatha+brooke+10+cent+wings+billboard.com&pg=PA64|title = Reviews and Previews|last = Paul|first = Verna|date = November 29, 1997|magazine = Billboard}}
=Going Independent=
The changing dynamics of the music business in the middle 1990s had a "sell-or-perish" pattern featuring a "leaner, meaner record industry," as one critic described the industry in the 1990s. "I was in the middle of a national tour [for 10 Cent Wings] when MCA dropped me," Brooke recalled. "One second you're a princess on the throne, and the next week no one will return your phone calls," she commented to a reporter.{{cite news
| author = Natalie nichols
| title = An Ode to Independence
| newspaper = Los Angeles Times
| date = March 29, 2001
| url = https://www.latimes.com/archives/la-xpm-2001-mar-29-ca-43949-story.html
| access-date = September 18, 2009
}}
She recalled: "I realized nothing had changed. I didn't have a contract with MCA Records, and I didn't have tour support, and I wasn't going to get to make a video, which they had promised. The shows were still sold out, my audience was still there and they didn't care whether or not I was part of the Universal conglomerate. That was a really empowering and reassuring time."
While in her early 30s without backing from a major label, she became known as an industrious "cutting-edge world of do-it-yourself" marketer by using the Internet creatively to reach out to fans. She recorded "Jonatha Brooke Live" (1999) on her own label, Bad Dog Records. At first she sold via the Internet. She packaged and mailed about 2,500 copies and autographed each one for a personal touch.{{cite news
| author = Mike boehm
| title = Do-It-Yourself Career; Setbacks Can't Stop Singer Jonatha Brooke From Reaching Her Fans
| newspaper = Los Angeles Times
| date = April 21, 1999
| url = https://pqasb.pqarchiver.com/latimes/access/40741183.html?dids=40741183:40741183&FMT=ABS&FMTS=ABS:FT&type=current&date=Apr+21%2C+1999&author=MIKE+BOEHM&pub=Los+Angeles+Times&desc=Do-It-Yourself+Career%3B+Setbacks+Can%27t+Stop+Singer+Jonatha+Brooke+From+Reaching+Her+Fans&pqatl=google
| archive-url = https://archive.today/20130131142708/http://pqasb.pqarchiver.com/latimes/access/40741183.html?dids=40741183:40741183&FMT=ABS&FMTS=ABS:FT&type=current&date=Apr+21,+1999&author=MIKE+BOEHM&pub=Los+Angeles+Times&desc=Do-It-Yourself+Career;+Setbacks+Can't+Stop+Singer+Jonatha+Brooke+From+Reaching+Her+Fans&pqatl=google
| url-status = dead
| archive-date = January 31, 2013
| access-date = September 18, 2009
}} She moved to Malibu in 2000.
Critics wrote mostly positive reviews. One described her as a "down-to-earth poet" with "an apparently inexhaustible supply of anecdotes" and "flawlessly crafted lush backdrops for songs that mused wistfully about love and destiny," although "emotions were often obscured by the complex arrangements and gorgeous vocal harmonies."{{cite news
| author = Natalie nichols
| title = Jonatha Brooke's Earthy, Literate Pop
| newspaper = Los Angeles Times
| date = March 30, 1998
| url = https://www.latimes.com/archives/la-xpm-1998-mar-30-ca-34170-story.html
| access-date = September 18, 2009
}} Another critic described her earlier songs as "introspective, sometimes bleak Joni Mitchell-esque compositions." Another described her music as "contemporary folk".{{cite news
| author = Scott Mervis
| title = Weekend Hotlist, 4/23/04
| date = April 23, 2004
| url = http://www.postgazette.com/pg/04114/304862-42.stm
| access-date = September 18, 2009
| archive-date = February 22, 2012
| archive-url = https://web.archive.org/web/20120222042140/http://www.postgazette.com/pg/04114/304862-42.stm
| url-status = dead
}}
=The 2000s=
Brooke's next album, Steady Pull (2001) reflected "relief and optimism." She again released it on her own label, commenting that there were "still plenty of dark corners on this record, but I wanted to push boundaries." A critic said she opened up more with this album. Her song "New Dress" (with background vocals from Crowded House frontman Neil Finn) was about a newfound romantic bliss. This rock-influenced album was co-produced by Brooke and veteran producer/engineer Bob Clearmountain, best known for his work with artists such as Bryan Adams, Bruce Springsteen, The Rolling Stones, The Corrs, and Hall & Oates. Clearmountain had, at that point, retired from recording and producing artists, focusing solely on mixing music, but came out of that "retirement" specifically to work with Jonatha, who recorded the album at Clearmountain's Mix This! studio.{{cite web|title=Jonatha Brooke and Bob Clearmountain Teaming Up for "Steady Pull"|url=https://www.mixonline.com/recording/jonatha-brooke-and-bob-clearmountain-teaming-steady-pull-365342|website=Mix|date=March 1, 2001|access-date=January 30, 2025}} Later, her song "Your House" was included in the ABC series entitled Once and Again. Brooke was featured as a guest vocalist with artists such as Lisa Loeb, Chris Botti and Patty Larkin, and has co-written tracks for Joe Sample's The Pecan Tree.
In 2002 she moved from California to New York and married manager Patrick Rains.{{cite news
|author = Dan Ouellette|title = BROOKE MAKES WAVES – "MY MUSIC HAS AS UNDERBELLY INFORMED BY THE ROUGH SPELLS IN MY LIFE."|newspaper = San Francisco Chronicle|date = April 11, 2004|url = http://www.sfgate.com/cgi-bin/article/article?f=/c/a/2004/04/11/PKGG75UVQD1.DTL|access-date = September 19, 2009}} She performed two songs on Disney's Return to Never Land (2002) soundtrack, a movie based on the Peter Pan story, contributing her original song "I'll Try" and a cover "The Second Star to the Right".{{cite news
| author = Loren King
| title = 'Return' revisits the enchantment of 'Peter Pan'
| newspaper = Boston Globe
| date = February 15, 2002
| url = http://www.boston.com/movies/display?display=movie&id=198
| access-date = September 18, 2009
}}
In 2003, Brooke revamped 1995's song "War" as a protest against the Gulf War.{{cite news
| author = Edna Gundersen
| title = Artists mount a chorus against war
| newspaper = USA Today
| date = February 27, 2003
| url = https://www.usatoday.com/life/music/news/2003-02-27-community_x.htm
| access-date = September 18, 2009
}} In 2004, she released Back in the Circus with new material plus song covers from songs by The Alan Parsons Project, The Beach Boys, and James Taylor. The album was also released in the United Kingdom in 2005 and combined tracks with several Steady Pull songs. Rolling Stone described it as "stocked with lovingly detailed songs."{{Cite magazine|title = Jonatha Brooke: Back in the Circus (Bad Dog/Verve)|last = Micalef|first = Ken|date = February 23, 2014|magazine = Rolling Stone}} In August 2006, she released a combination CD and DVD titled Live in New York. In April 2007, Brooke released Careful What You Wish For via Rykodisc distribution. "The vibe of the album," she wrote in notes for reporters, was "all about busting out, being on the edge, playing with great abandon to see what we could come up with."{{cite news
| title = Weekend Hotlist
| newspaper = Pittsburgh Post-Gazette
| date = April 26, 2007
| url = http://www.postgazette.com/pg/07116/780992-42.stm
| access-date = September 18, 2009
| archive-date = February 22, 2012
| archive-url = https://web.archive.org/web/20120222042145/http://www.postgazette.com/pg/07116/780992-42.stm
| url-status = dead
}}
Some Brooke songs have been sung or covered by other artists. Her tune "Because I Told You So" from Ten Cent Wings was covered by Nick Lachey on his 2006 album What's Left of Me.{{cite web
| title = Vocal contribution – Jonatha cd
| publisher = Nickfanatic.com
| date = September 18, 2009
| url = http://www.nickfanatic.com/index.php?option=com_content&task=view&id=296&Itemid=1
| access-date = September 18, 2009
}} Her song "Inconsolable" from Plumb was featured in a TV episode of Buffy the Vampire Slayer entitled "Prophecy Girl". Buffy creator Joss Whedon enlisted Brooke to create "What You Don't Know," the theme song for the TV series Dollhouse{{cite news
| title = Jonatha Brooke
| publisher = Internet Movie Database (IMDb)
| date = September 18, 2009
| url = https://www.imdb.com/name/nm1064844/
| access-date = September 18, 2009
In 2008, Brooke appeared on the Tinker Bell movie soundtrack with the song "Be True." The movie's soundtrack was released on October 14, 2008, a week before the DVD release and contains songs from and inspired by the film. In February 2008, Brooke recorded The Works which was her seventh solo release.{{cite news
| author = Linda Laban
| title = 'The Works' mostly works
| newspaper = Boston Globe
| date = August 26, 2008
| url = http://www.boston.com/ae/music/cd_reviews/articles/2008/08/26/the_works_mostly_works/
| access-date = September 18, 2009
}} This effort was inspired by the music of late folk legend Woody Guthrie.{{cite news
| title = Interview with Jonatha Brooke (Dollhouse Theme singer-songwriter)
| newspaper = USA Today
| date = June 15, 2009
| url = http://content.usatoday.com/topics/article/Dollhouse/0eVt78Kbyjb2V/9
| access-date = September 18, 2009
}}{{cite web|url=https://www.pastemagazine.com/articles/2008/06/jonatha-brooke-set-to-release-album-of-guthrie-lyr.html|title=Jonatha Brooke set to release album of Woody Guthrie lyrics|date=June 17, 2008|website=Paste}}{{cite news
| title = Jonatha Brooke: Rediscovering Woody Guthrie
| publisher = National Public Radio (interview) Weekend Edition Sunday
| date = November 16, 2008
| url = https://www.npr.org/templates/story/story.php?storyId=97006623
| access-date = September 18, 2009
| title = The outlook – Things to do and places to go
| newspaper =Boston Globe
| date = November 17, 2008
| url = http://www.boston.com/ae/events/articles/2008/11/17/the_outlook/
| access-date = September 18, 2009
}} Brooke was invited by Guthrie's daughter Nora to sift through the private archives and hunt through Guthrie's unreleased material for possible adaptations. Brooke said she was "smitten" with Guthrie's work and going through it was like "going to church." She liked his poetic love songs like "My Sweet and Bitter Bowl" and spiritual deeper tunes like "My Battle" and loved Guthrie's "full spectrum of craziness" as she described his writings. Musicisns featured on Brooke's The Works include keyboard player Joe Sample, bassist Christian McBride, drummer Steve Gadd, and pedal steel guitarist Greg Leisz.
One reviewer lauded Brooke's "forceful, girlish voice" and described her tune "My Sweet and Bitter Bowl" as a "driving opener" and "standout" and described the entire suite of songs as "solid." The critic described the album as a "Brooke record" not a "Guthrie one". Another critic described the album as "Woody Guthrie's lyrics" with "an urbane new voice within Brooke's sleek, winking alt-pop ... if the Dust Bowl troubadour had matriculated at Amherst, he'd sound just like this."{{cite news
| author = Scott Alarik
| title = Scott Alarik's top CD picks of 2008
| newspaper = Boston Globe
| date = December 14, 2008
}} In 2008, she participated in the music album Songs for Tibet, an initiative to support Tibetan Dalai Lama Tenzin Gyatso. The album was issued on August 5 via iTunes and on August 19 in stores.E-Online (July 22, 2008) [http://uk.eonline.com/uberblog/b147502_sting_matthews_mayer_gamer_tibet_beijing.html Sting, Matthews, Mayer Gamer for Tibet Than Beijing] {{webarchive|url=https://web.archive.org/web/20080724212652/http://uk.eonline.com/uberblog/b147502_sting_matthews_mayer_gamer_tibet_beijing.html |date=July 24, 2008 }} In 2009, she shared vocal duties with Davy Knowles on the song "Taste of Danger" on the album Coming Up For Air from Davy Knowles & Back Door Slam.
Brooke was a judge on the 10th{{cite web|url=https://independentmusicawards.com/judges/|title=Judges|website=Independentmusicawards.com}}{{cite web|url=http://miccontrolblog.com/2009/05/27/the-independent-music-awards-announces-judges-for-9th-annual-imas/|archive-url=https://web.archive.org/web/20090626231446/http://miccontrolblog.com/2009/05/27/the-independent-music-awards-announces-judges-for-9th-annual-imas/|url-status=dead|archive-date=June 26, 2009|title=The Independent Music Awards Announces Judges for 9th Annual IMAs | MicControl|date=June 26, 2009}}{{cite web |url=http://top40-charts.com/news/Charts-Awards/She-%26-Him-The-Black-Keys-Mark-Hoppus-Aimee-Mann-And-Bettye-LaVette-Join-Judging-Panel-For-The-9th-Annual-Independent-Music-Awards/48785.html |title=She & Him, the Black Keys, Mark Hoppus, Aimee Mann and Bettye LaVette Join Judging Panel for the 9th Annual Independent Music Awards @ Top40-Charts.com - New Songs & Videos from 49 Top 20 & Top 40 Music Charts from 30 Countries |access-date=February 8, 2020 |archive-url=https://web.archive.org/web/20170823070900/http://top40-charts.com/news/Charts-Awards/She-%26-Him-The-Black-Keys-Mark-Hoppus-Aimee-Mann-And-Bettye-LaVette-Join-Judging-Panel-For-The-9th-Annual-Independent-Music-Awards/48785.html |archive-date=August 23, 2017 |url-status=dead }} and 11th[http://www.independentmusicawards.com/ima/judges/11th-annual-ima-judges/ "11th Annual IMA Judges]. Independent Music Awards. Retrieved September 4, 2013. annual Independent Music Awards. She was also a judge for the 5th and 9th Independent Music Awards.{{cite web|url=http://www.independentmusicawards.com/ima_new/pastjudges.asp|archive-url=https://web.archive.org/web/20110713024722/http://www.independentmusicawards.com/ima_new/pastjudges.asp|url-status=dead|title=Independent Music Awards – Past Judges|archive-date=July 13, 2011}} According to Brooke in an interview, her favorite collaboration with other artists was the song "Forgiven" with Chris Botti (in Chris' 2002 CD The Very Best of Chris Botti).{{cite web|url=http://popdose.com/popdose-interview-jonatha-brooke/|title=Popdose Interview: Jonatha Brooke|date=November 10, 2008|website=Popdose.com|access-date=October 16, 2019}}
=The 2010s=
In 2010, Jonatha Brooke performed as the opening act of the French tour of Nolwenn Leroy, singing songs in English and in French, and joined Nolwenn Leroy for some duets.
In February 2014, Brooke opened in her one-woman play My Mother Has 4 Noses off-Broadway at the Duke Theater in New York City. The play, written by Brooke, recounts in words and music Brooke's relationship with her mother, who suffered from dementia.{{cite news|url=https://www.nytimes.com/2014/02/22/theater/jonatha-brookes-my-mother-has-4-noses.html|title=A Daughter's Loyalty Shines Through Song|newspaper = The New York Times|date=February 21, 2014 |access-date=March 26, 2014|last1=Collins-Hughes |first1=Laura }} It earned favorable reviews, including a "NY Times Critics' pick" designation.{{Cite news|title = Jonatha Brooke's 'My Mother Has 4 Noses'|url = https://www.nytimes.com/2014/02/22/theater/jonatha-brookes-my-mother-has-4-noses.html|newspaper = The New York Times|date = February 21, 2014|access-date = January 8, 2016|issn = 0362-4331|first = Laura|last = Collins-hughes}} She released a CD of the same title simultaneously which one reviewer described as "an intimate, string laden album full of warmth and sadness."{{cite web|title = Music Reviews: The Latest From Phantogram, Guided By Voices, Suzanne Vega & More|url = https://abcnews.go.com/Entertainment/record-release-rundown-latest-phantogram-guided-voices-suzanne/story?id=22624783|website = ABC News|date = February 23, 2014|access-date = January 8, 2016|first = Allan|last = Raible}}{{cite news|url=https://www.nytimes.com/video/theater/100000002784749/in-performance-jonatha-brooke.html?emc=eta1|title=In Performance: Jonatha Brooke|newspaper=The New York Times|date=March 25, 2014 |access-date=October 16, 2019|last1=Frank |first1=David }}
In October 2016, Jonatha released the album Midnight. Hallelujah. Recorded at Sweetwater Studios in Fort Wayne, Indiana, and mixed by Bob Clearmountain, the collection features a broader mix of instruments than her previous two albums. Brooke supported the release of the album with tour dates across the United States.
In February 2019, Jonatha Brooke won Overall Grand Prize in the 15th Annual IAMA (International Acoustic Music Awards), as well as Best Female Artist with her song "Put the Gun Down".
Brooke released an EP, Imposter, in 2019. In an interview for the EP, Brooke revealed that she now lives in Minneapolis.{{Cite web|url=https://www.startribune.com/the-naked-truth-about-jonatha-brooke-s-new-made-in-minnesota-record/508452522/|title=The naked truth about Jonatha Brooke's new made-in-Minnesota record|website=Star Tribune|date=April 14, 2019 |access-date=January 15, 2021}}
Discography
class="wikitable sortable"
|+ Jonatha Brooke |
Album
! Year ! Label !class="unsortable"| Notes !class="unsortable"| References |
---|
Grace in Gravity
| 1991 | | rowspan="2" | part of The Story |
The Angel in the House
| 1993 | Elektra |
Plumb
| 1995 | Blue Thumb | as Jonatha Brooke & The Story; Tommy LiPuma = label owner |
10 Cent Wings
| 1997 | MCA | |
Jonatha Brooke Live
| rowspan="2" | 1999 | Bad Dog Records | |
Bleecker Street: Greenwich Village in the 60's
|Astor Place |Covered Paul Simon's "Bleecker Street" | |
Steady Pull
| 2001 | rowspan="8" | Bad Dog Records | |
Back in the Circus
| 2004 | |
Live in New York
| 2006 | CD/DVD set | |
Careful What You Wish For
| 2007 | |
The Works
| 2008 | |
My Mother Has 4 Noses
| 2014 | | |
Midnight. Hallelujah.
| 2016 | | |
Imposter (EP)
| 2019 | | |
The Sweetwater Sessions
| 2020 | Bad Dog / PRA Records | retrospective of Jonatha's tunes for a visceral “live, in the studio” sound |
References
{{reflist|colwidth=30em}}
External links
- {{official website|http://www.jonathabrooke.com}}
- [https://web.archive.org/web/20080201014322/http://www.sirensofsong.com/brooke.htm Sirens of Song: Jonatha Brooke]
- {{IMDb name|1064844}}
- [https://web.archive.org/web/20081010005556/http://laist.com/2008/10/07/jonatha_brooke.php LAist.com Interview]
- [https://www.npr.org/templates/story/story.php?storyId=97006623 Jonatha Brooke: Rediscovering Woody Guthrie] on NPR.org
{{Authority control}}
{{DEFAULTSORT:Brooke, Jonatha}}
Category:American women singer-songwriters
Category:American folk-pop singers
Category:American folk rock musicians
Category:American rock songwriters
Category:Singer-songwriters from Illinois
Category:American rock singers
Category:Amherst College alumni
Category:American feminist musicians
Category:Singer-songwriters from Massachusetts
Category:Guitarists from Massachusetts
Category:Commonwealth School alumni
Category:20th-century American guitarists
Category:20th-century American women guitarists
Category:Shady Hill School alumni