Joseph Petric

{{Infobox musical artist

| honorific_prefix =

| name = Joseph Francis Petric

| honorific_suffix = BM, MA

| image = Petric Portrait 2022.png

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| caption = Petric in 2022

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| birth_date = {{birth date and age|1952|10|08}}

| birth_place = Guelph, Ontario, Canada

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| genre =

| occupation = Concert accordionist, musicologist, composer, author, teacher

| instrument = Accordion

| years_active = 1979–present

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| website = {{URL|https://josephpetric.com/}}

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Joseph Francis Petric (born October 8, 1952) is a Canadian concert accordionist, musicologist, composer, author, and pedagogue.

Formation

After beginning accordion lessons at the age of five, Petric began private studies at Toronto's Royal Conservatory when he was 17. He was then accepted to Queen's University where he studied accordion with Joseph Macerollo; this was followed by studies in musicology with Rika Maniates at the University of Toronto. Petric continued performance studies with various instructors including Hugo Noth at the Staatliche Hochschule für Musik Trossingen, Renaissance specialist Leslie Huggett (1992–8), harpsichordist Colin Tilney (1997–2010), and forte-pianist Boyd McDonald (2009–15).Verdejo, Adrian. {{Cite encyclopedia |title=Joseph Petric |encyclopedia=The Canadian Encyclopedia |url=https://www.thecanadianencyclopedia.ca/en/article/joseph-petric-emc |access-date=2021-08-29}}

Repertoire

Petric is known for the impressive number of works he has introduced to the accordion repertoire. The performer's website presently states that he has commissioned over 360 pieces including 31 electroacoustic works and 21 concerti.{{Cite web |title=Biography |url=http://josephpetric.com/biography.html |access-date=2021-08-29 |website=josephpetric.com |language=en-CA}}

= Electroacoustic works =

Although the electroacoustic genre was initially most prevalent in avant garde circles, these works were welcomed enthusiastically in programs Petric has presented to general audiences.{{Cite journal |last=Hubbs |first=Nadine |date=1994 |title=The Fourteenth Annual New Music and Art Festival at BGSU: New Music on Its Own Terms |url=https://www.jstor.org/stable/833616 |journal=Perspectives of New Music |volume=32 |issue=2 |pages=304–315 |doi=10.2307/833616 |jstor=833616 |issn=0031-6016}} These compositions include digital and computer stochastic programming, live digital delay systems, electroacoustic CD playback, interactive software, sound processing, techno-chamber, live computer systems, and MAC patch software. Alexa Woloshyn's recent publication An Orchestra at My Fingertips: A History of the Canadian Electronic Ensemble mentions Petric multiple times for his involvement in the pioneering Canadian Ensemble, his collaborations with composer David Jaeger, and his recordings for the Canadian Music Centre’s record label Centrediscs.{{Cite book |last=Woloshyn |first=Alexa |title=An Orchestra at My Fingertips: A History of the Canadian Electronic Ensemble |publisher=McGill-Queen's University Press |year=2023 |isbn=978-0-2280-1734-9 |location=Montréal |pages=62, 133, 164, 238n |language=English}}

= Concerti =

Petric has a concerto-led career that is sustained by commissioning new works from emerging and established composers. The 30 concerto performances Petric gave across North America and Europe between 1995 and 1997 speaks to the importance of these commissioned works in the musician's career.{{Cite web |title=Accordionist - Joseph Petric |url=http://www.musiciansgallery.com/start/accordion/petric/joseph.html |website=musiciansgallery.com}} These commissions include concerti by composers like Peter Paul Koprowski (1994),{{Cite web |title=Accordion Concerto |url=https://ppkoprowski.com/accordion-concerto/ |website=ppkoprowski.com}} Omar Daniel (1998),{{Cite web |title=Murder ballads concerto for accordion and orchestra |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=0c394f1a-a483-45d7-870e-c89886c8e213 |access-date=2023-07-19 |website=Canadian Music Centre: Music Library |language=en}} Denis Gougeon (2004),{{Cite web |last=Gougeon |first=Denis |title=En Accordéon: Denis Gougeon |url=https://smcq.qc.ca/smcq/en/oeuvre/21838/en-accordeon |access-date=19 July 2023 |website=smcq.qc.ca}} James Rolfe (2005),{{Cite web |last=Rolfe |first=James |title=Flourish |url=https://www.jamesrolfe.ca/category/music/orchestral/ |access-date=19 July 2023 |website=jamesrolfe.ca}} and Brian Current (2008),{{Cite web |last=Current |first=Brian |date=2008 |title=Concerto for Accordion and Orchestra |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=f38ed0f5-15fe-407a-a5b7-04a19fa970e1 |website=cmccanada.org |pages=See iv and 1 of sample score for commission information}} among many others. On 8 October 2010, Petric performed three concertos in one night in a concert featuring works by Gougeon, Current, and Piazzolla performed by the Victoria Symphony and Maestra Tania Miller.

Performing arts

Petric's performance career began within the traditional conservatory contexts of the accordion, but by the early 1980s it was clear that his performances were becoming increasingly post-colonial.{{Cite book |last=Petric |first=Joseph |title=The Concert Accordion: Contemporary Perspectives |publisher=Augemus Musikverlag |year=2017 |location=Essen |pages=143 |language=English}}{{Cite web |title=Array Presents III: Retrospectives – Joseph Petric – April 3, 2021 |url=https://www.arraymusic.ca/array-presents-iii-joseph-petric-40th-anniversary-concert-april-3rd/ |access-date=2021-08-29 |website=Arraymusic.ca|date=4 January 2021 }} Petric expresses this post-colonial vision in the concert hall with performances that include free improvisation, comprovisation, electroacousticism, multi-media, theatrical performance, techno-chamber (with computer and software), Baroque- and Classical-era rhetoric, and the post-modern concerto.{{Cite book |last=Petric |first=Joseph |title=The Concert Accordion: Contemporary Perspectives |publisher=Augemus Musikverlag |year=2017 |location=Essen |pages=162 |language=English}} This holistic approach to performance has been received well among audiences and critics; Peter Reed’s review of Die Winterreise with Pentaèdre and Prégardien at Wigmore Hall in 2019 praises Petric's "extraordinary grasp of [the accordion’s] ability to sound like 'breath from another planet'”.{{Cite web |last=Reed |first=Peter |date=2019-03-21 |title=Wigmore Hall – Christoph Prégardien, Pentaèdre & Joseph Petrič perform Normand Forget's arrangement of Schubert's Winterreise |url=https://www.classicalsource.com/concert/wigmore-hall-christoph-pregardien-pentaedre-perform-normand-forgets-arrangement-of-schuberts-winterreise/ |access-date=2023-07-28 |website=www.classicalsource.com |language=en-GB}} Similarly, Petric and Pauline Oliveros’ microtonal improvising accordion duo, Deep Squeeze (1986–96), is significant for extending Oliveros’ Deep Listening philosophy into the concert hall to explore music and spirituality.{{Cite journal |last=Hubbs |first=Nadine |date=1994 |title=The Fourteenth Annual New Music and Art Festival at BGSU: New Music on Its Own Terms |url=https://www.jstor.org/stable/833616?seq=1 |journal=Perspectives of New Music |volume=32 |issue=2 |pages=304–315 |doi=10.2307/833616 |issn=0031-6016}}

= Touring =

Petric has been represented by several international management agencies concurrently throughout his career, which has allowed him to develop a strong international touring presence. His appearances include return engagements with Musique Royale,{{Cite web |last=Nova Scotia Museum |date=2018-05-11 |title=Musique Royale Back at Highland Village |url=https://novascotia.ca/news/release/?id=20060803006 |access-date=2023-07-28 |website=novascotia.ca |language=}} Debut Atlantic,{{Cite web |last=Debut Atlantic |title=Debut Atlantic » Diomira |url=https://www.debutatlantic.ca/artist/diomira |access-date=2023-07-28 |website=debutatlantic.ca |language=}} Debut Atlantic Encore,{{Cite web |last=SiestaLOL |date=2008-08-08 |title=2008-09 {{!}} Bellows & Brass |url=https://prairiedebut.com/bellows-brass/ |access-date=2023-07-28 |website=prairiedebut.com |language=}} Prairie Debut, John Lewis Partnership (UK), Jeunesses Musicales, Columbia Artists Community Concerts, and Sweden's Reikskonzerter.{{Cite web |last=New Music Concerts |date=30 October 2011 |title=Wuorinen Percussion Symphony |url=https://www.yumpu.com/en/document/read/13256036/secret-of-the-seven-stars-new-music-concerts |access-date=28 July 2023 |website=yumpu.com |page=9 [of whole document, see "Joseph Petric" in Performer Biographies] |language=}}

Petric's 1986 American debut at Washington's Kennedy Center included R. Murray Schafer's La Testa d’Ariadne and his European debut followed in 1992 at St. John's, Smiths Square (London). These performances generated strong interest in Petric leading to performances at venues like the Institut de recherche et coordination acoustique / musique (IRCAM), Tanglewood Music Festival, Kennedy Center, The Berlin Philharmonic Chamber Music Hall, Disney Centre, Israeli Opera at Tel Aviv, Jerusalem Festival, and Tokyo Spring. In 2009 he began a series of intercontinental tours with the wind quintet Pentaèdre and tenor Christoph Prégardien in Norman Forget's chamber adaptation of Schubert's Die Winterreise. These performances brought the ensemble to Wigmore Hall, Tokyo Bunkai Kaikan, and The Berlin Philharmonic.

In Canada, Petric has performed at Roy Thomson Hall with the Toronto Symphony Orchestra, The Music Gallery,{{Cite web |last=Becker |first=Bob |date=30 August 2020 |title=More from Bob's Archive (Part 8) – El Duo |url=https://www.nexuspercussion.com/2020/08/more-from-bobs-archive-part-9/ |access-date=28 July 2023 |website=www.nexuspercussion.com}} Nouvel Ensemble Moderne,{{Cite web |last=Gotham |first=Nic |date=1 September 2012 |title=Bouliane; Gougeon; Rea Joseph Petric; Nouvel Ensemble Moderne; Lorraine Vaillancourt |url=https://www.thewholenote.com/index.php/booksrecords2/booksrecords2-2/19165-bouliane-gougeon-rea-joseph-petric-nouvel-ensemble-moderne-lorraine-vaillancourt |access-date=27 July 2023 |website=thewholenote.com}} Ottawa Chamber Music Festival,{{Cite web |last=Palmer |first=Juliet |date=2009 |title=evening rode tenderly: nine dances for accordion and piccolo/alto flute |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=c0ab8595-10d8-4d1d-8ac5-84e1cc0f6633 |access-date=27 July 2023 |website=Canadian Music Centre: Music Library |language=}} Winnipeg New Music Festival,{{Cite web |last=Arcuri |first=Serge |date=2009 |title=Bandonéon |url=http://collections.cmccanada.org/final/Portal/Music-Library.aspx?component=AAEY&record=7d0d26a0-d421-4666-a0fd-909484ec1d49 |access-date=27 July 2023 |website=Canadian Music Centre: Music Library |language=}} and Newfoundland Sound Symposium,{{Cite web |last=Canadian Electroacoustic Community (CEC) |title=arghanum V [1990-I] pet (13:16 / 1990) |url=https://cec.sonus.ca/education/archive/presentation/en/oeuvres/457/45764.php |access-date=27 July 2023 |website=cec.sonus.ca}} among many other venues and festivals. Engagements at international festivals include those with Huddersfield Contemporary Music Festival, De Yjsbrekker, Vienna Haus der Musik, Siljan Festival, Hohenems Schubertiade, and Belfast Festival. Petric remains a sought-after guest for international masterclasses and lectures across North America, the United Kingdom, and Europe.

= Discography =

For details on Petric's audio recordings, see Main Article: Joseph Petric Discography.

Research

= Musicology =

File:Giovanni̠gagliardi.png

Petric is sought internationally for private mentoring and is Visiting Professor at the Université de Montréal, where he leads the graduate accordion performance program.{{Cite web |title=Joseph PETRIC |url=https://musique.umontreal.ca/communaute/corps-enseignant/fiche/in/in32500/sg/Joseph Petric/ |access-date=2023-11-28 |website=Faculté de musique - Université de Montréal |language=fr}} The academic dimension of his practice includes treatises such as Giuseppe Tartini's The Art of Ornamentation (1759) and Adolf Beyschlag's Die Ornamentik (1904), recent and historical scholarly publications, and Petric's own writing. Petric's 2017 monograph The Concert Accordion: Contemporary Perspectives, for example, combines musicological, historical, and interpretive approaches that are fundamental for developing “a living art”.{{Cite book |last=Petric |first=Joseph |title=The Concert Accordion: Contemporary Perspectives |publisher=Essen |year=2017 |location=Essen |pages=21}} In this volume, Petric re-introduces Giovanni Gagliardi's treatise Le Petit Manual de L'Accordéoniste (Paris, 1911; reprint by Augemus, 2004) to a wider readership and notes Gagliardi's unique approach to fingering and ‘circular bowing’ on the accordion.{{Cite book |last=Petric |first=Joseph |title=The Concert Accordion: Contemporary Perspectives |publisher=Augemus Musikverlag |year=2017 |location=Essen |pages=29–36}} Petric also draws attention to the significance of instrument design by codifying 14 concert instrument patents filed by Italian builders near Milan, Catania, Croce St. Spirito, Paris, Geneva, Bolzano, Philadelphia, New York City, and Chicago between 1890 and 1930.{{Cite book |last=Petric |first=Joseph |title=The Concert Accordion: Contemporary Perspectives |publisher=Augemus Musikverlag |year=2017 |location=Essen |pages=45–72 |chapter=Chap. 2, The Italian Accordion Universe}}

Petric's accordion is a practical application of his interests in historical design and recent acoustic research, which were combined to create an instrument suited to performing in concert halls. This bespoke instrument was designed and built in collaboration with Canadian builder Leo Niemi and uses unique reed blocks that deliver heightened reed response and sound projection in symphonic concerti. The design also relies on violin-like sound posts for enhanced resonance and a silicone-shellac finish created after researching the shellacs used on Stradivarius’ violins. These features of Petric's accordion make it the ideal instrument for a career focused on concertizing.{{Cite journal |last=Goldman |first=Jonathan |date=2004 |title=Interview with Joseph Petric |journal=Circuit: Musiques Contemporaines |language=en |volume=15 |issue=1 |pages=82 |doi=10.7202/902343ar |issn= |doi-access=free}}

= Publications =

The Holistic Accordion, a Manifesto: Fresh Perspectives of an Interpretive Art (Augemus, 2022)
The Concert Accordion: Contemporary Perspectives (Augemus, 2017)

Collaborations

= Set ensembles =

2011, Trio Diomira: inclusive trio influenced by Persian, jazz, contemporary, and European classical traditions and texts, works by Dinuk Wijaratne{{Cite web |title=DIOMIRA - feat. Dinuk Wijeratne, Nick Halley, Joseph Petric (opening act Son Latino) Tickets {{!}} Halifax Central Library – Paul O'Regan Hall {{!}} Halifax, NS {{!}} Tue, Sep 10, 2019 at 6:30pm {{!}} Prismatic Arts Festival |url=https://prismatic.tickethalifax.com/events/97448602/diomira-feat-dinuk-wijeratne-nick-halley-joseph-petric-opening-act-son-latino |access-date=2023-06-15 |website=Ticket Halifax |language=en}}{{Cite web |last=Debut Atlantic |title=Diomira: Touring from February 7th to February 23rd, 2014 |url=https://www.debutatlantic.ca/artist/diomira |access-date=2023-07-20 |website=debutatlantic.ca |language=en-US}}
2009, Duo Contempera: accordion and cello duo with David Hetherington{{Cite web |title=New music festival : Duo Contempera |url=https://discoverarchives.library.utoronto.ca/index.php/otufm51-cd-2010-08 |access-date=2023-06-15 |website=discoverarchives.library.utoronto.ca}}
2004–Present, Pentaèdre - Winterreise Project: Schubert's Winterreise adapted for wind quintet by N. Forget; performances with Christoph Prégardien{{Cite web |title=Schubertiade – Christoph Prégardien, Joseph Petric, Ensemble Pentaèdre |url=https://www.schubertiade.at/en/produktionen/christoph-prgardien-joseph-petric-ensemble-pentadre.html?ID_Vorstellung=424&m=146 |access-date=2023-06-15 |website=www.schubertiade.at}}
2002–Present, Petric / Carpentier Duo: accordion and clarinet duo, contemporary works with Martin Carpentier{{Cite web |title=petric-biarc |url=https://www.picanto.ca/en/page/petric-biarc |access-date=2023-06-15 |website=Picanto.ca |language=en}}
2002–11, Petric / Forget Duo: accordion and oboe, works ancient and new{{Cite web |title=Joseph Petric and Normand Forget - Serenata Music |url=https://serenatamusic.com/index.php?page=petric2 |access-date=2023-06-15 |website=serenatamusic.com}}
1999–Present, Bellows and Brass: trio for accordion, trombonist Alain Trudel, and triple instrumentalist and actor Guy Few; commissioned works, theatrical creations, multi-media works, live video and interactive electronics, new and ancient music{{Cite web |title=Bellows & Brass |url=https://smcq.qc.ca/smcq/en/artiste/bellowsbrass_/bellows-brass/biographie |access-date=2023-06-15 |website=SMCQ |language=en}}{{Cite web |last=Advance |first=Barrie |date=2009-03-25 |title=A Musical Cirque de Soleil |url=https://www.simcoe.com/things-to-do/a-musical-cirque-de-soleil/article_57efc547-f951-5f8e-8179-fa9e3b16d458.html |access-date=2023-06-15 |website=Simcoe.com |language=en}}
1994–Present, Erosonic: accordion and baritone saxophone (David Mott); performing notated, improvised, and electroacoustic works with staging, lighting, and movement{{Cite web |title=Noon Hour Concert: Erosonic {{!}} Music |url=https://uwaterloo.ca/music/events/noon-hour-concert-erosonic |access-date=2023-06-15 |website=uwaterloo.ca |language=en}}
1994–Present, Petric / Penderecki Quartet: commissions, collaborations; recordings with staging, electronics, and narrations{{Cite web |last=Penderecki Quartet |title=2018/2019 Season [See 28 March 2019] |url=https://www.ps4.ca/new-page-48 |access-date=15 June 2023 |website=Penderecki String Quartet}}
1986–2002, Petric / Cross Duo: London-based accordion and clarinet duo with British clarinettist Fiona Cross{{Cite web |title=Serenity for clarinet and accordion |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=6bf3fbd6-e674-48c7-bb15-501b5b7711bc |access-date=2024-05-02 |website=Canadian Music Centre: Music Library |language=en}}{{Cite journal |last=Ratcliffe |first=Shirley |date=1992 |title=Music Journal: UK Listings, April 1992 |url=https://www.jstor.org/stable/966436 |journal=The Musical Times |volume=133 |issue=1789 |pages=2 |jstor=966436 |issn= }}
1986–96, Deep Listening: An improvisational microtonal accordion duo with Joseph Petric and Pauline Oliveros. The duo’s name comes from Oliveros’ Deep Listening philosophy and her work with the Deep Listening Band. Because of her unified approach to music and philosophy, Oliveros is widely considered to be a musical and spiritual heir to John Cage, even though she began developing her philosophy before hearing Cage’s watershed piece 4’33”.{{Cite news |last=Service |first=Tom |date=2012-05-07 |title=A guide to Pauline Oliveros's music |url=https://www.theguardian.com/music/tomserviceblog/2012/may/07/guide-contemporary-music-pauline-oliveros#:~:text=Oliveros%20(born%20in%201932),,and%20sonic%20exploration%20was%20born. |access-date=2025-02-18 |work=The Guardian |language=en-GB |issn=0261-3077}} Notable performances include their program at Bowling Green State University’s 14th New Music and Art Fesitval, “Art and Spirituality” (1993).{{Cite web |title=14th Annual New Music and Art Festival [Program] |url=https://digitalgallery.bgsu.edu/items/show/24351 |access-date=2025-02-18 |website=digitalgallery.bgsu.edu |language=en-US}}^, {{Cite web |title=Deep Squeeze [Program] |url=https://digitalgallery.bgsu.edu/items/show/24357 |access-date=2025-02-18 |website=digitalgallery.bgsu.edu |language=en-US}}^, {{Cite book |url=https://maurice.bgsu.edu/record=b4121561~S9 |title=New Music Festival. 14 Oct. 1993 [Sound Recording] |date=1993 |publisher=Bowling Green State University |series=CMA performance |location=Bowling Green, OH}} Archival materials on Petric and Oliveros’ work together can be found at the New York Public Library{{Cite web |title=Pauline Oliveros Papers [b.47 f.22 Petric, Joseph 1993–1994] |url=https://archives.nypl.org/mus/20385#detailed |access-date=2025-02-18 |website=archives.nypl.org}} and the University of California.{{Cite web |title=Pauline Oliveros Papers [b.29 f.34 Petric, Joseph] |url=https://oac.cdlib.org/findaid/ark:/13030/c8dz0fc6/admin/ |access-date=2025-02-18 |website=oac.cdlib.org}}

= Artistic direction =

2013, Berio's Sequenza: co-director with David Hetherington, first complete Canadian staging of Luciano Berio's Sequenza collection with original narrations of Sanguinetti's poetry and full staging; performed at University of Toronto New Music Festival{{Cite web |last=Citron |first=Paula |date=2012-11-30 |title=Berio's Sequenza Back to Back |url=https://www.thewholenote.com/index.php?option=com_content&view=article&id=20895:ber |access-date=2023-06-15 |website=The WholeNote |language=en-gb}}
2010, Accordion on Fire: concerti by Current, Gougeon, and Piazzolla performed in a single concert with Tania Miller and the Victoria Symphony{{Cite web |title=Petric Joseph, accordionist |url=https://israel-opera.co.il/eng/?CategoryID=263&ArticleID=1255 |access-date=2023-06-15 |website=israel-opera.co.il |language=en}}
1994, CBC Virtuosi Series: hosted new music program, Two New Hours, featuring contemporary Canadian composers and virtuosi at Glenn Gould Theatre (Toronto)
1991, The Big Squeeze Accordion Festival: artistic co-director{{Cite web |title=Tenebroso: Commissioned by Joseph Petric |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=7d90df51-3ce9-4f75-a5dd-5b3376c1420c |access-date=2023-06-15 |website=Canadian Music Centre: Music Library |language=en}}

= String ensembles =

Composers Andrew Paul MacDonald (Quebec), Adrian Williams (UK), Yannick Plammondon (Quebec), and Éric Morin (Quebec) have had works premiered by Petric in collaboration with the Vanbrugh (Ireland) and Penderecki (Canada) Quartets. These premieres include strictly acoustic, electroacoustic, and theatrical works. Petric has also given premieres of works by Marjan Mozetich and Raymond Luedeke with the Amadeus and Adaskin Trios. Petric's string ensemble collaborators include:

2011, Silver Birch Quartet (Canada){{Cite web |title=The Silver Birch String Quartet |url=https://musicbythesea.ca/portfolio-posts/the-silver-birch-string-quartet/ |access-date=2023-06-15 |website=Music By The Sea |language=en-US}}
2008–10, Quatour St. Germaine (Québec){{Cite web |title=Saison Culturelle - Musique en trois temps - Un concert haut en musique avec le Quatuor Saint-Germain [Cultural Season - Music in Three Stages - A Concert with the Saint-Germain Quartet] |url=https://ville.montreal.qc.ca/portal/page?_pageid=5798,42657625&_dad=portal&_schema=PORTAL&id=13058&ret=http://ville.montreal.qc.ca/pls/portal/url/page/prt_vdm_fr/rep_annonces_ville/rep_communiques/communiques |access-date=2023-06-15 |website=ville.montreal.qc.ca |language=fr-ca}}
2000–06, Adaskin String Trio (Canada){{Cite web |title=Tango dreams for accordion and string trio |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=7cfa43ae-3568-4e89-b907-5bcb5f99d7a4 |access-date=2023-06-15 |website=Canadian Music Centre: Music Library |pages=see "Additional Information" for commission information |language=en}}{{Cite web |title=Adaskin Trio w/Thomas Gallant, Oboe – November 9, 2017 |url=https://promusicajoplin.org/kodaly-string-quartet-woboe-soloist-thursday-november-9-2017/ |access-date=2023-06-15 |language=en-US}}{{Cite web |title=Chamber: Serbian Tango (2011) |url=https://www.anasokolovic.com/en/works/instrumental/chamber/ |access-date=2023-06-15 |website=Ana Sokolović |language=en-US}}
1996–99, Alcan Quartet (Québec)
1996–98, Arriaga Quartet (Belgium)
1994–Present, Penderecki Quartet (Canada)
1994–2000, RTÉ Vanbrugh Quartet (Ireland)
1992–94, Duke Quartet (England)

= Music and spoken word =

David Cameron, Femke (2023): Petric’s collaboration with Scottish poet and author David Cameron uses a performance of David Jaeger and Petric’s composition Spirit Cloud as an accompanying musical texture to Cameron’s narration of his novel,{{Citation |title=Femke by David Cameron: Chapter One | date=25 September 2023 |url=https://www.youtube.com/watch?v=Rp85Sk0SgfQ |access-date=2024-02-22 |language=en}} Femke, which is described as “an immersive psychological study and literary mystery”{{Cite web |last=Reilly |first=Vikki |date=2023-04-14 |title=Femke |url=https://booksfromscotland.com/2023/04/femke/ |access-date=2024-02-22 |website=Books from Scotland |language=en-US}}
Linda Bouchard, Murderous Little World (2004): a multimedia theatrical work for three musicians doubling as actors and narrators based on poet Anne Carson’s collection of poetry and prose Men in the Off Hours (2000); performed by Joseph Petric, Guy Few (trumpet and piano), and Eric Vaillancourt (trombone){{Citation |title=Linda Bouchard's 'Murderous Little World' {{!}} performed by Guy Few, Joseph Petric & Eric Vaillancourt | date=30 October 2012 |url=https://www.youtube.com/watch?v=wObNAiODnfw |access-date=2024-02-22 |language=en}}

Accomplishments

= Awards =

2013, UNESCO International Music Council & Confédération internationale des accordéonistes - Merit Award: for contributions to international accordion art; presented in Victoria, British Columbia{{Cite web |title=CIA Merit Award List, Confédération Internationale des Accordéonistes (CIA), founded 1935 |url=http://www.accordions.com/cia/cia_merit.php |access-date=2023-06-24 |website=www.accordions.com}}
2008, Prix Opus Record of the Year - Classical, Romantic, Post-Romantic, Impressionist: For Winterreise recording with Pentaèdre and Prégardien{{Cite book |last=Conseil Québecois de la musique |title=Prix Opus: Lauréats en 1 à 23 – 1996 à 2019 |year=2019 |location=Québec |pages=33 |language=fr-ca}}
2009, Canadian Music Centre - Ambassador of Canadian Music: for contributions to Canadian music, in celebration of CMC's 50th anniversary
2006, Canadian Music Centre - Friend of Music Award: for contributions to Canadian music
1992, BBC Radio3 Auditions - Laureate: First accordionist laureate at BBC, London{{Cite journal |last=Goldman |first=Jonathan |date=2004 |title=Interview with Joseph Petric |journal=Circuit: Musiques Contemporaines |volume=15 |issue=1 |pages=73–85 |doi=10.7202/902343ar |doi-access=free}}
1980, CBC National Radio Auditions, Laureate

= Nominations =

2005, Prix Opus
2003, Ontario Arts Council - Hunter Prize for Best Recording
2002, JUNO - Best Composition: for album Orbiting Garden

= Funding =

Petric's work has garnered support from Koussevitsky Foundation (New York City),{{Cite web |title=Joseph Petric |url=https://smcq.qc.ca/smcq/fr/artiste/petric_jo/joseph-petric/biographie |access-date=2023-06-24 |website=SMCQ |language=fr}}{{Cite book |last=Nouvel ensemble moderne |title=Denis Bouliane, Denis Gougeon, John Rea |publisher=ATMA Classique |year=2012 |location=Montréal |pages=13 (Fr.) & 23 (Eng.) |language=fr-ca, en}} Canada Council for the Arts,{{Cite web |title=standing in the last lighted room – Emilie LeBel |url=https://www.emilielebel.ca/accordion-electronics/ |access-date=2023-06-24 |language=en-US}}{{Cite web |title=HPO Composer Fellows selected for 22/23 and 23/24 seasons [see: Kathryn Knowles] |url=https://www.hpo.org/news_item/hpo-composer-fellows-selected-for-22-23-and-23-24-seasons/ |access-date=2023-06-24 |website=Hamilton Philharmonic Orchestra |language=en-US}}{{Cite web |last=Government of Canada |first=Public Services and Procurement Canada |title=Information archivée dans le Web |url=https://publications.gc.ca/site/archivee-archived.html?url=https://publications.gc.ca/collections/Collection/K21-23-2000E.pdf |access-date=2023-06-24 |website=publications.gc.ca |pages=21 & 29}} Ontario Arts Council,{{Cite web |title=Hommage à Monet (perspectives 1) |url=http://collections.cmccanada.org/final/Portal/Music-Library.aspx?component=AAEY&record=5cd08135-41e0-4166-b335-27ad58f2cd48 |access-date=2023-06-24 |website=Canadian Music Centre: Music Library |pages=See "Additional Information" for commission information |language=en}}{{Cite web |title=Murder ballads concerto for accordion and orchestra |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=0c394f1a-a483-45d7-870e-c89886c8e213 |access-date=2023-06-24 |website=Canadian Music Centre: Music Library |pages=See "Additional Information" for commission information |language=en}}{{Cite web |title=Pneuma {{!}} Peter Hatch |url=https://www.peterhatch.ca/pneuma |access-date=2023-06-24 |website=Current PH Jan 2022 |language=en}}{{Cite web |title=Concerto |url=https://www.omardaniel.com/orchestra-and-concerto-1 |access-date=2023-06-24 |website=Omar Daniel, composer |page=See "Murder Ballads" |language=en-US}} QALC (Quebec Society of Arts and Letters), CBC Radio,{{Cite web |title=Murder ballads concerto for accordion and orchestra |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=0c394f1a-a483-45d7-870e-c89886c8e213 |access-date=2023-06-24 |website=Canadian Music Centre: Music Library |page=See "Additional Information" for dedication, see "Premiere" for commissioning information |language=en}} Reikskonzerter (Sweden), Laidlaw Foundation (Toronto),{{Cite web |title=Christos Hatzis. Orbiting Garden |url=https://christoshatzis.com/music/25 |access-date=2023-06-24 |website=christoshatzis.com |language=en}}{{Cite web |title=Tenebroso |url=http://1443.sydneyplus.com/final/Portal/Music-Library.aspx?component=AAEY&record=7d90df51-3ce9-4f75-a5dd-5b3376c1420c |access-date=2023-06-24 |website=Canadian Music Centre: Music Library |page=See "Additional Information" |language=en}} and John Lewis Partnership (UK).

= General Sources =

Beyschlag, Adolf. Die Ornamentik der Musik. Leipzig: Breitkopf & Härtel, 1970 [facsimile of original 1908 edition].
Gagliardi, Giovanni. Kleines Handbuch des Akkordeonisten / Manualetto del fisarmonicista / Petit manuel de l'accordéoniste. Edited and translated by Helmut C. Jacobs. Bochum: Augemus Musikverlag, 2004 [tri-language publication of original 1911 edition].
Petric, Joseph. The Holistic Accordion, a Manifesto: Fresh Perspectives of an Interpretive Art. Essen: Augemus Musikverlag, 2022.
Petric, Joseph. The Concert Accordion: Contemporary Perspectives. Essen: Augemus Musikverlag, 2017.
Tartini, Giuseppe. Treatise on the Ornaments of Music. Practical edition. Translated and edited by Sol Babitz. Los Angeles: Early Music Laboratory, 1970.