Labhshankar Thakar

{{Infobox writer

| name = Labhshankar Thakar

| image = Labhshankar Thaker.jpg

| caption = Thakar at Ahmedabad, 1999

| native_name =

| native_name_lang = gu

| pseudonym = Lagharo, Vaidya Punarvasu

| birth_date = {{Birth date|df=y|1935|1|14}}

| birth_place =Sedla village near Surendranagar, Gujarat

| death_date ={{Death date and age|df=y|2016|1|6|1935|1|14}}

| death_place = Ahmedabad, Gujarat

| occupation = Poet, playwright, novelist, short story writer, journalist

| language = Gujarati

| nationality = Indian

| education = Master of Arts

| alma_mater = Gujarat University

| period = Modern Gujarati literature

| genres =

| subjects =

| movement =

| notableworks =

| spouse =

| children =

| relatives =

| awards = * Sahitya Akademi Award (1991)

Ranjitram Suvarna Chandrak (1980)
Sahitya Gaurav Puraskar (2002)

| signature =

| years_active =

}}

Labhshankar Jadavji Thakar, also known by his pen names Lagharo and Vaidya Punarvasu (14 January 1935 – 6 January 2016), was a Gujarati poet, playwright and story writer from India. Educated in languages and Ayurveda, he taught at colleges before starting practice of Ayurveda. He had a modernist approach in literature and was heavily influenced by absurd theatre and the traditions of experimental literature. He chiefly wrote plays and poetry.

Life

Thakar was born on 14 January 1935 in Sedla village near Surendranagar, Gujarat. He was a native of Patdi village of Surendranagar district. He completed Bachelor of Arts in Gujarati in 1957, Master of Arts in 1959 from Gujarat University. He taught at various colleges in Ahmedabad for seven years and simultaneously studied Ayurveda. He received Diploma in Suddha Ayurveda in 1964. Later he started an Ayurvedic clinic Kayachikitsa and continued his practice.{{cite book|author=Mohan Lal|title=The Encyclopaedia Of Indian Literature (Sasay To Zorgot)|url=https://books.google.com/books?id=KnPoYxrRfc0C&pg=PA4312|date=1 January 2006|publisher=Sahitya Akademi|isbn=978-81-260-1221-3|pages=4312–4313|volume =5}}{{cite web|url=http://www.gujaratisahityaparishad.com/prakashan/photo-gallery/sahitya-sarjako/Labhshankar-Thakar.html|title=Labhshankar Thakar|language =gu |publisher=Gujarati Sahitya Parishad |access-date =6 October 2014}}{{cite web|url=http://www.museindia.com/authprofile.asp?id=379|publisher=Muse India ejournal|access-date=6 October 2014|title=Labhshankar Thakar|archive-url=https://web.archive.org/web/20141107012044/http://www.museindia.com/authprofile.asp?id=379|archive-date=7 November 2014|url-status=dead}}{{cite book|title=અર્વાચીન ગુજરાતી સાહિત્યનો ઈતિહાસ - આધુનિક અને અનુઆધુનિક યુગ (History of Modern Gujarati Literature – Modern and Postmodern Era)|first=Prasad|last=Brahmabhatt |publisher=Parshwa Publication|location=Ahmedabad|year=2010|pages=43–53|isbn=978-93-5108-247-7|language=gu}}

He died on 6 January 2016 at Ahmedabad after prolonged illness.{{cite web | author=DeshGujarat | title=Noted Gujarati Litterateur Labshankar Thakar passes away | website=DeshGujarat | date=2016-01-06 | url=http://DeshGujarat.Com/2016/01/06/noted-gujarati-litterateur-labshankar-thakar-passes-away/ | access-date=2016-01-06}}{{cite web | title=ગુજરાતના પ્રસિદ્ધ સાહિત્યકાર, વૈદ્ય લાભશંકર ઠાકર 'પુનર્વસુ'નું નિધન | website= Chitralekha | date=6 January 2016 | url=http://chitralekha.com/breaking-news/labhshankar-jadavji-thakar/ | language=gu | access-date=15 November 2016|archive-url=https://web.archive.org/web/20161115064345/http://chitralekha.com/breaking-news/labhshankar-jadavji-thakar/|archive-date=15 November 2016}}

Works

File:Gujarati Vishwakosh10.jpg]]

Thakar was a modernist author of Gujarati literature. He, along with Madhu Rye, belongs to the Re School, a modernist tradition of Gujarati literature under the influence of existentialism challenging traditional literature styles.

He had written nearly 56 books of different genres as well as 21 books on Ayurvedic treatments.

=Poetry=

Thakar initially wrote poetry in traditional metres and gradually shifted to more experimental one. He emphasized the process of poetry rather than final piece of poetry. He was more interested in the absurdism than the realism.{{cite book|author=Saccidānandan|title=Indian Poetry: Modernism and After : a Seminar|url=https://books.google.com/books?id=AXiNXRM_KzMC&pg=PA94|year=2001|publisher=Sahitya Akademi|isbn=978-81-260-1092-9|pages=94–95}}{{cite book|author1=Stephen Cushman|author2=Clare Cavanagh|author3=Jahan Ramazani|author4=Paul Rouzer|title=The Princeton Encyclopedia of Poetry and Poetics: Fourth Edition|url=https://books.google.com/books?id=uKiC6IeFR2UC&pg=PA590|date=26 August 2012|publisher=Princeton University Press|isbn=978-1-4008-4142-4|page=590}}{{cite book|author=Maharashtra (India)|title=Maharashtra State Gazetteers: General Series|url=https://books.google.com/books?id=e0FuAAAAMAAJ|year=1971|publisher=Directorate of Government Print., Stationery and Publications|page=406}}

His Vahi Jati Pachhal Ramya Ghosha (1965) was in traditional metres but soon he wrote modern long poem Manasni Vaat (1968) exploring new styles. His Mara Namne Darwaje (1972) and Boom Kagalma Kora (1974) deal with absurdity and illogicality of life. Pravahan (1986) is long poem about process of poetry formation paralleled with excretion of feces. Kalagranthi (1987) is the collection of six poems.{{cite book|author=K. R. Srinivasa Iyengar|title=Indian Literature Since Independence: A Symposium|url=https://books.google.com/books?id=cN9jAAAAMAAJ|year=1973|publisher=Sahitya Akademi|pages=77–78}} Tola Avaj Ghonghat (1990) is his acclaimed work. His other collections of poetry are Kalpayan (1999), Kichud Kichud (1999), Hathiyar Vagarno Gha (2000), Samay Samay (1999), Tev, Chhe Pratiksha, I Don't Know, Sir, Chhe, Kathakno Ka, Aav, Me Commit Karyu Chhe Shu? and Ramat.

=Plays=

Thakar was heavily influenced by Theatre of the Absurd and Samuel Beckett. He along with playwright Subhash Shah, wrote Ek Undar ane Jadunath based on Beckett's Waiting for Godot in 1966. Ek Undar ane Jadunath is considered to be the first absurd play in Gujarati.{{cite book|author=K. M. George|title=Modern Indian Literature, an Anthology: Surveys and poems|url=https://books.google.com/books?id=m1R2Pa3f7r0C&pg=PA140|access-date=22 February 2017|year=1992|publisher=Sahitya Akademi|isbn=978-81-7201-324-0|page=140}} His first one-act play Asatyakumar Ekagrani Dharpakad was published in collection of one-act plays, Make Believe (1967) with five other Re School writers. His collection of seven one-act plays, Mari Jawani Maza (1973) is in absurd style. Bathtub ma Machhali (1982), a collection of seven one-act plays, has an overtone of satire and irony. His Pilu Gulab ane Hu (1985) is two-act play about the agony of an actress who is craving true love. It was directed by Kanti Madia. It was originally improvised work for Darpana Academy of Performing Arts. Kahe Koyal Shor Machaye Re (1993) was originally a scene from Pilu Gulab ane Hu (1985) and later produced as one-act play. It was later turned into three-act play. Mansukhlal Majithiya (1993) is six scene play.

He was active in workshops for playwrights called Aakanth Sabarmati.

=Other=

Akasmat (1968) and Kon? (1968) are his novels. His humour novels include Hasyayan (1993), Champak Chalisa (1994), Anapsanap (1994), Pivari (1996). He also wrote some more novels later Maro Driver (2002), Bako Chhe, Kalpo (2006) and Kuhoo Kuhoo Bole Koyaliya (2008).

Malela Jeevni Samiksha and Inner Life (1969) are his works of criticism. Inner Life was written with Dinesh Kothari. Malela Jeevni Samiksha is a criticism, written with Chinu Modi and Manhar Modi, of Malela Jeev by Pannalal Patel. His works of journalism and other essays are collected in Ek Minute (1986), Kshana Tatkshana (1989), Sooraj Ugyo Kevadiayani Fanase (1993), Aa Howana Sandarbho, Nisbat, Manjal Thambh Thayelu, Hamari Salam, Vinimayvriksha, Dholi Gaya Je Tadko, Thodo Amasto Tadko, Kagalni Punchhadi and Zakalno Za. Maari Ba (1989) and Bapa Vishe (1993) is a biographical work about his mother and father respectively. He also wrote several books on Ayurveda.

He wrote five children's stories in 1994; Mumbaini Kidi, Kagada Uncle Mamaravala, Nadi-Kanthe Drau Drau, Tadkano Papad and Kanpau Rakshash. Sarva Mitra (1986) is collection of essays on Ayurveda published in his column in Liksatta under pen name Punarvasu. He had edited three akhyanas with Prasad Brahmabhatt; Nalakhyan, Kunwarbai nu Mameru and Sudamacharitra. He published several magazines including Kriti and Unmoolan.

Awards

He received Kumar Chandrak in 1962 and Narmad Suvarna Chandrak also. He was also awarded Ranjitram Suvarna Chandrak in 1980 which he returned for personal reasons and later accepted it in 1994. He was awarded Sahitya Akademi award in 1991 for his poetry, Tola Avaaj Ghonghat. He also received Sahitya Gaurav Puraskar from Gujarati Sahitya Akademi in 2002.