Lesego Rampolokeng

{{Short description|South African writer, playwright and performance poet}}

{{Use dmy dates|date=May 2022}}

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| occupation = Poet, writer, musician and artist

| nationality = South African

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Lesego Rampolokeng (born 7 July 1965) is a South African writer, playwright and performance poet.

Early life and education

Lesego Rampolokeng was born in 1965 in Orlando West, Soweto, Johannesburg. He studied law at the University of the North in South Africa, but he has not followed this path any further.{{cite web|url=http://2010sdafrika.wordpress.com/2011/02/07/interview-with-lesego-rampolokeng/ |title=Interview with Lesego Rampolokeng | A poet, irresistibly fighting for "a world in which all can breathe"|publisher=SÜDAFRIKA – Land der Kontraste |date=7 February 2011|accessdate=14 February 2013}}[http://www.culturebase.net/artist.php?279 "Rap-Master in the extreme"] —biography of Lesego Rampolokeng on Culturebase.

Works

Lesego Rampolokeng came to prominence in the 1980s, a very turbulent time in South Africa. He was born and bred in Soweto:"I was born in Orlando West. Bred thorough all across Soweto. Orlando East, White City, Chiawelo, Meadowlands, Diepkloof. I schooled

in Jabavu, Moroka, Jabulani… " (Bird Monk Seding p20) His poetry stands aside from politics and is savagely critical of the (post)apartheid establishment. His first two books were published by the Congress of South African Writers (COSAW) Horns for Hondo (1991) and Talking Rain (1993). Rampolokeng has collaborated with various musicians on stage and in the studio. He has performed in many countries and with musicians such as Julian Bahula, Soulemane Toure, Louis Mhlanga and Günter Sommer. He collaborated with the Kalahari Surfers on the Shifty Records album End Beginnings (vinyl, cassette and CD:1990) and the Bandcamp release: Bantu Rejex (2017) .{{cite web|url=http://www.robertchristgau.com/xg/cg/cgv1093-93.php |title=Consumer Guide|date= 19 October 1993 |publisher=Robert Christgau |accessdate=14 February 2013}}

Live performances with Kalahari Surfers include:

(i) The Festival PoesieBH’94 _Brazil (1994) poetry festival in Belo Horizonte, Brazil

(ii)'Sinner and Saint' concerts with Louis Mhlanga (Music ye Afrika), Vusi Mahlasela and Duncan Senyatso (Kgwanyape Band) at Angoulême in France.

(iii) Concert for James Phillips (September 1995/Shifty Records)

(iv) Dada South! National Gallery, Cape Town (2009)

He is directly influenced by the writings of Frantz Fanon and he comes from the Black Consciousness era of the 1970s and 1980s. He is influenced by Ingoapele Madingoane, Matsemela Manaka and Maishe Maponya.These are the writers that he singles out in his interview with [http://www.yworld.co.za Y-Fm], a youth radio station in Johannesburg. This interview is in his CD H.A.L.F Ranthology. Ingoapele Madingoane, in particular, had an immense influence on Rampolokeng becoming a writer. He is a PhD candidate at Rhodes University working on a thesis about Mafika Gwala. Controversially he is also a fan of the writings of Herman Charles Bosman and even moved to Groot Marico to imbibe the spirit of the man. (this explained in a live radio interview for 'Mushroom Hour') [https://soundcloud.com/mushroomhourhalfhour/mampoer-mushrooms-m3h-vol-ii]

In one of his poems, he claimed to "shoot the English with bullets that are British". In another piece of work, "Riding the Victim's Train" (on the CD/album The H.a.l.f Ranthology), Rampolokeng calls himself "a leper cast out in the desert, and cold, without a snout or paw in the pot of gold".

He has shared a stage with local and international poets including Kgafela oa Magogodi, Lefifi Tladi, Lebo Mashile and Natalia Molebatsi. Some academics and critics have compared Rampolokeng to the late Dambudzo Marechera because of his non-complacent and often confrontational writing.Flora Veit-Wild, [https://www.researchgate.net/publication/240524104_Carnival_and_hybridity_in_texts_by_Dambudzo_Marechera_and_Lesego_Rampolokeng "Carnival and hybridity in texts by Dambudzo Marechera and Lesego Rampolokeng"], Journal of Southern African Studies 23(4):553-564, December 1997. Rampolokeng appears in the documentary Giant Steps (2005), directed by Geoff Mphakati and Aryan Kaganof.Giant Steps, by Geoff Mphakati and Aryan Kaganof, 2005, (52min, DVCam, South Africa. A documentary portrait of revolutionary poets Lefifi Tladi, Lesego Rampolokeng, Kgafela oa Magogodi, Afurakan, Mac Manaka with music by Johnny Mbizo Dyani and Zim Ngqawana. He participated in the 2001 Poetry International Festival in Rotterdam.[http://southafrica.poetryinternationalweb.org/piw_cms/cms/cms_module/index.php?obj_id=444 Biography of Lesego Rampolokeng] on Poetry International Festival Rotterdam, 2001.

= Poetry =

  • Horns for Hondo (COSAW, 1990)
  • Talking Rain (COSAW, 1993)
  • Rap Master Supreme – Word Bomber in the Extreme (1997)
  • End Beginnings (English-German) (Marino, 1998)
  • Blue V's (English-German; with CD) (Edition Solitude, 1998)
  • The Bavino Sermons (Gecko Poetry, 1999)
  • The h.a.l.f. ranthology (CD with various musicians, 2002)
  • The Second Chapter (Pantolea Press, 2003)
  • Head on fire – Rants/Notes/Poems 2001-2011 (Deepsouth Publishing, 2012)
  • History
  • A Half Century Thing (Black Ghost Books, 2015)

= Plays =

  • Fanon's Children
  • Bantu Ghost- a stream of (black) unconsciousness

= Albums (with the Kalahari Surfers) =

  • End Beginnings
  • Bantu Rejex

= Novels =

  • Blackheart (Pine Slopes Publications, 2004)
  • Whiteheart (Deepsouth publishing, 2005)
  • Bird-Monk Seding (Deepsouth Publishing, 2017)

References