Kate Carney

She was born in the London district of Southwark.1939 England and Wales Register, Catherine M Shea, Wandsworth, London1901 census: RG13/475 f.162 p.28 - 221 Brixton Hill, Streatham - Kate Barclay, born Southwark, London Her father worked in a double act, the Brothers Raynard, and her mother also performed on stage. Kate began singing on stage as Kate Patterson; in 1886, she married George Shea, who assumed the stage name Barclay and performed in a double act, "Barclay and Perkins, the Brewers of Mirth".Richard Anthony Baker, British Music Hall: an illustrated history, Pen & Sword, 2014, {{ISBN|978-1-78383-118-0}}, pp.161-163

After a break when her first two sons were born, she reappeared in 1890 under the name Kate Carney at the Albert Music Hall in Canning Town, singing Irish ballads such as "Here's My Love to Old Ireland". She soon became popular, and gradually replaced the Irish songs in her act with Cockney songs, including "Three Pots a Shilling" and "Sarah, Sarah (A Donkey Cart Built for Two)". She became known as "The Cockney Queen", "The Coster Queen", or "The Coster Comedienne". Writer Roy Busby described her as "..a buxom woman, dressed in a coster dress of pearly and a large hat trimmed with enormous ostrich plumes... Her songs combined a ripe humour with the pathos of East London life...".{{cite book |last=Busby |first=Roy |author-link= |date=1976 |title=British Music Hall: An Illustrated Who's Who from 1850 to the Present Day |url= |location=London |publisher=Paul Elek |page= 31|isbn=0-236-40053-3}} Among her most successful songs were "Has Anyone Seen My Yiddisher Boy?", "When the Summer Comes Again", "Three Pots a Shilling", and "Are We to Part Like This, Bill?", written by Harry Castling and Charles Collins. Carney performed at the Empress Theatre in Brixton on its opening night in December 1898.[https://www.layersoflondon.org/map/records/empress-theatre-brixton Empress Theatre, Brixton], Layers of London website She appeared in her first Royal Variety Performance in 1912.

Her husband stopped performing to act as her agent – later also managing Ted Ray, among others – and she became one of the most successful music hall performers. She established her own company of dancers to support her own stage act, and acquired enough wealth to buy a large house in Brixton as well as racehorses and expensive cars.

After the First World War, she restricted her appearances, re-emerging in the early 1930s when she performed with a butler accompanying her on piano, as well as her own chorus and musicians. She appeared in the 1935 and 1938 Royal Variety Performances. During the Second World War, she became known for ignoring air raid warnings and inviting audience members to join her on stage. After the death of her husband in 1944, she became the lessee of Grand Theatre, Clapham Junction in her own right.{{cite web|url=http://www.arthurlloyd.co.uk/Clapham.htm|title=Theatres and Halls in Clapham Junction and Battersea}}

Carney also appeared on BBC radio, and continued to perform until her last broadcast in 1949. Upon her eightieth birthday on August 15, she received "best wishes" from Queen Mary that "the coming years may bring many happy days". Carney died four-and-a-half months later, on New Year's Day, 1950.GRO Register of Deaths: MAR 1950 5d 759 WANDSWORTH - Catherine M. Barclay, aged 80{{cite news |title=KATE CARNEY|work=The New York Times|author=|author-link=|date=January 2, 1950|accessdate=May 14, 2024| url=https://timesmachine.nytimes.com/timesmachine/1950/01/02/89704341.html?pageNumber=23}} She had five children with her husband George Shea and is buried alongside her husband, and a son who pre-deceased her, in Putney Vale Cemetery.{{cite web|url=http://www.arthurlloyd.co.uk/Burials.htm|title=Music Hall and Variety Artistes Burial Places}} She was also the mother-in-law of Canadian dancer Gladys Mavius.

• Are We to Part Like This, Bill
• Three Pots a Shilling
• Sarah
• A Donkey Cart Built for Two
• Here's To An English Tar
• Mother, I Love You
• Stand Up For The Rose
• There's A Nice Little Home A-Waiting

{{reflist}}

• {{cite book

| last = Gammond

| first = Peter

| title = Oxford Companion to Popular Music

| year = 1991

| url = https://archive.org/details/oxfordcompaniont00gamm

| isbn = 0-19-311323-6

}}

• {{cite book

| last = Barker

| first = Anthony

| title = Music Hall magazine, issue MH44

}}

• {{cite book

| last = Kilgarriff

| first = Michael

| title = Grace, Beauty & Banjos

| year = 1999

}}

• [https://web.archive.org/web/20060514071057/http://www.gabrielleray.150m.com/ArchivePressText2003/20031018.html Review] of Kate Carney at Hammersmith Varieties Theatre, March, 1897 - The Era, London, Saturday, 6 March 1897, p. 18c/d at Gabrielle Ray's website
• [https://web.archive.org/web/20070809032244/http://freespace.virgin.net/m.killy/sing-c.htm Sing Us One Of The Old Songs webpage] - A Guide to Popular Song 1860-1920 by Michael Kilgarriff

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Category:1869 births

Category:1950 deaths

Category:Comedians from the London Borough of Southwark

Category:Singers from London

Category:English women singers

Category:English women comedians

Category:British music hall performers

Category:Burials at Putney Vale Cemetery

Category:People from Southwark