Let the People Sing (film)

{{Use dmy dates|date=May 2016}}

{{Use British English|date=May 2016}}

{{Infobox film

| name = Let the People Sing

| image = Let_the_People_Sing_(1942_film).jpg

| caption = Original British lobby card

| director = John Baxter

| producer = {{ubl|John Baxter|Wallace Orton}}

| writer = {{ubl|John Baxter|Barbara K. Emary|Geoffrey Orme|J.B. Priestley (novel) }}

| narrator =

| starring = {{ubl|Alastair Sim|Fred Emney|Edward Rigby}}

| music = Kennedy Russell

| cinematography = James Wilson

| editing = Jack Harris

| studio = British National Films

| distributor = Anglo-American Film Corporation

| released = {{Film date|1942|08|10|df=yes}}

| runtime = 105 minutes

| country = United Kingdom

| language = English

| budget =

| gross =

}}

Let the People Sing is a 1942 British comedy film directed by John Baxter,{{cite web|url=https://www.timeout.com/london/film/let-the-people-sing|title=Let the People Sing, directed by John Baxter - Film review}} and starring Alastair Sim, Fred Emney and Edward Rigby. The film's sets were designed by R. Holmes Paul. It was made at Elstree Studios.{{cite web|url=http://ftvdb.bfi.org.uk/sift/title/40096|archive-url=https://web.archive.org/web/20090113205647/http://ftvdb.bfi.org.uk/sift/title/40096|url-status=dead|archive-date=2009-01-13|title=Let the People Sing (1942)}}

The screenplay concerns the people of a small town who band together to try to save their music hall from closure. It is based on the 1939 novel Let the People Sing by J. B. Priestley.{{cite book|url=https://books.google.com/books?id=1c7eCwAAQBAJ&q=let+the+people+sing+1942+denis+gifford&pg=PA511|title=British Film Catalogue: Two Volume Set - The Fiction Film/The Non-Fiction Film|first=Denis|last=Gifford|date=1 April 2016|publisher=Routledge|isbn=9781317740636|via=Google Books}}

Main cast

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Recent critical assessment

Time Out wrote that "John Baxter was the British director probably least patronizing and most sympathetic to the working classes and their culture during the '30s and '40s, and even if his films now often seem naïve and simplistic, it's good at least to see an honest and humorous attempt to deal with life outside Mayfair. Less scathing than Love on the Dole (his best known film), this adaptation of a J.B. Priestley novel is a spritely, vaguely Capra-esque comedy... Fred Emney steals the show as a government arbitrator susceptible to the charms of alcohol."

References

Bibliography

  • Murphy, Robert. Realism and Tinsel: Cinema and Society in Britain, 1939-48. Routledge, 1992.