José Padilha

{{short description|Brazilian film director}}

{{For|similarly-named people|José Padilla (disambiguation){{!}}José Padilla}}

{{Portuguese name|third=|suffix=Neto}}

{{Infobox person

| name = José Padilha

| image = Jose Padilha by Gage Skidmore.jpg

| image_size = 220px

| caption = Padilha at San Diego Comic-Con in 2013

| alt =

| birth_name = José Bastos Padilha Neto

| birth_date = {{Birth date and age|df=yes|1967|8|1}}

| birth_place = Rio de Janeiro, Brazil

| alma mater = Oxford University

| other_names =

| known_for = Elite Squad
Elite Squad: The Enemy Within
RoboCop

| occupation = Film director, producer and screenwriter

| years_active = 2000–present

}}

José Bastos Padilha Neto{{Cite web |url=http://brasileiros.com.br/2009/06/padilha-cenas-da-vida-real-no-sertao/ |title=Padilha, cenas da vida real no sertão |access-date=2016-06-14 |archive-url=https://web.archive.org/web/20160614224021/http://brasileiros.com.br/2009/06/padilha-cenas-da-vida-real-no-sertao/ |archive-date=2016-06-14 |url-status=dead }} ({{IPA|pt-BR|ʒuˈzɛ paˈdʒiʎɐ|lang}}; born 1 August 1967) is a Brazilian film director, producer and screenwriter. He is best known for directing the Brazilian critical and financial successes Elite Squad and Elite Squad: The Enemy Within and the 2014 remake of RoboCop. He has won the Golden Bear at the Berlin International Film Festival for Elite Squad in 2008. He is also the producer of the Netflix original series Narcos, starring frequent collaborator Wagner Moura, and directed the first two episodes in the series.

Early life

Padilha was born in Rio de Janeiro. Before making films, he studied business, politics, and economics in Rio de Janeiro. He attended Oxford University and studied literature and international politics.{{Cite web | url=https://www.imdb.com/name/nm0655683/bio?ref_=nm_ov_bio_sm |title = José Padilha| website=IMDb }}

In 1997, Padilha co-founded the production company Zazen Produções with Marcos Prado,{{cite web|author=Marcelo Cajueiro |url=https://variety.com/2008/film/news/jose-padilha-2-1117979136/ |title=Jose Padilha – Variety |publisher=Variety.com |date=2008-01-16 |access-date=2017-12-01}} whom he met at Oxford. In the years to come, Zazen Produções would become hugely instrumental in his film making affairs.

Career

Padilha emerged onto the Brazilian movie scene with his first feature film Bus 174 (2002). The film was a documentary feature produced by his production company; it detailed the story of a bus hijacking in his hometown. Employing his interest in politics, Padilha used the film to show how social engineered poverty in Rio de Janeiro had an effect on crime.Tauris, I.B. ‘Revisiting the "realism" of the cosmetics of hunger: Cidade de Deus and Ônibus 174’. The movie was a success, earning $217,201 at the box office, but caused controversy for some who believed that Padilha was sympathizing with a criminal, and portraying the police as incompetent and corrupt. The film received a lot of attention in several film festivals, including Vancouver, Sundance, and San Francisco.{{Cite web | url=http://www.rottentomatoes.com/m/bus_174/ |title = Bus 174 (Ônibus 174) (2003)| website=Rotten Tomatoes }}

In 2007, Padilha directed Elite Squad, his first semi-fictional film. The film was a commercial and critical success, seen by more than 11 million people in Brazil, coming in at number 1 in 2007. In 2008, Padilha won the Golden Bear at the Berlin Film Festival for Elite Squad, bringing him international attention. The budget was just over 6 million dollars and included funding from the Weinstein Company, and several others.{{Cite web | url=https://www.imdb.com/title/tt0861739/companycredits | title=Elite Squad (2007)| website=IMDb}} This film sparked discussions regarding police brutality in Brazil, as well as their alleged involvement with gang related activities.{{cite web|author=Indiewire |url=http://www.indiewire.com/article/dispatch_from_brazil_golden_bear_upset_a_look_at_the_controversy_behind_tro |title=DISPATCH FROM BRAZIL | Golden Bear Upset: A Look at the Controversy Behind "Tropa de Elite" |publisher=IndieWire |date=2008-02-26 |access-date=2017-12-01}} Due to the success of Elite Squad, a 2010 sequel was released: Elite Squad: The Enemy Within. It still holds the record highest domestic grossing film and all-time largest box office ticket sales in Brazil.{{cite web|url=http://www.hollywoodreporter.com/news/elite-squad-2-brazils-highest-57946 |title='Elite Squad 2' Is Brazil's Highest-Grossing Domestic Film |publisher=Hollywood Reporter |date=2010-12-08 |access-date=2017-12-01}} This film was selected as Brazil's official Academy Awards' entry in 2012 for Best Foreign Film, but it did not make the final shortlist.{{cite web |url=http://www.oscars.org/press/pressreleases/2012/20120118.html |title=9 Foreign Language Films Vie for Oscar |access-date=2012-01-19 |work=oscars.org |date=January 18, 2012 |url-status=dead |archive-url=https://web.archive.org/web/20120121052613/http://www.oscars.org/press/pressreleases/2012/20120118.html |archive-date=January 21, 2012 }} The films form part of a planned trilogy, examining the influence of media, police and politicians on society.Wilkinson, Amber (2008-08-07). [http://www.eyeforfilm.co.uk/feature.php?id=552 Jose Padhila on Elite Squad]. EyeForFilm.co.uk.

After Elite Squad, Padilha made two more documentary films. The first documentary was Garapa, which follows a family of three fighting to stave off hunger in Brazil.{{Cite web | url=https://www.imdb.com/title/tt1262985/ |title = Garapa| website=IMDb }} The documentary film Secrets of the Tribe premièred at the 2010 Sundance Film Festival to critical acclaim.[https://web.archive.org/web/20100405083100/http://sundance.bside.com/2010/films/secretsofthetribe_sundance2010%3Bjsessionid%3DA822FA415B15E2347295B72F3B8C3189 Secrets of the Tribe]. sundance.bside.com (2010). This film explores certain allegations first brought to light in Patrick Tierney's book Darkness in El Dorado (2000), that anthropologists studying the Yanomami Indians in the 1960s and 1970s engaged in bizarre and inappropriate interactions with the tribe, including sexual and medical violations.

After the huge success of both Elite Squad films, Padilha was offered several films by Sony Pictures Entertainment. He declined them all before deciding to film a reboot of the 1987 sci-fi classic, RoboCop. Padilha said, "I went to into Sony and they were offering me a lot of movies, but none of them were Robocop. I didn't want to make any of those movies they were talking about. And there was a Robocop poster in the room. Eventually I said to them, do you own Robocop? And they go like, 'Yeah'…and I said, you know, I want to do it…"{{cite web|url=http://www.slashfilm.com/interview-robocop-director-jose-padilha-fights-for-smarter-stories-in-hollywood/ |title=Interview: 'RoboCop' Director José Padilha Fights for Smarter Stories in Hollywood – /Film |publisher=Slashfilm.com |date=2014-02-14 |access-date=2017-12-01}} On March 2, 2011, it was announced that Padilha would direct the rebooted RoboCop film. The film was released on February 12, 2014. Padilha continued with his political narrative by using the film to illustrate the dangers and moral hazards of automated violence.The film grossed over $240 million worldwide and was met with a mixed reception by critics.{{Cite web | url=http://www.rottentomatoes.com/m/1200731-robocop/ | title=RoboCop (2014)| website=Rotten Tomatoes}}

Filmography

=Film=

class="wikitable"
YearTitleLanguageAwards
2002Bus 174Portuguese
2007Elite SquadPortugueseGolden Bear
2009GarapaPortuguese
rowspan="2"| 2010Elite Squad: The Enemy WithinPortuguese
Secrets of the TribeYanomaman/Spanish/Italian/English
rowspan="2"| 2014RoboCopEnglish
Rio, I Love YouEnglish
2018EntebbeEnglish
2024American Cancer StoryEnglish

=Television=

class="wikitable"
YearTitleLanguageNotesRole
2015NarcosEnglish/Spanishrowspan="4" | Netflix seriesDirector (2 episodes), executive producer
2018O MecanismoPortugueseDirector (8 episodes), executive producer
2018Narcos: MexicoEnglish/SpanishExecutive producer

=Music video=

class="wikitable"
YearTitleArtistLanguageNotes
2018"Let Me"ZaynEnglish{{cite magazine|last=Carr|first=Mary|title=Zayn cracks skulls and gets the girl in new 'Let Me' music video|url=http://ew.com/music/2018/04/12/zayn-let-me-music-video/|access-date=13 April 2018|magazine=Entertainment Weekly|date=12 April 2018}}

Awards and nominations

{{Main|List of awards and nominations received by José Padilha}}

References

{{reflist|30em}}

Tauris, I.B. ‘Revisiting the "realism" of the cosmetics of hunger: Cidade de Deus and Ônibus 174’.