Larry Kert

{{Short description|American actor, singer and dancer (1930–1991)}}

{{Use American English|date=December 2021}}

{{Use mdy dates|date=December 2021}}

{{More footnotes|date=April 2016}}

{{Infobox person

| name = Larry Kert

| image = Larry Kert Photo 1957.jpg

| caption = Kert as Tony in the original Broadway production of West Side Story (1957)

| birth_name = Lawrence Frederick Kert

| birth_date = {{Birth date|1930|12|05|mf=y}}

| birth_place = Los Angeles, California, U.S.

| death_date = {{Death date and age|mf=y|1991|06|05|1930|12|05}}

| death_place = New York City, U.S.

| occupation = {{hlist|Actor|singer|dancer}}

| years_active = 1950–1989

| spouse =

| known_for = Tony in West Side Story

| partner = Ron Pullen

| relatives = Anita Ellis (sister)

}}

Lawrence Frederick Kert (December 5, 1930 – June 5, 1991) was an American actor, singer, and dancer. He is best known for his role of Tony in the original Broadway production of the musical West Side Story. He was nominated for a Tony Award (1971){{Cite web |title=Larry Kert (Playbill) |url=https://www.playbill.com/person/larry-kert-vault-0000062158}} for his work in the musical comedy Company (1970).

Early life

{{more citations needed|date=January 2021}}

Kert was born in Los Angeles, the youngest of four children of Orthodox Jewish parents, Harry and Lillian (née Pearson; originally Peretz) Kert (some sources cite the family surname as Kurt).{{cite book| title=Who's Who in Entertainment, Volume 1| date=1989| publisher=Marquis Who's Who| page=181}} Kert's eldest sibling, Anita, became a vocalist, noted for dubbing Rita Hayworth and other non-singing stars in their films.{{cite web|last1=O'Brien|first1=Gerard W.|title=The Heat is On... Quinn Lemley's Musical Journey as Rita Hayworth|url=http://www.jazzreview.com/article/review-4854.html|website=jazzreview.com|accessdate=August 8, 2014|archiveurl=https://web.archive.org/web/20060827011401/http://www.jazzreview.com/article/review-4854.html|archivedate=August 27, 2006|date=July 25, 2006}} He and his siblings graduated from Hollywood High School. A Shubert Theater Playbill for 1963's I Can Get It For You Wholesale, starring Kert states: "He attended Los Angeles City College. As a teenager he worked at breaking wild horses to saddle—which led to a teen-age career as a stunt man, stand-in, and extra in well-nigh 100 films".

Kert's first professional credit was as a member of a theatrical troupe called the "Bill Norvas and the Upstarts" in the 1950 Broadway revue Tickets, Please!.[https://www.ibdb.com/broadway-production/tickets-please-2145 "Tickets, Please!"]. ibdb.com. Retrieved June 8, 2019. After a seven-month run, he worked sporadically in Broadway,[https://www.ibdb.com/broadway-cast-staff/larry-kert-48001#Credits "Kert Broadway"]. ibdb.com. Retrieved June 8, 2019. Off-Broadway and ballet productions as a dancer until 1957, when he was cast in West Side Story.

''West Side Story''

{{more citations needed|section|date=January 2019}}

File:Balcony scene West Side Story.JPG in the balcony scene of West Side Story, original Broadway cast (1957) ]]

In 1955, while dancing in the chorus in the Sammy Davis Jr. show Mr. Wonderful, Kert was recommended by his fellow dancer and friend Chita Rivera, who eventually won the role of Anita in West Side Story, to audition as a dancer for Gangway during the earliest Broadway pre-production of the Arthur Laurents-Leonard Bernstein-Stephen Sondheim musical later titled West Side Story, an adaptation of Romeo and Juliet set on the west side of mid-town Manhattan in the 1950s. Kert was the 18th out of 150 hopefuls to audition, but was the first one to be cut. A few months later, while he was working for Esquire in an advertising show, Stephen Sondheim approached him after seeing him perform and set up an audition for the part of Tony. Kert was reluctant to accept the offer, but a few weeks later, he was informed that he had the role.{{citation needed|date=January 2019}}

According to Arthur Laurents, who wrote the book for West Side Story, Kert was "a California extrovert, laughing, bubbling, deadly funny, and openly gay."{{cite book| first=Arthur| last=Laurents| title=Original Story By: A Memoir of Broadway and Hollywood| year=2002| url=https://books.google.com/books?id=0XbXeMf8LOsC&q=kert| page=358| location=New York| publisher=Applause Books| isbn=978-1-5578-3467-6| access-date=October 29, 2022}} Director-choreographer Jerome Robbins frequently clashed with Kert, publicly chastising him for being a "faggot", despite the fact that Robbins himself, fellow dancer Tommy Abbott, and most of the creative team were gay. Kert did not repeat his role in the 1961 film version of the show because at 30 years old he could not have believably played a teenager. The role went to former child actor Richard Beymer, whose vocals were dubbed by Jimmy Bryant. Kert was upset at being passed over for the role, because he had hoped that it would jump-start his film career.{{citation needed|date=April 2016}}

Success and struggles

Kert's later career had only occasional high points. The Broadway musical A Family Affair limped along for three months in early 1962. He was a member of the cast of the infamous ill-fated musical version of Truman Capote's novella, Breakfast at Tiffany's, which closed during previews in December 1966. His next project, La Strada (1969), starring Bernadette Peters, closed on opening night. He often worked in Off-Broadway, theatre workshops, and taught dance. However, replacing the original actor who fell ill, he played the male lead Cliff in the first run of Cabaret for most of its run.{{cn|date=November 2022}}

His next big break came as a replacement for Dean Jones as the lead in Stephen Sondheim's Company (1970). Soon after opening night, director Harold Prince released Jones from his contract and substituted Kert. The Tony Awards nominating committee allowed him to compete in the category of Best Actor in a Musical, though the rules normally restricted nominations to the performer who originated a role. The original cast album of Company had already been recorded before Kert joined the first cast. When the cast traveled to London to reprise their roles, Columbia Records recorded new tracks with Kert to substitute for those Jones had recorded. This recording with Kert was released as the Original London Cast recording. In 1998, when Sony Music, which had acquired the Columbia catalog, released a new digital version of the original Broadway cast recording, Kert's rendition of "Being Alive", the show's final number, was included as a bonus track.{{citation needed|date=February 2017}}

In 1977, he won the role of Liza Minnelli's leading man in "Happy Endings", a movie within the movie New York, New York. Kert hoped that his role as the producer, though small, would be his great movie breakthrough. But before New York, New York opened, United Artists, the distributor, insisted that it was too long and persuaded director Martin Scorsese to drop most of the 11-minute "Happy Endings" sequence from the final version, including all of Kert's scenes. In 1981, New York, New York was re-released with "Happy Endings" intact and Kert's role restored.{{cite news| url=https://www.nytimes.com/1981/06/19/nyregion/notes-on-people-for-larry-kert-a-happy-ending-four-years-late.html| title=Notes On people; For Larry Kert, a Happy Ending Four Years Late| date=June 19, 1981| newspaper=The New York Times}}

In 1975, he appeared in A Musical Jubilee, a revue that lasted barely three months. Rags (1986) closed two days after it opened. In his final show, Legs Diamond (1988), he was a standby for star Peter Allen. One of Kert's last recordings was the 1987 2-CD studio cast album of the complete scores of two George and Ira Gershwin musicals: Of Thee I Sing and its sequel Let 'Em Eat Cake. This was the first time these scores had been recorded in their entirety.{{citation needed|date=February 2017}}

Kert made brief appearances in the feature films Gentlemen Prefer Blondes (1953) and New York, New York (1977).{{IMDb name|0450040}} His television credits included guest appearances on The Sorcerer's Apprentice (Alfred Hitchcock Presents), Kraft Suspense Theatre, The Bell Telephone Hour, Combat! (Season 4 episode "One At A Time", aired 1966), Hawaii Five-O, Kojak: Conspiracy of Fear (1973), and Love, American Style. He also appeared several times on The Tonight Show Starring Johnny Carson.{{IMDb name|0450040}} In (1988) Kert appeared for a Special Tribute to Broadway command performance at Ronald Reagan’s White House,

performing “Maria”, “Tonite” and “Something’s Coming” accompanied by Marvin Hamlisch.

Death

Kert's last stage appearance came in a touring company of La Cage aux Folles but he missed performances because of illness. Kert died, at 60, in his Manhattan home of AIDS in 1991. Kert's longtime partner at the time of his death was Ron Pullen, though this did not become publicly known until after he died.[https://www.nytimes.com/1991/06/07/obituaries/larry-kert-60-a-romantic-lead-in-the-original-west-side-story.html "Larry Kert, 60, a Romantic Lead In the Original 'West Side Story', Dies"]. The New York Times. June 7, 1991.{{cite book| first=Charles| last=Kaiser| title=The Gay Metropolis: The Landmark History of Gay Life in America| url=https://books.google.com/books?id=6jlcmZrSXpEC&q=kert|publisher=Grove Press| year=2007| page=93| isbn=978-1-5558-4831-6| access-date=October 29, 2022}}

Stage credits

class="wikitable"

!Year(s)

!Production

!Role

!Notes

1950

|Tickets, Please!

|Performer

|Broadway

1953

|John Murray Anderson's Almanac

|Ensemble

|Broadway

1956-1957

|Mr. Wonderful

|Stagehand

|Broadway

1957-1959

|rowspan=3|West Side Story

|rowspan=3|Tony

|Broadway

1959-1960

|US Tour

1960

|Broadway

1962-1963

|I Can Get It for You Wholesale

|Harry Bogen

|US Tour

1963

|West Side Story

|Tony

|Regional

1966

|Breakfast at Tiffany's

|Carlos

|Broadway

1968-1969

|Cabaret

|Clifford Bradshaw

|Broadway

1969

|La Strada

|Mario

|Broadway

1970-1972

|rowspan=2|Company

|rowspan=2|Robert

|Broadway

1972

|West End

1973

|Two Gentlemen of Verona

|Proteus

|Los Angeles Civic Light Opera

1973-1974

|Two Gentlemen of Verona

|Proteus

|US Tour

1974

|Sugar

|Joe/Josephine

|Los Angeles Civic Light Opera

1975

|A Musical Jubilee

|Performer

|Broadway

1977-1978

|Side by Side by Sondheim

|Performer

|Broadway

1978

|Chicago

|Billy Flynn

|Butler University

1979-1980

|Sugar

|Joe/Josephine

|US Tour

rowspan=2|1982

|Gigi

|Gaston Lachailles

|rowspan=2|The Muny

Anything Goes

|Billy Crocker

1983

|A Little Night Music

|Fredrik Egerman

|Theatre Under the Stars

rowspan=4|1984

|rowspan=3|Funny Girl

|rowspan=3|Nick Arnstein

|The Muny

Playhouse Square
Cincinnati Music Hall
Guys and Dolls

|Sky Masterson

|Paper Mill Playhouse

rowspan=2|1985

|rowspan=2|The Music Man

|rowspan=2|Harold Hill

|North Shore Music Theatre

Ogunquit Playhouse
1986

|Rags

|Nathan Hershkowitz

|Broadway

1987-1988

|La Cage aux Folles

|Georges

|US Tour

Selected Filmography

Sources

{{reflist}}