June Card

{{short description|American soprano and stage director|bot=PearBOT 5}}

{{Use mdy dates|date=April 2022}}

{{Infobox person

| name = June Card

| birth_date = {{birth date and age|1937|04|10}}

| birth_place = Dunkirk, New York

| death_date =

| death_place =

| education = Mannes College The New School for Music

| occupation = {{plainlist|

}}

| organization = Oper Frankfurt

| awards = Kammersängerin

}}

June Card (born April 10, 1937) is an American soprano and stage director who had an active career in operas and concerts from 1959 through today. She began her career as a chorus girl on Broadway before moving into opera.

She established herself as an operatic soprano in Germany during the mid to late 1960s, ultimately forging a more-than-30-year-long partnership with the Oper Frankfurt.{{Cite web|url=http://www.papageno-theater.de/cms/index.php?client=1&lang=1&idcat=51&idart=133 |title=Biography of June Card |language=German |publisher=Papageno Musiktheater |accessdate=August 17, 2010 |url-status=dead |archiveurl=https://web.archive.org/web/20110719071847/http://www.papageno-theater.de/cms/index.php?client=1&lang=1&idcat=51&idart=133 |archivedate=July 19, 2011 }} She also appeared as a guest artist with major opera houses internationally and worked as a soloist in the oratorio repertoire. In recent years she has been active as a stage director for opera productions in Germany, France and America, and worked as a voice teacher and master class instructor.

Career

Born in Dunkirk, New York, Card studied singing with May Browner at the Mannes College The New School for Music. While a student she began her career performing as an ensemble member in the original Broadway production of Rodgers and Hammerstein's The Sound of Music in 1959-1960, including the opening night.{{Cite web| url=http://www.ibdb.com/production.php?id=2796 | title=IBDB The Sound of Music | publisher=The Broadway League | accessdate=August 24, 2010}} She left that production to appear in the ensemble of the original cast of Meredith Willson's The Unsinkable Molly Brown in 1960-1961. She then appeared in the ensemble of the original 1962 production of The Gay Life and was also the understudy for Barbara Cook in the role of Liesl.

= Opera =

Card made her professional opera debut in 1963 as the Southern Girl in the world premiere of Jerome Moross' Gentlemen, Be Seated! at the New York City Opera, then sang Valencienne in Die lustige Witwe (opposite Beverly Sills) with the company. She then moved to Germany where she was committed to Theater Regensburg from 1965–1967, the Staatstheater am Gärtnerplatz from 1967–1980, and from 1969 up into the 2000s at the Oper Frankfurt. She also appeared as a guest artist at the Bavarian State Opera, the Berlin State Opera, the Cologne Opera, the Edinburgh Festival, the Hamburg State Opera, the Holland Festival, La Fenice, La Monnaie, the Liceu, the Palais Garnier, the Royal Opera, London, the Salzburg Festival, the Staatsoper Stuttgart, the Teatro dell'Opera di Roma, the Teatro di San Carlo, the Vienna State Opera, and the Zurich Opera. In 1985 she made her debut at the Metropolitan Opera as Marie in Berg's Wozzeck.{{cite web|url=http://hosting.operissimo.com/triboni/exec?method=com.operissimo.artist.webDisplay&id=ffcyoieagxaaaaaawflq&xsl=webDisplay&searchStr=Card|title=June Card|work=Operissimo concertissimo|access-date=September 23, 2010|archive-date=August 18, 2011|archive-url=https://web.archive.org/web/20110818014424/http://hosting.operissimo.com/triboni/exec?method=com.operissimo.artist.webDisplay&id=ffcyoieagxaaaaaawflq&xsl=webDisplay&searchStr=Card|url-status=dead}}

During her career, Card appeared in several premieres, including Mark Lothar's Der widerspenstige Heilige (1968), Hans Zender's Stephen Climax (1986), John Cage's Europera I and Europera II (1987), and Volker David Kirchner's Erinys (1990). In 1988 she sang in the United States premiere of Europera I and Europera II at the Pepsico Summerfare. Some of the more than 120 leading roles she has performed on stage include: Brünnhilde in Wagner's Götterdämmerung, Carlotta in Schreker's Die Gezeichneten, Chrysothemis in Richard Strauss's Elektra, the Countess in Tchaikovsky's The Queen of Spades, Donna Elvira in Mozart's Don Giovanni, Elvira in Rossini's L'italiana in Algeri, Giorgetta in Puccini's Il tabarro, Lady Macbeth in Verdi's Macbeth, Leonore in Beethoven's Fidelio, Madeleine in Adam's Le postillon de Lonjumeau, Marguerite in Gounod's Faust, Marie in Zimmermann's Die Soldaten, Marie in Donizetti's La fille du régiment, the Marschallin in Strauss's Der Rosenkavalier, Micaela in Bizet's Carmen, Melisande in Debussy's Pelléas et Mélisande, Minnie in Puccini's La fanciulla del West, both Mimì and Musetta in Puccini's La bohème, Nedda in Leoncavallo's Pagliacci, Norina in Donizetti's Don Pasquale, Giulietta in Offenbach's The Tales of Hoffmann, Rosina in Rossini's The Barber of Seville, Sieglinde in Die Walküre, Violetta in Verdi's La traviata, the Woman in Poulenc's La voix humaine, Zdenka in Strauss's Arabella, and the title roles in Aida, L'incoronazione di Poppea, The Cunning Little Vixen, Jenůfa, Lulu, Káťa Kabanová, Madama Butterfly, Salome, and Tosca. In the production of Wagner's Der Ring des Nibelungen in Frankfurt, staged by Ruth Berghaus and conducted by Michael Gielen, she appeared as Freia and Gutrune.{{Cite web|url=https://www.nytimes.com/1987/04/28/arts/opera-wagner-s-ring-des-nibelungen-in-nigeria.html |title=Opera: Wagner's 'Ring des Nibelungen' in Nigeria | first = John | last = Rockwell | work = The New York Times | date = April 28, 1987 | accessdate = August 17, 2010}}

She performed the part of the Duchess of Parma in Ferruccio Busoni's Doktor Faust at the Oper Frankfurt in 1980, staged by Hans Neuenfels, with Günther Reich in the title role and William Cochran as Mephistopheles.{{cite book | title = Doktor Faust | publisher = Oper Frankfurt | date = March 22, 1980 }} In 1999 she sang there the Witch in Engelbert Humperdinck's Hänsel und Gretel, Herodias in Salome, and the Mother in Adriana Hölszky's Die Wände.{{Cite web|url=http://www.publicopera.info/opera199900/opera.html |title=Opera, Diario 1999/2000 | publisher = publicopera.info | accessdate = August 17, 2010}} In 2000 she took the part of the Leitmetzerin in Der Rosenkavalier.{{Cite web|url=http://www.publicopera.info/opera200001/opera.html |title=Opera, Diario 2000/2001 | publisher = publicopera.info | accessdate = August 17, 2010}} In 2001 she appeared as The Old Burya in Jenůfa at the Salzburg Festival, conducted by John Eliot Gardiner.{{Cite web|url=http://www.salzburgerfestspiele.at/dieinstitution/dienste/spielplanarchiv/archivedetails/pid/19/id/19/sid/3/year/2001/ |title=Leoš Janácek • Jenufa | publisher = Salzburg Festival | accessdate = August 17, 2010}} In 2005 she sang the role also in Frankfurt.{{Cite web|url=http://www.publicopera.info/opera200405/opera.html |title=Opera, Diario 2004/2005 | publisher = publicopera.info | accessdate = August 17, 2010}}

= Concert =

In 1980 Card premiered Wilhelm Killmayer's Französisches Liederbuch at the Schwetzingen Festival with baritone Philippe Huttenlocher and the Südwestdeutsches Kammerorchester, conducted by Paul Angerer.{{Cite web|url=http://www.schott-music.com/shop/sheet_music/vocal_music/singing_voices_chamber_ensemble/show,37665,s.html |title=Französisches Liederbuch |publisher=Schott |accessdate=August 17, 2010 |url-status=dead |archiveurl=https://archive.today/20120910161532/http://www.schott-music.com/shop/sheet_music/vocal_music/singing_voices_chamber_ensemble/show,37665,s.html |archivedate=September 10, 2012 }}

Awards

She was awarded the title Kammersängerin ("Chamber singer") by both Frankfurt and Munich.

References

{{Reflist}}

Sources

  • [https://books.google.com/books?id=c7sE1CRxKvUC&dq=%22June+Card%22+%22soprano%22&pg=PA857 Chronology of Western Classical Music: 1751-1900 By Charles J. Hall]