Kamavardhani
{{Use dmy dates|date=October 2021}}
{{Carnatic}}
{{Infobox ragam
| name = Kamavardhini
| synonym =
| image_name =
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| mela =
| chakra =
| type =
| arohanam = {{svaraC|S|R1|G3|M2|P|D1|N3|S'}}
| avarohanam = {{svaraC|S'|N3|D1|P|M2|G3|R1|S}}
| jeeva =
| chhaya =
| nyasa =
| vishesha =
| equivalent =
| similar =
}}
Kamavardhani (pronounced kāmavardhini – కామవర్ధిని/ ಕಾಮವರ್ಧಿನಿ/ காமவர்தினி / कामवर्धिनि) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 51st Melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is also referred by the name Pantuvarāḷi.Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
This rāgam is very popular with musicians who typically sing it in the beginning of a concert. It is called Kāshirāmakriya in the Muthuswami Dikshitar school. The Hindustani music equivalent of Kamavardhini is the Poorvi thaat/Puriya Dhanashree.Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
Structure and Lakshana
It is the 3rd rāgam in the 9th chakra Brahma. The mnemonic name is Brahma-Go. The mnemonic phrase is sa ra gu mi pa dha nu. Its {{IAST|ārohaṇa-avarohaṇa}} structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
- Arohana: {{svaraC|S|R1|G3|M2|P|D1|N3|S'|foot=yes}}
- Avarohana: {{svaraC|S'|N3|D1|P|M2|G3|R1|S|foot=yes}}
(the notes in this scale are shuddha rishabham, antara gandharam, prathi madhyamam, shuddha dhaivatham, kakali nishadham)
It is a sampoorna rāgam – a rāgam that has all seven swaras (notes). This rāgam differs from the 15th melakarta rāgam Mayamalavagowla, which is the rāgam taught to a beginner in Carnatic music, only by the madhyamam. Kamavardhani is the prati madhyamam equivalent of Mayamalavagowla.
''Janya'' rāgams
It has a few minor janya rāgams (derived scales) associated with it. See List of janya rāgams for full list of rāgams associated with it.
Popular compositions
- Guruvina Gulaamanaaguva Tanaka (also sung in Salagabhairavi) – Purandaradasa
- Harinama Jihveyolirabeku By Vyasatirtha
- Vitalayya Vitalayya By Jagannatha Dasa
- Ramanujare Namo By Kanakadasa
- Raghuvara Nannu, Shambo Mahadeva, Saramegani, Appa Rama Bhakthi, Shobhane, Vadaera Daivamu, Sundara Daradeham, Ninne Nera Nammi, and Shiva Shiva Shiva Enarada – Thyagaraja
- Ennaganu Rama Bhajana – Bhadrachala Ramadasu
- Ramanatham Bhajeham, Visalaksheem Visweseem, Senapathe Palayamam, Sri Sundararajam and Ucchishta Ganapathau – Muthuswami Dikshitar
- Ninnarul Iyambalaagumo, Amba Manam Kaninthu and Neeye Pedai Mukham(Varnam) – Papanasam Sivan
- Sarasaksha Paripalaya Maamayi, Paripalaya Sarasiruha, Matanga Tanayayi Mangalam and Saroruhaasana (Navarathri sixth day krithi) – Swati Tirunal
- Magalahârathide Nēku, Mahitâtma Sevite – Kalyani Varadarajan
- Engum Nirainda Paramporule(Varnam)- Madurai Sri N Krishnan{{Cite web|url=https://karnatik.com/c21448.shtml|title=Carnatic Songs – engum nirainda paramporuLE (Pv)}}
- Sharanam tava – Mangalampalli Balamuralikrishna
- Shankari Ninne – Mysore Vasudevachar
- Kunjitha padhathai by Gopalakrishna Bharathi
- Alli undidalaam vareer by Dandapani Desikar
- Nirupama Sundarakara and Sonnadhai Kel Kanna by Oothukkadu Venkata Kavi
Film Songs
=Language: [[Tamil language|Tamil]]=
class="wikitable"
!Song !Movie !Composer !Singer |
Amba Manamkanindhu |
Yezhu Swarangalukul(Ragamalika with Sindhubairavi,khamboji)
|rowspan=2|M. S. Viswanathan |rowspan=3|Vani Jairam |
Neerada Neram |
Arpudha Kalaidhan
|Idhaya Nayagan |rowspan="3"|Deva |
Intha Nimisham |
Thenthoovum Vasandham |
Karmegam Oorgolam Pogum
|Kalamellam Un Madiyil |rowspan=3|S. P. Balasubrahmanyam, S. Janaki |
Devi Devi
|Vijay Anand |
Rojavai Thaalattum
| rowspan="12" |Illayaraja |
Theme Music (Violin Concert)
|Various |
Kaadhal Ennum Kaaviyam |
Piraye Piraye |
Om Sivoham |
Theme Music (BGM)
|- |
Ninnaichcharan Adainthen |
Yenna Varam Vendum
|Mano,Lekha, Sindhu Devi |
Sree Ramavaarai
|Chinmayi,Sakyath |
Aadum Pambirukuthu(Ragam Panthuvarali touches) |
Enna Nadakkudhu Saami
|Muthu Sirpy |
Nalla Neram Neram
|rowspan=3|S. Janaki |
Vazhimel Vizhiyaal |
Nalam Paaduven
|Kanmaniye Pesu |
Hai Rama
|rowspan="3"|A. R. Rahman |
Athini Sithini |
Macha Machiniye
|Star |
Oh Nenjame
|Paasakanal |rowspan=2|S. A. Rajkumar |K. J. Yesudas,Sunandha |
Adi kadhal Enpathu |
En Vanam Neethana
|Oviyan |S. P. Balasubrahmanyam,Shenoy Balesh |
Or Aayiram Yaanai
|rowspan="2"|Nandha |rowspan="2"|Yuvan Shankar Raja |
Amma Endralle |
Poovum Malarnthida
|Swararaj |
Kangal Theduthey |
Devathaiyai Mannil
|Srinivas,Reshmi |
Or Mirugam
|V. V. Prasanna, Pragathi Guruprasad |
Marandhaye
|rowspan=2|D. Imman |Jonita Gandhi , Pradeep Kumar |
Enge Ponai
|S. P. Balasubrahmanyamuruprasad]] |
Holy sage Instrumental BGM
|rowspan=2|Aniruth |
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.
Kamavardani's notes when shifted using Graha bhedam, yields Kanakangi (the 1st melakarta). Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. See further details and an illustration of Graha bhedam on Kanakangi.
It tends to sound similar to, and is often mistaken for, another ragam called Purvikalyani.
Notes
{{notelist|30em}}
References
{{Portal|India|Music}}
{{reflist}}
{{Melakarta ragas|state=collapsed}}
{{Janya|state=collapsed}}